Chinese
顯然是黑色的。> 有些像是一位坐在寶座上的尊者，周圍環繞著大臣和妃嬪等。 (3) 比爾瓦巴與廣為人知的形象相似，但不同之處在於：頭頂束髮髻，除了花環外沒有其他裝飾。右手作忿怒印，左手拿著裝滿酒的巴門的角。 (4) 咚毗黑汝嘎的身上有所有的骨飾。右手拿著毒蛇鞭，蛇頭昂起。母親從左側擁抱著他，騎在老虎上。 (5) 夏瓦里巴的皮膚是黑色的，右手拿著箭，左手拿著孔雀羽毛製成的弓。弓箭放在手上，穿著用孔雀羽毛製成的下裙，上面裝飾著花朵和水果。兩位明妃也是類似的主要裝飾品，所以不要表現出衰老的樣子。(6) 薩拉納帕的皮膚是白色的，戴著梵線。要表現出像手持箭的成就大師那樣不老的樣子。 (7) 迪帕拉坐在墓地裡。前面躺著一具骷髏。沒有裝飾。頭頂束髮髻，膚色藍綠色，作禪定印。 (8) 利納巴的形象是從剖開的大魚腹中探出頭，雙腳或一隻腳稍微放在魚腹中。雙手作舞蹈姿態。膚色藍綠色，沒有裝飾，頭髮蓬亂。 (9) 戈拉克沙的頭髮被剃光。雙手作禪定印，皮膚藍綠色或白色，耳朵上戴著黑色耳環，脖子上掛著海螺號角。身體赤裸，或者供奉名為旃陀羅甘陀的圓形屍體。前面象徵著一群牛。(10) 喬拉吉巴的頭髮紮成小小的髮髻。住在樹下，作禪定印。一邊畫著一位商人將商品換成了煤炭。(11) 比納薩彈奏名為贊塔爾的樂器，這是一種有三根弦的樂器。頭上纏著頭巾，要表現出國王的樣子。(12) 香提巴是一位稍微年長的僧侶班智達，戴著班智達帽。(13) 丁塔巴的鬍鬚很長，看起來非常老。正在編織寶座的繩索。(14) 查瑪里巴正在做製鞋的工作。
English
He appears to be of black complexion. > There is a slight appearance of a dignified figure seated on a throne, surrounded by ministers and consorts, etc. (3) Birupa is similar to the well-known form, but the difference is: the head is shaved into a topknot, with no ornaments except a garland of flowers. The right hand makes a threatening gesture, and the left hand holds a Bamen horn filled with alcohol. (4) Dombi Heruka has all the bone ornaments on his body. The right hand holds a whip of poisonous snakes, with the snake heads raised. The consort embraces him from the left side of his body, and he rides on a tiger. (5) Shavaripa has black skin, with an arrow in his right hand and a peacock feather bow in his left. The bow is placed on the hand, with the upper and lower parts of the body covered by a lower garment adorned with peacock feathers. There are ornaments of flowers and fruits, and the two vidyas are also of the same kind of main ornaments, so do not show an aged appearance. (6) Saranapa has white skin and wears a Brahmin thread. He should be depicted as an accomplished master holding an arrow, without appearing old. (7) Dipala is seated in a cemetery. A skeleton is lying in front of him. He has no ornaments. His hair is shaved into a topknot, his complexion is bluish-green, and he is in meditative equipoise. (8) Linapa is depicted as emerging from the head of a large fish that has been cut open, with both or one foot slightly inside the fish's belly. Both hands are in a dancing posture. His complexion is bluish-green, he has no ornaments, and his hair is matted. (9) Goraksha has shaved hair. Both hands are in meditative equipoise, his skin is bluish-green or white, he has black earrings, and a conch shell horn is hung around his neck. His body is naked, or a corpse resembling a wheel called Chandrakanta is offered. In front, a herd of cows is represented. (10) Chaurangipa has a small matted hair bun. He dwells under a tree and is in meditative equipoise. On one side, a merchant is depicted exchanging his goods for coal. (11) বিনাসা (Binasa) plays an instrument called Jantar, which is a stringed instrument with three strings. He wears a turban and should be depicted as a king. (12) Shantipa is a slightly older monk pandita, wearing a pandita hat. (13) Tintapa has a long beard and looks very old. He is weaving a throne rope. (14) Chamaripa is doing the work of a shoemaker.
