Chinese
被红色的绸缎围绕，以身金刚母等天女们嬉戏坟场的供云广大地开展。具有二谛的门和门框的交界以及四个角上，以半月金刚为标志。从外层门框的四个外角，由四根田地的柱子支撑的马落脚处，用八种绸缎、头盖骨、权势、日月宝串等装饰，具有凉亭的顶端，从位于莲花上的法轮之上，撑起田地的伞盖，由一对摩羯鱼的幼崽支撑。所有内外门上都有乌龟的门槛，摩羯鱼的门牙，黑蛇的男子，用田地的门扇装饰。外层门的左右两侧的基座上，用明亮的木头穿孔，以及塔拉树等用头盖骨和肠子串成的花环悬挂，被八个波浪翻滚的血池围绕。该坛城内的外层走廊是血海，内层是金走廊。高大的干骷髅堆砌是功德广大的象征。四角有突出的装饰，象征着具有四谛。具有轮辐的四辐轮，连同中心等依次变得特殊而庄严。内部八大天神的柱子，由具有乌龟柱基的柱子支撑，其上是梵天的四根柱子，连同圆柱。龙魔的幡，星宿的队列，田皮的屋顶，连同日月白色空间，中央隆起处用大天神的头盖骨圆圆地覆盖，顶端用菩提叶的顶饰装饰。内部的上下等，东面白色，南面黄色，西面红色，北面绿色，中央蓝色。火焰宝串翻滚燃烧等，所有嬉戏坟场的宫殿的特征都圆满。清澈无垢，普遍明亮。在无量基础的智慧轮的中心，圆满的外围守护环境中，将鲁扎连同享用一起度脱于法界中的八大尸陀林。在那些尸陀林中有八棵树，在其根部有八位方位守护神，在树枝上有八位田地守护神，八个水池，在那里
English
Surrounded by red silk, the offering clouds of the charnel ground, where goddesses such as Vajra Body Mother play, are widely displayed. The gate possessing the two truths, and the boundaries and four corners of the gate frame, are marked with crescent moons and vajras. From the four outer corners of the outer gate frame, a horse landing supported by four field pillars, adorned with eight kinds of silk, skulls, powers, and garlands of sun and moon, and with a cool pavilion, from atop the Dharma wheel situated on a lotus, a field umbrella is raised, supported by a pair of makara (sea monster) cubs. All the inner and outer gates have turtle thresholds, makara fangs, black snake figures, and are adorned with field door panels. On the bases to the right and left of the outer gate, clear wood is pierced, and tala trees and the like are hung with garlands strung with skulls and intestines, surrounded by eight pools of blood with churning waves. Within that mandala, the outer courtyard is a sea of blood, and the inner one is a golden courtyard. The tall stacks of dry skulls are a symbol of vast qualities. On top of the four corners adorned with protrusions, is a symbol of possessing the four truths. The four-spoked wheel with spokes, together with the center, are gradually made special and magnificent. The pillars of the eight great inner deities are supported by pillars with turtle bases, on top of which are Brahma's four pillars, along with round pillars. A banner of nagas and demons, a row of constellations, a roof of field skin, along with white spaces for the sun and moon, the central bulge is covered roundly with the skulls of great deities, and the top is adorned with a citta crest. The inner upper and lower parts are white in the east, yellow in the south, red in the west, green in the north, and blue in the center. Garlands of flames swirling and blazing, and so on, all the characteristics of the charnel ground palace where they play are complete. Clear and without obscuration, universally bright. In the center of the wheel of limitless foundational wisdom, within the perfect outer protective environment, are the eight great charnel grounds where Rudra, along with his retinue, is liberated into the expanse. In those charnel grounds are eight trees, at their roots are eight directional guardians, on the branches are eight field guardians, and eight pools of water, there
Chinese
