Chinese
虽然一个事物以不同的名称而为人所知是可能的，但一个字母的声音不能代表其他事物，也不能被理解，因为这个理由，所以字母的自性必须被理解为是不可改变的。第五部分分为两部分：概要的指示和详细的解释。第一部分，从“楞伽”到“引出的声音”之间指示了。楞伽的主人，那么字母的声音是什么呢？例如，自性的声音，转变的声音，结合的声音和引出的声音，这四种类别。第二部分分为四部分：解释自性的声音，指示转变的声音，解释结合的声音，指示引出的声音。第一部分，从“那么自性的”到“如实一般显现”之间指示了。那么自性的声音是什么呢？例如，所说的任何字母，各自的形相的法，形状和颜色两种是不同的，转变的声音和语言是不同的，符号的术语是不同的，从行为的角度来说，代表未出生的阿（藏文：ཨ，梵文天城体：अ，梵文罗马拟音：a，汉语字面意思：阿），以及作为行为的字母卡（藏文：ཀ，梵文天城体：क，梵文罗马拟音：ka，汉语字面意思：卡）等等，虽然看起来有各种各样的术语，但是，阿和卡等名字最初是如何命名的，声音如何，就像那样不被改变，对于被调伏者来说，显现并确定可以衡量的声音而为人所知。第二部分，从“转变的声音”到“变成不同的词语”之间指示了。转变的声音是什么呢？例如，像字母阿（藏文：ཨ，梵文天城体：अ，梵文罗马拟音：a，汉语字面意思：阿）这样的事物，转变为什么样的部分，然后像嗡（藏文：ཨཱོཾ，梵文天城体：ओम्，梵文罗马拟音：oṃ，汉语字面意思：嗡）等声音的差别，在确定意义的意义上，心和语，法的来源，以及勇猛和身这四种不同的显现，像这样代表差别的嗡（藏文：ཨཱོཾ，梵文天城体：ओम्，梵文罗马拟音：oṃ，汉语字面意思：嗡）和昂（藏文：ཨཱྃ，梵文天城体：आं，梵文罗马拟音：āṃ，汉语字面意思：昂）和诶（藏文：ཨེ，梵文天城体：ए，梵文罗马拟音：e，汉语字面意思：诶）和哦（藏文：ཨོ，梵文天城体：ओ，梵文罗马拟音：o，汉语字面意思：哦）等词语的类别变成不同，就像这样，其他的也随之类似。第三部分，从“结合的声音”到“那个和那个的意义出现的是什么”之间指示了。结合的声音是什么呢？例如，像四种事业的坛城的形状，代表四种事业的什么，字母诶（藏文：ཨེ，梵文天城体：ए，梵文罗马拟音：e，汉语字面意思：诶）瓦（藏文：ཝཾ，梵文天城体：व，梵文罗马拟音：vaṃ，汉语字面意思：瓦）玛（藏文：མ，梵文天城体：म，梵文罗马拟音：ma，汉语字面意思：玛）亚（藏文：ཡ，梵文天城体：य，梵文罗马拟音：ya，汉语字面意思：亚）结合成什么形状，四种事业勇猛
English
Although it is possible to know one thing by different names, the sound of one letter cannot represent or be understood by others, because of this reason, the nature of letters must be understood as being immutable. The fifth part has two sections: a summary indication and a detailed explanation. The first part, from "Lanka" to "the sound of derivation," indicates this. Lord of Lanka, then what is the sound of letters? For example, the sound of nature, the sound of transformation, the sound of combination, and the sound of derivation, these four categories. The second part has four sections: explaining the sound of nature, indicating the sound of transformation, explaining the sound of combination, and indicating the sound of derivation. The first part, from "So the nature of" to "appears as it is," indicates this. So what is the sound of nature? For example, any letter that is spoken, each of its own form's characteristics, shape, and color are different, the sound and language of transformation are different, the terms of symbols are different, from the perspective of action, representing the unborn A (Tibetan: ཨ, Devanagari: अ, IAST: a, literal meaning: A), and the letter Ka (Tibetan: ཀ, Devanagari: क, IAST: ka, literal meaning: Ka) as action, and so on, although there appear to be various terms, how the names A and Ka, etc., were originally named, how the sound is, just like that, without being altered, for those to be tamed, it appears and is known as the sound that is certain to be measured. The second part, from "the sound of transformation" to "becomes different words," indicates this. What is the sound of transformation? For