English
As it says, "Because of the earth, the root of the song called 'Te'. Everything is accomplished with joy, that is the ultimate transformation." Like many songs combined with Te and Na appear in other tantras as well. As stated in the Karma Mala, mantras for spreading offering clouds, such as Puja Megha, etc., should also be combined here. Its extensive ritual is stated in the Karma Mala: "The melody of the Kaka song should be sung with the peaceful song at the appropriate time." Thus, the song of peaceful trembling, and the bell-ringing style from the practice of Raven Dodé Gön, are combined. The right and left hands and feet are alternately stepped, and from the hand gestures. Wa, the right foot steps towards the direction of movement. Holding the vajra and ringing the bell. Ah Ei Wa, the right hand presses the ground. Jawa, the right hand gives the fearlessness mudra and the left hand rings the bell. This Ya, the right and left feet step outwards to the back of the heels, and the right hand is placed flat. Eya, the left foot is brought to the side of the right foot, and the right hand gives the bestowing mudra. With the fearlessness mudra ringing the bell, and the gesture of lifting the left foot. Jaya, holding the vajra and ringing the bell. E, the right hand presses the ground. Ya, fearlessness mudra. Ringing the bell. Tawa, the right and left feet step outwards to the back of the heels, and the hands are placed flat. Basa, retracting the left foot, the right hand gives the bestowing mudra. Ya, fearlessness mudra ringing the bell. Owa Ya, taking the final gesture. On the lotus of the secret heart, make it happy with great joy. Thus, the last two lines also repeat the previous movements. Also combined with the arrogant song of the charming girl, starting from the Jala gesture. With this all actions, four lotuses, will be accomplished. After transforming the right dance, lift the right foot and circle the Dharma wheel. Throwing the demons behind the right and left feet. The left fist is raised inwards, and the right fist is placed inwards under the elbow of the left. Making everything fearful. The feet are firmly planted and the two hands are crossed upwards, at the end. Leaning separately and stretching out the right foot. Victorious one, stretching out the left foot and the two hands touching the shoulders. Also the practice free from desire. After the dance steps of right and left, at the end the two hands are upwards, leaning separately and stretching out the right foot. With this everything, the feet are together forward and the two hands are on the forehead. Requesting. The left foot retreats and the right foot stretches out, the two hands embracing, combined with the song of the five increases.
Chinese
之后，（念诵）嗡 索惹达 半莲花交抱。班匝 噶里 噶里 吽。（手结）左腿伸展，双手如前持箭之印，置于心间。供养云等如前。以此手印加持，以金刚莲花开放，于虚空坛城一切处，以美妙之姿嬉戏而行。此加持亦如前，箭印置于心间。金刚灰置于心间，此手印名为水兽，说是具有胜幢。是金刚萨埵之化身，是成就离欲者。嗡 索惹达 班匝 斯美 哈哈 舍依。（念诵）此咒时，金刚灰如前束起，向上持，两小指竖立，两大拇指伸展。手印不解开。此于一切贪欲，获得贪欲安乐平等。以此于三界中，迅速获得成就。如是，于一切无歌调者，每一天女各两句偈颂。初，于手印根本之偈颂，手印之物为金刚灰，于咒语等，各自转变大手印，供养等之尾句亦不加。后，于加持之偈颂，亦不解开各自之大手印而安住，下方一切应知晓。双手持金刚灰，以优雅之舞环绕，两拳头以优雅之姿依于左腰。此手印为诸王等，以殊胜安乐供养，以优雅之姿舞蹈时，成就能成办一切。嗡 索惹达 班匝 噶尔贝 吽。以此手印加持，罪业刹那消失。此三界乃大成就，获得光荣之增长。此加持亦如前，与极寂之颤动结合之歌调。༈ 。之后，与娇女之骄慢歌结合，于此赞姆纳斯，右腿先向前与前等齐，左手依于腰间，右手掌向上，举至眉间。桑给（佛陀）左腿向后退，右腿置于左腿之后，双手掌
English
Then, (recite) Om Surata half lotus embracing. Vajra Kili Kili Hum. (Hand gesture) The left leg is extended, and the hands are in the same mudra as before, holding an arrow, placed at the heart. Offerings, clouds, etc., are as before. With this mudra, bless, with the Vajra lotus opening, in all places of the mandala of the sky, playfully walk with beautiful posture. This blessing is also as before, with the arrow mudra placed at the heart. Vajra ash is placed at the heart, this mudra is called the water beast, it is said to have a victory banner. It is the incarnation of Vajrasattva, it is the one who achieves detachment from desire. Om Surata Vajra Sme Ha Ha Hrih. (Reciting) this mantra, the Vajra ash is tied up as before, held upwards, the two little fingers are erected, and the two thumbs are extended. The mudra is not untied. This, in all desires, obtains the equality of desire and bliss. With this, in the three realms, one