Tibetan
Nitartha Digital Library Tibetan འཚོལ་བཤེར་གདམས་ཀ
Chinese
目录分发。 搜索选项 上一篇\t供养舞的备忘录，供养云朵般欢快的嬉戏。法吉祥。\t下一篇 供养舞的备忘录，供养云朵般欢快的嬉戏。法吉祥。 名为供养舞的备忘录，供养云朵般欢快的嬉戏之作。名为供养云朵般欢快的嬉戏之舞论。顶礼吉祥大乐舞自在。因诸根的行境清净，一切法，恒常显现为普贤的嬉戏。顶礼幻化金刚舞者胜者，之后撰写金刚舞论。此处，依据吉祥一切佛陀平等和合续，以及月密明点瑜伽内续部等无上续部中所说的金刚天女们的四交和十六苏拉托之门，如何进行供养歌舞的仪轨，荣 सोम 大师所著的舞谱之意原封不动地保留下来。由于漫长时期的劫数，身体和语言的姿态和变化略有退化。如果与外变的实践传承相结合，则认为没有冲突。因此，共同的变化应如何补充，也应从帐篷舞等中进行说明。因此，暂时说明身体姿态的总体表现方式。如是说：莲花面带微笑，以宽广的眼睛跳舞，手和脚的变换，极其喜悦地移动眉毛。以略带微笑的眼角观看，丰满的大腿向乳房弯曲，腰部的形状像草原，鼻子的表面也大而美丽。略带爱意地压着牙齿，牙齿的串珠像昆达月亮。发出驱逐不悦之人的呼吸，以极大的喜悦赞美。双手合着舞蹈，在前方合掌。在所有手指的顶端，观想度母的集合。如是说。一般来说，以珍爱的姿态进行舞蹈的次第是，首先在寂静的地方，以皈依和发心为先导，坚定地保持本尊的慢
English
Table of Contents Distribution. Search Options previous\tMemorandum of Offering Dance, Playful Play of Offering Clouds. Dharma Shri.\tnext Memorandum of Offering Dance, Playful Play of Offering Clouds. Dharma Shri. The work called Memorandum of Offering Dance, Playful Play of Offering Clouds. Treatise on Dance called Playful Play of Offering Clouds. Homage to the glorious Great Bliss Lord of Dance. Because the realm of the senses is pure, all dharmas constantly appear as the play of Samantabhadra. Having bowed to that supreme illusory Vajra Dancer, I will compose the Vajra Dance Treatise. Here, according to the tantras of the glorious union of all Buddhas, and the inner tantras of the union tantra of the lunar secret bindu yoga, etc., from the supreme tantras, the four intersections of the Vajra Goddesses and the sixteen Surata doors, how to perform the ritual of offering song and dance, the intention of the dance script composed by Rongzom Chenpo is preserved as it is. Due to the kalpas of a long period of time, the nuances and variations of body and speech have slightly deteriorated. If combined with the lineage of external practice, it is seen as not contradictory. Therefore, how the common changes should be supplemented should also be explained from tent dances, etc. Therefore, for the time being, the general expression of body postures will be explained. As it is said: The lotus face is smiling, dancing with wide eyes, with the movement of hands and feet, moving the eyebrows with great joy. Looking with a slightly smiling corner of the eye, the full thighs bend towards the breasts, the shape of the waist is like a meadow, and the surface of the nose is also large and beautiful. Slightly pressing the teeth with affection, the string of teeth is like the Kunda moon. Exhaling the breath that repels the unpleasant, praising with great joy. With both hands together with the dance, placing the palms together in front. At the tips of all the fingers, contemplate the assembly of Taras. As it is said. In general, the order of dancing with a cherished attitude is, first in a secluded place, with refuge and bodhicitta as the prelude, firmly holding the pride of the deity.
