English
The ones abiding in the four directions and four intermediate directions became the eight Singhama. Also, four Phets were extracted from the Bodhicitta. The ones abiding in the four inner gates became the four gate goddesses. It is said that it is permissible to generate these by reciting their mantras in one's mind. All the deities face the main deity and reside in the center of the blazing fire of wisdom. Those are my sons. Then, I am made into a son of the Tathagata. That Heruka, the source of myself, filled with weapons, arose from the heart of the main deity, and holding the parts of the nine sons of the Rakshasas, went to the east gate, and having done things like joining the palms, in order to purify the obscurations, the son of the Tathagata lineage, prays thus: Om, the great commitment of the past is that all the worlds, all of them, are transformed into the realm of the Victorious Ones, therefore, I unite myself into the great mudra. Thus, one should pray. Then, at the junction of all the deities, from the three places of body, speech, and mind, the light radiates from Om Ah Hum, purifying the defilements of body, speech, and mind. My mind, like molten gold or molten silver, abides clearly and brightly, and from the radiance of Om Ah Hum, it becomes endowed with inconceivable body, speech, and mind. That water of Bodhicitta becomes a single dark blue Hum. By reciting Ayam, that Hum is placed on the moon and lifted by the wind. From the right side, circumambulate the deities three times. By dissolving into the heart of the main deity, the father and mother melt into light, and the sound of Hum Ha He Phet arises. The root deity, the blood-drinking father and mother, and the twenty wrathful mothers also dissolve into light. Abiding on the central seat, the body of wisdom rays, inseparable from method and wisdom, purifies realization. From the pure mind like molten gold, the seed of light, the blessings of the three, dissolve into the heart and become the sphere of the body. The space of the Vajra-born mother. All phenomena abide in the Bodhicitta. The sound of the heart essence of each of the deities, Hum Ha He Phet, arises and dissolves into the Bodhicitta as one. Thus, clarify. Om Vajra Maha Shri Heruka, Maha Chanda Sattva Dushta Dana Dataka Hana Daha Pacha Hum Hum Hum Phet. Om Vajra Dhara Maha Krodhi Jwalani Hum Phet. By reciting this, above the central seat, is Vajra Heruka with three faces and six arms.
Chinese
与第一个相同。下裙是豹皮。嗡 惹的纳 玛哈 希日 嘿汝嘎... 嗡 玛哈 苏日亚 玛哈 卓谛 效瓦日 巴扎 巴 穆凯 吽 帕。这样说之后，南方出现宝生嘿汝嘎佛母的虚空。在座上，身色黄黑色，三面六臂。右边蓝色，左边红色，中间黄色。右手的第一个拿着珍宝，中间是金刚杵。最后是短剑。左手的第一个拿着铃，中间是红海螺。最后拿着敌人的武器。前两只手拥抱佛母。嗡 贝玛 玛哈... 嗡 舍利 秀达 巴玛 德 贝玛 玛哈 卓谛 效瓦日 卡嘿 吽 帕。这样，西方出现莲花嘿汝嘎佛母的虚空。身色红黑色，三面六臂。右脸白色，左脸黄色，中间红色，右手的第一个拿着莲花。中间拿着金刚杵。最后拿着短剑。左手的第一个拿着铃。中间拿着红海螺。最后拿着秘密的小鼓。前两只手拥抱佛母。佛母莲花卓谛红色，拿着莲花和红海螺拥抱佛父。嗡 噶玛 玛哈... 嗡 萨瓦 莫嘎 玛哈 卓谛 效瓦日 比效 吽 帕。这样说之后，北方出现羯磨嘿汝嘎佛母的虚空，在北方的座上安坐。身色绿黑色，三面六臂，右脸白色，左脸红色。中间绿色。右手的第一个拿着杂色金刚杵。中间拿着金刚杵。最后拿着短剑。左手的第一个拿着铃。中间拿着红海螺。最后拿着犁。前两只手拥抱佛母。佛母羯磨卓谛拿着杂色金刚杵和红海螺拥抱佛父。十位佛父佛母用骨头和珍宝以及八种尸陀林装饰。九种舞姿的第一个是：妩媚、光彩、不悦。勇猛、暴烈、令人恐惧。慈悲、威严和寂静。具有九种舞姿的姿态。佛母们用骨饰装饰，戴着干人头的项链。穿着豹皮的下裙。又观想轮的辐条之间，二十位忿怒母各自的座。从佛母的虚空中取出哈拉萨卡日等。嗡 班杂 嘎日 吽。这样说之后。佛母的虚空中出现嘎日，在东方的辐条之间，嘎日蓝色，右手拿着田杖，左手拿着班扎。嗡 班杂 杂日 吽。从佛母的虚空中出现的一切都进行解释。南方，杂日玛黄色，拉弓射箭。嗡
English
It is the same as the first. The lower garment is leopard skin. Om Ratna Maha Shri Heruka... Om Maha Surya Maha Krodhishvari Bata Ba Mukhe Hum Phet. By saying this, Ratna Heruka's consort appears from the sky in the south. On the seat, the body is yellowish-black, with three faces and six arms. The right is blue, the left is red, and the center is yellow. The first of the right hands holds a jewel, the middle one a vajra. The last one a dagger. The first of the left hands holds a bell, the middle one a red conch. The last one holds an enemy weapon. The first two hands embrace the consort. Om Padma Maha... Om Hrih Shuta Pama Te Padma Maha Krodhishvari Khahi Hum Phet. By this, Padma Heruka's consort appears from the sky in the west. The body