嬉戏的八龙。此外，火、水、云、山、佛塔也都是八个。在一切处，成就者和持明者，勇士和瑜伽母的聚会，僵尸和食肉鬼神的聚会，都哈哈大笑，跳舞嬉戏。许多凶猛的鸟和野兽在空中飞翔。骷髅、僵尸、碎块、烧焦的、未烧焦的、散落的等等新旧各种血肉骨头，铺满一地，堆积如山，观想完全充满。第五，生起坐垫： པཾ་（藏文，पं，pam，种子字），莲花坛城。 ཨ་（藏文，अ，a，种子字），月亮坛城。 མ་（藏文，म，ma，种子字），太阳坛城。在轮的中央和四个轮辐上，具有功德之大的象征，各种莲花和日月重叠的坛城各一个。在这些坛城之上，महादेव वां（藏文，महादेव वां，mahādeva vāṃ，大天വം），ཨིནྡྲ་ཡ（藏文，इन्द्राय，indrāya，因陀罗），ཡ་མ་ཡ（藏文，यमाय，yamāya，阎摩），རཀྵ་ས（藏文，रक्ष，rakṣa，罗刹），ཀུ་བེ་ར་ཡ（藏文，कुबेराय，kuberāya，俱毗罗），ཏི་ར་པཾ（藏文，तिर पं，tira paṃ，低惹 种子字）。作为以威力压制恶毒者的象征，中央是自在和猛者，东方是乾闼婆，南方是阎罗，西方是罗刹，北方是夜叉，各自与自己的明妃一起，在交媾的姿势之上。五毒于此处清净的象征。
English
The eight playful Nagas. Furthermore, fire, water, clouds, mountains, and stupas are also eight each. Everywhere, there are gatherings of accomplished ones and vidyadharas, heroes and yoginis, corpses, and flesh-eating spirits, all laughing loudly and dancing. Many fierce birds and wild animals roam about. Skeletons, corpses, fragments, burnt, unburnt, scattered, and various other kinds of old and new flesh and bones are spread out and piled up, filling the entire space, visualize this. Fifth, generating the seat: Pam (藏文，पं，pam，seed syllable), lotus mandala. A (藏文，अ，a，seed syllable), moon mandala. Ma (藏文，म，ma，seed syllable), sun mandala. In the center and four spokes of the wheel, symbols of great qualities, each with various lotuses and stacked moon and sun mandalas. Above these mandalas, Mahadeva Vam (藏文，महादेव वां，mahādeva vāṃ，Great God Vam), Indraya (藏文，इन्द्राय，indrāya，Indra), Yamaya (藏文，यमाय，yamāya，Yama), Raksha (藏文，रक्ष，rakṣa，Raksha), Kuberaya (藏文，कुबेराय，kuberāya，Kubera), Tira Pam (藏文，तिर पं，tira paṃ，Tira seed syllable). As a symbol of subduing the wicked with power, in the center are Ishvara and the Fierce One, in the east are Gandharvas, in the south is Yama, in the west are Rakshasas, and in the north are Yakshas, each with their consorts, in copulation. A symbol of the purification of the five poisons in this place. Bulls, buffaloes, leopards, and tigers, fierce bear paws, hold Ishvara, the Great God, and so on. Thus, each of the eight main animals tramples on arrogant males and females. In the four corners and four cardinal directions of the wheel, in the eight directions of the golden palace. Ma Surya Mandala (藏文，मासूर्यमण्डल，māsūryamaṇḍala，Sun Mandala), Tira Vam (藏文，तिर वं，tira vaṃ，Tira Vam) generate one sun and land seat each. In the six directions of the blood palace and within the four doors, visualize one land seat each appearing clearly. Second, the support, generating the deity, has two parts: oneself becoming the son of the Tathagata, and the Tathagata becoming one's son. First: Oneself is the vajra master of all Buddhas' body, speech, and mind. Because one is inherently the Wrathful King, from the realm of suchness itself, the Wrathful Mother Ishvari arises, with the radiance of joyful laughter, blossoming the precious lotus, merging into joy with inseparable embrace. The root Heruka abiding in space, seated on the central seat, that very one becomes the Great Glorious One, the body transforming into smoky black, the heads and hands and feet as numerous as the dust of empty space, holding various weapons. The realm of suchness itself
