English
and moving by. The latter, behind, holding the hair held by the right hand from the hair held at the level of the left thigh with the bhan phur, and simultaneously placing the phur banner on the right shoulder. ༈ Fifth, the dance of the eight Siddhamas is: From the shon dance of the eight phramen: Siddha Kharō, crossed, yellow lion. Vyāghrī, place, back, crossed, downward, tiger. Swaying, strutting. Changing the four-beat limping step, large and small, alternately. Starting from the four-lotus-gone, with the sound of the large four-beat: On one, lotus turn; on two, throw; on three, place; on four, slightly strut to the right. On the small beat, taking the dzam from the front level, with hands crossed on shoulders, extending the right leg forward widely, and on the large beat, two right shakes. On the small beat, taking by pulling the right leg to the right side and strutting. Alternating thus three times, and with hands crossed at the navel, fingers pointing downwards, widely on the large beat, as before, two right shakes. On the small beat, taking and strutting alternately three times. Release and gather. After starting the jumping lotus-gone. One slow four-beat without limping: On one, strut; on two and three, lifting and lowering the left and right legs; on four, taking by lifting and placing the left. One small swaying movement. For the six including Śrī, the dance method is similar to that, but changing their respective mudras. After Ulū, from the large movement, it is the musical walk. The difference in their respective mudras is: Śrīgalā Nagamō, licking child, fox. Śvāna, tearing, looking, dark blue mouth, wolf. For the former of these, holding the bhan phur level with the face directly, to the right and left. For the latter, looking at the two hands shown outwards level with the heart, and extending them to the right and left. Gṛdhra, red throat, pulling intestines, vulture. Kaṅka, shoulder, nose, long head. For the former, the manner of pulling the strand of bhan hair held at the level of the left thigh with the right breast to the right side. For the latter, placing the phur banner and the bhan hair separately on the right and left shoulders. Kāka Kharō, black bhan knife. Ulū, iron hook, dark blue assembly, owl. For the former, the manner of making the knife mudra by showing the left hand upwards at the heart with the bhandha, and with the right, pressing the ring finger and little finger with the thumb and raising the middle finger. For the latter, the left hand as before, and the manner of pulling with the right fist, making the index finger like an iron hook. ༈ Sixth, the dance of the four Gatekeepers is: From the fierce dance of the four Gatekeeper faces: Ra
Chinese
蓝马面手持铁钩。面向多拉向后看，摇摆昂首。转为四拍，从四莲花去之义的宽莲花中接续金刚半步式。在四数三中，如同虚空中心般做了三次左摇后，在一一、二二时，右手以如钩般的姿势提起铁钩，抬起腿，向右侧角摇动两次，以及。在四击一的一二时，放下右腿并将左腿向后收缩，双手在心间交叉手印。在三四时，解开手莲花旋转手印，接续右腿向右转动。在四数三中，第一个一二时，将右腿放在那里，左腿稍微拖动。在三四时，如前般手莲花，以及接续右腿向左转动，在第二个一二时，抬起放下左腿向左并带有拖动，以及。在三四时，做左腿向右反转的接续。在第三个一二时，抬起放下右腿向右，到三四反转的期间。象征“黑猪面带獠牙套索”，从那里，其他舞姿如三次摇摆等如前般。手印是，在一一时，右手威胁指尖向下指向左手上方，向外旋转。在二二时，那同一个[手指]向上指向，从左手内向外甩出，是套索手印的捆绑方式，以及。同样地，设置舞声等方式如前般。象征“红狮面捆绑铁链”，这是双手握拳向上，伸出食指和小指的铁链手印，以及。象征“墨绿狼面喜悦地摇铃”，这是右手在肩膀内侧直接弯曲手腕向内，摇动铃铛的方式，即。在铃铛[部分]的三个四数完成后。转脸进入解开收拢的多拉中。做了四拍的跳跃莲花去之义的宽莲花、罗尔帕。从大移动进入罗尔步。第七，王母的舞蹈是。从自在母的四急舞跳跃莲花去开始。象征摇摆昂首。从错误拍跛行的宽莲花甩出设置，三个罗尔帕。抬起右手并将左手靠在腰间，以滑步稍微向前，然后抬起左腿。从东方来的七位瑜伽士。由你...
