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kmg055 0002.commentary on the secret storehouse of the root tantra the sun storehouse oral transmission text.g2.0f

English

Also, embracing from top to bottom through the actions of the four mudras. Then, the actual generation of the mandala. Then, being pleased, one utters "Ha." This means that from the space of Heruka and the consort, the union of father and mother, from the cause, bodhicitta, one utters the eight "Ha" as conditions. From the cloud of bodhicitta in the space of the consort, the mother goddesses appear as the fruit. The retinue of the White Mother, meaning that it arises from the heart of the Great Glorious One. To indicate that the heart is not stained by the faults of afflictions, she is called White Mother, performing the action of pacification. As a sign that the heart is unchanging, the body color is blue. Holding a child's staff in her hand is a symbol that the five afflictions are purified in their own place, and also a symbol of destroying the five aggregates of appropriation of those to be tamed. The retinues appear as many at the time of scattering, but at the time of arrangement, they transform into individual forms and abide. This applies to all. Thief Mother Tsari Ma, holding the bow and arrow of skillful means and wisdom, in order to gather all the qualities of the fruit and instill them into the heart of the practitioner, she is called Thief Mother. The lineage is the lineage of the body. The body color is yellow, which is the basis of all the qualities of the body, and is a symbol of fulfilling the needs of those to be tamed. The retinue of the Deluded Mother, meaning Pramoha, to indicate that she does not abide in the thoughts of the two extremes, she is called Deluded Mother. Because she subdues the two extremes, the body color is red, which is the action of power. Holding a makara banner in her right hand is because she generates compassion for those to be tamed through the door of speech, so the makara is a symbol of knowing how to receive but not knowing how to give. The banner is a symbol of victory over the two extremes. The blood in the skull cup in the left hand is a symbol that compassion is never separated from attachment. It is the action of power. Burning Mother, meaning the mother of action, whatever action she does, it is spontaneously accomplished in an instant, so there is no need to repeat it, therefore she is called Burning Mother. Eating the corpse of a child with her left hand is the purification of the five aggregates of appropriation in their own place. Holding a vajra in her right hand is that she unites the three realms into the nature of wisdom. Swollen Mother, meaning the body color is reddish-yellow, holding a field in her left hand and drawing a lasso of intestines in her right hand. Swelling is the increase due to the qualities of omniscience. The field in the left hand is samsara, and drawing the intestines in the right hand is compassion.

Chinese

从众生之处引导所化,救度至解脱。 གཏུམ་མོ་是གྷསྨ་རཱི་,身色绿色。 གཏུམ་པ་是猛烈的拥有者,因此掌握着猛烈的业。双手拿着田地,是接纳三界轮回并救度的象征。身色绿色,是掌握各种事业的象征。食肉者,如“肉食肉”一般,所有业的事物都在三界处救度,并斩断三界的根本。身色是深蓝色,象征着不变的法性。双手抓住一块田地,从心口处用牙齿拉出心和血,是连根斩断三界根本执着的象征。“母众母”是指寿命之神月官,能使寿命增长,掌握着增益的事业。切断田地的脖子,右手拿着头,左手拿着身体,是彻底清净执着的象征。二十母众是嘿噜嘎的心显现,因此显现嘿噜嘎的伟大功德。各自的法器,是指之前所说的法器。奇妙,是指内在调伏烦恼是奇妙,外在调伏罗刹眷属是奇妙,以装饰和装束从父母的空密处出来。如此出来后,又住在哪里呢?从空中出来后,从之前所说的坛城的轮,与劫末的火焰山燃烧着的东南方肋骨处,从东方开始右绕,因为能摧毁所化,所以以怖畏的形象和各自的法器安住在各个方向。之后,当生起八个处所的母神完毕后,父母互相非常欢喜,从因菩提心,缘说嘿八,从母亲的空中,生起狮面母众。 སིངྷ་མ་被取出,身色黄色,狮子头,以慈悲不离轮回的象征而食肉,左右手交叉结三尖印,是器情显现为身语意。众和之前一样。虎面母,是指虎头,身色红色,是收摄境和心的象征。双手

