Tibetan
【处理错误】 [ { "chinese_translation": "坛城总体的线条颜色的作用，极明普喜。", "english_translation": "The work of lines and colors for the general mandala, Rabsel Kunga." }, { "chinese_translation": "坛城总体的线条颜色的作用，极明普喜。", "english_translation": "The work of lines and colors for the general mandala, Rabsel Kunga." }, { "chinese_translation": "坛城总体的线条颜色的作用，极明普喜。顶礼室利班杂萨埵！ 礼敬逝善坛城之大源， 顶礼至尊上师之莲足。 为利根器浅薄者， 宣说坛城线条颜色的， 仪轨作用极明普喜。 略说线条有两种， 即本初线和事业线。 本初线，线之材质为莲花之， 茎或棉毛亦可。 此材质以勇士之价购得。 由十六岁具相之女， 纺织之线，颜色为， 五种或二十五种。 长短为坛城之二倍， 粗细为门之二十分之一。 加持为五智， 放置之方式为，上师位于西方。 弟子位于东方， 首先将中线置于空中。 同样，上师位于南方， 弟子背向北方而坐，放置第二条线。 上师位于火之方位， 弟子背向，位于东北方， 应放置东方的边线。 上师位于风西北方， 弟子背向， 位于罗刹方位，故放置西方。 上师位于该处，弟子背向， 位于东北方，故放置北方。 上师位于火位，弟子背向， 位于罗刹方位，故放置南方。 上师位于该处，弟子， 位于风西北方，放置第一条角线。 上师位于罗刹位，弟子， 位于东北方，故放置第二条。 对一切都右旋，特别地， 以中线边线背向的方式放置。 这是放置天线的次第。 之后宣说事业线的次第。 由棉毛所成之线， 颜色三种或九种缠绕， 长短粗细，纺织者之价值， 如前一般所作之线， 加持为身语意， 八线次第如前， 放置，或者在四条边线之， 前面放置两条角线也可以， 暂时容易做，也没有相违。 放置之时，上师弟子的， 坐向如同本初线一般珍重。 这一点也稍微分开来说。 不小于一肘之量， 在如何合理的基面上， 首先放置东西方向的中线。 它的", "english_translation": "The work of lines and colors for the general mandala, Rabsel Kunga. Homage to Shri Vajrasattva! Homage to the great source of all Sugata mandalas. Having paid homage to the feet of the venerable lama, For the sake of those of inferior intellect, I will explain the ritual work of the mandala's lines and colors, Rabsel Kunga. Briefly, there are two types of lines: The primordial line and the action line. The material for the primordial line is the lotus stem, or cotton or wool. That material is purchased at the price of a hero. The thread spun by a sixteen-year-old woman with good qualities is of five colors, or twenty-five. The length is twice the mandala, and the thickness is one-twentieth of the door. Having blessed it as the five wisdoms, the method of placing it is as follows: the teacher sits to the west, and the student sits to the east. First, place the central line in the sky. Similarly, the teacher is to the south, and the student sits with his back to the north, placing the second line. The teacher sits in the fire direction, and the student, with his back turned, sits to the northeast, and the eastern side line should be placed. The teacher is to the northwest of the wind, and the student is with his back turned, sitting in the Rakshasa direction, so place the western line. The teacher is in that same position, and the student is with his back turned, sitting to the northeast, so place the northern line. The teacher is in the fire direction, and the student is with his back turned, sitting in the Rakshasa direction, so place the southern line. The teacher is in that same position, and the student is in the northwest of the wind, placing the first corner line. The teacher is in the Rakshasa position, and the student is sitting to the northeast, so place the second line. In all cases, circumambulate to the right, and in particular, place the central and side lines in a back-to-back manner. This is the order of placing the sky lines. Then, I will explain the order of the action lines. The thread made of cotton or wool is twisted with three or nine colors. The length, thickness, and the value of the spinner are the same as before. Having blessed that thread as body, speech, and mind, place the eight lines in the same order as before, or you can place the two corner lines before the four side lines. It is easy to do temporarily, and there is no contradiction. When placing the lines, the direction in which the teacher and student sit is as important as with the primordial lines. This will be explained in a little more detail. On a base that is no smaller than one cubit, first place the east-west central line on the appropriate surface. Its" } ] ============================================================
