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DTG039 0027.Chapter Seven Explanation of the Supreme Conduct of Mantras..Chapter Seven Explanation of the Supreme Conduct of Mantras..g2.0f

Chinese

具有力量,渴望获得佛的果位。所谓“恒常”,是指在任何时候,都要追随各种对境。使菩萨欢喜。是指内外诸根清净圆满,使诸佛之子欢喜。使菩提之日破裂。所谓菩提,是指三世一切智的智慧,因为舍弃了一切黑暗。太阳即是佛陀薄伽梵。那些安住于自身之上的,以那些来随顺,是为第六业。现在宣说近行诸境之仪轨。所谓色等,色是眼睛的对境。因为以欲望的差别来衡量低劣和殊胜等自性,所以有三种。内外和二者的自性都不可得,要以空性等三种解脱门的方式来证悟。对此也有宣说:内外以及二者,任何都不可得的,色等三种,应供养诸天。具有供养和被供养的自性。是指从体验与供养等无别的自性,与自己的本尊瑜伽相应的色,应观想为毗卢遮那佛。对此也有宣说,所谓彼等,所谓种种,是指无余一切色的自性,即是大金刚持。毗卢遮那佛的处所,是指毗卢遮那佛所依之身的色身,是金刚等的自性之故。同样,头发有三种等也应知晓,要证悟到供养与各自清净相应的诸天。以法的隐语,此处以宝生佛等之语,表示不动佛等,这是口诀。其中,声是不动佛。香是宝生佛。味是无量光佛。触是成就一切义佛。意境是大金刚持。因此,对于色声香味等,应恒常系念于心。

English

Having power, desiring to attain the state of Buddhahood. The so-called "constant" means that at any time, one should follow all kinds of objects. Make the Bodhisattva happy. It refers to the purity and perfection of the inner and outer senses, making the sons of the Buddhas happy. Make the sun of Bodhi break. The so-called Bodhi refers to the wisdom of the three omniscient ones, because it abandons all darkness. The sun is the Buddha Bhagavan. Those who abide on their own bodies, following those, are the sixth karma. Now the ritual of approaching the objects is explained. The so-called form, etc., form is the object of the eye. Because the nature of inferiority and superiority, etc., is measured by the difference of desire, there are three kinds. The nature of inside, outside, and both is unattainable, and it should be realized in the way of the three doors of liberation such as emptiness. It is also said about this: inside and outside, and both, any unattainable, the three kinds of form, etc., should be offered to the gods. Having the nature of offering and being offered. It means that from the experience of form that is inseparable from offering, etc., and corresponds to the yoga of one's own deity, one should visualize Vairochana Buddha. It is also said about this, the so-called them, the so-called various kinds, refers to the nature of all remaining forms, which is the Great Vajradhara himself. The place of Vairochana Buddha refers to the form body of Vairochana Buddha's support, because it is the nature of Vajra and so on. Similarly, it should also be known that hair has three kinds, etc., and one should realize that the gods corresponding to their respective purifications are offered. In the secret language of Dharma, here the words such as Ratnasambhava indicate Akshobhya, etc., this is the oral instruction. Among them, sound is Akshobhya. Smell is Ratnasambhava. Taste is Amitabha. Touch is Amoghasiddhi. The object of mind is the Great Vajradhara. Therefore, for form, sound, smell, taste, etc., one should always keep the mind attached.

Chinese

成为觉醒之地,应当观想为大金刚持,这是它的意义。或者说,一切诸法的法界自性是相互无别的。因此,应当在一切境上观想大金刚持。如是说,提到了色声等,应当观想三解脱门自性的色等为大金刚持,这是为了圆满此义。供养佛等,等等,这是简略的指示,这里广为阐释。又或者说,等等。种姓是六转轮王。对它们的详细区分是色金刚等的特征。应当以色金刚等的方式缘于色等境。或者以毗卢遮那等差别来观想诸境。如是说,毗卢遮那等的瑜伽士们应当以自己本尊的形象来观察诸境。他们除了恒常显现为自己的本尊之外,不缘于其他。这解释了非等持的瑜伽。现在,为了成办坛城,在名为“应当供养”等的第四品中,忆念所说的简略指示的词句,从而广为阐释。在名为“与忆念佛陀相结合”等中,对于诸佛所绘制的坛城,后来,为了成办坛城,忆念的决定即是忆念佛陀。同样,解释了忆念法等忆念之语的意义。其中,佛陀是毗卢遮那。法是无量光。金刚是不动佛。种姓是剩余者,即宝生佛。名为忿怒尊的是降阎魔尊,因为他自己进行供养。如是说:忿怒尊王召请后,供养一切佛。如是说。其中,誓言是指意义完全成就。在第一品中,已经解释了它就是誓言。同样,誓言是指