English
Blue Horse-faced holding an iron hook. Turning the face back to the Dhora, swaying and strutting. Changing to the Four Beats, from the Wide Lotus of the meaning of Four Lotus Gone, taking up the Vajra Half-step manner. After doing three left shakes like the center of the sky for the three counts of four, at One One, Two Two, with the right hand raising the iron hook gesture like a hook, lifting the leg, shaking twice to the right side corner, and. At the one two of the one four beat, lowering the right leg and drawing the left back, and with the two hands crossed at the heart gesture. At three four, releasing the hand lotus turning gesture and taking up the right leg turning to the right. Of the three counts of four, first, at one two, lowering the right there and doing a slight left drag. At three four, as before, the hand lotus, and taking up the right leg turning left, at the one two of the second, lifting and lowering the left leg to the left with a drag, and. At three four, doing the taking up of the left leg reversing to the right. At the one two of the third, lifting and lowering the right leg to the right, and in the interval of reversing at three four. Signifying "Black Pig-faced with tusk-lasso", and from there, other dance manners like three shakes etc. are as before. The mudra is, at one one, turning the right threatening finger pointing downwards outwards above the left hand. At two two, that same [finger] pointing upwards, throwing it outwards from within the left [hand], in the manner of binding with a lasso gesture, and. Similarly, the manner of setting the dance sound etc. is as before. "Red Lion-faced binding with iron chains", this is the gesture of iron chains by extending the index finger and little finger from the two hands held as fists pointing upwards, and. "Dark Green Wolf-faced pleased by ringing the bell", this is the manner of ringing the bell by bending the wrist inwards directly within the right shoulder, that is. After the three counts of four of the bell [section] are completed. Turning the face into the Dhora of releasing and gathering. Doing the Wide Lotus by the meaning of the Jumping Lotus Gone of the Four Beats, doing the Rolpa. Entering the Rol-step from the Great Movement. The seventh, the dance of the Wangmo is. Starting from the Four Hurrying Dance Jumping Lotus Gone of the Ishvari, signifying swaying and strutting. From the Wide Lotus Throwing and Setting of the Limping Wrong Beat, three Rolpas. Raising the right hand and resting the left on the hip, going forward a little with a sliding step, then lifting the left leg. The seven Yogis who came from the East. By you...
Chinese
“请您进行息业！”从这样说开始，用力送出。在圆形舞场中旋转而行，这是东方的七母的“杜尔”舞。从那里跳跃莲花步而行。从三次“罗尔巴”后，手势反转，在方形中旋转，这是南方的七母，即从南方而来的七位瑜伽母。“请您进行增业！”同样地，在中间方向，开始跳跃莲花步，从“罗尔巴”后手反转。在月牙形和三角形舞场中旋转而行，这是西方和北方的七母，即从西方而来的七位瑜伽母。“请您进行怀业！”从北方而来的七位瑜伽母。“请您进行诛业！”等等，如此应用。解释完毕。第八，弗拉梅玛（女巫）取“班玛”（尸体/供品）之舞。寻找“班玛”，检查，以及详细供奉，这有三种。首先是寻找，有“罗尔”步和黑蛇盘绕步两种寻找方式。第一种是：在自在母的“杜尔”步状态下，以“罗尔”步寻找“班玛”，从跳跃莲花步开始，说“左手取，宽阔地放置莲花并转”，以及从三次“罗尔巴”后，双手向左向右带动的“罗尔巴”，以及脚部滑行步强劲快速，以忿怒的眼神四处观望而行。第二种是：以黑蛇盘绕步寻找“班玛”，从跳跃莲花步开始，说“莲花罗尔如前”，以及左手撑腰，右手向上举起，像狮子一样昂首挺胸地以滑行步而行，适当旋转后。双手举起，像秃鹫翱翔一样而行。像蛇盘绕一样进行盘绕旋转，在勾召之处用力敲鼓，双手进行“罗尔巴”，身体收缩，像“杜尔”鸟盘绕一样旋转，在旋转之处。舞师抓住“班达”（尸体/供品）的头发拖拽，来到罗尔师（音乐师）面前，左脚掌朝下放在上面，进入“泽姆”步，同时其他舞者拖拽“班达”，以自己的滑行步而行。舞师在自己“班达”处旋转时，所有（舞者）将“班达”面朝下放置，像舞师一样进入“泽姆”。第二种（检查）有以石子检查和以“多尔”步检查两种。第一种是：在“泽姆”状态下，来到各自的“班达”处，以“班玛”石子检查，第一种跳跃莲花步...
