English
My own name's purity will be shown, and likewise, the three bodies are within the body, spoken of in the center of the wheel, the complete knowledge of the three bodies is spoken of as the great bliss wheel. As it is said, when the three channels, bindus, and winds of the navel chakra are not used as the path, coarse appearances of waking arise, and when they are used as the path, the appearances of the three actions of doing, agent, and deed are realized as illusory, which is the emanation body of the path time, and when those channels and elements are completely purified to the ultimate, the emanation bodies of the Buddhas manifest, therefore, the nature of the emanation wheel is established as the emanation body place. Similarly, apply to the other three as well. At the heart, in the ground state, there is deep sleep and extreme ignorance, in the path state, there is non-conceptual emptiness, and in the result state, it is united with the Dharmakaya and abides in the Dharmakaya. At the throat, in the ground state, there are subtle confused appearances of wind and mind such as sleep and bardo, in the path state, there are clear appearances of deity bodies, and in the result state, for the sake of union with the Sambhogakaya, the throat abides in the Sambhogakaya. At the crown, in the ground state, there is attachment to dualistic union, in the path state, there is melting bliss, and in the result state, it is united with the great bliss body, therefore, the crown abides in the great bliss body. Then, the method of placing letters on the four wheels is shown: In the center of that emanation, surrounded by eight divisions, the essence of all letters is supreme, the letter A (藏文，梵文天城体，梵文罗马拟音，汉语字面意思) is a sacred letter. Widely known in the Dharma wheel, the letter Hum (藏文，梵文天城体，梵文罗马拟音，汉语字面意思) is considered indestructible. Perfectly endowed with five vowels, adorned with Ya, Ra, La, and Wa. Abiding in the center of the enjoyment wheel, Om (藏文，梵文天城体，梵文罗马拟音，汉语字面意思) is the illuminator of letters, and the parts are also completely surrounded by the four. On the great wheel of great bliss, the letter Ham (藏文，梵文天城体，梵文罗马拟音，汉语字面意思) is in the form of a bindu. Surrounded by eight divisions means having all the vowels and consonants. The essence of all letters means the root, which is the letter A residing in the center of the wheel. Indestructible means not separated by the wisdom vajra, that is, the indestructible bindu. The five vowels are Nada and the four short sounds A, I, U, and E. Ya, Ra, La, and Wa are the four directions. To make clear is
Chinese
虽然讲的是具有五种智慧，但红色火的自性是明亮的。四部分是阿、伊、乌、诶，是四个长音。这的外围是十二元音。明点的形状是明点的自性。那也是金刚空行母中所说：大乐轮广大，具有三十二菩提，即在三十二脉瓣上安放三十二个菩提心文字。菩提心的声音主要用于白色明点，因此白色自性是十六元音的两倍。这样，明点的自性就是三十二菩提心的自性。所谓明点的形状，也间接指出了花瓣的字母。在那之后，讲解安立三脉的方式，认为要详细阐述罗若二脉，首先阐述从那二脉降下明点的方式：在左边和右边的方向上，分别是月亮和太阳而闻名。从喉咙开始是左边的脉，具有圆满受用身。在肚脐的中央休息，向下流淌着面朝下的令人陶醉之物。从肚脐开始，哪条脉，同样向上流淌着面朝上的。在喉咙里休息，被称为流淌血液。酒被称为月亮，血被称为太阳。左和右是中脉的。所谓月亮太阳，指的是月亮的脉是若央玛，太阳的脉是若玛。其中，阐述月亮的脉是从喉咙等开始。阐述太阳的脉是从肚脐等开始。对于这两条脉，有从喉咙开始在肚脐休息，以及从肚脐开始在喉咙休息的说法。以前的一些智者说，喉咙以上和肚脐以下，三脉以连接的方式存在，喉咙到肚脐之间，罗若二脉不接触中脉而各自独立起作用，所以这样说，但这是不好的。喉咙到肚脐之间，若央玛主要使白色明点增长，并且主要向下流动，肚脐到喉咙之间，若玛使红色增长，并且向上流动。喉咙以上进行增长的作用很少，肚脐以下分成很多部分，明点流淌的方式也从单一变成多种。
