English
The letter 'pa' represents the heel of immeasurable light. The action of guiding samsara is represented by hope, which is the vertical stroke. The combination by action is represented by the crescent moon, which is 'na ro'. The letters condensed into a name are represented by the actual dot or point, which is established by action. Cutting words into phrases is represented by the stick, which is the stroke, consistent with what follows. Calling the collector and indicating the name is the instruction. Lord of Lanka. What is the origin of letters here? And so on, the manner in which those letters originated is: The noble one who explains the Vajra Seal himself called the retinue and bestowed the command. If one considers the meaning hidden after the letters, one sees the meaning through transmission, because the blessing of meaning has become letters, therefore it is symbolic. The way of that is that the unborn Dharma itself appears as 'A', and from that, letters gather and expand and arise. That unborn letter is the letter of self-nature, because it is like the sky, devoid of support and supported, the basis of cause and condition, and companion. Therefore, because the meaning is gathered and moistened by the Dharma nature, that very appearing 'A' also spreads to all, and like sound, there is nothing that it does not encompass, and it can arise in any way. How does it arise from each location? From the lotus of the heart of the noble one. And so on, from the state of the unborn heart, the letter that arises without relying on anything, the basis of all letters is 'A' itself. From that, the five miraculous 'ka', 'kha', etc., arising from the throat, are explained like sound. From the self-arisen, all-pervading space. The string of speech. And so on, the nature of being devoid of cause and condition exists in the state of unborn letters, from which letters indicating words arise, and if one examines and cultivates the wisdom of speech from that letter, then the emanation body of the Victorious Ones who benefit beings will also arise. Therefore, the body, speech, and mind of all the guides also become letters, and they also become great. The mind-essence of the unborn. Initially, the image of the song. And so on. From the root tantra, the All-Gathering itself. 'A' is the seed of the heart. The first five, 'ka', etc., are the secret nature of the song. The second five, 'ca', etc., are the nature of the crescent moon tongue. The third ten, 'ṭa', etc., are the nature of the tip of the tongue.
English
The fourth is the five starting with པ་, which arise from the edge of the mouth, thus it is explained. The fifth is the continuous path of sound. Again, in the same text, it says: The fifth is the letters of the two sets of ten, starting with ཡ་, which are said to emanate from the body. From the blessing of the great being, arises the letter ཡ that dwells in samsara. From the rays of light of the wheel of the foot, arises the letter ཧ that burns away obscurations. From the rays of light of the secret space, arises the letter ཀྵ that causes miracles to occur. From the measure of the body, the navel, arises the letter ས that causes desire to arise. From the auspicious knot coiled in the heart, arises the letter ཤ that purifies the signs. From the rays of light of the wheel of the hand, arises the letter ཥ that shows miracles. From the shoulder of the great being, arises the letter ལ that destroys attachment. From the hip of the great being, arises the letter ར that burns away attachment. From the waist of the great being, arises the letter ཝ that destroys ignorance. From the eyebrow of the great being, arises the letter ཨ that subdues samsara. From the two eyes of the great being, arise the two self-nature letters ཨི་. From the two ears of the great being, arise the two self-nature letters ཨུ་. From the two nostrils of the great being, arise the two self-nature letters ཨོ་. From the two teeth of the great being, arise the two self-nature letters ཨེ་. From the crown of the head of the great being, arises the seed of victory, ཨཱོཾ་ (Tibetan: ཨཱོཾ་, Sanskrit Devanagari: ओं, Sanskrit Romanization: oṃ, Chinese literal meaning: 唵). Thus it is explained. After ཡ་ར་ཝ་, what is said in this text is that the positions of the tongue, lips, palate, and throat, arise from all four of these places, and are the continuous path. ཡ is the letter that gathers everything, ར is the letter that causes burning to occur. And so on, in order to gather the objects of samsara into a single mind. To tame with desire itself, to destroy the army of discrimination, to dispel the darkness of ignorance, to purify from the beginning of signs, to indicate that the two extremes are not established, to indicate that the actions of body and wisdom appear in all ways, the letter that causes all forms of desire to arise, subdues the army of samsara, is the basis of all qualities of letters, and is the root of all words. Immeasurable and actions, etc., are the self-nature letters and the miracle letters. The sixteen letters are complete,
