English
The meaning should be the same in this case. The mudra of samadhi is the karma mudra of the main deity and the subduer. The right hand giving the supreme boon and the left hand holding the corner of the Dharma robe is the mudra of the Supreme King Jewel. The mudra of teaching the Dharma is that of Shakyamuni Buddha. The right hand giving refuge at the heart and the left hand holding the corner of the Dharma robe at the navel is the mudra of Great Blossoming. The right hand holding a fist upward at the heart is the mudra of Buddha Eye and Mamaki. The right hand holding a fist on the left arm is the mudra of White-robed Mother. Placing it on the right is the mudra of Tara. For these four, the left hand rests on the seat. The left hand holding a fist looking inward is placed on the waist. The right hand facing upward at the heart is the mudra of Vajrasattva. The right fist extends forward about eight fingers from the heart. The left fist is also placed in front of it, which is the mudra of the King. Holding fists together at the heart with the left hand below, and drawing it like drawing a bow from the ear is the mudra of attachment. Holding two fists facing each other, and shaking the thumb and forefinger like cymbals at the heart is the mudra of goodness. Placing the index finger of two aligned fists on the forehead is the mudra of Jewel. Rotating two fists clockwise at the heart is the mudra of Glory. Planting the right elbow on top of the left fist and clenching the fist is the mudra of Victory Banner. Rotating the fist and placing it near the mouth is the mudra of Laughter. Holding the left fist upward at the heart, joining the thumb and forefinger of the right fist, and gradually opening from the left little finger is the mudra of Dharma. Placing the left fist at the heart, and raising the right fist is the mudra of Sharpness. Holding two fists facing each other, and rotating clockwise outside the body like a wheel of fire is the mudra of Cause. Although similar to the mudra of singing, slightly raising the fist upward from in front of the mouth is the mudra of Speaking. Joining the palms formed from releasing the fist, and placing them on the right and left cheeks and the crown of the head is the mudra of Action. Touching the fist to nine places and finally joining the palms at the forehead is the mudra of Protection. These nine places are: heart, throat, back of the neck, heart, between the breasts, and heart, throat, back, and forehead. That is to say, the three hearts are the center, right, and left. Throat
Chinese
那两个是它的左右。右拳从小指开始，左拳从食指开始解开。以嗡(藏文：ཨོཾ，梵文天城体：ओम्，梵文罗马拟音：oṃ，汉语字面意思：嗡) 嘟(藏文：ཊུཾ，梵文天城体：टुं，梵文罗马拟音：ṭuṃ，汉语字面意思：嘟)等手印加持九处和一处。两拳的小指做成獠牙状放在嘴边是夜叉的。两拳紧握是金刚拳。两拳以妖娆的姿势放在腰间，头向左倾斜是妖娆女的。两拳在头左右做缠绕发辫的姿势是发辫女的。两拳做从口中发出语言的姿势是歌女的。两拳旋转跳舞，可以与金刚事业相同的是舞女的。两拳稍微合拢并移动是焚香女的。拳头向上张开并散开是花女的。两拳的大拇指并拢竖立是灯女的。两拳伸开做涂香水的姿势是香水女的。右拳食指如铁钩，左拳的小指竖立是铁钩女的。两拳的掌背相靠，食指弯曲是绢索女的。两拳向上，食指和大拇指弯曲是铁链女的。两拳背交叉相靠并紧握是铃女，这些是以事业手印来增广的。对于这些，手印之后的行为是：两手在左腰方向摇动响板并敲击。如果对这些感到高兴并有能力，那么每一位本尊都要做圆满的前行和后行。如果不能做到那么多，那么只对主尊做一次圆满的，其他的四位一组一组地做圆满。这些对于仪轨师们来说是广为人知的。比这更多或更少也是可以的。大手印是以各自的心咒或自咒念诵三遍来系缚。对于五部如来，与事业手印相似，事业部胜乐金刚和宝生部增长莲花二者是左手禅定印。右手拇指和食指相抵，其他手指伸展，放在心间，手心向外，右手做期克印的样子，放在心间。