English

From the place of beings, leading the disciples and delivering them to liberation. Gtummo is Ghasmari, with a green body color. Gtumpa is the possessor of fierceness, therefore mastering fierce actions. Holding the field with both hands is a symbol of accepting and liberating the three realms of samsara. The green body color is a symbol of mastering various activities. The flesh-eater is like "meat eating meat," all the objects of karma are liberated in the three realms, and the root of the three realms is cut off. The body color is dark blue, symbolizing the unchanging Dharma nature. Holding one field with both hands and pulling out the heart and blood from the heart with teeth is a symbol of cutting off the root of grasping and attachment in the three realms. "Mother Assembly Mother" refers to the life goddess Chandraali, who increases life and masters the enriching activities. Cutting off the neck of the field, holding the head with the right hand, and holding the body with the left hand are symbols of completely purifying grasping and attachment. The assembly of twenty mothers is a manifestation of Heruka's mind, therefore manifesting the great qualities of Heruka. Their respective weapons refer to the weapons mentioned earlier. Wonderful, it means that subduing afflictions internally is wonderful, and subduing the retinue of Rakshasas externally is wonderful, and emerging from the secret space of the father and mother with decorations and attire. After emerging in this way, where do they reside? After emerging from the sky, from the southeastern rib of the wheel of the mandala mentioned earlier, burning with the fire mountain of the kalpa's end, starting from the east and circling to the right, because they can destroy the disciples, they dwell in each direction with terrifying forms and their respective weapons. After the eight place mothers have been generated, the father and mother are very pleased with each other. From the cause, the mind of enlightenment, the condition speaks of the eight He, from the mother's space, the assembly of the great lion-faced mother arises. Singham is taken out, with a yellow body color, a lion's head, eating meat as a symbol of compassion not separating from samsara, and the right and left hands crossed in the three-pointed mudra, the vessel and essence manifest as body, speech, and mind. The assembly is the same as before. The great tiger-faced mother refers to the tiger's head, with a red body color, which is a symbol of subduing the realm and mind. Both hands

Chinese

一个交错,是器情显现为智慧的象征。前面仔细观看一个田地,是慈悲不断观看轮回的象征。 瓦面大:是指语的自性,瓦的头饰,身体黑色,是不变于法身的象征。双手拿着一个田地,舌头舔着脓血,是调伏众生相续中细微的所知障的象征。 狗面大:是指狗、野狗、狼的头饰,是心性不变的象征,身体蓝色。双手仔细观看一个小田地的肺和心,是三界之根安住于能取所取,是观看法性的表示。 笑面大:是指白色笑面,鹫鹰的头饰。身体红色,是自在轮回涅槃。左手拿着头盖骨,里面装着肺、心和肠子,吸着肠子并用嘴吃,是慈悲牵引轮回。右手拿着刀,是斩断轮回之根的象征。 岗嘎面大:是指岗嘎鸟,长喙的头饰。身体颜色是“鼻”,意思是蓝红色,是自在怀柔诛法的象征。双手把一个田地扛在肩膀上,是承担轮回的象征。 尸陀林鸟面大:是指乌鸦,也就是黑色尸陀林鸟,跑到哪里有尸体的地方。作为法性不变的象征,身体是蓝黑色。作为通达法身的象征,嘴里叼着尸体。右手是刀,是斩断轮回之根。左手头盖骨血是使三界烦恼清净为智慧。 枭面者:是指身体绿色,枭的头,左手血海,右手铁钩。身体绿色是进入一切事业。左手头盖骨血是使轮回清净。右手铁钩是牵引所化有情众生安置于解脱,以及牵引佛的慈悲来清净轮回,是事业的佛母。各自的工具是已经解说的手印等。内外二者都带着惊奇,从父母的空密处出来。出来后也是大燃烧的轮。