Chinese
然后，显现出忿怒母大自在，发出“嘿嘿”的声音，以喜悦的光彩侍奉父亲，使莲花开放，心想沉浸在无二的拥抱的喜悦中。念诵“吽吽吽，比湿瓦 瓦日ra 克洛达 瓦拉 曼达拉 帕特 帕特 哈拉 哈拉 吽”，从父母的结合处，菩提心如云般涌出，遍布六道世界十方无尽之处，散发出无数的忿怒尊，降下各种武器的雨。心想以十五种大征兆，彻底摧毁所有恶毒的众生。从遍布虚空的忿怒尊云朵再次聚集，金刚部的忿怒尊融入自身，转化为果位的黑鲁嘎。即：嗡 瓦日ra 希ri 黑鲁嘎 吽。瓦日ra 克洛地 瓦日ri 斯瓦。我即是薄伽梵大吉祥者，令喜悦的金刚黑鲁嘎，深蓝黑色如雨云般，拥有亿万太阳的光辉。三面，右白左红蓝，具有忿怒的姿态，红色圆眼，三三变化的面容，露出獠牙，舌头如闪电般闪烁，金刚的笑声震撼三界，鼻中发出令人恐惧的吽声，眉毛胡须如火般燃烧，凶猛的面容皱纹紧锁。身躯高大，肢体粗壮，全身布满金刚毛孔，妩媚、英勇、丑陋，欢笑、斥责、令人恐惧，以九种舞蹈姿态充分展现。六手，左右最初两手，持金刚铃拥抱佛母，第二手持五股杵和红色班杂，第三手持田杖支撑空界。四足，右伸左屈，以巨大的姿势舞动。顶戴五部颅骨冠等，圆满了尸陀林庄严的饰品。耳环散发日月的光芒。大佛母克洛地 瓦日ri 玛，蓝绿色，一面二手，三眼，具有青春妩媚的姿态，右手持铃拥抱父亲，左手捧着盛满血的颅碗。穿着豹皮裙等，以尸陀林的饰品庄严自身。左伸右屈，与主尊相拥。安住在劫末的火焰中。如来和珍宝，莲花事业部等，是聚集一切的自性，四部的黑
English
Then, manifesting the great powerful wrathful mother, uttering "He He," offering herself to the father with joyful radiance, causing the lotus to bloom, thinking of reveling in the joy of inseparable embrace. By reciting "Hūṃ Hūṃ Hūṃ Biśva Vajra Krota Jvāla Maṇḍala Phaṭ Phaṭ Hala Hala Hūṃ," from the union of the father and mother, from the clouds of bodhicitta, spreading limitlessly to the ten directions of the six realms, emanating immeasurable wrathful ones, raining down various weapons. Thinking of utterly destroying all malicious beings with the fifteen great omens. From the clouds of wrathful ones pervading space, re-assembling, the wrathful ones of the vajra family dissolving into oneself, transforming into the heruka of fruition. Namely: Oṃ Vajra Śrī Heruka Hūṃ. Vajra Krodhi Śvarī Stvaṃ. I am the Bhagavan, the great glorious one, the Vajra Heruka who brings joy, dark blue-black like a rain cloud, possessing the splendor of a billion suns. Three faces, right white, left red, blue, possessing a wrathful demeanor, red round eyes, faces transforming in threes, bared fangs, tongue flashing like lightning, the vajra laughter shaking the three realms, emitting a terrifying Hūṃ sound from the nostrils, eyebrows, mustache, and beard blazing like fire, a fierce countenance with furrowed brows. A large body with coarse limbs, covered with vajra pores. Seductive, heroic, hideous, laughing, scolding, and terrifying. Fully developed with the nine moods of dance. Six hands, the first two right and left, holding vajra and bell, embracing the consort. The second holding a five-pronged vajra and a red bhaṇḍa, the third holding a field staff supporting the empty realm. Four feet, right extended, left bent, reveling in a giant's stance. Adorned with a crown of five dry skulls, etc., completing the ornaments of the charnel ground's glory. Earrings emitting the rays of the sun and moon. The great mother Krodhi Śvarī Mā, blue-green, one face, two hands, three eyes, possessing the seductive demeanor of youth, the right hand holding a bell embracing the father, the left holding a skull cup filled with blood. Wearing a leopard skin loincloth, etc., adorned with the ornaments of charnel ground revelry. Left extended, right bent, embracing the main deity. Residing in the midst of the flames of the eon's end. The Tathagata and the Jewel, the Lotus and Karma families, etc., are the nature of gathering all, the her