English
Those two are its left and right. The right fist starts from the little finger, and the left fist starts from the index finger to unravel. With mudras of Om (藏文：ཨོཾ，梵文天城体：ओम्，梵文罗马拟音：oṃ，汉语字面意思：嗡), Ṭuṃ (藏文：ཊུཾ，梵文天城体：टुं，梵文罗马拟音：ṭuṃ，汉语字面意思：嘟), etc., bless the nine places and one place. Making the little fingers of the two fists like fangs and placing them near the mouth is for Yaksha. Clenching the two fists is the Vajra fist. Placing the two fists on the waist in a seductive manner and tilting the head to the left is for the seductive woman. Making the two fists in the manner of tying braids on the left and right of the head is for the braided woman. Making the two fists in the manner of uttering words from the mouth is for the singing woman. Circling and dancing with the two fists, which can be similar to Vajra activity, is for the dancing woman. Slightly closing and moving the two fists is for the incense woman. Opening and scattering the fist upwards is for the flower woman. Aligning and raising the thumbs of the two fists is for the lamp woman. Stretching out the two fists and making the gesture of applying scented water is for the scented water woman. The right fist has an index finger like an iron hook, and the little finger of the left fist is raised, which is for the iron hook woman. The backs of the two fists are joined together, and the index fingers are bent, which is for the lasso woman. The two fists face upwards, and the index finger and thumb are bent, which is for the iron chain woman. The two fists are crossed back to back and pressed together, which is for the bell woman. These are all for expanding with activity mudras. For these, the actions following the mudras are: moving and playing the hand cymbals with both hands towards the left waist. If one is happy and capable with these, then each deity should have a complete preliminary and subsequent practice. If one cannot do that much, then do one complete set for the main deity alone, and complete the others in groups of four. This is well known to ritual masters. It is not wrong to do more or less than that. The Great Mudra is to bind by reciting one's own heart mantra or self-mantra three times each. For the Five Tathagatas, similar to the activity mudra, the activity of Supreme Joyful Vajra and the Ratnasambhava increasing lotus, both have the left hand in meditative equipoise. The right thumb and index finger touch at the tips, and the others are extended, facing outwards at the heart, and the right hand makes a threatening gesture like a phurba at the heart.
Chinese
摄持自在之相，以及右手的拇指与食指相合，置于左臂，再将之置于右臂，这四者是四天女的手印。金刚萨埵是右手拇指压住小指，食指、中指、无名指三指竖于心间，左手握拳内向，依靠于腰间。金刚王的手印与事业手印相同。贪染的手印是，于心间，左手握拳，将右手的拳头边缘置于左手拳头的食指之上，做拉弓状。善妙的手印也与事业手印相同。珍宝的手印是，右手握拳置于眉间，左手依靠于腰间。光辉的手印是，右手于心间握拳，食指、中指、小指三指稍微松开。胜幢的手印是，握拳置于左肩。欢笑的手印是，右手握拳置于嘴角。法的（手印）是，左手握拳置于腰间，右手于胸前拇指与食指相合。锋利的手印是，左手握拳于心间，拳心向上，右手握拳伸出两指上扬，或者与事业手印相同。因的手印是，握拳伸出中指并旋转。语的手印是，右手握拳拳心向上，置于嘴前。事业的手印如金刚萨埵，左手是依靠的姿势，即拳头拳心向上，手指的指尖触碰腰部。守护的手印是，双手握拳于脐部交叉，然后向上抬起，置于双肩之上，拳心向外。夜叉的手印与事业手印相同。握拳的手印是，金刚拳，拇指置于内侧。妩媚的手印是，两个金刚拳依靠的姿势。念珠母的手印是，握拳，拇指与食指相合，拳心向外，于额头左右牵引。歌女的手印是，左手握拳竖起，于手腕处，右手食指做弹奏琵琶状。舞女的手印是，双手合掌呈中空状摇动，然后分开，右手掌置于头顶，左手置于腰间。铁钩母的手印是，右手肘置于左手拳头之上，右手拳头的食指做铁钩状，或者与金刚王手印相同。绢索母的手印是，拳头相合于脐