Chinese
（15）嘎嘎巴是发髻蓬乱，手持宝剑在天空飞翔者。在其附近一侧，画出从佛塔的孔洞中，一条大蛇露出半截身体。佛塔的内部，如果能画出云雾缭绕，身形隐约显现的样子，那就更好了。（16）圣者龙树，如广为人知的那样，或者，身体肤色碧蓝，非常美妙的样子，没有顶髻。做比丘的装束，具有蛇头的装饰，这样就符合意义。如果喜欢具有相好的身躯，那么，那是虹身的身躯。做转轮王的装束，那就显得非常好了。（17）黑行者，是身体肤色碧蓝，手中拿着手鼓和颅骨卡杖嘎，天空中有七把伞作为眷属，摇动七个手鼓，骑乘在食肉女僵尸身上。发髻蓬乱，佩戴六种骨饰或者虎皮裙等，按照各自的情况来画。（18）圣天是比丘树耳的弟子，手中拿着一片大树叶。（19）塔嘎巴是左右两侧分别画出森林和城市，一棵树的树干一半倚靠着。他的面前，一位比丘站立着说话。（20）那若巴是发髻蓬乱，佩戴骨饰者。身披人皮。双手抓住人皮的两条腿，做着伸腿弯腿的舞姿。（21）比日拉巴是瑜伽士，将豺狼的尸体扛在肩膀上。（22）旃扎泰洛巴是身体肤色青黑色，是捣芝麻的样子。面前，明妃从一个容器中倾倒芝麻的样子。（23）旃扎巴是背着书本，手中拿着小册子。是出家人的装束。（24）巴札巴面前放着猪肉和酒瓶。有梵线。头发梳理后扎成发髻。装饰等，有一些珍宝的装饰。他的右侧，在类似岩石台阶的高处，有一位发髻蓬乱的上师瑜伽士。（25）汝喀汝巴是将拂尘中的破旧布片收集到一处，做成一团。（26）佐吉巴是在一处墓地中横卧着。头发蓬乱
English
(15) Gargapa is the one with disheveled hair, holding a sword and flying in the sky. Near him on one side, draw a large snake with half its body emerging from the hole of a stupa. Inside the stupa, it would be better to draw a faint image of a body amidst swirling clouds. (16) The Holy Nagarjuna, as he is widely known, or with a very beautiful body of turquoise complexion, without a crown. It would be meaningful to depict him in the attire of a monk with a serpent-headed ornament. If one prefers a body with auspicious marks, then it should be a rainbow body. It would be excellent to depict him in the attire of a Chakravartin king. (17) Black Practitioner is the one with a turquoise complexion, holding a damaru and a skull khatvanga, with seven umbrellas in the sky as his retinue, playing seven damarus, riding on a rakshasi zombie. Draw him with disheveled hair and six bone ornaments or a tiger skin loincloth, as appropriate. (18) Aryadeva is a disciple of the monk Tree-Ear, holding a large tree leaf in his hand. (19) Tagapa is to draw forests and cities on the left and right sides respectively, leaning halfway against a tree trunk. In front of him, a monk stands and speaks. (20) Naropa is the one with disheveled hair and bone ornaments, wearing human skin. He holds the two legs of the human skin with his hands, performing a dance posture with legs extended and bent. (21) Biralapa is a yogi carrying the corpse of a jackal on his shoulder. (22) Chandra Tailopa is the one with a bluish-black complexion, in the act of grinding sesame seeds. In front of him, a consort pours sesame seeds from a container. (23) Chandrapa is the one carrying books on his back and holding a small booklet in his hand. He is in the attire of a renunciate. (24) Bhatrapa has pork and a wine bottle in front of him. He has a Brahmin thread. His hair is combed and tied into a topknot. He has some precious ornaments. On his right side, on a high place like a rock platform, sits a lama yogi with disheveled hair. (25) Rukharupa is the one who gathers the tattered pieces of cloth from the dustpan into a pile. (26) Jokipa is the one lying horizontally in a cemetery. With disheveled hair.
