English
Vigurwa. Vajra Sampale. Tsale Tsale. Om rulu rulu hum bhyo hum! Thus engaging in the activity, thinking that all the deities are fearful and wrathful towards the fierce activity. Homage! I prostrate to the Three Jewels. The command of the Three Jewels is true, The truth of the purity of Dharma-nature, The truth of the infallibility of cause and effect of phenomena, The truth of the mandala of the deities of the Bhagavan Great Glorious Blood-Drinker's play, The truth of the emanations, further emanations, command-abiding attendants, hand emblems, and all, By the blessing of the great truth, may all places that have become fields for liberating unruly sentient beings be present in the support of symbols and substances. Nri yam dza! Nri vajra ankusha dza! Tri yam dza! Tri vajra ankusha dza! Dza hum bam ho! After dissolving with the four mudras, incense is burned from the outside, and urged on by the sound of music and majesty, the dance master appears with pride, from the outer boundary of the door, showing the left side of the body towards the direction of travel, slowly. Making the sound "bir bram," swaying on the two lame legs with arrogance, alternately raising the left and right hands. With the rhythm of four beats, starting from the third step of the left foot, begin the wide lotus dance. At "one two," perform the rejecting lotus posture. At "three four," pull the right hand back and bend it. At "one two," sway there. At "three four," rotate the phurba and banner. Again at "one two," point the tip of the bhanda phurba. At "three four," rotate the right hand inward to the left, placing the phurba and banner on top, while alternately lifting and lowering the left and right feet, following the entry into the four-step rhythm, the others also align with the row, appearing in order, during the four-step rhythm of the left foot, wave the right hand. Wave the left hand. Stretch both hands out. With both hands supporting the waist, only with the rhythm of four beats, go around the torma without turning. This is called the Vajra Path Walk. After that, at the third drumbeat of the hand and waist, rotate with the sound "phat," and start the lotus dance again. The rejecting lotus posture, accepting, rotating, aiming, etc., are the same as before, and the playing of the four beats at the end of the various vajra dances of the root dance is done in the same way, after which, in the playing and fighting of one big beat three times, in the small one beat, alternately with the left and right feet, in front of the torma, behind, in the direction of travel, and in the corners of the direction of return.
Chinese
摇动身体，四大步向左伸展，以向内收缩的步伐走三步，然后小二步回到原位。中等拍子两下向右反向摇动，进行玩耍收缩后，左右手拿起钹，进入四步，像母狼小跑一样摇摆，这叫做跳舞。从那之后，用“ཕཊ་”改变，对“སྦིར་སྦྲམ་”两组向前否定，向右拉伸。对“སྦྲམ་སྦྲམ་”用左脚向右转，对“སྦིར་སྦྲམ་”两组否定莲花拉伸。同样地，向前用右脚改变的否定莲花拉伸，以及左脚向右转后，做否定莲花抛掷。然后，“一、一”，“二、二”这样只有拉长敲击，拉伸收缩等用大拍子，其他用小拍子。对“一、一”两个威胁指在内向林伽（藏文，梵文天城体，梵文罗马拟音，汉语字面意思）威胁，对“二、二”拉右脚，左脚变成铁轮，两个威胁指朝外伸出，然后“一、一”回到原位，“二、二”抬左脚放下，右铁轮两次“一、一”，“二、二”威胁指朝内威胁。再次威胁指朝外伸出，对“一、一”回到原位，对“二、二”用膝盖摇动插入，一起蹲下，向左右各玩耍两次后，猛地站起，左手靠在腰上，右手举起。敲击九下鼓，在第六下之前，脚后跟收缩向左旋转，第七、八下右手向外旋转，第九下用林伽（藏文，梵文天城体，梵文罗马拟音，汉语字面意思）威胁指向上指着威胁。四拍小而快的半拍两次回到原位，第三、四下用右脚向左转，做否定莲花拉伸。用左脚向内反转，做否定莲花拉伸。用右脚向左反转，做否定莲花抛掷后，“一、一”，“二、二”这样拉长敲击鼓，威胁指在内向林伽（藏文，梵文天城体，梵文罗马拟音，汉语字面意思）威胁，拉左脚，右脚变成铁轮等，除了左右颠倒之外，和之前一样。举起右手，第九下用林伽（藏文，梵文天城体，梵文罗马拟音，汉语字面意思）威胁指向上指着威胁后，四拍小而快的半拍两次回到原位后，后半部分向右摇动身体，进行摇摆收缩，然后左右手拿起钹，像熊一样奔跑旋转并威胁
