Chinese
变为截断线。 中心线和截断线， 汇集左右的线脉中， 均等三份作标记。 抓住内部的标记， 交错画四线成九宫格。 四线之外和截线之外， 各画一半小分。 绘制多眼图案的金刚杵柱， 根本的中心角线等， 各自的第一个中心线， 四方坛城角至角， 四柱的交界处正中画线。 四方坛城角线完成。 四个角落的宫格的， 角至角各自切割， 出现界中第二个中心线。 那些中央的鸟迹之上， 交错伸展向四方画线。 四方中央第二个中心线， 和界中各自的角线转变。 那些是寂怒共通线。 之后寂静的画线次第是， 中央和四方的坛城的， 四根柱线各自的， 变成箭杆外线本身。 四方的各自角线和， 柱线相交之处开始， 画四条边线出现箭杆线。 之后九个坛城的， 箭杆线至中心的， 三等分，三分之外画根本线。 那和箭杆线之间平分， 出现两个大分，内部的， 舍弃中央画两端。 外面的画一半，外面的画一半。 门是中心线左右， 各画一个大分，那平分， 那末端各画一个小分。 根本线内至中心的， 等量环绕两圈， 各自内部环绕小分。 中心变成四根辐条的圆环和， 辐条支撑圆环等。 外面的门饰马落是， 如同普通的四块布， 周围如寂静的幻化。 安乐集忿怒坛城是， 九宫格各自的， 环绕接触柱线的圆形。 那里面环绕一个小分， 出现各自的誓言者圆环。 圆环一半和各自的， 抓住角线相交之处， 四面画线是箭杆线。 那里面如同寂静的， 区别在于根本线内， 截断一个大分截断线。 接触截断线的中心的， 环绕如同寂静的， 中心
English
It becomes a truncated line. The central line and the truncated line, In the converging left and right line veins, Divide equally into three parts to mark. Holding onto the inner marks, Crisscross four lines to form nine squares. Outside the four lines and outside the truncated line, Draw half a small division each. The vajra pillar with many-eyed patterns, The fundamental central angle lines, etc., Each of their first central lines, The four-directional mandala from corner to corner, Draw a straight line in the center of the intersection of the four pillars. The four-directional mandala angle lines are completed. The four corner squares, Cut each from corner to corner, A second central line appears in the middle of the boundary. Those above the bird tracks in the center, Crisscross and extend to draw lines in four directions. The second central line in the center of the four directions, And the angle lines of each boundary center transform. Those are the common lines of peaceful and wrathful deities. Then the sequence of drawing peaceful lines is, The central and four-directional mandalas', The four pillar lines each, Become the outer line of the arrow shaft itself. The respective angle lines of the four boundaries and, Starting from where the pillar lines intersect, Draw four side lines to create the arrow shaft line. Then of the nine mandalas, From the arrow shaft line to the center, Divide into three equal parts, draw the root line outside the third. Bisect between that and the arrow shaft line, Two large divisions appear, the inner one, Discard the center and draw the two ends. Draw half of the outer one, draw half of the outer one. The gate is on the left and right of the central line, Draw one large division each, bisect that, Draw one small division each at the end. From inside the root line to the center, Encircle two equal circles, Encircle small divisions inside each. The center becomes a ring with four spokes and, The spoke supports become rings, etc. The outer gate decoration, the horse landing, is, Like the common four cloths, The surroundings are like the peaceful illusion. The Hevajra wrathful mandala is, In each of the nine squares, Encircle a circle touching the pillar lines. By encircling a small division inside that, The respective oath-bound circles appear. Half of the circle and each of their, Holding onto where the angle lines intersect, Drawing lines on four sides is the arrow shaft line. Inside that, like the peaceful one, The difference lies in the root line inside, Cutting off one large division, the truncated line. The center of the circle touching the truncated line, Encircle like the peaceful one, The center
Chinese
在圆圈的内线和，西方的直径相交之处，中心点左右做标记。将这两个点与东方的直径相连，以此显示法源的顶端朝东。各自中心的法源和，圆圈的四根辐条是辐条的支撑。像这样，里面的九个中心点，是没有马头的完整的门。在三角形缺口外面的走廊和门，装饰华丽的马头布，如同八马幻术一般制作。有些在四个马头布之上，带有宝瓶、法轮、伞等，也被认为是佛塔的形状。然而，对于只有一个门尺寸的，分成四小块布，四层阶梯，是否符合续部的意旨呢？从周围伞的顶端开始，两个大份的一半，一个大份和它的一半，一个大份的一半和一个大份。环绕后，从内到外依次是，圣旨居住地和莲花，坟地、空心轮辐，石墙、火焰山。༈ 。橛和剃刀的区别是，从三角形缺口的线开始画圆。其中从外到内依次是，一个小份和一个小份的一半，小份的一半加六个小份，一个小份。其中像死主一样的法源，环绕后从内到外依次是，法源、月牙、颅骨鬘和，珍宝八件套圆圈和，火焰的串联。在三角形线外加一个小份，由此内里堆砌三层颅骨。那是没有门装饰的空心。走廊和外门等等，按照通常的四马头，从普舒的角落环绕的，外面一个大份的一半加一个，一个小份加一个大份。环绕后，从实修的身体上说了莲花、坟地、誓言物、石墙、火焰山等。从内到外是誓言物和，坟地、石墙、火焰山。像这样，用八马和，四马两种来覆盖身体后，对于附近需要的神位等，说了一些转换的方法。因为浩瀚的坛城是无边无际的，所以无法全部陈述，以此象征，按照各自的坛城仪轨，用精细的智慧转换并思考。༈ 。第二，讲述颜色的仪轨。供养人是转轮王和，小国王百姓的顺序，珍宝和谷物药材和，土地制作的颜色是，五种或二十
English
