English
On the southeast seat of the petals is ཀ་ཙ, southwest is ཁ་ཚ, northwest is ག་ཛ, northeast is གྷ་ཛྷ. On the southeast seat of the corners is པ་ཡ, southwest is ཕ་ཝ, northwest is བ་ར, northeast is བྷ་ལ. In the outer circle, east is ཀྵ, west is ཨ, southeast is ཨི, north is ཨཱི, south is ཨུ, northwest is ཨཱུ, southwest is ཨེ, northeast is ཨཻ. At the four gates, east gate is ང་ཤ, south gate is ཉ་ཥ, west gate is མ་ས, north gate is ཨོ་ཨ་ཧ་, each corresponding to the color of their respective deities, residing on their respective seats. After that, reciting ཨ་, the basic ཨ dissolves into light, pervading and dissolving into the letters, visualizing them as extremely clear and radiant. ཨ itself appears in various forms, such as the forty-two ཀ་, all gathered by the name of sound, confirmed as the perfect king. Reciting ཨ་སྥ་ར་ཎ་ཕཊ, light radiates from the letters, accomplishing the deeds of the Buddhas. Reciting སཾ་ཧ་ར་ཎ་ཧཱུཾ, gathering again and dissolving into the letters, dissolving into light. Reciting བཛྲ་ཙཀྲ་རཏྣ་པདྨ་ཁདྒ་གྷཎྜ. In the center are the vajra and bell, to the east of the four petals are the wheel and bell, to the south are the jewel and bell, to the west are the lotus and bell, to the north are the sword and bell. On the southeast of the petals are the jewel sprout and mirror, southwest are the sword and rosary, northwest are the lotus and lute, northeast are the vajra and fan. On the southeast of the corners are the dragon tree and incense burner, southwest are the book and flower, northwest are the jewel ear of grain and lamp, northeast are the উৎপལ་ flower and perfume. In the outer circle, east is the vajra, west is the bell, southeast is the lute, north is the armor, south is the axe, northwest is the book, southwest is the box, northeast is the fire water. The east gate is the raised human head and iron hook, the south gate is the five-pronged vajra and rope, the west gate is the skull entwined with snakes and iron chain, the north is the crossed vajra and bell, becoming forty-two implements. Reciting སྥ, light radiates from these implements, accomplishing the deeds of the Buddhas. Reciting སཾ, gathering again and dissolving into the implements, completely dissolving. Reciting ཧཱུྃ་བཛྲ་དྷྲིཀ྄. One's self is in the center of the mandala, visualizing as Bhagavan Vajrasattva, body color blue, with three faces and six arms of blue, white, and red.
Chinese
