English
Although it was done like gathering peace by abandoning unnecessary corridors, since the corridor is mentioned in the mandala ritual of the subduer, it is wondered whether it is okay to choose whether or not the others have it. From the Peaceful Gathering, it is said here that there are four horse posts, because the Acharya's line ritual says, "One part divided into four parts is the horse post," and "The seventh part is divided into four small parts." However, from the root tantra of the Peaceful Gathering, it says, "Then the earth lines in order, the nature of nine nines in eighteen places, divide into aspects of parts, etc." And, from the practice method of the forty-two peaceful ones, it also says, "The door ring of the four liberations, has the horse post of eight liberations." Because there are also those who say eight, it is not absolute. The outer environment is also, from the line ritual it says, "First, the protectors of the world directions, second, the vajra fence, third, draw the fire mountain intensely." And, from the order of doing the mandala, it says, "The protectors of the directions are various lotuses of white silk." Therefore, here it was done with lotuses like the Peaceful Illusion, because it said to choose, so replace the lotus fence with the silk of the protectors of the directions, or in one way, place the protectors of the directions at the opening of the center of the lotus, it is thought that it is not contradictory. It is not appropriate to make horse posts for the nine palaces inside, because the line ritual says, "The nine palaces in the center, have no door decorations or horse posts." Because it said so. In the case of the wrathful ones, here among the two ways of not making horse posts for the inner doors and making them, the first is said in the eighth chapter of the root tantra, "From then on, nine great mandalas, all are four-spoked wheels, have truncated corners, intermediate corridors, and four doors, those outer corridor doors, etc., have door decorations and iron walls, draw well with five colors." Because it did not say that the inner doors have door decorations. The second is, from the realization of the intermediate generation and completion stages, it says, "All are four doors, as a symbol of the four forms of activity are four horse posts." It said so. Therefore, here in the practice of the lama, the side without horse posts was made. The silk of the horse post is eight and four, and the shape of the stupa, four like a spider web, among the three, the first is, the one called 'Practice Garland of Jewels', which is known as the great meditation place, completely
Chinese
因为它具有八种解脱，所以它具有八个马蹬。正如所说的那样，现在正在进行这种实践。第二，在寂静的线法中，马蹬像美丽的佛塔。就像依附于它一样，就像所说的那样，普舒的阶梯堆叠起来像佛塔一样，因为它是相似的，所以没有必要确定。另外，在另一种情况下，我认为秘密圆满中将马蹬描述为佛塔形状的部分已经丢失了。第三，根据根本续，用瓦苏塔或肌腱，要画十六条线。因为据说有十六个大块，所以会变成四个小块，所以在这里也像寂静法一样，似乎说了四和八的选择。用金刚橛的刀刃的缺口来建造头盖骨，是因为在构思的时候，认为它比外面的宫殿更高，所以不像连续的头盖骨花环。因为这个门的门楣等都没有，所以在绘制的时候，不需要在门的地方切断墙壁，因为有门上方的墙壁。在噶举秘密圆满中，内宫殿的线也和这个相似，但在那上面，用四根柱子交叉的九个灵台上，在四辐轮的中心，各自制作了一个新月形的侧门。即使这个新月形可以在中心切割成圆形，所以不需要线，但在其他地方，像权力的火炉一样，需要新月形的情况下，它的线是：按照通常的方式画出半径角之后，从中心向东画一个圆。用四分之一的弧长来固定线，在东边的左右角线之间，切割圆的前面部分就会出现。八个莲花瓣是所有的半径角。全部切成一半就完成了。在四个辐条上连接四个半径的顶点。八个辐条也连接上面的角顶点。十个辐条从一个半径到另一个半径，测量三分之一个片段，放弃一半的两个部分，用一个部分，从南方和北方的半径线到东方和西方的两条半径线之间，各自测量两个，就会有八个凸起。画出八个半切的标记。然后在上面切割东西半径线。清楚地画出十个标记。在两个标记之间放置，拉紧线并依次画出。这样就会出现十个辐条的轮子。这些也顺便提及，稍微解释了一下线的仪轨。第二是颜色