Chinese
仅仅在技巧上自我显现，进入如同天神装束的状态后，在任何作为事业之基而行之处，都要伴随着忿怒的威严之歌，与罗刹的吼声相合，以颂巴（སུམྦྷ）的歌调来摧伏障碍。嗡（ༀ，oṃ，唵），颂巴（སུམྦྷ）！在铃声之下，手结金刚站立印，抬起右脚，向行进方向挪动一步，左脚弯曲。呢（ནི），颂巴（སུམྦྷ）！就在那里再次放下右脚。吽（ཧཱུྃ，hūṃ，吽）！啪（ཕཊ，phaṭ，呸）！在那里挺起身姿，摇动铃铛。格热合那（གྷྲྀཧྞ，gṛhṇa，拿），左脚向行进方向挪动一步，右脚弯曲。格热合那（གྷྲྀ་ཧྞ，gṛhṇa，拿），就在那里放下左脚。吽（ཧཱུྃ，hūṃ，吽）！啪（ཕཊ，phaṭ，呸）！在那里挺起身姿，摇动铃铛。格热合那（གྷྲྀཧྞ，gṛhṇa，拿）巴雅（པ་ཡ་，pāya，饮），右脚向行进方向以退步的方式挪动一步，左脚向后弯曲。同样，身体也稍微扭动。格热合那（གྷྲྀཧྞ，gṛhṇa，拿）巴雅（པ་ཡ་，pāya，饮），就在那里再次向后挪动右脚。吽（ཧཱུྃ，hūṃ，吽）！啪（ཕཊ，phaṭ，呸）！在那里挺起身姿，摇动铃铛。阿那雅（ཨཱ་ན་ཡ་，ānaya，带来）吼（ཧོཿ，hoḥ，吼）！就在那里站定，抬起左脚，脚尖稍微向左转动并挺起身姿。薄伽梵（བྷ་ག་ཝཱན་，bhagavān，世尊）也按照同样的步法来做。明妃（བིདྱཱ་，vidyā，明妃）稍微僵硬。国王（རཱ་ཛ་ཡ་，rāja-ya，国王）在前方抬起左脚放下，以此来接引。吽（ཧཱུྃ，hūṃ，吽）！啪（ཕཊ，phaṭ，呸）！手持金刚杵并摇动铃铛，右脚向行进方向迈出小步。以此方式，从进入仪式的房间依次走出，并绕圈。颂巴（སུམྦྷ）的歌一遍，其他与之前相同，只是脚步有所不同。嗡（ༀ，oṃ，唵），颂巴（སུམྦྷ）呢（ནི），颂巴（སུམྦྷ），抬起右脚，以缓慢的速度绕着法轮旋转。吽（ཧཱུྃ，hūṃ，吽）！啪（ཕཊ，phaṭ，呸）！向行进方向放下右脚，如同铁栅栏一般。格热合那（གྲྀཧྞ，gṛhṇa，拿）格热合那（གྲྀཧྞ，gṛhṇa，拿）吽（ཧཱུྃ，hūṃ，吽）！啪（ཕཊ，phaṭ，呸）！左脚向前方挪动一步，身体向右扭动。面向行进方向的后方角落，双脚交叉。此后与之前相同。然后，以优雅的姿态，将所有感官的对境都观想为天神和天女的嬉戏，以此奠定供养的基础。与名为“乐神的琵琶声”的歌曲相结合。嗡（ༀ，oṃ，唵），双手向两侧伸展至与肩膀齐平，抬起右脚并在原地假装放下。金刚（བཛྲ་，vajra，金刚）舞动，双手做莲花旋转，左脚放下。拉西亚（ལཱ་སྱེ，lāsye，舞女）。在前方放下右脚，双手从合掌变为半莲花金刚拳，身体略微弯曲，支撑在腰间。玛列（མཱ་ལེ，māle，花鬘）。左脚行
English
Merely appearing as skill itself, having entered into a state like the attire of a deity. Then, wherever one goes as the basis for performing actions, one should subdue obstacles with the tune of the Sum-bha song, combined with the majestic song of wrathful ones and the roar of rakshasas. Om Sum-bha! Beneath the bell, holding the vajra in a standing posture, lift the right foot and move one step towards the direction of travel, bending the left foot. Ni Sum-bha! Right there, place the right foot down again. Hūṃ Phaṭ! There, stand tall and ring the bell. Gṛhṇa, move the left foot one step towards the direction of travel, bending the right foot. Gṛhṇa, right there, place the left foot down. Hūṃ Phaṭ! There, stand tall and ring the bell. Gṛhṇa Pāya, move the right foot one step backwards in the direction of travel, bending the left foot backwards. Likewise, slightly twist the body as well. Gṛhṇa Pāya, right there, move the right foot backwards again. Hūṃ Phaṭ! There, stand tall and ring the bell. Ānaya Hoḥ! Remaining right