Chinese
在中心做标记。那是坛城的中心。从中心向东西方向等量地，用已做标记的拉线，在南北方向做记号。在那上面画第二条直径线。同样地，在南北直径线上，也做像东西方向一样的标记。在那之间的拉线，放在四个方向的标记上，在四个角上做记号。在那上面画两条角线。在每个面上，按照适合的，画四条侧线，箭杆线。从箭杆线到中心之间，将四条角线分成三份。在三分之一外侧的地方，画四条侧线，根本线。箭杆线和根本线之间，平分会产生两个大份。内侧的舍弃中心，画两条边线。出现墙壁、装饰、方格。将外侧的大份平分，外侧的再平分。出现半网格、栋梁、箭杆。那之后，从内侧的根本线到，马头外侧线之间，在直径线的左右，画两个大份。内侧的画一半，外侧的画一半。外侧的分成四份。出现门楣、门框、门槛，暗处、柱子、柱饰。马头八分等，在柱饰边缘加上小份。箭杆外侧做马头。在那上面有三种分割小装饰的方法。八分、四分、十一分。外侧的仪轨是早期翻译的，因为这一带很少，所以这里不讲。第一种，八分装饰是，在外侧箭杆上分割三份大份，内侧的两个分成四份。就是马头八分装饰。外侧的舍弃中心，画两条边线。莲花、法轮、伞盖的位置。那些外侧的顺序是，马脚与柱饰边缘相同。水生和框架两个，比那个长一份小份。扎尔擦比那个短两份。象鼻比那个长一份。串珠比那个短两份。栋梁比那个长一份。比那个翘起一个琼鸟头。莲花、法轮、伞盖这三个，大小是两份小份。莲花的左右分开一份小份。在舍弃的地方画一只动物。牛背三眼环绕的方式是，从装饰马头第三个儿子的外侧线和，直径线相交的地方开始，环绕两份小份的中心。
English
Make a mark in the center. That is the center of the mandala. From the center, equally to the east and west, using the marked string, make marks in the north and south directions. On that, draw the second diameter line. Similarly, on the north-south diameter line, make marks like the east-west direction. The string between them, placed on the marks of the four directions, make marks on the four corners. On that, draw the two corner lines. On each face, according to what is suitable, draw four side lines, arrow-shaft lines. From the arrow-shaft line to the center, divide the four corner lines into three parts. At the outer third, draw four side lines, root lines. Between the arrow-shaft line and the root line, bisecting will produce two large portions. The inner one discards the center, draw two border lines. Walls, decorations, and grids appear. Bisect the outer large portion, and bisect the outer one again. Half-grids, beams, and arrow shafts appear. After that, from the inner root line to the outer horse-head line, on the left and right of the diameter line, draw two large portions. Draw half of the inner one, and half of the outer one. Divide the outer one into four parts. Door frames, door jambs, door sills, dark places, pillars, and pillar decorations appear. Eight-part horse-heads, etc., add small portions to the edge of the pillar decorations. Make horse-heads outside the arrow shaft. On that, there are three ways to divide small decorations. Eight-part, four-part, and eleven-part. The outer practice is from earlier translations, because it is rare in this area, it is not discussed here. The first, eight-part decoration is, on the outer arrow shaft, divide three large portions, and divide the inner two into four parts. That is the eight-part horse-head decoration. The outer one discards the center, draw two border lines. The places for the lotus, wheel, and umbrella. The order of those outer edges is, the horse-leg is the same as the pillar decoration edge. The aquatic and the frame are two, longer than that by one small portion. The "zar tsag" is shorter than that by two. The trunk is longer than that by one. The tassel is shorter than that by two. The beam is longer than that by one. From that, raise one garuda head. The size of the lotus, wheel, and umbrella is two small portions each. Separate half a small portion to the left and right of the lotus. Draw one animal each in the discarded place. The way to encircle the three eyes on the bull's back is, starting from the outer line of the third son of the horse-head decoration and the intersection of the diameter line, encircle the center of two small portions.