English
Shaking the body, extending four large steps to the left, taking three steps with an inward contracting pace, then returning to the original position with two small steps. After playing and contracting with two medium beats reversing and shaking to the right, the left and right hands pick up the cymbals and enter four steps, swaying like a she-wolf trotting, this is called dancing. After that, change with "ཕཊ་", negate the two "སྦིར་སྦྲམ་" sets forward, and stretch to the right. For "སྦྲམ་སྦྲམ་", turn to the right with the left foot, and for the two "སྦིར་སྦྲམ་" sets, negate the lotus stretch. Similarly, negate the lotus stretch by changing forward with the right foot, and after turning the left foot to the right, do the negate lotus throw. Then, "one, one", "two, two" like this, only lengthening and striking, stretching and contracting, etc., use large beats, and others use small beats. For "one, one", the two threatening fingers threaten inward towards the linga (藏文，梵文天城体，梵文罗马拟音，汉语字面意思), for "two, two" pull the right foot, the left foot turns into an iron wheel, the two threatening fingers extend outward, then "one, one" returns to the original position, "two, two" lifts the left foot and puts it down, the right iron wheel twice "one, one", "two, two" threatening fingers threaten inward. Again, the threatening fingers extend outward, for "one, one" return to the original position, for "two, two" squat down together by shaking and inserting the knees, and play to the left and right twice each, then suddenly stand up, with the left hand resting on the waist and the right hand raised. Strike the drum nine times, before the sixth beat, the heel contracts and rotates to the left, on the seventh and eighth beats the right hand rotates outward, on the ninth beat threaten with the linga (藏文，梵文天城体，梵文罗马拟音，汉语字面意思) threatening finger pointing upwards. Return to the original position twice with four small and quick half-beats, on the third and fourth beats turn to the left with the right foot, and do the negate lotus stretch. Reverse inward with the left foot and do the negate lotus stretch. Reverse to the left with the right foot and do the negate lotus throw, then "one, one", "two, two" like this, lengthen and strike the drum, threaten with the threatening finger inward towards the linga (藏文，梵文天城体，梵文罗马拟音，汉语字面意思), pull the left foot, the right foot turns into an iron wheel, etc., except for the left and right reversal, it is the same as before. Raise the right hand, on the ninth beat threaten with the linga (藏文，梵文天城体，梵文罗马拟音，汉语字面意思) threatening finger pointing upwards, after returning to the original position twice with four small and quick half-beats, in the latter half, sway the body to the right, perform swaying contraction, then the left and right hands pick up the cymbals, running and spinning like a bear and threatening.
Chinese
如是说。此后，唉的会众之坛城殊胜，炽燃暴猛威慑者，以忿怒之心作供养，令佛陀福德之身亦坏灭。于五甘露或五食物，施设名相。迎请后以金刚橛钉之，粉碎为尘埃而供养会众。于此钉橛之际加入根本旋律，依循节奏，每句四拍，两两重复，于差异处，左侧四拍之三四拍处向右牵引而舞。此外，于三界度脱之供养金刚橛舞中，舞师手持钉橛，于“唉”处，从右侧开始起舞，直至第七步完毕。第八句“粉碎为尘埃”之前以柔和之舞进行，至“供养会众”处，抬脚大力迈进，旋律激昂，舞师逐渐进入内部，最终脚步抵达林伽之前，旋律结束，于“的的的”处，抬左脚作莲花步。自此开始，于向内以碎步前进之处，如母狼般小跑，左右如是而行，于两小鼓处安住。三四拍处作大手印，抬起右脚起落，向左旋转。抬起左脚，于一二拍处安住。三四拍处作大手印，左脚向外回旋，抬起右脚，于第四拍之一处安住。于“斯比尔斯布让”处，以左脚后跟跳跃，右脚落地，向右侧摇摆。如是，向内向外摇摆而舞动。配合降临，向内以右脚先行两步，挪动后蹲坐。于林伽三处钉橛。此时，上师安住于大威德之慢，以三摩地度脱之方便而行持，置于灌顶之意趣中。此后，手持度脱刀，取两次摇摆后，以哈尔之姿站立，右脚置于铁围山中，除不抬脚外，其他如前，如舌头般以狼步旋转，于结尾处左右摇摆。吽。以嗔怒金刚眷属，令世间界一切，如灰尘般。