there, lift the left foot, turn the toe slightly to the left, and stand tall. For Bhagavan, do the same footwork. For Vidyā, become slightly stiff. For Rāja, lift and place the left foot in front to receive. Hūṃ Phaṭ! Holding the vajra aloft and ringing the bell, take a small step with the right foot towards the direction of travel. In this way, gradually exit from the room where the ritual is performed and circle around. For one repetition of the Sum-bha song, the rest is the same as before, except for the difference in the footwork. Om Sum-bha Ni Sum-bha, lift the right foot and slowly circle around the Dharma wheel. Hūṃ Phaṭ! Place the right foot down in the direction of travel, like an iron fence. Gṛhṇa Gṛhṇa Hūṃ Phaṭ! Move the left foot one step forward, twisting the body to the right. Face the rear corner of the direction of travel slightly, so that the feet come to be crossed. From then on, it is the same as before. Then, with graceful movements, visualize all the objects of the senses as the play of gods and goddesses, thereby establishing the basis for offering. Combine it with the song called "The Sound of the Gandharva's Lute." Om, extend both hands outwards to shoulder level, lift the right foot and pretend to place it down in the same spot. Vajra dancing, with both hands making lotus rotations and the left foot placing down. Lāsye. Place the right foot down in front, and with both hands changing from palms together to half-lotus vajra fists, lean on the waist with a slight bend in the body. Māle. Left foot mov
Chinese
朝向一方迈出一步后向右伸展，双手握拳，右手在左手的内侧绕圈，从心口处分开，在与肩膀平行的高度向外展示。歌舞。右脚从左脚前面向行进方向迈出一步。左手握拳内指，举起，右手握拳朝内，置于弯曲的肘部下方，呈现出穿线的姿态。舞蹈。抬起左脚，双手向上伸展，随着节拍向右和向左跳舞。吽 啪。摇动金刚杵并摇动铃铛，右脚向前迈出一小步。这个姿势重复三次。然后，按照《合修法》中所说的极喜之歌的六句歌词，以及《朵玛续》中所说：“嗡 穆当 呢 呼穆当，呼以花鬘为庄严，四天女交织显光明，胜义之歌与大欲之歌，如来之歌与誓言之歌，一切大乐之歌。”那样，与嗡等五种歌的装饰相结合，以胜义之歌等五种歌来散布供养的云朵。首先，极喜之歌的旋律是，与仙人的傲慢之歌，如同海螺的声音相结合。从极度地拉扎姆开始，喜悦的右脚向内，先行的平等姿势，右手从内绕圈的下方向上扬起，在额头前合掌，左手摇动铃铛向外展示。我将右手从左手上拉开，右脚向后退。在“拉”字时，左脚向内抬起落下，顶礼。右手在肩膀的高度呈现伸展姿势，左手缓慢地绕着倾斜的姿势旋转。啊 咿 哇 啊 咿。左脚向后拉，右脚踩踏落下，向右伸展，双手在心口合掌。同样，右脚在前面假装移动，左脚落在后面。双手手背相对，以不同的方式逐渐分开，右手接触肩膀，左手倾斜。所有行进都是右脚向后假装倒退，右脚落在左脚后面，右手逐渐放下，呈现倾斜的姿势，左手接触肩膀。完成时，右脚先行，双脚并齐。右手内绕向上扬起，在额头前合掌，左手倾斜。宝藏。就在那时，身体带着摇曳的姿态从位置上...