English
Although it is said to possess the five wisdoms, the nature of red fire is clear. The four parts are ā, ī, ū, ai, which are the four long vowels. The outer circle of this is the twelve vowels. The shape of the bindu is the nature of the bindu. That is also what is said in the Vajra Dakini: The great wheel of great bliss, possessing thirty-two bodhi, which means placing thirty-two Bodhicitta letters on the thirty-two pulse petals. The sound of Bodhicitta mainly applies to the white bindu, so the white nature is twice the sixteen vowels. Thus, the nature of the bindu is the nature of the thirty-two Bodhicittas. The so-called shape of the bindu also indirectly indicates the letters of the petals. After that, explaining the way of establishing the three channels, considering that the Ro and Kyang channels should be elaborated in detail, first explaining the way the bindu descends from those two channels: On the left and right sides, they are known as the moon and the sun respectively. Starting from the throat is the left channel, possessing the Sambhogakaya. Resting in the center of the navel, the intoxicating thing flows downwards facing down. From the navel, which channel, similarly flows upwards facing up. Resting in the throat, it is called flowing blood. Wine is called the moon, and blood is called the sun. Left and right are of the central channel. The so-called moon and sun refers to the moon channel being Rkyangma and the sun channel being Roma. Among them, the explanation of the moon channel starts from the throat, etc. The explanation of the sun channel starts from the navel, etc. For these two channels, there is the saying that starting from the throat and resting in the navel, and starting from the navel and resting in the throat. Some scholars in the past said that above the throat and below the navel, the three channels exist in a connected way, and between the throat and the navel, the Ro and Kyang channels do not touch the central channel and function independently, so they say that, but this is not good. Between the throat and the navel, the Rkyangma mainly increases the white bindu, and mainly flows downwards, and between the navel and the throat, the Roma increases the red and flows upwards. Above the throat, the function of increasing is less, and below the navel, it is divided into many parts, and the way the bindu flows also changes from single to multiple.
Chinese
应当如此理解。休息的意义是，因为白色和红色的明点降临于该处，身体的光彩和精华得以转化，从而产生满足感。拥有圆满受用身的女性，也象征着其他二者，因为独勇女是安乐的自性，所以是报身；因为罗玛产生各种显现，所以是化身；因为中脉产生远离能取所取的空性智慧，所以是法身。正如所说：独勇女是智慧的自性，方便的罗玛真实存在，昆达里尼位于中央，能取和所取完全舍弃。其他词义容易理解。详细解释了两个脉络的一半增长：两个门真实存在，下方和上方真实依靠。这些是月亮和太阳，在两个脉络中，二者完全进入。勇士空行母们的来往之流，存在于消失和出现之义，睡眠和醒来之中。这两个门，如上所示，拉拉是从脐部射出精液的门，拉萨纳是从喉咙射出血的门。还有，拉拉是下方排泄的门，拉萨纳是真实依靠命气的门，因此这些脉络和气息也被称为月亮和太阳，不仅仅是白色和红色的明点。因此，在两个脉络中，两个气息和两个明点完全进入，勇士明点和脉络空行母们的光彩和精华，从拉萨纳向外流逝和消失，从拉拉向内到来和增长，来往交替，永不间断。还有，从右边降下命气时，太阳升起，月亮落下，这是罗玛的作用，当它转移到左边时，月亮升起，太阳落下，这是独勇女的作用。同样，入睡是独勇女的作用，醒来也是罗玛的作用。之后，在这两个脉络上安置字母的方式是：在左边和右边的侧面，十二元音字母真实存在。上方是口朝上的，用字母ka等围绕。下方是口朝下的，用字母ka等确定连接。中脉左侧的独勇女和右侧的罗玛之中，安置字母的方式是这样的：十二元音字母...
