English
Kya ba la. If the 'ba' below the preceding word is changed to 'ma' and added, it becomes 'sma'. If the 'ba' of the following word is changed to 'a ra', and then added to the 'sa' below, making the 'sa' long, it becomes 'sa ba ba sa na sma sa nar'. By the definitive words that transform the letters, the action is to place them in their positions, namely walking, standing, sleeping, and sitting, beheading, obstructing and jumping, falling, inflicting punishment on the gsal shing, and so on, in order. Furthermore, if one views the charnel ground with the reasoning called 'the place of corpses', then why frolic there? The intention here is like the ownerless sentient beings of the charnel ground. Similarly, 'in all places' refers to the charnel ground mudra where all ownerless sentient beings reside. Sentient beings are empty of the nature of sentient beings, and the place where sentient beings reside is also empty of nature, which is the meaning of the charnel ground. Therefore, since there is no attachment there, the great mudra of the great Bodhicitta, the nature of great compassion and great wisdom of attachment, is combined with the frolicking of the Bhagavan in existence. Thus, for the time being, the four yogas of the two-armed Hevajra have been spoken. Like the two-armed, the four-armed, six-armed, sixteen-armed, and no-self. The remaining fourteen yoginis each have three combinations, without a fourth. If all are combined into one, there are sixty-two combinations. The special features of the four-armed Hevajra are explained. 'Four-armed' and so on. One should meditate on whichever of these and so on is appropriate. The 'its' in it, understand how it is suitable by implication. From overcoming the four maras, it refers to overcoming by certainty. By its completely pure Suchness, the completely pure Suchness is the four-armed. This is the form and color previously spoken of, and it also arises from the syllable Hūṃ (藏文：ཧཱུྃ།，梵文天城体：हुं，梵文罗马拟音：hūṃ，汉语字面意思：吽). The special features of the six-armed are explained. 'Six-armed' and so on. The complete purification of the pāramitās refers to the meaning of the Suchness of the six pāramitās. The bell refers to the vajra bell. Equanimity
Tibetan
པ་ཞེས་པ་ནི་དེས་གནས་པ་ཞེས་བྱ་བའི་ཚིག་གི་ལྷག་མའོ། །གཡས་པ་དང་གཡོན་པ་ན་གྲི་གུག་དང་ཐོད་པ་ཞེས་པ་ནི་དགྱེས་པའི་རྡོ་རྗེ་ལ་འཁྱུད་པའི་ཤེས་རབ་མའོ། །ཁ་ཅིག་ན་རེ་ཕྱག་གཉིས་མའི་ཤེས་རབ་མ་ནི་གཡུང་མོ་ཡིན་པས་དེས་འཁྱུད་པས་སོ། །ཞེས་སྔར་བསྟན་པ་ཉིད་དོ་ཞེས་ཟེར་རོ། །ཡང་དག་ནི་རྒྱུད་འདི་ལ་མཆོད་པའི་ལྷ་མོ་གཡུང་མོ་སྟེ་ཕྱག་གཉིས་པའི་ཡང་བཙུན་མོ་ནི་བདག་མེད་མའོ། །དཀྱིལ་འཁོར་གདོན་པའི་ལེའུ་ལས་ཕྱག་བཅུ་དྲུག་པའི་དེ་ཉིད་བསྟན་ཏེ། ཕྱག་གཉིས་པ་ལ་ཡང་དེའི་དམིགས་ཀྱིས་དབྱེ་བ་མ་གསུངས་པས་སོ། །ཁམས་གསུམ་བདག་མེད་པའི་ཕྱག་རྒྱ་ནི་རོའོ། །རོ་དེ་མནན་པ་ནི་བཅོམ་ལྡན་འདས་ཀྱིས་ཁམས་གསུམ་རོ་མནན་པའོ། །དགྱེས་པའི་རྡོ་རྗེ་དཀའ་འགྲེལ་མུ་ཏིག་ཕྲེང་བ་ལས་ལེའུ་གསུམ་པའི་བཤད་པའོ།། །། གསུམ་པ། ལྷའི་ལེའུའི་བཤད་པ།
Chinese
所谓“巴”是“彼所住处”这个词的剩余部分。右边和左边的弯刀和颅骨，是指拥抱喜金刚的智慧母。有些人说，两臂的智慧母是庸母，因此她拥抱了他。据说这与之前所说的一样。实际上，这部续经中的供养女神是庸母，也就是两臂的妃子是无我母。在《曼荼罗降临品》中，已经阐述了十六臂的本性。即使是两臂，也没有说明其目标差异。三界无我的手印是尸体。压着尸体，是薄伽梵压着三界的尸体。《喜金刚难解疏·珍珠鬘》第三品的解释。 第三，诸天品之解释。
English
The term "pa" is the remainder of the word "that which dwells there." The curved knife and skull in the right and left hands refer to the Wisdom Mother embracing Hevajra. Some say that the two-armed Wisdom Mother is Yungmo, so she embraces him. It is said that this is the same as what was previously stated. In reality, the offering goddess in this tantra is Yungmo, that is, the two-armed consort is the Nairatmya. In the chapter on the Descent of the Mandala, the nature of the sixteen-armed one has been explained. Even for the two-armed one, the distinction of its object has not been stated. The mudra of the selflessness of the three realms is a corpse. Pressing down on the corpse is the Bhagavan pressing down on the corpse of the three realms. Explanation of the third chapter from the Hevajra Difficult Commentary, Pearl Garland. Third, Explanation of the Chapter on the Deities.