Chinese
头发稍微竖起的。（27）卡拉卡巴是头发稍微竖起，容貌美丽，双手合十，住在坟墓里。（28）呼里巴是于盆中清洗旧衣服的姿态。（29）康卡纳巴是国王的姿态，看着自己的手镯而坐，天空中天神和天女供养。（30）贡巴拉巴的拉瓦巴，如同自己能容纳于地中一般，从挖掘的土坑边缘，在被干人头围绕的中央睡觉，或者在岩洞中睡觉，做禅定姿势也可以，是比丘的装束。（31）登吉巴是将米倒入一个容器中，用杵捣米并用水清洗的姿态，在一旁画一个卖酒的女人。（32）班达萨是一个国王的姿态，看着天空中手持钵和锡杖的比丘行走，前面有天界的工匠在说话。（33）丁提巴画一个玩骰子的人，以某种方式掷骰子。（34）库库日巴是具有骨饰和发髻的人，中间画一条母狗。（35）库吉巴是前面有导师龙树，背后画一个长着瘤子的瑜伽士。（36）达木巴是婆罗门的装束，带着许多书籍。（37）玛嘿拉是四肢粗壮，肌肉发达，与他人比试力气的姿态。（38）安迪巴是在森林里砍树，扛着木头行走。（39）瓦比嘿是国王的姿态，左边有妃子拥抱。（40）尼罗巴是从莲花池中砍断莲花的花朵、根和枝干。（41）布苏库巴是寂静天尊，从被僧团围绕的宝座上稍微升到空中，是比丘的装束，正在说法，肤色白里透红，身体丰满。（42）印扎菩提是国王的装束，被许多唱歌、演奏音乐和跳舞的女人围绕。（43）米共是拄着拐杖，为了各种食物而饥饿。（44）多哲巴是头戴帽子，用多哲雕刻田埂。（45）康巴日巴是做铁匠工作的姿态。（46）扎兰达日巴是瑜伽士的头发
English
With slightly erect hair. (27) Kalakala is one with slightly erect hair, beautiful in form, making the gesture of joined palms, dwelling in a charnel ground. (28) Huliya is in the aspect of washing old clothes in a basin. (29) Kankanapa is in the aspect of a king, looking at his own bracelet while seated, with gods and goddesses making offerings in the sky. (30) Kambalapa's Lavapa is sleeping in the middle of being surrounded by dry human heads from the edge of a dug-out pit in the ground, as if he could fit into the ground himself, or it is fine to have him sleeping in a cave, making the gesture of meditative equipoise. He is in the guise of a monk. (31) Dengipa is in the aspect of pouring rice into a single container, pounding the rice with a pestle, and washing it with water. On one side, draw a woman selling alcohol. (32) Bhandasa is in the aspect of a king, looking at a monk walking in the sky holding a begging bowl and a staff. In front, a divine craftsman is speaking. (33) Tintipa, draw someone playing dice, throwing the dice in some manner. (34) Kukkuripa is adorned with bone ornaments and has an erect hairstyle. Draw a female dog in the middle. (35) Kuzipa has the master Nagarjuna in front. Draw a yogi with a goiter growing on the back of his neck. (36) Dhamupa is in the guise of a Brahmin, with many books. (37) Mahila has thick limbs and bulging muscles, in the manner of competing in physical strength with others. (38) Andipa is in the forest, cutting trees and carrying a load of wood while walking. (39) Babhihi is in the aspect of a king, embraced by a queen from the left side. (40) Nilopa is cutting lotus flowers, roots, and branches from a lotus lake. (41) Busukuwa is Shiwala, slightly elevated into the sky from a throne surrounded by the Sangha, in the guise of a monk, teaching the Dharma, with a complexion that is white with a reddish tinge, and a full, healthy body. (42) Indrabhuti is in the guise of a king, surrounded by many women singing, playing music, and dancing. (43) Miting is holding a staff and is hungry for various kinds of food. (44) Dhoktsepa is wearing a headdress tied with a skull, and is carving fields and terraces with a dhoktse. (45) Kambharipa is in the aspect of doing the work of a blacksmith. (46) Jalandharipa is a yogi with matted
