Chinese
還有些許衰退會到來。 僅僅是現見體驗的唯一滋味。 近乎止觀交融的歌。 自身五十八歲馬年（應為藏歷，需核實具體年份）。 於降生之月的初四寫下。 為了覺悟顯有世間如幻。 說是如幻之三摩地。 從水風嬉戲之續部中宣說。 以上是體驗證悟之歌。 證悟止觀交融者。 是無修且於此之中。 又分大中小者。 是金剛般之三摩地。 於引導經文中出現。 自身沒有經驗可說。 比丘鄔金持明者。 於寶瓶修法主要管理之時。 說交付紙張必須書寫。 為了大師之意不變。 雖手為疾病所擾。 亦發起精進寫下此。 為了寶瓶修法者們的利益。 未引用任何教證。 此易懂體驗之歌。 是羅睺阿悉所說。 願吉祥！ 康區上部囊謙（囊謙縣，位於青海省玉樹藏族自治州）昂槓工藝文化顯密正法增長洲古籍修復室編輯出版。 從第201頁到第240頁。
English
There will be some decline coming. Just seeing the only taste of experience. A song close to the union of Shamatha and Vipassana. I am fifty-eight years old, the year of the Horse (year needs to be verified). Written on the fourth day of the waxing moon of the birth month. In order to realize that appearances and existence are illusory. It is said to be an illusion-like Samadhi. It is said from the Tantra of the play of water and wind. Above are the songs of experience and realization. Realization is the union of Shamatha and Vipassana. It is without practice, and within that, There are also divisions into large, medium, and small. It is a Vajra-like Samadhi. It appears in the guiding texts. I have no experience to say myself. Bhikshu Orgyen Rigdzin. At the time of the main management of the vase practice. He said that the paper must be handed over and written. In order not to change the intention of the great master. Although the hand is disturbed by illness, I also generated diligence and wrote this. For the benefit of those who practice the vase. Without quoting any scriptures. This easy-to-understand song of experience. Is spoken by Rahu Asya. May it be auspicious! Edited and published by the Ancient Book Restoration Room of Nangchen (Nangqian County, Yushu Tibetan Autonomous Prefecture, Qinghai Province) Angang Craft Culture Sutra Secret Mantra Dharma Development Island, Kham Upper Region. From page 201 to 240.