English

Becoming the place of awakening, one should contemplate oneself as the Great Vajradhara, that is its meaning. Or, the nature of the dharmadhatu of all dharmas is mutually inseparable. Therefore, one should contemplate the Great Vajradhara on all objects. As it is said, mentioning form, sound, etc., one should contemplate forms, etc., which are the nature of the three doors of liberation, as the Great Vajradhara, this is to perfect this meaning. Offering to the Buddhas, etc., etc., this is a brief indication, here it is explained extensively. Or, it is said, etc. The lineages are the six Chakravartin kings. The detailed distinctions of these are the characteristics of Rupa-vajra, etc. One should focus on objects such as forms in the manner of Rupa-vajra, etc. Or, one should contemplate the objects with the distinctions of Vairochana, etc. It is said thus: the yogis of Vairochana, etc., should observe the objects in the form of their own deity. They do not focus on anything other than what constantly appears as their own deity. This explains the yoga of non-equanimity. Now, in the fourth chapter called "Should Offer," etc., in order to accomplish the mandala, the words of the brief indication that was spoken are remembered and contemplated, and thus it is explained extensively. In the section called "Combining with the Remembrance of the Buddha," etc., for the mandala drawn by the Buddhas, later, in order to accomplish the mandala, the determination of remembrance is the remembrance of the Buddha. Similarly, the meaning of the word remembrance, such as the remembrance of the Dharma, etc., is explained. Among them, the Buddha is Vairochana. The Dharma is Amitabha. The Vajra is Akshobhya. The lineage is the remainder, which is Ratnasambhava. The one called Wrathful is Yamantaka, because he himself makes offerings. As it is said: Having summoned the Wrathful King, offer to all the Buddhas. Thus it is said. Among them, Samaya means the complete accomplishment of meaning. In the first chapter, it has been explained that it is Samaya itself. Similarly, Samaya means