quickly obtains accomplishment. Thus, for all those without melody, each goddess has two verses each. Initially, for the verses of the root mudra, the object of the mudra is Vajra ash, and for the mantras, etc., each transforms the great mudra, and the ending phrases of offerings, etc., are not added. Afterwards, for the verses of blessing, one also does not untie each of their great mudras and abides, all below should be known. Holding the Vajra ash together, surround with an elegant dance, the two fists rely on the left waist with elegance. This mudra is for kings, etc., offered with supreme bliss, when dancing with an elegant posture, accomplishments can accomplish everything. Om Surata Vajra Garbhe Hum. With this mudra, bless, sins disappear in an instant. This three realms is a great accomplishment, obtaining the increase of glory. This blessing is also as before, the melody combined with the trembling of extreme peace. ༈. Then, combined with the proud song of a charming woman, here Jamnas, the right leg first moves forward and is equal to the front, the left hand rests on the waist, the right palm faces upwards, raised to the eyebrow. Sangye (Buddha) left leg retreats, right leg placed behind the left leg, both palms
Chinese
接触伸展的乳房。对于一切，脚为基础，双手向上伸展交叉，最后各自倾斜，伸出右脚。奇妙的是，右脚放入右腿内侧，左脚拉到后面。双手握拳向上，从右拳拿起，从手指逐渐解开，向上抛洒。供养圣者。第四，莲花座，伸出右脚，双手向上伸展，各自倾斜。结合，伸出左脚，右手接触肩膀，左手支撑腰部。以舞蹈的供养，左右两侧的房间，最后双手各自向上倾斜，伸出右脚。一切，左脚先行的前方相同。双手合掌向上，举到眉间。成就事业。右脚向后退，伸出左脚，双手合掌于心间。与第五首歌结合。嗡 索惹达，半莲花拥抱印。班杂 玛度 嘎德 吽 吽。双脚的膝盖骨伸展，手指朝外，是萨嘎的姿势。双手从金刚合掌中，以花瓣舞蹈迅速向上抛洒。布扎 梅嘎，以下如前。这是所有佛陀，获得极大欢喜的迷惑母。金刚智慧安住于心，是成办一切成就者。从金刚合掌中，以花瓣舞蹈向下抛洒，然后稍微向上转动。这是所有佛陀，令至上喜乐之心满足者。仅仅是束缚，也能使魔众非常远离。嗡 索惹达 班杂 梅嘎 丹 丹。这是所有佛陀，获得意之成就者。这是所有欲望，瞬间使心欢喜而成就。从金刚合掌中，竖起两个拇指，其余像太阳一样。这是所有佛陀，使智慧最为显现者。从无始以来被垢染所遮蔽，以此能夺取愚痴。嗡 索惹达 班杂 夏惹达 阿 阿。这是所有佛陀，极力成办智慧光明者。如果以文字手印盖印，就是供养佛陀的智慧。左右手威严地舞蹈，双手合掌，从左脸颊开始使用。
English
Touching the extended breasts. For all, the feet are the base, and the two hands are stretched upwards, crossed, and finally inclined separately, extending the right foot. Wonderfully, the right foot is placed inside the right leg, and the left foot is pulled back. From the two fists pointing upwards, the right fist is taken up, and gradually released from the fingers, scattering upwards. Offering to the holy ones. Fourth, lotus posture, extending the right foot and the two hands pointing upwards, inclined separately. Combining, extending the left foot, the right hand touching the shoulder and the left hand supporting the waist. With the offering of dance, the chambers on the left and right, finally the two hands inclined upwards separately and the right foot extended. All, the left foot preceding, the front is the same. The two hands are joined palm upwards and raised to the space between the eyebrows. Accomplishing the work. The right foot slides back and the left foot is extended, and the palms are joined at the heart. Combined with the fifth song. Om Surata, half lotus embracing mudra. Vajra Madu Gate Hum Hum. The kneecaps of both feet are stretched and the fingers are pointing outwards, which is the posture of Saga. The hands, from the vajra palms, with petal dance, are quickly thrown upwards. Puja Megha, the following is as before. This is all the Buddhas, the deluding mother who obtains great joy. Vajra wisdom dwells in the heart, is the accomplisher of all accomplishments. From the vajra palms, with petal dance, throwing downwards and then slightly turning upwards. This is all the Buddhas, the one who satisfies the mind of supreme bliss. Merely by binding, the demons become very distant. Om Surata Vajra Megha Tam Tam. This is all the Buddhas, the one who obtains the accomplishment of the mind. This is all desires, instantly making the mind happy and accomplished. From the vajra palms, raise the two thumbs and make the rest like the sun. This is all the Buddhas, the one who makes wisdom most manifest. Covered by defilements from beginningless time, this takes away ignorance. Om Surata Vajra Sharada Ah Ah. This is all the Buddhas, the one who greatly accomplishes the light of wisdom. If sealed with the letter mudra, it is offering to the wisdom of the Buddhas. The left and right hands dance majestically, the palms are joined, and used from the left cheek.
