English
All (the pegs) are hammered into the ten directions of obstacles in the manner of pegs, and it is visualized that their bodies are pierced, silent and motionless, and shining brightly. ༈ Twelfth, cutting off the extremes of permanence and annihilation: Accompanied by the sound of a single gong, and the playful battle in the middle of the single strike of the great four, the right foot is raised, the heel of the left foot is rubbed on the ground, and it is placed in front of the mandala, to the right, to the back, and to the left, in sequence, and the mandala is leveled with small steps. The left foot is lifted and received, and with four strikes, the lotus step goes out, the wide step throws, and then the right foot alone searches for the horn. When reciting "two two," the vajra half-step of alternately lifting and lowering the left and right feet, with three repetitions, makes the three doors appear as the nature of the three vajras, and visualizes the indivisible gathering mandala. With four steps, in order to destroy the inner knot of grasping at characteristics, in the manner of a black snake coiling, gradually enter the furnishing room, take off all the decorations, gather the mandala of the dependent and the depended upon, and visualize dissolving into the invisible sphere of bindu, thereby cutting off the extreme of permanence. When putting on everyday clothes again, in an instant, transform into the body of Heruka, put on clothes and hats to protect the body, thereby cutting off the extreme of annihilation. ༈ Thirteenth, dedication and auspiciousness: By dedicating the merit and speaking auspicious words, it is greatly increased. And knowing that all of this is the nature of the self-appearance of mind and wisdom, combine it with the order of the ritual at any time. ༈ If you are not good at the postures and rituals of the mandala deities mentioned earlier, and prefer brevity, then after ordering the expulsion of obstacles, perform the eleven postures of the Great Glorious Lord and the Ten Wrathful Ones, and protect by hammering pegs as before, and the desired result will be achieved. Thus, with the postures of the wrathful deities, accompanied by mantras, meditation, and mudras, circumambulating the mandala, one destroys all the hosts of demons. Thus it is said. What kind of ritual is that? It is the eleven postures in the "Convenient Snare" spoken by the Holy One. Among them, the words of how to make the mudras and the invocation mantras seem to have some slight differences, but here only the vajra words of the tantra are to be written. First, the four activity mudras of the main deity, the Great Glorious One, are, hand
Chinese
合掌向上举，双脚脚底相合竖立。大语四字也要摧毁，头和性命要视为心要。金刚九尖、五尖和十一尖也要如是观察。这是大饮血尊的手印，勇士如是说。如是所说的仪轨是，出自《幻化续》中：地基心要一尖和，五尖九尖十一尖，诸业各自善修习。此句的释文中说：事业手印是，头观想为十一尖的仪轨，其他手指左右增减为五尖，十尖和十一尖是息增怀诛的次第。如是行事，如果兴致高，可以配合娇女的傲慢之歌。脚步安立为基础，手势中“手”字做莲花旋转，“合掌”字右手放在膝盖上安立，挺直时右脚伸展，金刚铃杵在心间上下交替。“向上举”字在头顶合掌，双脚脚底相合，双脚脚底相合，脚尖朝上，膝盖稍微弯曲，做圆形姿势，这是寂静事业的一尖手印。“语”字上身稍微向右摇动，从“赞”字开始。“大四”字手从之前的位置，右脚伸展向右方看两次。“又”字上身向左方，从左边的“赞”字开始。“摧毁”字向左方看两次后，“做”字回到原位。“头和性命要视为心要”字，四莲花到尽头，双手各自倾斜。脚从原位，双手在石头上稍微向内旋转，从“赞”字开始，对于“主”字，手印的因是合掌九尖，手掌掌根相合，两中指指尖相合为中央角，其他手指伸展旋转为小角状，这是怀业的九尖事业手印。“五尖和”字，在此基础上，两无名指合并，拇指和小指各自并排竖立，两食指在中指背后竖立，这是增业的五尖事业手印。然后头顶中央角和左右手的十个手指在肩膀的高度挺直，作为十角的替代，在“十”字向左，在“一”字向右，做手掌旋转的姿势，这是诛业的十一尖事业手印。“也”字手做莲花状
English
Palms joined and raised upwards. Two feet soles joined and erected. The four great words are also to be destroyed. Head and genitals are considered as the essence. Vajra nine-pointed, five-pointed, and eleven-pointed, also contemplate in this way. This is the mudra of the Great Blood Drinker, said the hero. The prescribed method as stated is: From the Magical Net Tantra: Earth base essence one point and, Five points, nine points, eleven points, The actions are each well meditated upon. In the commentary to this verse, it says: The action mudra is to establish the head as being contemplated as eleven points, and others, fingers increasing and decreasing on the right and left, are five points, ten points, and eleven points, according to the order of pacifying, increasing, empowering, and wrathful. Act accordingly. If there is joy, combine with the coquettish song of pride. Establish the foot posture as the base, and in the hand posture, for the word "hand," do a lotus rotation. For the word "palms," place the right hand on the knee and establish it. When straightening, extend the right leg, and the vajra and bell alternate up and down at the heart. For the word "raised upwards," join the palms at the crown of the head. For the word "two feet soles joined," join the two soles of the feet, with the toes pointing upwards. Bend the knees slightly and make a circular posture, which is the one-pointed mudra of the peaceful action. For the word "speech," sway the upper body slightly to the right, starting from the word "zam." For the word "great four," from the previous hand position, extend the right leg and look to the right twice. For the word "also," sway the upper body to the left, starting from the left "zam." For the word "destroy," look to the left twice, and then for the word "do," return to the original position. For the words "head and genitals are considered as the essence," at the end of the four lotuses, incline both hands separately. From the original position of the feet, rotate both hands slightly inward on the stone, starting from the word "zam." For the word "lord," the cause of the mudra is the joined palms nine-pointed, with the palms joined at the base, the tips of the two middle fingers joined as the central horn, and the other fingers extended and rotated in the manner of small horns, which is the nine-pointed mudra of the empowering action. For the words "five points and," on this basis, combine the two ring fingers, align and raise the thumb and little finger separately, and raise the two index fingers behind the middle fingers, which is the five-pointed mudra of the increasing action. Then, the central horn of the head and the ten fingers of the right and left hands are straightened at the height of the shoulders, as a substitute for the ten horns. At the word "ten," turn to the left, and at the word "one," turn to the right, making a gesture of rotating the palms, which is the eleven-pointed mudra of the wrathful action. The word "also" hand makes a lotus shape.