English
Thus it is said. Then, the supreme mandala of the assembly of E, blazing, fierce, and terrifying, with an angry mind, make offerings, causing even the body of the Buddha's merit to be destroyed. To the five ambrosias or five foods, assign names and symbols. After inviting, nail them with the vajra phurba. Having pulverized them into dust, offer them to the assembly. At the time of nailing, insert the root melody of the nailing, following the rhythm, four beats for each line, repeating twice each, with the difference that at the three-four beats of the left four beats, pull to the right and dance. Moreover, in the cham dance of liberating the three realms, the dance master holds the nailing phurba, and at "E," takes the rhythm starting from the right. Until the seventh step is completed, and up to the eighth "into dust," perform a gentle dance, and at "offer to the assembly," lift the foot and move vigorously, the melody becomes agitated, and the dance master gradually enters inward, and finally the foot reaches in front of the linga, and the melody ends, at the "ba-ba-ba," lift the left foot and begin the lotus step. From then on, at the place where one moves inward with small steps, act like a she-wolf trotting, doing as is appropriate to the left and right, and after staying in place at the two small drums. At the three-four, make a wide lotus hand gesture, and lifting and lowering the right foot, rotate to the left. Lifting the left foot, stay in place at one-two. At the three-four, make a wide lotus hand gesture, and turning the left foot outward, lift the right foot, and stay there at one of the four counts. At "bir biram," jump with the heel of the left foot, lower the right foot, and sway to the right. Likewise, sway inward and outward, and dance. In accordance with the descent, move inward with two steps of the right foot first, and then squat down. Nail the phurba at the three places of the linga. At that time, the master abides in the pride of the great glorious one, and acts with the means of liberating through samadhi, placing it in the intention of the tseruk ritual. Then, holding the liberating knife, after taking two sways, stand up with a "har" sound, place the right foot in the iron fence, and except for not lifting the foot, otherwise as before, rotate with the wolf-step of the tongue, and at the end sway left and right. Hūṃ. With the wrathful vajra retinue, may all the realms of the world be like dust.
Chinese
延续之前的做法。在“བ་”字处，右脚稍微抬起落下，左脚拖动，然后用力向中间踩。在“ལྟར་ར་”处，左脚向行进方向移动，右脚向后拖动。在“འ་ཝའི་”处，左脚抬起接住，进入舞蹈的节奏。 勇猛蓝尊具光轮， 殊胜威光炽燃我顶礼。 这两句也重复之前的两种音调。 之后， 光芒堆积如云般浓厚， 怖畏威猛舒展收缩之姿安住。 吞噬者如劫末之火般燃烧， 将一切恶毒引入金刚口中。 露出令人恐惧的獠牙， 具有吞噬三界的喉音。 以日月般炽燃的怒目， 焚烧七军，我顶礼。 这两句诗偈中，加入了神之足迹所显示的根本旋律，在“光芒堆积浓厚”处，左脚伸展，双手合十。在“如云般”处，伴随着上身摇动，右脚向右移动。在“堆积”处，左脚拖动，双手向右用力。在“ལ་འ་”处，抬起左脚，放下成“ཡི་ཡ་”的姿势。在“འ་ཝའི་འེ་ཡ་”等处，保持原位不动。以“怖畏威猛”的姿势，单脚交替使用手脚，向左用力。用这种方式，左右交替，第一句诗偈结束时，在最后的“འེ་ཡ་”处，右脚向右移动，从接住开始，向来的方向，从左脚开始进入四步舞，以左边的舞步，在“三四”处，在宽广的莲花尽头，双手向上合十。对于“令人恐惧的獠牙”等，其他音调如前，最初向左用力，最后从右边开始的四步舞，向行进方向旋转，最后双手向上合十。 三毒增长广大是： 鬼怪的肉比食物更美味， 愚痴的供品无与伦比。 祈请享用这无上供品， 赐予身之成就。 鬼怪的血比酒更美味， 贪欲的供品无与伦比。 祈请享用这无上供品， 赐予语之成就。 鬼怪的骨头比酥油更美味， 嗔恨的供品无与伦比。 祈请享用这无上供品， 赐予意之成就。 这三句诗偈，每一句都向右、左、中移动，然后收