example, a thing like the letter A (Tibetan: ཨ, Devanagari: अ, IAST: a, literal meaning: A), transformed into what parts, and then like the difference in the sound of Om (Tibetan: ཨཱོཾ, Devanagari: ओम्, IAST: oṃ, literal meaning: Om), in the sense of determining the meaning, the source of mind, speech, and Dharma, and the four different appearances of the fierce and the body, like this representing the difference, the categories of words like Om (Tibetan: ཨཱོཾ, Devanagari: ओम्, IAST: oṃ, literal meaning: Om) and Ang (Tibetan: ཨཱྃ, Devanagari: आं, IAST: āṃ, literal meaning: Ang) and E (Tibetan: ཨེ, Devanagari: ए, IAST: e, literal meaning: E) and O (Tibetan: ཨོ, Devanagari: ओ, IAST: o, literal meaning: O) become different, just like this, and others are similar. The third part, from "the sound of combination" to "what is the meaning of that and that which arises," indicates this. What is the sound of combination? For example, like the shape of the mandala of the four activities, representing what of the four activities, the letters E (Tibetan: ཨེ, Devanagari: ए, IAST: e, literal meaning: E), Vam (Tibetan: ཝཾ, Devanagari: व, IAST: vaṃ, literal meaning: Vam), Ma (Tibetan: མ, Devanagari: म, IAST: ma, literal meaning: Ma), Ya (Tibetan: ཡ, Devanagari: य, IAST: ya, literal meaning: Ya) combined into what shape, the four activities fierce
Chinese
以及增益、增长和寂静的事业，这四种事业以及它们的意义显现的那些等等。 第四是，“引申的语”。从“引申的语”到“从中产生意义的那些”之间所阐述的。什么是引申的语呢？例如，从字母“ཀ”之类的任何事物中，无论如何引申出的语，如“ཀརྨ་”（藏文，梵文 कर्म, karma，行为）和“ཀཱ་ཡ་”（藏文，梵文 काय, kāya，身）和“ཀཱ་ར་ཎི་”（藏文，梵文 कारण, kāraṇa，原因）和“ཀཱ་ལ་”（藏文，梵文 काल, kāla，时间）等等，从中产生意义，如事业、身、慈悲和黑色等等，凡是不同地显现和变化的那些。 其他的字母也因为随顺的缘故而成为重叠的语音，这些解释也应当了解。第六分为二：略说和广说。第一，从“楞伽”到“凡是了解的本身”之间所阐述的。楞伽的主人，这其中的字母的作用是什么呢？例如，在何处传播或增长众多的声音和词语，以及凡是通达所知并了解的本身。 第二分为二：传播和了解。第一，从“在何处传播”到“了解一切”之间所阐述的。其中，在何处传播呢？例如，从不可把握的自性，法性无生之状态中，字母“ཨ”之类的显现为一个，并且仅仅从一个“ཨ”中，显现出身语意的精华三者，同样地，显现五种智慧的精华和四十二个字母，以及从这些字母中，显现出名称和词语的术语或词语和章节有多少，也从十和三百等直到十万个，以及比这多十倍的千万个，以及比这多十倍的亿个增长的词语术语等等，从而通达和了解一切意义。 第二，从“凡是了解的”到“众多不同地念诵”之间所阐述的。凡是字母的作用，阐述了解所知，例如，念诵鹿的名字，用字母“ཤ”和“བ”来发出，像这样。通过表示意义的自性来念诵名字，以及任何词语的事物，通过字母消失的表达来显示，就是通过字母的集合来表示
English
And the activities of empowerment, increase, and pacification, these four activities and whatever their meanings manifest, and so on. The fourth is, "The derived sound." It is explained from "The derived sound" to "Those from which meaning arises." What is the derived sound? For example, from any object like the letter "ཀ", whatever sound is derived in any way, such as "karma" (藏文，梵文 कर्म, karma，action) and "kāya" (藏文，梵文 काय, kāya，body) and "kāraṇa" (藏文，梵文 कारण, kāraṇa，cause) and "kāla" (藏文，梵文 काल, kāla，time) and so on, from which meanings arise, such as activity, body, compassion, and black, etc., whatever appears and