is reddish-black, with three faces and six arms. The right face is white, the left face is yellow, and the center is red. The first of the right hands holds a lotus. The middle one holds a vajra. The last one holds a dagger. The first of the left hands holds a bell. The middle one holds a red conch. The last one holds a secret small drum. The first two hands embrace the consort. The consort Padma Krodhi is red, holding a lotus and a red conch, embracing the father. Om Karma Maha... Om Sarva Mogha Maha Krodhishvari Bisha Hum Phet. By saying this, Karma Heruka's consort appears from the sky in the north, seated on the seat in the north. The body is greenish-black, with three faces and six arms, the right face is white, the left face is red. The center is green. The first of the right hands holds a variegated vajra. The middle one holds a vajra. The last one holds a dagger. The first of the left hands holds a bell. The middle one holds a red conch. The last one holds a plow. The first two hands embrace the consort. The consort Karma Krodhi holds a variegated vajra and a red conch, embracing the father. The ten fathers and mothers are adorned with bones, jewels, and the eight charnel ground ornaments. The first of the nine dances is: coquettishness, splendor, unpleasantness. Ferocity, violence, fearfulness. Compassion, ferocity, and peace. Possessing the attitude of the nine dances. The consorts are adorned with bone ornaments and wear necklaces of dry human heads. Wearing a lower garment of leopard skin. Again, visualize the seats of the twenty wrathful mothers, each in the inner spokes of the wheel. Having drawn Hala Sakari etc. from the consort's sky. Om Vajra Gari Hum. By saying this. Gari appears from the consort's sky, in the eastern spokes, Gari is blue, the right hand holds a field staff, the left hand holds a bandha. Om Vajra Tsari Hum. Explain everything that appears from the consort's sky. In the south, Tsarima is yellow, drawing a bow and arrow. Om
Chinese
嗡 班杂 扎莫嘿嘿。西方的侧面是扎莫红色的，拿着摩羯鱼的旗帜。嗡 班杂 贝达里嘿。北方的侧面是贝达绿黑色，右手拿着金刚杵，左手吃小田。嗡 班杂 布嘎斯嘿。东南的侧面是布嘎斯红黄色，左手拿着小田，右手拉出它的肠子。嗡 班杂 格斯玛日嘿。西南的侧面是格斯玛日绿色的。左手拿着装满红白色头盖骨的颅碗，右手用金刚杵的灰烬搅拌。嗡 班杂 斯美夏尼嘿。西北的侧面是斯美夏尼蓝黑色，双手将婴儿的心脏放入口中。嗡 班杂 赞扎里嘿。东北的侧面是赞扎里黄白色，双手撕裂田地的上下部分。这些都是忿怒母的面容。此外，从佛母的虚空中，内院的方位上：嗡 班杂 僧哈穆卡嘿。东方是僧哈穆卡紫黑色，长着狮子的头，双手在胸前交叉，口中叼着尸体，头发竖立。嗡 班杂 亚格里穆卡嘿。南方是亚格里玛红色的，长着老虎的头，双手向下交叉，双眼突出地看着。嗡 班杂 斯里嘎拉穆克嘿。西方是斯里拉玛黑色的，长着狐狸的头，右手拿着剃刀，左手抓住肠子吸血。嗡 班杂 施瓦纳穆卡嘿。北方是施瓦纳，身体是蓝黑色，长着母狼的头，双手掰开尸体的嘴，双眼突出地看着。嗡 班杂 格里达穆卡嘿。东南角是格里达玛红黄色，长着秃鹫的头，将大田扛在肩上，手中拿着胫骨。嗡 班杂 康嘎穆卡嘿。西南方是康嘎穆卡红黑色，长着鹫鸟的头。将大田扛在肩上，双手抓着。嗡 班杂 卡卡穆卡嘿。西北方是卡卡玛黑色的，长着乌鸦的头，左手拿着班达，右手拿着剑，吃着脑髓。嗡 班杂 乌鲁卡穆卡嘿。东北方是乌鲁玛蓝色的，长着猫头鹰的头。右手拿着金刚杵，左手拿着剑。所有这些都赤身裸体，用五种骨饰装饰。坟地用珍宝装饰得很漂亮。在四扇内门上，从佛母的虚空中：嗡 班杂 阿雅 瑞扎 贝当 扎。东门是白色的马面母。右手拿着铁
English
Om Vajra Pramohe He. On the western side is Pramo, red, holding the banner of Makara. Om Vajra Betali He. On the northern side is Beta, greenish-black, holding a vajra in her right hand and eating a small field with her left. Om Vajra Pukkasi He. On the southeastern side is Pukkasi, reddish-yellow, holding a small field in her left hand and pulling out its intestines with her right. Om Vajra Ghasmari He. On the southwestern side is Ghasmari, green. Her left hand holds a skull cup filled with red and white, and her right hand stirs it with the ashes of a vajra. Om Vajra Smeshani He. On the northwestern side is Smeshani, bluish-black, with both hands offering the heart of a child to her mouth. Om Vajra Chandali Ha. On the northeastern side is Chandali, yellowish-white, with both hands tearing apart the upper and lower parts of the field's abdomen. These are the faces of the Wrathful Mothers. Furthermore, from the space of the Mother, in the directions of the inner courtyard: Om Vajra Simhamukha He. In the east is Simhamukha, dark purple, with the head of a lion, both hands crossed at her chest, holding a corpse in her mouth, and her hair standing on end. Om Vajra Vyaghri Mukha He. In the south is Vyaghri Ma, red, with the head of a tiger, both hands crossed