Chinese
变成颅骨， 安坐于四辐轮之座。 紫黑色、蓝黑色、黄黑色， 红黑色、绿黑色，恐怖之身。 三头六臂，四足伸展， 身穿各种生皮衣。 发出威猛巨响，令人恐惧。 以蛇和颅骨鬘、日月为饰， 环绕着千世界。 手持充满金刚和海螺， 宝剑、敌斧、犁等， 各种自持器械， 与怖畏明妃众相拥， 以随欲之乐而安住。 从“嘿”的喜悦笑声中， 生出结合处的菩提心云， 显现出八位忿怒母。 嘎日玛、匝日玛， 札摩哈、贝达丽， 布嘎斯、格萨日， 玛夏尼、匝达丽， 位于轮辐之间和四个角落。 从“嘿”的喜悦笑声中， 生出八位大食肉母， 狮子、老虎、狐狸、狼面， 笑面、鹫、乌鸦面， 猫头鹰面八位，位于金殿的， 方位和角落依次排列。 再次发出喜悦的笑声， 念诵“嘿”时，菩提心， 显现为四位守门者。 东西南北四个门， 马面母、猪面母， 狮面母、狼面母， 个个都显现出极度忿怒之相。 以处所和地域的手印， 以及四门的手印而极度庄严， 由十二位编发女、婢女和侍女众， 以及八位而庄严。 各自持有自己的坐垫和器械， 以“做什么”的姿态而安住。 在无边无际的， 六道世界的十方， 清晰地显现出燃烧的坛城。 第二，将我作为如来之子，分为二：破除常边，遣除断边。第一是：以方便和智慧无二的，智慧光芒净化身体的执着，从如炼金般的清净心中，语之加持化为光之种子，融入心中，化为身之形象，从金刚道进入明妃之宫，法身安住于菩提心中。诸神众。
English
Having become a skull, He sits on a seat of four-spoked wheels. Dark purple, dark blue, dark yellow, Dark red, dark green, a terrifying form. Three heads, six arms, four legs extended, Wearing various raw skin garments. Proclaiming a great, awe-inspiring sound of terror. Adorned with snakes, skull garlands, sun and moon, Surrounded by a thousand worlds. Holding vajra and conch shells, Sword, enemy axe, plow, and so on, Various self-held instruments, Embraced by a host of terrifying consorts, Abiding in the pleasure of desire. From the joyful laughter of "He!", The clouds of bodhicitta from the union, Emerge as the eight wrathful mothers. Garima and Tsarima, Tramoha and Betali, Pukkasi and Ghasmari, Smashani and Tsandali, Located between the spokes and in the four corners. From the joyful laughter of "He!", The eight great flesh-eating mothers emerge, Lion, tiger, fox, wolf-faced, Laughing face, vulture, raven-faced, The eight owl-faced ones, in the golden mansion, Are arranged in order in the directions and corners. Again, the joyful laughter, By uttering "He!", the bodhicitta, Emerge as the four gatekeepers. In the four gates of east, south, west, and north, Horse-faced mother and pig-faced mother, Lion-faced mother and wolf-faced mother, All display an extremely wrathful demeanor. With the mudras of place and region, And adorned with the mudras of the four gates, Adorned by the twelve braided-hair women, servant girls, and maids, And by the eight. Each holding their own cushions and instruments, Abiding in the posture of "What shall I do?". In the boundless and limitless, The ten directions of the six realms, The blazing mandala appears clearly. Secondly, to take myself as a son of the Tathagata, there are two aspects: destroying the extreme of permanence and eliminating the extreme of nihilism. The first is: With the non-dual method and wisdom, the rays of wisdom purify the clinging to the body. From the pure mind like molten gold, the blessings of speech transform into seeds of light, dissolving into the heart, transforming into the form of the body, entering the palace of the consort through the vajra path, the Dharmakaya abides in the bodhicitta. The assembly of deities.