English
"Perform the action of pacification!" From saying this, strongly sent forth. Going by circling in a round dance ground is the 'dur' dance of the seven mothers of the east. From that very thing, went by jumping and stepping on lotuses. From three 'rolpa', turning the hand movements and circling in a square is the seven mothers of the south, namely the seven yoginis who came from the south. "You, perform the action of increase!" Similarly, at the intermediate directions, starting with jumping and stepping on lotuses and from the 'rolpa', turning the hands. Going by circling in a crescent-shaped and triangular dance ground is the seven mothers of the west and north, namely the seven yoginis who came from the west. "You, perform the action of subjugation!" The seven yoginis who came from the north. "You, perform the action of wrath!" And so on, applied thus. Explained. Eighth, the dance of the Phramenma (sorceresses) taking the 'bam' (corpse/offering). Searching for the 'bam', examining it, and elaborately offering it, these are three. As for the first, searching, there are two ways: by 'rol' movement, and by black snake coiling movement. The first is: in the state of the 'dur' movement of the powerful female deities, searching for the 'bam' by 'rol' movement, starting from jumping and stepping on lotuses, saying "take with the left, widely place the lotus and turn", and from three 'rolpa', the 'rolpa' of carrying both hands to the left and right, and going with strong and fast sliding foot movements, looking everywhere with wrathful gaze. The second is: searching for the 'bam' by black snake coiling movement, starting from jumping and stepping on lotuses, saying "lotus 'rol' as before", and resting the left hand on the hip and raising the right hand upwards, going with sliding movement while strutting like a lion, after circling appropriately. Going by raising both hands like a vulture soaring. Coiling and circling like a snake winding, and at the point of hooking/summoning, strongly beating the drum, and performing 'rolpa' with both hands and contracting the body, circling like a 'dur' bird circling, at the point of circling. The dance master dragging the 'bhandha' (corpse/offering) held by the hair, arriving in front of the 'rol' master (music master), placing the left foot face down on top and entering into the 'zem' movement, simultaneously, the other dancers dragging the 'bhandha' and going with their own sliding movement. At the point where the dance master circles towards their own 'bhandha', all (dancers) place the 'bhandha' face down and enter into 'zem' like the dance master. As for the second (examining), there are two ways: examining with pebbles, and examining with 'dor' movement. The first is: in the state of 'zem', arriving at their own 'bhandha', examining the 'bam' with 'bam' pebbles, the first, jumping and stepping on lotuses...
Chinese
...开始。从莲花舞，以三次两拍的拖步，左手扶腰，右手挥动，向右后方角退三步，然后以一次强烈的四拍，右手食指指向Bhaṇḍa，伸展右腿，以如Hūlu般的凶狠目光，向内摇动三步，从宽莲花舞，以同样的方式向左后方角和向内，通过颠倒腿和手来完成。从宽莲花，双手拇指和食指相触呈投石状，斜眼看向Bhaṇḍa，左腿在前向内拖行三步，一边从Phur Dar 'Khrig Ma拉扯，一边以惊恐状，伸展左腿向侧拖行四次，向后退回，以乌鸦拖腿般的步态，重复三次后，从向内的拖步，说着“四四”，以向外绕右腿的方式采取的绕行步，发出嗒嗒声进入绕行路径，停止绕行。用Bam石，第二次检查从跳跃莲花开始。如前重复。再次，以嗒嗒声绕着自己的Bhaṇḍa绕行，停止绕行。用Bam石，第三次检查从跳跃莲花开始。如前重复并以嗒嗒声进入绕行路径。区别在于后两次，心变得稍微大一些，向内靠近Bam，向外的步子变小。第二是：以嗒嗒声停止绕行。用Bam金刚步，检查从跳跃莲花开始。随着节奏。将下衣收至大腿，蹲下。以如天空中心般的四拍，上身摇动三次，然后以四次大步向右走金刚步三次，再次摇动三次，向内走金刚步三次，左前示现，然后以两次四拍的第一次一二拍，惊恐地拉扯Bhaṇḍa的头发，这是堕落狗的行止，在三四拍时嗅闻，这是豺狼的行止，在第二次的一二拍时，翻转Bam，以将Bhaṇḍa面朝上翻转来表示，这是老虎的行止，由此逐渐增长心，在三四拍时站起并进入嗒嗒步。此时，以金刚步的检查重复三次，第一次拉扯头发，第二次嗅闻，第三次翻转等，如旧文本中所载，并且...