downwards, and her eyes bulging out as she looks. Om Vajra Srigala Mukhe He. In the west is Srilama, black, with the head of a fox, her right hand holding a razor, and her left hand holding intestines and licking blood. Om Vajra Shwana Mukha He. In the north is Shwana, her body bluish-black, with the head of a she-wolf, both hands opening the mouth of a corpse, and her eyes bulging out as she looks. Om Vajra Krita Mukha He. In the southeast corner is Krita Ma, reddish-yellow, with the head of a vulture, carrying a large field on her shoulder and holding a shinbone in her hand. Om Vajra Kanka Mukha He. In the southwest is Kanka Mukha, reddish-black, with the head of a heron. Carrying a large field on her shoulder and holding it with both hands. Om Vajra Khakha Mukha He. In the northwest is Khakhama, black, with the head of a raven, her left hand holding a bandha and her right hand holding a sword, eating brains and hearts. Om Vajra Uluka Mukha He. In the northeast is Uluma, blue, with the head of an owl. Her right hand holds a vajra and her left hand holds a sword. All are naked, adorned with the five bone ornaments. The charnel ground is beautiful with precious ornaments. On the four inner doors, from the space of the Mother: Om Vajra Arya Reja Vidham Dza. On the east door is the white Horse-faced Mother. Her right hand holds an iron
English
Vajra yellow mother, with the head of a garuda, holding a razor in her left hand. Bhyo ma no ha ram. Desire red mother, with the head of a dog, holding a bow and arrow. Bhyo si ti kam. Wealth-protecting white mother, with the head of a mongoose, holding a vase in her left hand. Bhyo ba a bi. Wind god blue mother, with the head of a deer, holding a banner, residing in the west. Bhyo ma ha ma ra na. Killing black-green mother, with the head of a wolf, holding a sword in her left hand. Bhyo vajra ag ne ye. Fire woman red mother, with the head of a vulture, holding a bright staff in her left hand. Bhyo ba ra hi. Pig mother black mother, with the head of a pig, holding a noose. Bhyo tsa mun ti. Aging red mother, with the head of a fox, holding a small field in her left hand. Bhyo su ta nam. Large-nosed white mother, with the head of an ox, pouring skull blood into her mouth with her left hand. Bhyo ba ru ni. Water god white mother, with the head of a snake, holding a noose, residing in the north. Bhyo vajra ma ha ka li. Vajra black mother, with the head of a cuckoo, holding an iron hook. Vajra tsa ka li. Vajra yellow mother, with the head of a sheep, holding a noose. Bhyo vajra kumbha ka rna. Vajra red mother, with the head of a lion, holding shackles. Vajra lam bho da ra. Vajra green-black mother, with the head of a crow, holding a bell. The latter four reside in the four directional doors in order. Then, all the deities, by reciting "Hum ha he phat bhyo ram," reside in the midst of a fire mass. The word "Bhyo" should be added to the beginning of the mantras of the mistresses. For the gatekeepers, contemplate each having a dry animal skin seat. With that and so forth, accompanied by mudras. Liberation will be attained in sequence. Purified by pure wisdom. What need is there to say, that is itself the nature. Dusky black, blue-black, yellow-black, and red-black, green-black, are the forms of destruction. Three heads, six arms, four legs, terrifying. Wearing various raw skin garments. Proclaiming a great terrifying sound. Adorned with snakes and skull garlands, along with the sun and moon. Accompanied by a thousand worlds. Vajra, great conch, skull cup, and sword, battle-axe, plow, and so forth. Possessing various of their own implements. Entwined with a terrifying assembly of consorts. The mudras of the abode and place, and the mudras of the four doors are exceedingly beautiful. Slas and female servants are the chiefs of the assembly. Adorned by twelve and eight. Accompanied by their own seats and implements. Whatever is done, they are equipped and abide. Thus, clarify the mandala.