Chinese
觀察時，右手放在右膝上，手持金剛杵。這被稱為大飲血尊之手印，四瓣蓮花周圍手指彎曲。勇士說這是手印，雙手和雙腳向左攪動，然後左腿伸展，手持金剛杵於胸前，鈴置於腰間。其激勵讚頌為：嗡 班雜 卓達 希 嘿汝嘎 吽。阿阿阿吽 啪特。如此腳和手的姿勢恢復原位。嗡 汝魯汝魯 吽 炯 吽。如橛擊的方位之忿怒尊般向左旋轉，最後左腿伸展，左手舉起，右手於胸前作忿怒印。如果不能做到那麼多的舞蹈和聲調的展開，那麼配合手印的詞語來結手印，在激勵咒語時稍微旋轉跳躍也沒有衝突。其他的忿怒尊，在各自的段落結手印，在結尾的激勵咒語時，如橛擊般，上方和方位的忿怒尊向左，角落和下方的忿怒尊向右旋轉，結尾時在啪特上，如上方和方位是主要的一樣，角落和下方與之相反，伸出右腿。各自的手印是：雙手合掌向上舉，雙腳分開伸展和彎曲，以步伐的姿態舞蹈，這是吽作手印。嗡 班雜 卓達 吽 嘎ra 吽 嘎雜 嘎雜 吽 啪特。左腳腳趾勾住右大腿，雙手旋轉舞蹈，手掌猛烈拍擊，這是勝利手印。嗡 班雜 卓達 貝雜雅 吽 哈納 哈納 吽 啪特。右手拇指按在小指指甲的根部，以伸展的姿態，三根手指向上伸展，這是藍色杖手印。嗡 班雜 卓達 尼拉 丹達 吽 達哈 達哈 吽 啪特。右手的拳頭，以擊打的姿態伸展，左手靠在腰上，這是降閻魔手印。嗡 班雜 卓達 亞曼達嘎 吽 啪雜 啪雜 吽 啪特。右手的掌心，以擊打的姿態伸展，左手做抓握的姿態，這是不動明王手印。嗡 班雜 卓達 阿雅 阿雜拉 吽 班達 班達 吽 啪特。雙手合掌，手指在背後交叉，兩個拇指分開向上伸展，眼
English
During the examination, the right hand is placed on the right knee, holding a vajra. This is known as the hand gesture of the Great Blood Drinker, with fingers curved around the four-petaled lotus. The hero said this is the hand gesture, with both hands and feet stirring to the left, then the left leg is extended, and the hand holds the vajra at the chest, with the bell resting on the waist. The encouraging praise for it is: Om Vajra Krodha Shri Heruka Hum. Ah Ah Ah Hum Phat. Thus, the posture of the feet and hands returns to its original position. Om Rulu Rulu Hum Bhyo Hum. Like the wrathful deity of the direction of the stake, rotate to the left, finally extending the left leg, raising the left hand, and making a wrathful gesture with the right hand at the chest. If one cannot manage so much elaboration of dance and tones, then in accordance with the words of making the hand gesture, make the gesture, and there is no conflict in slightly rotating and jumping during the encouraging mantra. The other wrathful deities, at the time of their respective verses, make the hand gesture, and at the end of the encouraging mantra, like staking, the wrathful deities of the upper and directional positions rotate to the left, and the wrathful deities of the corner and lower positions rotate to the right, and at the end, at Phat, like the upper and directional positions are the main ones, the corner and lower positions are opposite to them, extending the right leg. The respective hand gestures are: The hands are joined in prayer and raised upwards, the feet are separated and stretched and bent, dancing with the steps of the feet, this is the Hum-making hand gesture. Om Vajra Krodha Hum Kara Hum Gardza Gardza Hum Phat. The toes of the left foot hook onto the right thigh, the hands rotate and dance, the palms clap violently, this is the victorious hand gesture. Om Vajra Krodha Vidzaya Hum Hana Hana Hum Phat. The thumb of the right hand presses on the base of the nail of the little finger, in a stretching posture, the three fingers are raised upwards, this is the blue staff hand gesture. Om Vajra Krodha Nila Danda Hum Daha Daha Hum Phat. The fist of the right hand, stretched in a striking posture, and the left hand rests on the waist, this is the Yamantaka-destroying hand gesture. Om Vajra Krodha Yamantaka Hum Patza Patza Hum Phat. The palm of the right hand, stretched in a striking posture, and the left hand makes a grasping posture, this is the Achala hand gesture. Om Vajra Krodha Arya Atzala Hum Bhandha Bhandha Hum Phat. The hands are joined in prayer, the fingers are crossed behind the back, the two thumbs are separated and raised upwards, the eye