Chinese
任何事物，就其实质意义而言，是通过与所命名的文字不同的其他事物来表示的。例如，用树来表示树的枝干，用枝干来表示树木。此外，也存在用不同的名称来称呼同一事物，从而表示同一本质的情况。不同之处在于，一个字母的声音不能用来表示和应用其他事物的含义，因此，必须确定字母是不变的。朗卡的拥有者，什么是字母的声音？这些是声音的类别。那么，什么是自性的声音呢？这些是：所说的字母的形状的两种属性是不同的，转换的声音和语言是不同的，从业力之门来说是未产生的，以及诸如业力字母之类的语言，虽然看起来是不同的，但就像阿、卡等最初被命名时一样，不会被玷污，而是以声音的形式显现和遇到被调伏者。什么是转换的声音？例如，将字母的实体，如阿，通过分支转换成嗡（藏文：ཨཱོཾ་，梵文天城体：ओम्，梵文罗马拟音：oṃ，汉语字面意思：嗡），ཨཱཾ་，ཨེ་，ཨཱོ་等词语，从而使含义也变成了心、语、法的来源，以及忿怒、身等不同的含义，其他也类似。什么是组合的声音？例如，在四种事业的坛城形状中，将字母ཨེ་，ཝཾ་，མ་，ཡ་的形状组合起来，从而产生忿怒、增益、怀柔、寂静等事业的含义。什么是引申的声音？例如，从字母ཀ་之类的实体中引申出词语ཀརྨ་（藏文，梵文天城体：कर्म，梵文罗马拟音：karma，汉语字面意思：业），ཀཱ་ཡ་（藏文，梵文天城体：काय，梵文罗马拟音：kāya，汉语字面意思：身），ཀ་རུ་ཎི་（藏文，梵文天城体：करुणी，梵文罗马拟音：karuṇī，汉语字面意思：悲悯者），ཀཱ་ལ་（藏文，梵文天城体：काल，梵文罗马拟音：kāla，汉语字面意思：时间/黑色）等，从而使含义变成事业、身、慈悲、黑色等不同的含义，就是这样。其他的字母也类似，因此，也应该了解声音叠加出现等的解释。朗卡的拥有者，这字母有什么作用？所说的作用是：使声音和词语增多，并理解所知。在哪里扩展呢？也就是说，从不可把握的本质中产生，如阿，并由此产生身语意的精华，五种姓的精华，四十二个字母，以及从这些字母中产生词语和章节，无论有多少，都变成了三百个章节，因此
English
Whatever it may be, the actual meaning is that which is represented by things other than the letters of the assigned name. For example, using a tree to represent a branch, and using a branch to represent a tree. Also, there are cases where the same essence is represented by different names for the same object. The difference is that the sound of one letter cannot be used to represent and apply to the meaning of another, therefore, it must be determined that the letter is immutable. Owner of Lanka, what is the sound of the letter? These are the categories of sound. Then, what is the sound of self-nature? These are: the two properties of the shape of the letter being different, the transformed sound and language being different, not being produced from the gate of karma, and languages such as the letter of karma, although they appear to be different, are not defiled as when A, Ka, etc. were first named, but appear and are encountered by the trainees in the form of sound. What is the transformed sound? For example, transforming the entity of a letter, such as A, through branches into words such as Om (Tibetan: ཨཱོཾ་, Sanskrit Devanagari: ओम्, Sanskrit Romanization: oṃ, Chinese literal meaning: Om), Āṃ, E, Au, etc., thereby also transforming the meaning into the source of mind, speech, and dharma, as well as wrathful, body, and other different meanings, and others are similar. What is the combined sound? For example, in the shape of the mandala of the four activities, combining the shapes of the letters E, Vaṃ, Ma, Ya, thereby producing the meanings of wrathful, increasing, subjugating, and pacifying activities. What is the derived sound? For example, deriving words such as Karma (Tibetan, Sanskrit Devanagari: कर्म, Sanskrit Romanization: karma, Chinese literal meaning: karma), Kāya (Tibetan, Sanskrit Devanagari: काय, Sanskrit Romanization: kāya, Chinese literal meaning: body), Karuṇī (Tibetan, Sanskrit Devanagari: करुणी, Sanskrit Romanization: karuṇī, Chinese literal meaning: compassionate one), Kāla (Tibetan, Sanskrit Devanagari: काल, Sanskrit Romanization: kāla, Chinese literal meaning: time/black) from an entity such as the letter Ka, thereby transforming the meaning into different meanings such as activity, body, compassion, and black, and that is how it is. Other letters are similar, therefore, the explanations of the occurrence of superimposed sounds, etc., should also be understood. Owner of Lanka, what is the function of this letter? The stated function is: to increase sounds and words, and to understand the knowable. Where is it expanded? That is to say, it arises from an ungraspable essence, such as A, and from this arises the essence of body, speech, and mind, the essence of the five families, the forty-two letters, and from these letters arise words and chapters, however many there may be, becoming three hundred chapters, therefore.