第一右手持金刚于心间，第一左手以铃倚靠腰间而拥抱佛母，中间两手持法轮和珍宝，最后两手持莲花和宝剑，头发为蓬松的结发状，双足以圆满的金刚跏趺坐姿安住。穆（藏文，梵文天城体：मूं，梵文罗马拟音：mūṃ，汉语字面意思：穆）达妥耶西瓦热（藏文，梵文天城体：धात्वेश्वरी，梵文罗马拟音：dhātveśvarī，汉语字面意思：界自在母）。其怀中佛母金刚界自在母青色，右手持铃拥抱佛父颈间，左手持金刚于心间，以禁行之跏趺坐姿相拥。二者皆身着天物的白色丝绸，上有金色鸿雁图案的上衣，以及丝绸下裙，头戴各种颜色的头饰，耳环，舞蹈的袖套等五种丝绸衣物，以及珍宝的头饰，耳饰，项链，瑟莫朵，长项链，腰带，手足的镯子等八种珍宝饰品庄严自身，身姿柔软婀娜，青春洋溢，清晰闪耀，庄严殊胜，光彩夺目，以九种寂静姿态而兴盛，每一种颜色的光芒都向六个方向，每个方向又向六百万个方向放射和燃烧，于此之中安住于乐空不二的自性之中。嗡（藏文，梵文天城体：ओं，梵文罗马拟音：oṃ，汉语字面意思：嗡）吉那吉（藏文，梵文天城体：जिनाजिक，梵文罗马拟音：jinājik，汉语字面意思：胜生）。东方轮辐上为白色毗卢遮那佛，具有白、蓝、红三面和六臂，前两手持法轮和铃拥抱佛母，中间两手持金刚和珍宝，后两手持莲花和宝剑。拉姆（藏文，梵文天城体：लां，梵文罗马拟音：lāṃ，汉语字面意思：拉姆）德威萨惹底（藏文，梵文天城体：द्वेषरति，梵文罗马拟音：dveṣarati，汉语字面意思：嗔欲）。佛母眼母白色，右手持铃拥抱佛父，左手持法轮。 梭姆（藏文，梵文天城体：स्वां，梵文罗马拟音：svāṃ，汉语字面意思：梭姆）惹那达日克（藏文，梵文天城体：रत्नधृक्，梵文罗马拟音：ratnadhṛk，汉语字面意思：宝持）。南方轮辐上为黄色宝生佛，具有黄、白、红三面和六臂，前两手持珍宝和铃，中间两手持法轮和金刚，后两手持莲花和宝剑。 玛姆（藏文，梵文天城体：मां，梵文罗马拟音：māṃ，汉语字面意思：玛姆）莫哈惹底（藏文，梵文天城体：मोहरति，梵文罗马拟音：moharati，汉语字面意思：痴欲）。 玛玛格黄色，右手持铃拥抱佛父，左手持珍宝。 昂（藏文，梵文天城体：आं，梵文罗马拟音：āṃ，汉语字面意思：昂）阿若力克（藏文，梵文天城体：आरोलिक，梵文罗马拟音：ārolik，汉语字面意思：升起）。西方轮辐上为红色无量光佛，具有红、白、蓝三面和六臂，前两手持莲花和铃，中间两手持法轮和珍宝，后两手持金刚和宝剑。 帕姆（藏文，梵文天城体：पां，梵文罗马拟音：pāṃ，汉语字面意思：帕姆）惹嘎惹底（藏文，梵文天城体：रागरति，梵文罗马拟音：rāgarati，汉语字面意思：贪欲）。 白衣母红色，右手持铃拥抱佛父，左手持莲花。 吽（藏文，梵文天城体：हूं，梵文罗马拟音：hūṃ，汉语字面意思：吽）扎嘉达日克（藏文，梵文天城体：प्रज्ञाधृक्，梵文罗马拟音：prajñādhṛk，汉语字面意思：慧持）。北方轮辐上为绿色不空成就佛，具有绿、白
English
The first right hand holds a vajra at the heart, the first left hand embraces the mother, leaning on the bell at the waist. The middle two hands hold a wheel and a jewel. The last two hands hold a lotus and a sword. The hair is in a matted, piled-up style. The two feet are seated in the complete vajra posture. Mūṃ Dhātveśvarī (Tibetan, Devanagari: मूं, Romanized Sanskrit: mūṃ, Literal Chinese meaning: Mūṃ, 界自在母). In her lap, the mother, Vajradhatvishvari, is blue, her right hand holding a bell embraces the father's neck, and her left hand holds a vajra at her heart, embracing in a posture of asceticism. Both are adorned with five silk garments of divine substance, white silk with golden goose patterns for the upper garment, and silk lower garments, various colored headbands, earrings, dance sleeves, and eight precious ornaments: a precious headdress, earrings, necklace, semoto, long necklace, belt, and bracelets on the hands and feet. They are supple, slender, embracing, youthful, clear, radiant, beautiful, and glorious, flourishing with nine peaceful expressions. Each of the six rays of light radiates and blazes in six million directions, residing in the essence of indivisible bliss and emptiness. Oṃ Jinājik (Tibetan, Devanagari: ओं, Romanized Sanskrit: oṃ, Literal Chinese meaning: Oṃ, 胜生). On the eastern spoke is white Vairochana, with three faces of white, blue, and red, and six arms. The first two hands hold a wheel and a bell, embracing the mother. The middle hands hold a vajra and a jewel. The last hands hold a lotus and a sword. Lāṃ Dveṣarati (Tibetan, Devanagari: लां, Romanized Sanskrit: lāṃ, Literal Chinese meaning: Lāṃ, 嗔欲). The mother, Lochana, is white, her