changes differently. Other letters also become stacked sounds because of conformity, and these explanations should also be understood. The sixth is divided into two: brief explanation and detailed explanation. First, it is explained from "Lanka" to "Whatever is the very act of knowing." Lord of Lanka, what is the function of letters in this? For example, where many sounds and words are spread or increased, and whatever is comprehended and known. The second is divided into two: spreading and knowing. First, it is explained from "Where it spreads" to "Knowing everything." Among them, where does it spread? For example, from the ungraspable nature, the unborn state of Dharmata, the letter "ཨ" and the like appear as one, and from that single "ཨ", the essence of body, speech, and mind appears, and similarly, the essence of the five wisdoms and the forty-two letters, and from these letters, the terms of names and words, or words and chapters, however many appear, also from ten and three hundred, etc., up to one hundred thousand, and ten times more than that, ten million, and ten times more than that, the terms of words that increase to a billion, etc., thereby understanding and knowing all meanings. Second, it is explained from "Whatever is known" to "Reading many differently." Whatever is the function of letters, explaining the knowledge of the knowable, for example, like uttering the name of a deer, using the letters "ཤ" and "བ". Reading the name by representing the nature of the meaning, and whatever object of the word, showing it by the expression of the disappearing letter, is represented by the collection of letters.
Chinese
即通过显示意义的差别来阅读词语，就像解释形状一样，不明显的是，显示字母的形状和颜色是这样的，这是阅读形状。或者像“诺”和“洛夏”这样的词语。通过依赖字母来表达知识平等性的意义的范畴，来表示本质和特征是这样的，这是阅读意义。通过字母来表示《声明》和《梵语》等消失的声音，从而了解它们，这是阅读声音。阅读任何事物的形态，例如十五种色蕴，其中色蕴是白天可以显现的，像这样显示就是阅读一个。如果从“益玛”以下的数字消失在一个千位数中，那么显示从这里开始计算的数量，这就是阅读多个。例如，像“一千卡车的稻米和五个谷堆”这样，表示一个消失在多个中，这就是将一个读成多个。像十五种色蕴一样，多个范畴消失在一个中，就像“鹦鹉群”一样，多个事物消失在一个中，这就是将多个读成一个。这样，数字和本质的一个和多个，由于将事物自身的本质划分为不同的，从而变得无限，没有一个和多个的词语。或者像“色、受、想、行、识”或者“地、水、火、风”这样，将一个和多个区分开来阅读。第七个有三个部分：简要说明、详细解释和总结。第一部分是从“又楞伽”到“应知”之间，意思是：又楞伽的主人，这里什么是字母产生的门？就像这样：应知字母的门、词语的门、意义的门、音韵的门和陀罗尼的门，共有五种。第二部分有五个：解释字母的门、解释词语的门、展示意义的门、展示音韵的门和解释陀罗尼的门。第一部分是从“楞伽”到“写在什么上面”之间，意思是：楞伽的主人，什么是接近显示的字母的门？就像是谁收集了什么，在什么基础上写了字母一样，从谁写的东西中显现出来。第二部分是：
English
That is, reading words by showing the difference in meaning, just like explaining shapes, what is not obvious is showing that the shape and color of the letters are like this, this is reading shapes. Or like words such as "Nok" and "Lokshal". Expressing the essence and characteristics by relying on letters to express the categories of the meaning of equality of knowledge, this is reading meaning. Understanding