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KMG041 0005.在中心做标记.那是坛城的中心.从中心向东西方向等量地.用已做标记的拉线.在南北方向做记号.在那上面画第二条直径线.同样地.在南北直径线上.也做像东西方向一样的标记.在那之间的拉线.放在四个方向的标记上.在四个角上做记号.在那上面画两条角线.在每个面上.按照适合的.坛城总体的线条颜色的作用,极明普喜..g2.0f

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English

Then, the teacher, facing east, takes the letters drawn on the paint with his fingers and fills the holes. As it says in the Manifest Enlightenment of Vairocana: "Paint should be poured from the inside out, not from the outside in." Then, draw the five hero seed syllables on the hand. To examine the auspiciousness of the paint, make a fist with the left hand, starting from the Lord of Power, and draw the five lines that fill the finger. As it says in the Tantra of Clear Space: "Each paint occupies twenty parts of the door, and the height should be like an arrow shaft." And as it says in the Lotus Sequence: "On the line of the northeast corner, the seed syllable should be examined. Black, white, yellow, red, and green, the five colors should be mixed evenly and drawn to fill the finger." After that, the students also draw five seed syllables on their fingers and draw as they please. Furthermore, the necessity of separating the five colors of pigment powder is that, as it says in the Extensive Illusion: "All sentient beings are pervaded by the five wisdoms, but obscured by their own discriminating thoughts, they do not see the meaning of the five wisdoms. Therefore, in order to show the characteristics of wisdom to all ignorant ones, white, red, yellow, green, and black are shown." After this general teaching, specifically, "The order of how to pour is..." etc., which shows in detail the special rituals of pouring paint, is not explained because it can be accomplished by reading the text. After the paint is poured, the signs are placed, that is, "Thus, each individual mandala..." etc. As it says in the Fierce Lightning: "The main deity should be drawn completely in form, the retinue should be made into hand gestures, and the rest should be letters." And as it says in the Sequence: "In the three mandalas, the text itself clearly states that the branch form is the essence, and the sun, moon, and lotus reside in order, which is the characteristic of the mandala body. Clearly depicting the hand gestures is the speech mandala, drawing the body or Hūṃ (藏文:ཧཱུྃ,梵文天城体:हुं,梵文罗马拟音:hūṃ,汉语字面意思:吽) and Mūṃ (藏文:མུྃ,梵文天城体:मुं,梵文罗马拟音:muṃ,汉语字面意思:芒) is the mind mandala, divided into superior and intermediate, divided into three mandalas." In short, each etc., it is said that if the paint is thin, it will lead to poverty, if it is thick, it will cause leprosy, and if the paint falls off, it will cause illness, etc. In particular, when examining the auspiciousness of the paint, the teacher Kukkuraja said: "A low line will not succeed, and a crooked one will cause suffering."

English

Da. If the teacher and disciple die or become ill due to breaking vows. If there is excess or deficiency, illness will arise, and it will become a confused action. It is said, so write with caution. If wisdom, etc., becomes a fault because the activities of lines and colors are not completed as they should be, then the fierce fire offering and mantra recitation, etc., the rituals of each essence, mainly with the samadhi of that very nature, eliminate all faults, so strive to practice it. Those also depend in detail on the respective mandala rituals, and seeing and being accustomed to the practice of the lama, so strive to obtain the lama's oral instructions. What is said here is brief. Thus, the great treasure revealer, Lama Chokyi Je's, foot dust always resides on the lotus of the crown of the head, and the auspicious mantra practitioner Dharma Shri, whose signs and symbols play in the heart chakra, composed this. May this also become the cause for attaining the high position of Vajradhara in this very life.