Chinese
具有姿势和骨饰。一只脚从肩膀上搭下来，另一只脚竖起膝盖。手指，两根食指尖相触，其余交叉结成手印。那个手印的头尾用鲜花束缚，一侧由明妃支撑或礼拜。（47）罗睺罗巴，住在坟墓里，身体呈蓝绿色，略微年长。头发剃光，双手合十，描绘成看着坟墓里的人。（48）达摩巴，一位年长的比丘，手里拿着经书。（49）达卡纳巴，将一个大容器放入皮袋中，描绘成乞讨食物的样子。（50）贝达巴，将轭套在两头牛上，呈现出耕地的样子。（51）莲花金刚，在莲花池塘边有一座观音菩萨的寺庙。一位比丘正在供奉。他自己是婆罗门年轻人的装扮。这个故事是关于观音菩萨和伟大的自在天财富的故事，红色的观音菩萨左手拿着莲花，右手打开莲花。明妃从左边拥抱。身体的左右两侧放置着三叉戟和颅骨。（52）铃杵巴，上师自己具有瑜伽士的装束，有骨饰、虎皮、蓬乱的发髻等。身体呈人肉色或蓝绿色，手持金刚杵和铃，拥抱明妃。明妃是金刚瑜伽母，身体呈红色，手持弯刀和颅骨。也可以是空中飞行的姿势，或者像胜乐金刚一样左腿弯曲。为了象征在空中飞行，住在云层中。下面的一侧，海水泛滥，淹没了半个城市。在海的中央，画出卡萨巴尼身体的一半。（53）佐吉巴，一位赤身裸体的瑜伽士，拿着手杖，将所有用具都放在扁担的顶端，描绘成挑着扁担的样子。（54）查卢卡巴，一位瑜伽士将刀作为枕头躺着。铺着兽皮的垫子，面前放着供品并敬献。（55）郭茹塔沙，下身穿着树叶做的衣服，头发剃成发髻。蹲着，呈现出鸟儿飞走的样子。（56）卢兹卡巴，呈现出婆罗门的样子。
English
Adorned with posture and bone ornaments. One leg draped over the shoulder, the other knee raised. Fingers, two index fingers touching tips, the others crossed to form a mudra. That mudra is bound at the head and tail with flowers, supported or worshiped on one side by a vidya. (47) Rahula, sitting in a cemetery, body bluish-green, slightly aged. Hair shaved, hands clasped together, depicted looking at the people in the cemetery. (48) Dharmapa, an elderly monk holding a scripture in his hand. (49) Dhakanapa, placing a large container in a leather bag, depicted begging for food. (50) Bedapa, placing a yoke on two oxen, depicted plowing the field. (51) Padma Vajra, there is a Avalokiteśvara temple by the lotus pond. A monk is offering worship. He himself is dressed as a young Brahmin. This story is about Avalokiteśvara and the great Lord of Wealth, the red Avalokiteśvara holding a lotus in his left hand, his right hand opening it. The vidya embraces from the left. On the left and right sides of the body are placed tridents and skulls. (52) Ghantapa, the master himself has the appearance of a yogi, with bone ornaments, tiger skin, matted hair, etc. The body is flesh-colored or bluish-green, holding a vajra and bell, embracing the vidya. The vidya is Vajrayogini herself, her body red, holding a curved knife and skull. It can also be a flying posture in the sky, or like Hevajra, with the left leg bent. To symbolize flying in the sky, residing in the clouds. On the lower side, the sea is flooding, carrying away about half of the city. In the middle of the sea, draw half of the body of Khasarpani. (53) Jogipa, a naked yogi holding a staff, with all the utensils placed on the end of a carrying pole, depicted carrying a load on his shoulders. (54) Chalukapa, a yogi lying with a knife as a pillow. A deerskin mat is spread out, with offerings placed and presented in front. (55) Goraksha, wearing clothes made of tree leaves on the lower body, hair shaved into a topknot. Squatting, depicted as if a bird has flown away. (56) Luchikapa, depicted as a Brahmin.