Tibetan

བའི་ཚིག་ལས་སོ། །ལོ་གྲངས་བཅུ་དྲུག་ལོན་པ་ལ། །ཞེས་བྱ་བ་ནི་ཁྱད་པར་གྱི་རྣམ་པ་བརྗོད་པའི་ཕྱིར་བརྗོད་པར་ཡང་རྗེས་སུ་བརྗོད་པར་བྱ་སྟེ། སླར་ཡང་དོན་གཞན་ལ་བརྟེན་ནས་དོན་དེ་ཉིད་ནི་བཟླས་པ་ཡིན་ཞེས་བྱ་བའི་ཚིག་ལས་སོ། །དབེན་པ་ཞེས་བྱ་བ་ནི་སྣོད་དང་མི་ལྡན་པ་རྣམས་ཀྱིས་སྟོང་པའོ། །བྱིན་གྱིས་རླབས་ཀྱི་གནས་གསུམ་གྱི། །ཞེས་བྱ་བ་ནི་ཡི་གེ་གསུམ་གྱིས་བྱིན་གྱིས་བརླབ་པ་སྟེ། སྔར་བཤད་པའི་ཚོགས་རང་གི་རིག་མ་དང་གཉིས་སུ་མེད་པའི་རྣལ་འབྱོར་བྱས་ལ་ཞེས་བྱ་བའི་དོན་ཏོ། །སྤྱན་ཡང་ཞེས་བྱ་བ་ནི་སྤྱན་ཉིད་སྐུའི་དཀྱིལ་འཁོར་ལ་སྟེ་དེ་ཡང་སྦྱོར་བ་བསྒོམས་པས་ཏེ། རྡོ་རྗེ་དང་པདྨ་ལ་ལེགས་པར་སྦྱང་བ་སྔོན་དུ་སོང་བ་ཡིན་པས་དེ་ཡང་གསུངས་པ། ཡི་གེ་ཧཱུཾ་ཞེས་བྱ་བ་ལ་སོགས་པ་ལ་འདི་སྐད་བསྟན་པ་ཡིན་ཏེ། ཡི་གེ་ཧཱུཾ་གིས་ཇི་ལྟ་བ་བཞིན་དུ་རྡོ་རྗེ་དང་པདྨ་བསྐྱེད་དེ་ཡི་གེ་ཨཱཿས་ནི་པདྨའི་ལྟེ་བ་བསྐྱེད་ནས་ཡེ་ཤེས་རྡོ་རྗེ་ཡི་གེ་ཨོཾ་ཞེས་བྱ་བ་བཅུ་གཉིས་པའི་ཚིག་གིས་ཡི་གེ་ཨོཾ་གྱིས་ནི་རྡོ་རྗེ་ནོར་བུའི་ཆ་བྱིན་གྱིས་བརླབ་པའོ། །གཉི་ག་ལ་བྱང་ཆུབ་ཀྱི་སེམས་གནས་པར་བྱ་བའི་ཕྱིར་ཡི་གེ་ཕཊ་སེར་པོ་བསམ་པར་བྱའོ། །ཟླ་བའི་འོད་མཚུངས་པ་ཞེས་བྱ་བ་ནི་ཞི་བའི་ཆ་བྱད་དཀར་པོའོ། །འབར་དང་བཅས་ཞེས་བྱ་བ་ནི། འོད་དང་ལྡན་པའོ། །དེ་བཞིན་དུ་རྣམ་པར་བསྒོམ་པར་བྱ་སྟེ། སངས་རྒྱས་རྗེས་སུ་དྲན་པ་ལ་སོགས་པའི་དོན་དུའོ། །ཐབས་དང་ཤེས་རབ་སྙོམས་པར་ཞུགས་པ་ལ་སོགས་པ་བསྒོམ་པར་བྱ་ཞེས་བྱའོ། །དེ་ལ་ཞེས་བྱ་བ་ལ་སོགས་པས་མདོར་བསྟན་པ་ལས་རྗེས་སུ་བཟླས་པ་བྱས་ནས་སོ་སོར་རབ་ཏུ་བསྟན་པ་གསུངས་སོ། །རང་གི་ཁུ་བའི་ཐེགས་པ་ཡིས། །ཞེས་བྱ་བ་ནི་རང་གི་རིག་མ་དང་གཉིས་སུ་མེད་པའི་སྦྱོར་བ་ལས་སྐྱེས་པའི་བྱང་ཆུབ་ཀྱི་སེམས་ཡིན་ལ་དེའི་ཐིགས་པ་སྟེ། དེ་ལས་གྱུར་བའི་གཟུགས་རྡོ་རྗེ་ལ་སོགས་པ་རྣམས་ཀྱིས་ཇི་ལྟ་བ་བཞིན་དུ་མཆོད་པར་བྱའོ། །མཆོད་པ་སྟོན་པ་ན། དཀྱིལ་འཁོར་རྗེས་སུ་ དྲན་པ་གསུངས་པ། དབང་པོ་གཉིས་ཞེས་བྱ་བ་ལ་སོགས་པ་ལ། དཀྱིལ་འཁོར་གྱི་ཚུལ་དུ་ཞེས་བྱ་བ་ནི་བྲིས་པའི་དཀྱིལ་འཁོར་གྱི་ཚུལ་གྱིས་སོ། །དཀྱིལ་འཁོར་གྱི་འབྱུང་གནས་ཞེས་བྱ་བ་ནི། ཚིག་ལ་ནི་དཀྱིལ་འཁོར་རྒྱུད་པའི་བདག་ཉིད་དུ་རྟོགས་པར་བྱའོ། །འདིས་ནི་དཀྱིལ་འཁོར་གྱི་གྲུབ་པ་གསང་བ་གསུངས་སོ། །གསལ་བར་ནི་བླ་མ་ལས་སོ། །ལུས་ལ་སོགས་པ་བྱིན་གྱིས་བརླབ་པའི་དོན