English

One interweaving is the sign of the manifestation of wisdom in the vessel and essence. Looking intently at a field in front is the sign of compassion constantly watching over samsara. The Great Fox Face: Refers to the nature of speech, the head ornament of a fox, the body is black, and it is a symbol of immutability from the Dharmakaya. The two hands hold a field, and the tongue licks pus and blood, which is a symbol of purifying the subtle obscurations of knowledge in the minds of sentient beings to be tamed. The Great Dog Face: Refers to the head ornaments of dogs, wild dogs, and wolves, which is a symbol of the unchanging nature of mind, the body is blue. The two hands carefully look at the lungs and heart of a small field, which is a sign that the root of the three realms abides in grasping and being grasped, and is a view of the nature of reality. The Great Smiling Face: Refers to the white smiling face, the head ornament of a vulture. The body is red, which is the mastery of samsara and nirvana. The left hand holds a skull filled with lungs, heart, and intestines, sucking the intestines and eating them with the mouth, which is compassionately drawing samsara. The right hand holds a knife, which is a symbol of cutting off the root of samsara. The Great Kangka Face: Refers to the Kangka bird, the head ornament of a long beak. The body color is "nose," meaning blue-red, which is the mastery of the combined activities of power and wrath. The two hands carry a field on their shoulders, which is a symbol of taking on samsara. The Great Cemetery Bird Face: Refers to the crow, that is, the black cemetery bird, running to the place where there is a corpse. As a symbol of the unchanging nature of reality, the body is blue-black. As a symbol of understanding the Dharmakaya, the mouth holds a corpse. The right hand is a knife, which cuts off the root of samsara. The blood in the left skull is to purify the afflictions of the three realms into wisdom. The Owl-Faced One: Refers to the green body, the head of an owl, the left hand holds a blood lake, and the right hand holds an iron hook. The green body is to engage in all activities. The blood in the left skull is to purify samsara. The right hand iron hook is to lead sentient beings to be tamed and place them in liberation, and to draw the compassion of the Buddha to purify samsara, is the karma mama. Their respective tools are the hand gestures that have already been explained. Both the inner and outer are with wonder, emerging from the secret space of the father and mother. After coming out, it is also a wheel of great burning.

Chinese

萨。大自在等。嘿汝嘎念诵上方的咒语,大自在等先前所有鲁扎及其眷属的祈请,薄伽梵五部忿怒尊从彼等的衣物中取出如大便般的物质,在平地上的时候,鲁扎显现出沉溺于不净泥潭大海中的景象,这是先前业障的残余。为了清净这些,从衣物中生出乌刍瑟摩·卓达,即忿怒尊的重叠,喝光所有的泥潭,这是业障的残余消尽。在腹部灌顶的加持下,重新获得记忆,这是心性之实相显现,即无漏显现。以其加持,见到分别显现之三摩地,即所有忿怒尊坛城之众。所谓五部饮血众,所有这些,除了饮血的显现之外,没有其他庸常的显现。所有饮血尊都是显现分别的显现自然成就,九百头,千八百手,八百足,是九处无间断地延伸。如是内外二者的大火坛城中安住,是鲁扎无漏显现的清净。所示现一切事业之足收摄,即彼时六道十方等。大胜嘿汝嘎调伏业之黑鲁扎及其眷属之时,世界即是猕猴等六者,或者六道众生等六者,或者六道众生之所处。十方是无边无际。有是三界,即内涵。一切是无边无际的汇集,即是刹土。于彼处三界一切傲慢之自在,以邪恶业力将三界置于邪道,从而权力强大的业之黑鲁扎。所有这些都是化为天魔鬼怪八部的鲁扎军队。调伏彼等之种种方法。此处大胜嘿汝嘎以真实圆满正等觉之义所作,与法界平等,故鲁扎。