English
Because it possesses eight liberations, it possesses eight stirrups. As it is said, this practice is being done nowadays. Secondly, in the peaceful line ritual, the stirrups resemble beautiful stupas. It seems similar to being attached to it, just as it is said that the Pu Shu tiers are stacked like stupas, so because it is similar, there is no need for certainty. Also, in another way, I think that the part in the Secret Perfection that describes the stirrups as the shape of stupas has been lost. Thirdly, according to the Root Tantra, with Vasuta or tendons, sixteen lines should be drawn. Because it is said that there are sixteen large parts, it will turn into four small parts, so here too, like the peaceful practice, it seems that the choice of four and eight is mentioned. Building the skull by cutting the edge of the phurba dagger is because at the time of conception, it is considered higher than the outer palace, so it is not like a continuous garland of skulls. Because this door does not have lintels, etc., there is no need to cut the wall at the door when drawing, because there is a wall above the door. In the Kagye Secret Perfection, the lines of the inner palace are also similar to this, but on top of that, on the nine platforms where four pillars are crossed, in the center of the four-spoked wheel, each made a crescent-shaped side door. Even though this crescent can be cut into a circle in the center, so no lines are needed, but in other places, like the stove of power, in cases where a crescent is needed, its lines are: After drawing the radius angle as usual, draw a circle from the center to the east. Use a quarter of the arc length to fix the line, and cutting the front part of the circle between the left and right angle lines of the east will appear. The eight lotus petals are all radius angles. All are completed by cutting in half. Connect the four vertices of the radius on the four spokes. The eight spokes also connect the top corner vertices. Ten spokes from one radius to another radius, measuring one-third of a segment, abandoning half of the two parts, with one part, from the south and north radius lines to the two east and west radius lines, measuring two each, there will be eight bumps. Draw eight half-cut marks. Then cut the east-west radius line on top of it. Clearly draw ten marks. Place between two marks, stretch the line and draw in order. In this way, a wheel of ten spokes will appear. These are also mentioned in passing, slightly explaining the ritual of the lines. Second is color
Chinese
在未完全干燥之时，与泥土混合，在未显现本色之前，充分揉捏，则会产生良好的红色。将其保持湿润，将石灰与鞣料混合并充分研磨，则会压制住靛蓝的光泽。将鞣料与泥土混合，揉捏则会产生铁锈色。用镰刀收割秋季未经霜打的草地植物，将顶端部分仔细捣碎，将其与泥土混合后再次捣碎，在阳光下揉捏并烧烤。重复两三次，颜色会像外面一样好。将石灰鞣料研磨成粉末，稍微加入一些，捣碎揉捏后在阳光下烧烤，则会产生绿色。将嫩绿的小麦苗、哈罗树叶、嫩豆等捣碎，与泥土混合烧烤，揉捏并在阳光下晒干，这样也能产生良好的绿色。将油菜籽研磨成粉末，与石灰混合，与白土混合后在阴凉处干燥，会呈现出纯金的颜色。或者即使不与石灰混合，按照之前的方法也能产生黄色。将其与石灰或硼砂混合，则会产生良好的绛红色。将草甸植物的粉末与油混合，用火烧烤，颜色与眼药相似。以上只是简略的说明，详细情况请参考专家的实践操作。第二，关于颜料的用量：底色颜料的用量是线条宽度的一半，而线条的宽度则是最小单位的五分之一。虽然这样说，但要涂抹得薄厚均匀，没有皱纹。第三，关于加持：将所有颜料倒入干净的容器中，将五种姓的种子字写在上面，按照正确的方向排列。观想五种姓为五佛父母，或者观想五部佛及其眷属，显现为五组，通过后续的融入，转化为象征五种智慧的五宝。如仪轨中所说：“将容器清洗干净，依次倒入颜料，将吽等字母各写成五份，颜色要与各自的颜色相符，观想完全显现的二十五尊神，具备方便与智慧。”等等。莲花仪轨中说：“于其上书写部族的字母。”又说：“诸佛化光融入颜料中，观想转化为五宝。”《噶当历代教法集》中说：“以五字加持，手印化为五部佛父母。”等等。第四，关于涂抹的方法：首先
English