Chinese

出自这些话语。所谓“年满十六岁”,是为了说明特殊之处而说的,也应该随后再说。再次凭借其他意义,那个意义本身就是重复,出自这些话语。所谓“寂静处”,是指空无不具备法器者。所谓“加持之三处”,是指用三个字加持,意思是说,先前所说的与自生明妃无二的瑜伽已经做了。所谓“眼亦”,是指眼本身在身的坛城中,那也是通过修习结合而得,因为事先已经很好地熟悉了金刚和莲花,所以也这样说了。对于“字吽”(藏文:ཡི་གེ་ཧཱུཾ།,梵文天城体:हुं,梵文罗马拟音:hūṃ,汉语字面意思:吽)等,是这样指示的:字吽(藏文:ཡི་གེ་ཧཱུཾ།,梵文天城体:हुं,梵文罗马拟音:hūṃ,汉语字面意思:吽)如是生起金刚和莲花,字阿(藏文:ཡི་གེ་ཨཱཿ,梵文天城体:आः,梵文罗马拟音:āḥ,汉语字面意思:阿)生起莲花之脐,然后以智慧金刚字嗡(藏文:ཡི་གེ་ཨོཾ།,梵文天城体:ओं,梵文罗马拟音:oṃ,汉语字面意思:嗡)这十二个字加持金刚宝的各个部分。为了使二者都安住菩提心,应当观想黄色的字啪(藏文:ཡི་གེ་ཕཊ།,梵文天城体:फट्,梵文罗马拟音:phaṭ,汉语字面意思:啪)。所谓“如月光”,是指寂静的白色相。所谓“与光焰俱”,是指具有光芒。同样应当如是观想,是为了忆念佛陀等意义。应当修习方便与智慧平等进入等。像这样,从总的指示之后,通过随后的重复,分别详细地阐述。所谓“以自精之滴”,是指从与自生明妃无二的结合中产生的菩提心,是它的滴液,以由此形成的形象金刚等如是供养。在显示供养时,说了忆念坛城。在“二根”等中,所谓“以坛城之方式”,是指以绘制的坛城的方式。所谓“坛城之生处”,从词义上说,应当理解为坛城传承的自性。这说明了坛城成就的秘密。清晰的部分来自上师。加持身体等的意义。

English

From these words. The so-called "having reached the age of sixteen" is said to explain the special nature, and it should also be said afterwards. Again, relying on other meanings, that meaning itself is a repetition, from these words. The so-called "secluded place" refers to emptiness devoid of those who do not possess the vessel. The so-called "three places of blessing" refers to blessing with three letters, meaning that the previously mentioned yoga inseparable from one's own vidyā has been done. The so-called "eye also" refers to the eye itself in the mandala of the body, which is also obtained through the practice of union, because the vajra and lotus have been well familiarized beforehand, so it is also said. For "the letter Hūṃ" (Tibetan: ཡི་གེ་ཧཱུཾ།, Sanskrit Devanagari: हुं, Sanskrit Romanization: hūṃ, literal Chinese meaning: 吽) and so on, it is instructed as follows: the letter Hūṃ (Tibetan: ཡི་གེ་ཧཱུཾ།, Sanskrit Devanagari: हुं, Sanskrit Romanization: hūṃ, literal Chinese meaning: 吽) thus generates the vajra and lotus, the letter Āḥ (Tibetan: ཡི་གེ་ཨཱཿ, Sanskrit Devanagari: आः, Sanskrit Romanization: āḥ, literal Chinese meaning: 阿) generates the navel of the lotus, and then with the wisdom vajra letter Oṃ (Tibetan: ཡི་གེ་ཨོཾ།, Sanskrit Devanagari: ओं, Sanskrit Romanization: oṃ, literal Chinese meaning: 嗡), these twelve letters bless each part of the vajra jewel. In order to make both abide in the bodhicitta, one should visualize the yellow letter Phaṭ (Tibetan: ཡི་གེ་ཕཊ།, Sanskrit Devanagari: फट्, Sanskrit Romanization: phaṭ, literal Chinese meaning: 啪). The so-called "like moonlight" refers to the peaceful white aspect. The so-called "with flames" refers to having radiance. Likewise, one should visualize in this way, for the sake of remembering the Buddha and other meanings. One should practice the equal entry of skillful means and wisdom, and so on. Like this, from the general instruction, through subsequent repetition, the separate and detailed explanations are given. The so-called "with the drop of one's own essence" refers to the bodhicitta arising from the union inseparable from one's own vidyā, it is its drop, and with the resulting forms such as vajra, one should offer as it is. When showing the offering, the remembrance of the mandala is spoken. In "the two roots" and so on, the so-called "in the manner of a mandala" refers to the manner of a drawn mandala. The so-called "source of the mandala", in terms of meaning, should be understood as the nature of the mandala lineage. This explains the secret of the accomplishment of the mandala. The clear part comes from the guru. The meaning of blessing the body and so on.