Chinese
将其置于前方，此乃诸佛之手印，是成办一切供养之因，成办一切义利故善妙，能获得吉祥胜妙之果。嗡 索Ra达 班匝 舍西 霍 吽。（藏文，梵文天城体：ॐ सुरत वज्र शेश्री हो हुं，梵文罗马拟音：oṃ surata vajra śeśrī ho huṃ，汉语字面意思：嗡，爱，金刚，吉祥，呼，吽）此乃一切佛之，众多盛大之前行。以此众多盛大，能成就众多智慧之悉地。如是之印契，亦应以饶益之颤动歌调合之。其后与娇女之傲慢歌调合。于此，赞那斯，乃佛之足立地，左手叉腰，右手掌向上，向前方回旋。一切之娇姿。右足抬起，于中围绕法轮，右手掌心向内，置于左眼正前方之右侧，最终向右倾斜。极其娇媚，双足立地，双手交叉向上。是成办之因。右足伸展，双手握拳向外，举至与肩同高。莲花足并拢，右手触肩，左手叉腰。以仪态之娇媚。于左右殿堂之尽头，双手向上倾斜，右足伸展。金刚足于前方并拢，左手叉腰，右手施胜印，举至眉间。大者彼悉地。右足向后退，左足伸展，双手合掌于心间。与第五之歌调合。嗡 嘿玛 哈 帕亚 贝 恰 嘉。索Ra达 维拉色尼 扎扎。双足脚趾向外，膝盖弯曲，呈圆形姿势，双手金刚拳以娇媚之姿势恭敬倚靠。帕匝 美 嘎。以下如前。此乃一切佛之，娇媚之幻化。以此共同调合，娇女能生起智慧。以金刚忿怒印之姿态四处旋转，双手握拳置于口边。此乃一切佛之，欢笑之完全宣说。对于瑜伽士秘密之自在者，乃大秘密之欢喜。嗡 嘿玛 哈 索Ra达 班匝 哈色亚 哈 哈。（藏文，梵文天城体：ॐ हेमहः सुरत वज्र हास्य ह ह，梵文罗马拟音：oṃ hemahaḥ surata vajra hāsya ha ha，汉语字面意思：嗡，嘿玛，哈，爱，金刚，欢笑，哈，哈）以此文字手印，若于自身心间盖印，则以花鬘严饰，立即成为具光彩者。左手握拳内向，于抬起之肘下，右
English
Place it in front, this is the mudra of all the Buddhas, It is the cause of accomplishing all offerings, It is good because it accomplishes all meanings, It enables the attainment of auspicious victory. Oṃ Surata Vajra Śeśrī Ho Huṃ. (Tibetan, Sanskrit Devanagari: ॐ सुरत वज्र शेश्री हो हुं, Sanskrit Romanization: oṃ surata vajra śeśrī ho huṃ, Literal Chinese meaning: Om, Love, Vajra, Auspicious, Ho, Hum) This is the great variety that goes before all the Buddhas. By this great variety, One attains the siddhi of manifold wisdom. This seal should also be combined with the tune of the trembling song of benefit. Then, combine it with the song of the coquettish woman's pride. Here, Jamnas, is the Buddha's foot establishing the base, the left hand on the hip, the right palm facing upwards, turning back to the front. The coquetry of all. The right foot is raised, circling the Dharma wheel in the middle, the right palm facing inwards, placed to the right of the left eye, finally leaning to the right. Extremely coquettish, both feet establishing the base, both hands crossed upwards. It is the cause of accomplishment. The right foot is extended, both hands clenched into fists facing outwards, raised to the level of the shoulders. Lotus feet together, the right hand touching the shoulder, the left hand on the hip. With the coquetry of the manner. At the end of the left and right corridors, both hands leaning upwards and the right foot extended. Vajra feet together in front, the left hand on the hip and the right hand bestowing the supreme, raised to the eyebrow level. The great one, that siddhi. The right foot retreats outwards, the left foot extended and the palms joined at the heart. Combine it with the fifth song. Oṃ Hema Hā Paya Be Cha Gya. Surata Vilāsini Zaza. With the toes of both feet pointing outwards, the knees bent, in a rounded posture, both hands in vajra fists respectfully leaning in a coquettish manner. Pāzā Me Ga. The following is as before. This is the emanation of coquetry of all the Buddhas. By combining it with this, the coquettish woman generates wisdom. Circling everywhere in the manner of a wrathful vajra mudra, placing both fists at the corners of the mouth. This is the complete proclamation of laughter of all the Buddhas. For the yogi, the lord of secrets, it is the delight of the great secret. Oṃ Hema Hā Surata Vajra Hāsya Ha Ha. (Tibetan, Sanskrit Devanagari: ॐ हेमहः सुरत वज्र हास्य ह ह, Sanskrit Romanization: oṃ hemahaḥ surata vajra hāsya ha ha, Literal Chinese meaning: Om, Hema, Ha, Love, Vajra, Laughter, Ha, Ha) By this letter mudra, if one seals it on one's own heart, then adorned with a garland of flowers, one immediately becomes glorious. The left hand clenched into a fist facing inwards, under the raised elbow, the right