right hand holding a bell embraces the father, and her left hand holds a wheel. Svāṃ Ratnadhṛk (Tibetan, Devanagari: स्वां, Romanized Sanskrit: svāṃ, Literal Chinese meaning: Svāṃ, 宝持). On the southern spoke is yellow Ratnasambhava, with three faces of yellow, white, and red, and six arms. The first two hands hold a jewel and a bell. The middle hands hold a wheel and a vajra. The last hands hold a lotus and a sword. Māṃ Moharati (Tibetan, Devanagari: मां, Romanized Sanskrit: māṃ, Literal Chinese meaning: Māṃ, 痴欲). Mamaki is yellow, her right hand holding a bell embraces the father, and her left hand holds a jewel. Āṃ Ārolik (Tibetan, Devanagari: आं, Romanized Sanskrit: āṃ, Literal Chinese meaning: Āṃ, 升起). On the western spoke is red Amitabha, with three faces of red, white, and blue, and six arms. The first two hands hold a lotus and a bell. The middle hands hold a wheel and a jewel. The last hands hold a vajra and a sword. Pāṃ Rāgarati (Tibetan, Devanagari: पां, Romanized Sanskrit: pāṃ, Literal Chinese meaning: Pāṃ, 贪欲). Pandara is red, her right hand holding a bell embraces the father, and her left hand holds a lotus. Hūṃ Prajñādhṛk (Tibetan, Devanagari: हूं, Romanized Sanskrit: hūṃ, Literal Chinese meaning: Hūṃ, 慧持). On the northern spoke is green Amoghasiddhi, with green, white
English
Red, with three faces and six arms. The first two hands hold a sword and a bell, the middle ones hold a wheel and a jewel, and the last ones hold a lotus and a vajra. Tāṃ Vajrarati. The vow-bound Green Tara, holding a bell in her right hand, embraces her father, and holds a sword in her left hand. The fathers play in perfect full lotus posture, and the mothers play in ascetic half-lotus posture. Śhīṃ Hirājaya. Of the four side spokes. In the southeast, Earth Essence, white, holding a jewel sprout in the right hand, and leaning a bell on the waist in the left hand. Hūṃ Lāsya Samaya Svaṃ. The coquettish white woman embraces her father with her right hand and holds a mirror with her left hand. Traṃ Āgarbhaya. In the southwest, Sky Essence, yellow, right hand holding a sword... left hand holding a bell... Traṃ Māle Samaya Hoḥ. Garland Mother, yellow, holding a jewel garland. Hrīṃ Hā Hūṃ Padma Pradama. In the northwest, Avalokiteśvara, red, right hand holding a white lotus... left hand holding a bell... Hrīṃ Gīti Rāgo Haṃ. Singer, red, holding a lute. Jriṃ Kuru Pāṇa. In the northeast, Vajrapani, blue, right hand holding a vajra... left hand holding a bell... A Nirti Rāga Ya Mye. Dancer, green, holding a yak tail fan, making dance gestures. Mai Dhāraṇa Svāhā. Of the four corners. In the southeast, Maitreya, white-yellow, right hand holding a nāga tree... left