English
This is how it should be understood. The meaning of rest is that, because the white and red bindus descend in that place, the radiance and essence of the body are transformed, thereby generating satisfaction. The female who possesses the complete enjoyment body also symbolizes the other two, because the solitary heroine is the nature of bliss, so it is the sambhogakaya; because Roma generates various appearances, so it is the nirmanakaya; because the central channel generates the wisdom of emptiness that abandons the grasper and the grasped, so it is the dharmakaya. As it is said: The solitary heroine is the nature of wisdom, the skillful Roma truly exists, Kundalini is located in the center, the grasper and the grasped are completely abandoned. Other word meanings are easy to understand. The explanation of the growth of half of the two channels in detail: The two doors truly exist, below and above truly rely. These are the moon and the sun, in the two channels, the two completely enter. The flow of coming and going of the heroes and dakinis exists in the meaning of disappearing and appearing, in sleep and waking. These two doors, as shown above, Lala is the door from which semen is ejected from the navel, and Rasana is the door from which blood is ejected from the throat. Also, Lala is the door of downward elimination, and Rasana is the door of truly relying on the life force, so these channels and breaths are also called the moon and the sun, not just the white and red bindus. Therefore, in the two channels, the two breaths and the two bindus completely enter, the radiance and essence of the heroes' bindus and the dakinis of the channels, flow out and disappear from Rasana, and come in and increase from Lala, alternating between coming and going, never ceasing. Also, when the life force descends from the right, the sun rises and the moon sets, this is the action of Roma, and when it shifts to the left, the moon rises and the sun sets, this is the action of the solitary heroine. Similarly, falling asleep is the action of the solitary heroine, and waking up is also the action of Roma. After that, the way to place letters on these two channels is: On the left and right sides, the twelve vowel letters truly exist. Above is facing upwards, surrounded by the letters ka, etc. Below is facing downwards, definitely connected with the letters ka, etc. In the solitary heroine on the left side of the central channel and Roma on the right side, the way to place letters is like this: the twelve vowel letters...
Chinese
口朝下，以及ཀ་等辅音口朝上位于左脉，元音朝上，以及ཀ་等口朝下位于右侧。也就是说，按照正文和注释，十二元音翻倍，二十四个辅音相乘。而上师们说的是十六个元音和三十二个辅音相乘。两种说法都一致的是，ཨ་ཨ་ཀ་ཁ་ཨཱ་ཨཱ་ག་གྷ་等是相乘的。之后稍微讲了一下中脉的文字，文字ཀྵ་和真实相应，下面也缠绕着。一般来说，在阿瓦都提（梵文：Avadhūti）中使用的文字，虽然ཨཾ་（藏文，梵文天城体aṃ，梵文罗马拟音am，汉语字面意思：ཨཾ་），ཧཱུཾ་（藏文，梵文天城体hūṃ，梵文罗马拟音hum，汉语字面意思：ཧཱུཾ），ཨོཾ་（藏文，梵文天城体oṃ，梵文罗马拟音om，汉语字面意思：ཨོཾ），ཧཾ་（藏文，梵文天城体haṃ，梵文罗马拟音ham，汉语字面意思：ཧཾ）等是主要的，但因为已经在四个脉轮的旁边讲过了，所以这里是位于下体脐下四指处的ཀྵ་字头朝下。ཀྵ་是རཀྵ་，意思是消除下方，守护和保护，叫做梵天的火，是位于叫做海螺手印的脉上的རེ་ཕ་，也就是血液的成分。不坏的光将纯粹的味觉融入中脉，给脐部的母猪洗澡，就是供养具种性的母亲。在这些脉中放置文字，也是依靠生起次第的方面，只是一种象征性的表示。比如，ཧཱུཾ་字代表心间的金刚，ཧ་和ཨུཾ་二者是风和明点二者不分离的状态。ཨོཾ་是ཨ་ཨུ་མ་三种功德的自性，它的身体是喉咙的血液的自性，所以是红色的，生命是身体的种子，所以外面是白色的。对于ཧཾ་字，ཧ་是所有的白色成分，生命的ཨཾ་是红色的自性，或者ཧ་本身是白色的，半月是红色的，明点是黑色的，是三种成分，以及那达（梵文：Nāda）风，是四者聚集在一起的象征。ཨཾ་的意义已经详细解释过了，但是，短ཨ་代表所有红色成分生发的根本，非常锐利地存在于微小部分。或者ཨ་是红色成分，半月是风热的自性，明点是以生命的形式存在的微小白色成分，那达是安乐，是具有四种特征的明点。ཀྵ་字是包含从ཀ་到སའམ་ཥ་的所有辅音，是将五种成分的火元素汇聚在一起，是位于秘密轮之上的脐轮的