the sounds that disappear, such as "Vyakarana" and "Samskrita", by representing them with letters, this is reading sounds. Reading the form of anything, such as the fifteen aggregates of form, where the aggregate of form can appear during the day, showing it like this is reading one. If a number from "Yima" downwards disappears into one thousand, then showing the quantity counted from here, this is reading multiple. For example, like "one thousand truckloads of rice and five piles", indicating that one disappears into multiple, this is reading one as multiple. Like the fifteen aggregates of form, multiple categories disappear into one, just like "a flock of parrots", multiple things disappear into one, this is reading multiple as one. Thus, the one and the many of numbers and essence, because the essence of things themselves is divided into different ones, become infinite, without the words of one and many. Or like "form, feeling, perception, mental formation, and consciousness" or "earth, water, fire, and wind", reading one and many separately. The seventh has three parts: brief explanation, detailed explanation, and summary. The first part is from "Again, Lanka" to "should be known", meaning: Again, the owner of Lanka, what is the gate of the origin of letters here? Like this: the gate of letters, the gate of words, the gate of meaning, the gate of phonetics, and the gate of dharani should be understood, there are five categories. The second part has five: explaining the gate of letters, explaining the gate of words, showing the gate of meaning, showing the gate of phonetics, and explaining the gate of dharani. The first part is from "Lanka" to "written on what", meaning: the owner of Lanka, what is the gate of letters that is closely shown? Just like who collected what, and on what basis the letters were written, it appears from what was written by whom. The second part is:
Chinese
从“词之门”到“文字”之间所阐述的是：什么是词之门呢？就像微尘聚集形成团块一样，文字聚集形成词语。第三是，从“意义之门”到“词的集合”之间所阐述的是：什么是意义之门呢？就是词的集合所表达的意义。第四是，从“音韵之门”到“应当知晓产生三百六十种”之间所阐述的是：那么，什么是音韵之门呢？就是元音字母阿啊伊伊等等十六个。楞伽的自在十六个字母又是什么呢？应当知晓长音是“昂阿(藏文：འགྭར)”，短音仅仅是“江(藏文：ཅྭང་)”。因此，确定长短，应当知晓长短音各有八种。从短音和长音这两个基础上，应当知晓产生六种音韵的分支，即从短音产生两种，从长音产生两种，从两者均等的部分产生两种，应当知晓并了解。从短音“江(藏文：ཅྭང་)”产生两种分支，就像琵琶一样的夏达巴（梵文天城体：शटप，梵文罗马拟音：śatapa，汉语字面意思：夏达巴）和龙音一样的嘎尔达巴（梵文天城体：गर्धप，梵文罗马拟音：gardhapa，汉语字面意思：嘎尔达巴）两种。其中，前者就像没有失去幼崽的母牛一样，伴随着金刚罗刹的吼叫声；后者就像失去幼崽的母牛一样，发出呻吟和悲伤的哭声，将舌尖抵在上颚发出的声音。这两种声音的功德也在根本续中说：唱夏达巴（梵文天城体：शटप，梵文罗马拟音：śatapa，汉语字面意思：夏达巴）之歌，能使所有恶行消散；唱嘎尔达巴（梵文天城体：गर्धप，梵文罗马拟音：gardhapa，汉语字面意思：嘎尔达巴）之歌，能使所有损害化为尘土。因此，它是猛烈而短促的。从长音“昂阿(藏文：འགྭར)”产生两种分支，就像钹一样的铮铮声和梵天之音一样的嗡嗡声两种。第一种就像蜜蜂被关在陶罐里一样，持续不断，是从呼吸中产生的；第二种就像梵天的声音一样，细微而流畅。功德也在那部经中说：唱铮铮之歌，能使所有幻化神变消散；唱嗡嗡之歌，能使世间女子臣服。就是这个意思。从两者均等的部分产生两种分支，就像迦陵频伽一样的江嘎德吾和歌舞一样的邦