hand holding a bell... Jaḥ Dhūpe Prabheśa. Incense Mother, white-yellow, holding an incense burner. Thliṃ Nissa Raṃ Bhaya Svāhā. In the southwest, Nivarana-Vishkambhin, red-yellow, right hand holding a Dharma wheel... left hand holding a bell... Hūṃ Puṣpe Āveśa. Flower Mother, red-yellow, holding a flower garland. Hūṃ Svarājaya Svāhā. In the northwest, Samantabhadra, red-green, right hand holding a jewel spike... left hand holding a bell... Vaṃ Dīpa Sugi Rī. Lamp Mother, red-green, holding a lamp. Mūṃ Śrī Aṃ Rāga Ya Svāhā. In the northeast, Manjushri, white-green, right hand holding an utpala... left hand holding a bell... Hoḥ Gandhe Citta. Perfume Mother, white-green, holding a perfume conch. All eight bodhisattvas are seated in a half-lotus posture with their right legs slightly extended, and the mothers embrace their fathers in a half-lotus posture with their left legs slightly extended. Hūṃ Hūṃ Hūṃ Vajra Citta Oṃ. In the east of the courtyard, Samantabhadra, blue, with the mudra of meditation, is seated in the vajra posture. A A A Vajrī Bhadra Samanta Āḥ. In the west, Samantabhadri, blue, with the left hand placed on top
Chinese
东北方，地狱之能仁烟色持火焰水。此六者皆具顶髻，具梵行者之装束，为利有情而以站立之姿态示现。 铃母绿黑色持铃并与之结合。此四忿怒尊皆作左手期克印，明妃们皆以左手持盛血颅器之姿态，一切皆具忿怒凶暴之面容，以九种舞姿而妖娆，以八种尸林装束而庄严，于劫末之火焰中，以诛灭恶毒者之姿态安住。如是本尊与眷属所组成之坛城一切皆如镜中之影像或水
English
In the northeast, the smoky hell-sage holding fire and water. All six are endowed with crest jewels and have the appearance of celibates, standing to benefit beings. The bell mother, dark green, holding a bell and united with it. All four wrathful ones make the threatening mudra with the left hand, and the consorts all hold skull cups filled with blood in their left hands. All have wrathful, fierce, and transformed faces, are graceful with the nine attitudes of dance, are adorned with the eight charnel ground ornaments, and abide in the midst of the blazing fire of the eon, in the manner of destroying the wicked. Thus, the entire mandala, with the main deity and retinue, is like a reflection in a mirror or water.
Chinese
安住于如内之月般显现的空性幻化网之智慧轮中。第二，明观：于座上圆满和菩萨之相，轮王、轮妃，右为见、闻、嗅，尝与妃女眷属俱。于隅角则为见者、闻者、嗅者、尝者等，与妃女眷属具足而住。于中间走廊则为六能仁，于前与后为作者与事业，皆示现安住。四门之调伏者，与妃女眷属具足而住。金刚轮、宝、莲花、宝剑、铃铛燃，乌巴拉花、龙树等相，宝苗、宝剑燃，白莲花、金刚燃，法轮、宝瓶，妙色、宝鬘，以及琵琶、舞者胜者，花鬘与香供女，灯与涂香等，缠绕于事业且依于法，头颅摇曳且敬礼之相，如上的大印，缠绕于无二之法界性中。四门忿怒尊之手印为： 訥哩（藏文，梵文天城体，梵文罗马拟音，汉语字面意思）头颅高举且金刚镇压，颅器幻化大镇压，金刚交杵以事业镇压。 铁钩、羂索、斯佛札（藏文，梵文天城体，梵文罗马拟音，汉语字面意思） 吽（藏文，梵文天城体，梵文罗马拟音，汉语字面意思），安住于四门之彼等，亦如上述般敬礼缠绕。六能仁手印各异，简而言之则示现为六手印。 竖琴与琵琶，盔甲、经函、宝箧，于火与水中皆善示现。 佛母为无所缘之法界，普贤平等性之智慧光芒。 佛母变化为平等圆满莲花跏趺坐。 其他亦有各式手印，或者即是如来，或者即是金刚合掌。 深蓝、白、黄褐，绿等各式各样，柔软纤细、缠绕摇曳、具青春之相，明亮闪耀、庄严秀丽、具光辉，光芒四射之大群，以燃烧之鬘缠绕，以无边无际之遍布，不可思议之坛城自然成就。如是明观之。三，灌顶与加持二者，首先是：如是明观之诸佛众之命之丸，与自形相同之智慧尊，以珍宝与手