English
After taking a step in one direction, extend to the right, with both hands in fists, the right hand circling inside the left, separating from the heart and showing outwards at about shoulder level. Girti. The right foot takes a step forward from the front of the left foot in the direction of travel. The left hand is a fist pointing inwards, raised, with the right fist facing inwards under the bent elbow, in a threading posture. Nrtye. Lift the left foot and dance to the right and left with both hands raised upwards and downwards in rhythm. Hum Phat. Waving the vajra and ringing the bell, walk with small steps, taking a step forward with the right foot. Repeat this three times. Then, according to the six lines of the song of great joy mentioned in the Samputa Tantra, and from the Torma Tantra: "Om Mu dang ni Hu Mu dang, Hu adorned with a garland of flowers, The four goddesses interweave and reveal clarity, Song of ultimate meaning and song of great desire, Tathata song and samaya song, Song of great bliss of all." Like that, combined with the five ornaments of song such as Om, the clouds of offering are spread with the five songs such as the song of ultimate meaning. First, the melody of the song of great joy is combined with the arrogant song of the sage, like the sound of a conch shell. Starting from extremely Lajam, the joyful right foot inwards, the preceding equal posture, the right hand circling inwards from below and raised upwards, palms together in front of the forehead, and the left hand ringing the bell outwards. I pull the right hand away from the left hand, and the right foot retreats. At the syllable "La," the left foot is lifted and lowered inwards, and I prostrate. The right hand is in a stretching posture at shoulder level, and the left hand slowly rotates in a tilting posture. A e wa a i. The left foot is pulled back and the right foot is stepped down, stretching to the right, and both hands are joined at the heart. Similarly, the right foot pretends to move forward, and the left foot is placed behind. The backs of the hands are facing each other, gradually separating in different ways, the right hand touching the shoulder and the left hand tilting. All movements are with the right foot pretending to retreat backwards, the right foot placed behind the left foot, and the right hand gradually lowered, presenting a tilting posture, and the left hand touching the shoulder. When completed, the right foot precedes, and the feet are together. The right hand circles inwards and raises upwards, palms together in front of the forehead, and the left hand tilts. Treasure. At that moment, the body sways gracefully from its position...
Chinese
右手触碰肩膀。同样，双手在肩膀的高度向外伸展，然后右脚向右侧踩踏。抬起的左脚向左侧踩踏，右手从左手上方抽出，右脚向后滑动，发出“匝”的声音。为了誓言，左脚向内伸直。为了完成，双手做莲花手印。右脚向内收回，左脚在后，左脚在后，右脚滑动。完成。左脚向左侧移动，随着摇摆踩踏，双手也手心向下，一起向左摇摆。啊啊，哇，右脚向右，双手也反向向右摇摆。啊啊，左脚向左收回，双手向上伸展，拇指和食指相接，做成瑟郭手印。誓言，左脚踩踏，双手向上伸展，向右侧扬起。神圣的，右脚踩踏，双手向上伸展，向左扬起。完成，右手在胸前以金刚杵的姿势竖立，带着优雅的姿态向右旋转，左手摇动铃铛。右脚向内收回，左脚在后，左脚在后，右脚滑动。在左脚踩踏时，双脚并拢。祈请完成。左脚向外抽出，右脚伸直。右手放在额头，左手伸展倾斜。供养，双手向外伸展，右脚小步踩踏。伟大，左脚小步踩踏，右脚向外抽出，发出“匝”的声音。一切，脚向内，左脚伸直。请净化。双手做莲花手印。右脚向内收回，左脚在后，左脚在后，右脚滑动后。左脚假装踩踏，双脚并拢。啊啊，哇，右脚抬起，双手说法印。啊啊，双脚并拢。右手触碰肩膀，左手伸展倾斜。在伟大的供养中，左右的小步踩踏和“匝”的声音与之前一样。一切，双手做莲花手印。右脚向内收回，左脚在后，左脚在后，右脚滑动。完成，左脚和双手手心向下向左摇摆，右脚向右侧收回。双手向右倾斜，向上伸展，拇指和食指相接，做成瑟郭手印。完成。就在那时，右手放在额头，左手伸展倾斜。第二，结合五种庄严的五首歌，是散布供云的歌舞。与瓦姆萨的变调歌曲，如水鸟的步调相结合。双手做莲花手印。脚步。嗡 班匝 贝姆，左脚