And the inner line of the circle. From where the western diameter intersects, mark the center point left and right. Connect these two points with the eastern diameter, thereby showing the top of the Dharma source facing east. The Dharma source at each center, and the four spokes of the circle are the supports of the spokes. Like this, the nine center points inside, are complete doors without horse heads. The corridors and doors outside the triangular notch, the ornate horse-head cloths, are made like the eight-horse illusion. Some, above the four horse-head cloths, with vases, Dharma wheels, umbrellas, etc., are also considered to be stupa shapes. However, for those with only one door size, divided into four small pieces of cloth, four layers of steps, does it conform to the intention of the tantras? Starting from the top of the surrounding umbrella, two halves of a large part, one large part and half of it, half of a large part and one large part. After encircling, from inside to outside, are in order, the place where the decree resides and the lotus, the cemetery, the empty wheel spokes, the stone wall, and the fire mountain. ༈. The difference between the stake and the razor is that a circle is drawn from the line of the triangular notch. Inside, from outside to inside, are in order, one small part and half of a small part, half of a small part plus six small parts, and one small part. Inside, like the Lord of Death, the Dharma source, after encircling, from inside to outside, are in order, the Dharma source, crescent moon, skull garland, and, the precious eight-piece circle, and, the series of flames. Add a small part outside the triangular line, thereby stacking three layers of skulls inside. That is a hollow without door decorations. Corridors and outer doors, etc., according to the usual four horse heads, encircling from the corner of Pushu, outside half of a large part plus one, one small part plus one large part. After encircling, from the actual practice body, it is said that lotus, cemetery, oath objects, stone wall, fire mountain, etc. From inside to outside are oath objects and, cemetery, stone wall, fire mountain. Like this, after covering the body with eight-horse and, four-horse types, for the nearby needed deity positions, etc., some methods of transformation are spoken. Because the vast mandala is boundless, it is impossible to state everything, symbolizing this, according to their respective mandala rituals, transform and contemplate with subtle wisdom. ༈. Second, explain the ritual of colors. The patron is the Chakravartin king and, the order of small kings and subjects, the colors made of jewels, grains, medicinal materials, and earth are, five or twenty
Chinese
五者，以洁净之器盛装自身之物，书写字句并朝向自身方向。观想五部本尊并加持之，上师面向东方。取出中央之橛，以左手拇指与食指持之。以粉末颜料按次第堆叠诸元素，以确定的颜色顺序填充。其后，以手指布置五谷。以左拳从具力者开始，按右绕方向堆砌之处，书写一指宽的班热格。 以具名之颅器覆盖之。之后，在牵引墙壁之时，放置检验颜色的意义。此后，获得灌顶之弟子们，为了向未见之愚者展示，按次第堆放诸颜色。如何堆放之次第是，首先，对于幻化寂静者，中央为蓝色，周围是光芒。四根肋木与船形断口，以及乳房状突起、中间走廊与门等。东方为白色等，以方位区分。轮之外围是黑色。墙壁内部按次第，为蓝、白、黄、红、绿。欲布为红色，父布为黄色。网的基础为黑色，网为白色。东方之箭为蓝色基础，箭为白色。白色箭杆，佛塔图案。黑暗者与提郎背部皆为黑色。柱子为方位颜色，装饰美丽之色彩。八匹马按顺序排列。马腿基础为蓝色，金刚为黄色。莲花为红色，框架为美丽之色彩。扎擦为白色，基础为黑色。悬挂物为黄色，似父布。缠绕悬挂物为白色，基础为黑色。箭为白色，基础为蓝色。汉式屋顶，琼鸟头为蓝色。莲花为红色，有轮和金色的鹿、白色伞。包括下部基础的墙壁和外围。方位颜色，外走廊为绿色。各种莲花，石围墙为蓝色。各种火焰山，法轮。
English
Five, namely, filling a clean vessel with one's own substance, writing letters and facing them towards oneself. Contemplate the deities of the five families and bless them, with the teacher facing east. Remove the central peg, holding it with the thumb and forefinger of the left hand. Fill with powder colors, stacking the elements in order, with a definite color sequence. After that, arrange the five grains with the fingers. Starting with the powerful one with the left fist, at the place where it is piled up in a clockwise direction, write a Pan-reg one finger wide. Cover it with a named skull cup. Later, when drawing the wall, place the meaning of examining the colors. Thereafter, the disciples who have received the empowerment, in order to show to the ignorant who have not seen, arrange the colors in order. The order of how to arrange them is: First, for the peaceful manifestation, the center is blue, the surrounding is light. Four ribs and boat-shaped breaks, as well as breast-like protrusions, middle corridors and doors. East is white, etc., distinguished by direction. The outer circumference of the wheel is black. Inside the wall, in order, are blue, white, yellow, red, and green. Desire cloth is red, father cloth is yellow. The base of the net is black, the net is white. The base of the eastern arrow is blue, the arrow is white. White arrow shaft, stupa pattern. The dark one and the back of Ti-glang are both black. The pillars are directional colors, decorated with beautiful colors. The eight horse supports are arranged in order. The base of the horse leg is blue, the vajra is yellow. The lotus is red, the frame is a beautiful color. The zar-tsag is white, the base is black. The hanging object is yellow, like a father cloth. The coiled hanging object is white, the base is black. The arrow is white, the base is blue. The Chinese roof, the garuda head is blue. The lotus is red, with a wheel and a golden deer, a white umbrella. Including the wall and circumference of the lower base. Directional colors, the outer corridor is green. Various lotuses, the stone wall is blue. Various fire mountains, dharma wheels.