Chinese
用十倍，甚至更多十倍的词语来理解。如何理解呢？比如，念诵名字等，文字的作用是使人了解所知。比如，念诵“夏瓦的眼睛”这个词，通过“夏”和“瓦”来区分发音。词语所包含的事物，通过文字的组合来表达。如同描述外形一样，不明显的是，文字展示形状和颜色。所知平等性的含义，通过文字的本质和特征来表达。 व्याकरण（藏文，梵文天城体，梵文罗马拟音，汉语字面意思）和संस्कृत（藏文，梵文天城体，梵文罗马拟音，汉语字面意思）等声音的消失，可以通过文字来了解。念诵任何事物的本质，比如“十五个色蕴”，就是展示事物本身。当从“意”到“末”的数字消失为一个数字时，就是展示从这里开始计算的数量。比如，用一千卡里的稻米和五个蕴来表示一个事物可以变成多个。如同十五个色蕴一样，许多数字消失为一个，比如“群体”这个词，许多事物消失为一个。这样，数字和本质，一个或多个，通过将事物的自身本质区分开来而变得广阔，这时就没有一个或多个的说法了。比如，色、受、想、行、识。比如，地、水、火、风。那么，楞伽的拥有者，什么是文字的门呢？这是五种类别。楞伽的拥有者，什么是文字的门呢？用什么写在什么上呢？这里所说的文字的门，就像作者书写文字一样，因为是从书写者那里显现出来的。词语的门，是因为词语是从文字的组合中产生的。含义的门，是因为词语表达含义。声音的门，是因为从अ（藏文，梵文天城体，a，汉语字面意思）、आ（藏文，梵文天城体，ā，汉语字面意思）、इ（藏文，梵文天城体，i，汉语字面意思）、ई（藏文，梵文天城体，ī，汉语字面意思）等十六个元音中，显现出长短等变化。楞伽的拥有者，这十六个字母是什么呢？अ（藏文，梵文天城体，a，汉语字面意思）和च्वं（藏文，梵文天城体，cvaṃ，汉语字面意思）是长短两种声音，各有八个。从长和短这两种，就是从两个基础上产生六个声音。
English
It is understood by words such as ten times more, and even ten times more than that. How is it understood? For example, reciting names, etc., the function of letters is to make people understand what is known. For example, reciting the word "Shava's eyes," the pronunciation is distinguished by "Sha" and "Va." The things contained in words are expressed through the combination of letters. Just like describing the appearance, what is not obvious is that letters show shape and color. The meaning of equality of what is known is expressed through the essence and characteristics of letters. The disappearance of sounds such as व्याकरण (Tibetan, Devanagari, vyākaraṇa, grammar) and संस्कृत (Tibetan, Devanagari, saṃskṛta, Sanskrit) can be understood through letters. Reciting the essence of anything, such as "fifteen aggregates of form," is to show the thing itself. When a number from "mind" to "end" disappears into one number, it shows the quantity counted from here. For example, using a thousand kalis of rice and five aggregates to represent one thing can become many. Just like fifteen aggregates of form, many numbers disappear into one, such as the word "group," many things disappear into one. In this way, numbers and essence, one or many, become broad by distinguishing the self-essence of things, then there is no saying of one or many. For example, form, feeling, perception, volition, and consciousness. For example, earth, water, fire, and wind. So, owner of Lanka, what is the gate of letters? These are five categories. Owner of Lanka, what is the gate of letters? What is written on what? The gate of letters mentioned here is like the author writing letters, because it appears from the writer. The gate of words is because words are produced from the combination of letters. The gate of meaning is because words express meaning. The gate of sound is because from sixteen vowels such as अ (Tibetan, Devanagari, a, meaning 'a'), आ (Tibetan, Devanagari, ā, meaning 'ā'), इ (Tibetan, Devanagari, i, meaning 'i'), ई (Tibetan, Devanagari, ī, meaning 'ī'), etc., changes such as length appear. Owner of Lanka, what are these sixteen letters? अ (Tibetan, Devanagari, a, meaning 'a') and च्वं (Tibetan, Devanagari, cvaṃ, meaning 'cvam') are two sounds, long and short, each with eight. From these two, long and short, six sounds arise from two bases.