English
The gesture of holding the lord, and the right thumb and forefinger joined together, holding the left arm and placing it on the right arm, these four are the mudras of the four goddesses. Vajrasattva is with the right thumb pressing the little finger, the index, middle, and ring fingers raised at the heart, the left fist facing inward, leaning on the waist. The mudra of Vajraraja is the same as the karma mudra. The mudra of attachment is, at the heart, the edge of the right fist placed on the index finger of the left fist, making a drawing bow gesture. The mudra of excellence is also the same as the karma mudra. The mudra of jewel is, the right fist placed at the urna, and the left leaning on the waist. The mudra of glory is, the right fist at the heart, the index, middle, and little fingers slightly released. The mudra of victory banner is, the fist placed on the left shoulder. The mudra of laughter is, the right fist placed at the corner of the mouth. The mudra of dharma is, the left fist placed at the waist, the right thumb and forefinger joined at the heart. The mudra of sharpness is, the left fist at the heart, facing upwards, the right fist extending two fingers upwards, or the same as the karma mudra. The mudra of cause is, the fist extending the middle finger and rotating. The mudra of speech is, the right fist facing upwards, placed in front of the mouth. The mudra of karma is like Vajrasattva, the left hand is in a leaning posture, that is, the fist facing upwards, the fingertips touching the waist. The mudra of protection is, the hands crossed in fists at the navel, then raised upwards, placed on the shoulders, facing outwards. The mudra of yaksha is the same as the karma mudra. The mudra of fist is, the vajra fist, the thumbs placed inside. The mudra of coquetry is, two vajra fists in a leaning posture. The mudra of rosary mother is, the fist, the thumb and forefinger joined, facing outwards, drawing to the left and right of the forehead. The mudra of singer is, the left fist raised, at the wrist, the right index finger making a gesture of playing the lute. The mudra of dancer is, the palms joined together in a hollow shape and shaken, then separated, the right palm placed on the head, and the left placed at the waist. The mudra of hook mother is, the right elbow placed on the left fist, the index finger of the right fist making a hook shape, or the same as the Vajraraja mudra. The mudra of rope mother is, the fists joined at the navel
Chinese
從……到心間，再到喉嚨左右的位置，手背向外握持。鐵鉤母的：雙拳合抱，從心間到肚臍，然後伸到膝蓋的位置，手背朝下。鈴母的：右手握拳，做搖鈴的姿勢。這些是大手印的增廣方式，左手沒有明確說明的都依賴於坐墊，前後提到拳頭但沒有其他說明的，是金剛拳，即拇指內扣，其餘四指握緊。在役使的場合的手印是：有些認為是誓言印，有些認為是事業印，有些認為是大手印等，出現了很多不同的說法，但無論什麼儀軌，只要用四種手印周遍增廣，都應當按照大手印來做，因為其他的沒有依據，而這種有明確的依據。對於僅僅用誓言印增廣的方式，那麼在役使時也只能用誓言印。因此，對於外面的本尊們，用金剛薩埵的手印，如果喜歡繁瑣，就用與方位順序相符的四本尊。對於聲聞和獨覺，共同的是右手在肩膀的位置握拳，左手在心間的位置握拳，拳心向上。對於忿怒尊們，用三界勝尊的手印。對於世間神祇們，先做舞蹈和蓮花旋轉，然後合掌於頭頂。如果要做誓言印，左手做如來拳，右手用拇指和食指做打開的姿勢，然後掌心空心合掌，這是本尊們的。打開虛空藏的手印，拇指和小指相合，其餘手指伸直，這是聲聞們的。合掌，從小指開始，將其他手指彎曲到裡面，並伸直手指，這是獨覺的手印。金剛內縛，中指指尖相觸，其餘四指分開伸直，這是忿怒尊等的手印。掌心拇指和小指相合，其餘手指伸直，如蓮花初開，這是世間神祇共同的誓言印。因此，對於聲聞和獨覺的誓言印，在其他任何地方都沒有完全清淨的依據，所以應當按照《文殊根本續》中所說的去做。