At the time when it is not completely dry, mix it with soil, before the natural color appears, knead it well, and a good red color will emerge. Keep it moist, mix lime with tannin and grind it well, and it will suppress the luster of indigo. Mix tannin with soil, and kneading will produce a rust color. Harvest meadow plants in autumn that have not been touched by frost with a sickle, carefully pound the top parts, mix them with soil and pound again, knead and bake in the sunlight. Repeat two or three times, and the color will be as good as the outside. Grind lime tannin into powder, add a little, pound and knead, and bake in the sunlight, and a green color will emerge. Pound young green wheat seedlings, halo leaves, young beans, etc., mix with soil and bake, knead and dry in the sun, and this will also produce a good green color. Grind rapeseed into powder, mix with lime, mix with white soil, and dry in a cool place, and it will appear a pure gold color. Or even if it is not mixed with lime, following the previous method will produce a yellow color. Mix it with lime or borax, and a good crimson color will be produced. Mix meadow plant powder with oil, and bake it in the fire, and the color will be similar to eye medicine. The above is just a brief explanation, for details, please refer to the practical operation of experts. Second, regarding the amount of pigment: the amount of base color pigment is half the width of the line, and the width of the line is one-fifth of the smallest unit. Although it is said so, it should be applied thinly and evenly, without wrinkles. Third, regarding the blessing: Pour all the pigments into a clean container, write the seed syllables of the five families on it, and arrange them in the correct direction. Visualize the five families as the five Buddha parents, or visualize the five Buddha families and their retinues, appearing as five groups, and through subsequent dissolution, transform into the five jewels symbolizing the five wisdoms. As it is said in the ritual: "Clean the container, pour in the pigments in order, write each of the syllables such as Hūṃ five times, the colors should match their respective colors, visualize the fully manifested twenty-five deities, possessing skillful means and wisdom." and so on. The Lotus Ritual says: "Write the letters of the family on it." It also says: "The Buddhas transform into light and dissolve into the pigments, visualize transforming into five jewels." The *Kadampa Compendium of Teachings* says: "Bless with the five syllables, the hand seals transform into the five Buddha parents." and so on. Fourth, regarding the method of applying:
Chinese
然后，导师面向东方，用手指取走涂在颜料上的字母，填满孔隙。如《现观庄严论》所说：“颜料应从内向上倾倒，不应从外倾倒。”然后，在手上画上五位勇士的种子字，为了检验颜料的吉凶，左手握拳，从自在天开始，画满手指的五条线。如《虚空光明续》所说：“每种颜料占门的二十分之一，高度应如箭杆。”又如《莲花次第》所说：“在东北角的线上，应检验种子字。黑色、白色、黄色、红色、绿色五种颜色应均匀混合，画满手指。”之后，学生们也在手指上画上五个种子字，随意绘制。此外，将五种颜色的颜料粉末分开的必要性在于，《幻化网续》中说：“一切众生，虽被五种智慧所遍及，却因自己的分别念所遮蔽，而未见五种智慧之义。因此，为了向一切愚昧者，显示智慧的特征，故显示白色、红色、黄色、绿色等黑色。”如是总的开示之后，具体而言，“如何倾倒的次第是……”等等，详细地展示了倾倒颜料的特殊仪轨，因为阅读经文就能完成，所以不再解释。倾倒颜料完成后，安置标志，即“如是各别坛城之……”等等。如《怖畏金刚续》所说：“主尊应圆满地绘制成形象，眷属应绘制成手印，其余的则用字母。”又如《次第》中所说：“三种坛城中，经文本身已明确说明，支分形象为心要，日月莲花依次安住，是坛城身之特征。手印清晰描绘是语坛城，身或吽（藏文：ཧཱུྃ，梵文天城体：हुं，梵文罗马拟音：hūṃ，汉语字面意思：吽）芒（藏文：མུྃ，梵文天城体：मुं，梵文罗马拟音：muṃ，汉语字面意思：芒）绘制是意坛城，分为上等和中等，分为三种坛城。”总之，各自等等，据说颜料稀薄则会贫穷，浓稠则会生麻风，颜料脱落则会生病等等。特别是在检验颜料的吉凶时，导师鸠鸠罗阇说：“线条低劣则不会成功，歪斜则会引起痛苦。”