Chinese
从黑暗（Mūlaprakṛti）的外部线条和中心线条的交汇处， 向左右各延伸两个小单位。 从两个小单位的左右两侧环绕， 然后将它们向外环绕一个单位。 如果需要绘制九个弯曲， 第一个布料是四又一半， 第二个和第三个是六个。 第四个是四个， 第五个布料是三个小单位， 第六个从那里到达中心顶点。 将它们向外各切一半。 下方基座轮的环绕方式是： 从轴线的角落开始，取一半的大单位。 在丢弃的圆形环绕内部， 小单位的环绕是轮辐的支撑。 从根线和门环线， 交汇处开始，在轮辐支撑上， 从右到左，从左到右触摸顶点进行环绕。 这是金刚萨埵幻网的体系， 其他则认为是各种金刚。 它的左右角环绕方式， 是马鞍形第三块布料的外部线条和中心线条的交汇处。 为了向外延伸两个小单位并交汇， 从那里开始，从柱饰的顶点环绕。 然后横向延伸两个小单位，向外一个单位， 然后用之前的尺寸环绕。 中央角的根部宽度， 虽然是一个大单位，但看不见， 细微的边缘顶点是两个小单位。 在莲花轮伞盖下方绘制。 幻化寂静的周边是： 轮辐支撑向外两个大单位， 环绕的内部切一半环绕。 从内部开始是莲花金刚火焰之地。 中心神位的环绕方式是： 根线内部一个大单位， 丢弃的变成截角线。 它的外部一个单位， 放置四个凸起的线条。 宽度是每个大单位。 从坛城中心到截角线， 环绕两个相等大小的圆形， 两个圆内部各环绕一个小单位， 从内部开始依次是： 中心、圆环、四个轮辐， 以及外部的圆环是地， 这些是寂静中等的线条。 幻化忿怒坛城之类的， 讲述内部门扉的放置方式。 之前的截角线， 是内部坛城的轴线。 从轴线到中心， 用四个侧线分成一半。 外部的三等分， 在内部的四分之一处放置。 凸起的剩余部分是地方的庭院， 中间放置中央丢弃的边缘， 墙壁出现所需的布料和花纹。 外部一半
English
From the outer line of darkness (Mūlaprakṛti) and the intersection of the central line, Extend two small units to the left and right. From the left and right of the two small units, encircle, Then encircle them outward by one unit each. If nine curves need to be drawn, The first cloth is four and a half, The second and third are six each. The fourth is four each, The fifth cloth is three small units, The sixth then reaches the central vertex. Cut them outward by half each. The method of encircling the lower base wheel is: Starting from the corner of the axis line, take half of the large unit. Inside the discarded circular encirclement, The encirclement of small units is the support of the spokes. From the root line and the door ring line, Starting from the intersection, on the spoke support, Touch the vertex from right to left and from left to right to encircle. This is the system of Vajrasattva's Illusion Net, Others consider it to be various Vajras. The method of encircling its left and right corners, Is the intersection of the outer line and the central line of the third cloth of the saddle shape. In order to extend two small units outward and intersect, Starting from there, encircle from the vertex of the pillar decoration. Then extend two small units horizontally, one unit outward, Then encircle with the previous size. The root width of the central corner, Although it is one large unit, it is not visible, The subtle edge vertex is two small units. Draw under the lotus wheel parasol. The periphery of the illusory peaceful realm is: The spoke support is two large units outward, The inner part of the encirclement is cut in half and encircled. From the inside is the land of the lotus vajra flame. The method of encircling the central deity's place is: One large unit inside the root line, The discarded becomes a truncated line. One unit outside of it, Place the lines of four protrusions. The width is each large unit. From the center of the mandala to the truncated line, Encircle two equal-sized circles, Each small unit is encircled inside the two circles, From the inside, the order is: The center, the ring, the four spokes, And the outer ring is the earth, These are the lines of the peaceful medium. Like the wrathful mandala of illusion, Explaining the method of placing the inner doors. The previous truncated line, Is the axis line of the inner mandala. From the axis line to the center, Divide it in half with four side lines. The outer three divisions, Place at the quarter of the inner one. The remaining part of the protrusion is the courtyard of the place, The middle is placed with the centrally discarded edge, The required cloth and patterns appear on the wall. The outer half