Chinese

嗡 怛朗 赫利 阿 环绕。 三十一,三十二,建造佛塔。 其狮子座上写嗡字。 线条尺寸对其他进行增减。 此处哈字虽稍低, 若量身形,则暗合秘密。 眉间年位字,四方皆是, 虽有词语边角,却无所知。 怖畏洲四面,阿玉热。 若说,则为遍入智慧。 四面书写,则不相违, 东面无虹单字, 三面虹帐鱼头内, 三处穿透书写,宽窄适中。 此乃善说所献。 ༈ 名为《敏林佛塔线条尺寸明镜》中, 佛塔线条尺寸简略而言之, 大菩提佛塔者: 上下大分十七份, 加一小份,彼此相等。 大分十分,每一份之宽, 分为四小份。 地基高为四小份, 宽度从中央向左右, 十八小份或十九份半。 三层阶梯高一份, 宽度为十七、十六、五。 台阶高六份,宽十四。 小莲花二者高一份, 宽度为十五、十六。 大莲花高三份,宽十七。 基础高一份,宽十六。 四无限(四无量心)高二份, 宽度为十二、十三, 十二、十一,依次递减。 四无限(四无量心)为了美观, 若做莲花口,则为一小份。 三分之一处做凸起状。 抬升尺寸也如此做即可。 颈部高一份,宽十份。 瓶身高十四,根尖之宽, 为九,从十一向外, 三分向上,线尖相连。 座垫高一份,宽为四。 座颈高二份,宽三份半。 二藏地高半份, 宽度为三和四份半。 实际座高二份,宽为四。 伞柄莲花高一份, 宽度为根三尖四份。 十三法轮高十三, 宽度为尖一根四。 每份三分之二为阳轮, 三分之一为阴轮,标志也相同。 大悲经藏莲花形, 根高一份,尖二份半。 弓形交叉高一份,宽三份半。 伞高一份,宽度为三。 其末端网格高三份, 边缘宽度为一份。

English

Om Tram Hrih Ah, surround. Thirty-one, thirty-two, build stupas. On its lion throne, write the syllable Om. Adjust the line measurements by adding or subtracting from others. Here, although the syllable Ha is slightly low, If measuring the body, it secretly corresponds. The forehead, year, and location syllables are on all four sides, Although there are word corners, there is no understanding. On the four faces of the Terrifying Continent, Ah Yu Re. If spoken, it is Vidya Supraya. Writing on the four faces is not contradictory, The east face has a single syllable without a rainbow, The three faces are inside a rainbow tent fish head, Piercing three places to write, the width is balanced. This was offered by Subhashita. ༈ In the "Mirror Illuminating the Clear Measurements of Mindrolling Stupas," it is said: In brief, the measurements of stupas: The Great Enlightenment Stupa: Up and down, seventeen large parts, Add one small part, they are equal to each other. Ten large parts are the width of each, Divide into four small parts each. The base is four small parts high, The width from the center to the left and right, Is eighteen or nineteen and a half small parts. The three steps are one part high each, The widths are seventeen, sixteen, and five. The throne is six parts high and fourteen wide. The two small lotuses are one part high each, The widths are fifteen and sixteen each. The large lotus is three parts high and seventeen wide. The foundation is one part high and sixteen wide. The four immeasurables are two parts high each, The widths are twelve, thirteen, Twelve, eleven, decreasing in order. The four immeasurables are for beauty, If made with lotus mouths, it is one small part. Make a bulge at one-third. Achieving the lifting measurement by doing the same. The neck is one part high and ten wide. The vase is fourteen high, the width of the root and tip, Is nine, from eleven outwards, Connect the line tips upwards in three parts. The seat cushion is one part high and four wide. The seat neck is two parts high and three and a half wide. The two relic places are half a part high each, The widths are three and four and a half parts. The actual seat is two parts high and four wide. The lotus supporting the umbrella is one part high, The width is three at the root and four at the tip. The thirteen Dharma wheels are thirteen high, The width is one at the tip and four at the root. Two-thirds of each part is the male wheel, One-third is the female wheel, the symbols are also the same. The lotus shape of the Compassion Sutra relic, The root is one part high, the tip is two and a half. The crossed bow is one part high and three and a half wide. The umbrella is one part high and three wide. At its end, the mesh is three parts high, The edge width is one part.

Chinese

四指放松张开。月亮一份,太阳两份。在那之上,顶端再加一小份。稍微需要做得美观一些。

English

Open the four fingers relaxed. One part moon, two parts sun. On top of that, add a small part to the top. It needs to be made a little more beautiful.

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