Chinese
仡哩(二合)嚩大明王。身如火色。忿怒形。鼻如猿猴。以蛇庄严璎珞。臂钏膊钏头系莲华鬘。作瞻睹势。 次无能胜忿怒王。身白色。四臂频眉面嗔。虎皮为裙。蟒蛇为耳。珰得叉迦龙王以为腰。绦婆苏枳龙王以为神。线角络被耽肚。身形稍短。以毒蛇庄严髻冠。口咬下唇。遍身火焰炽盛圆光。右上手持金刚杵。右下手作期克势。左上手持三古戟叉。左下手执钺斧。正面作阿吒吒贺娑𥬒势。从口火焰种种色相。右边面作观瞻势。左边面下看也。头上面作观大众势。于宝莲华立也了。 已上二圣者于曼荼罗门外两边画。 次观本尊五支也。阿尾啰吽欠(亦云阙宝量不空毗卢居顶后。余从额配之) 阿字(金刚宝地大悲地界所执持故) 微字(功德乳海所资𨳝故) 啰字(三昧惠炬所温育故) 吽字(除障智风所开发故) 欠字(无边性空不障碍故)。 五支先布已次说瑜伽相。 阿字真金色 普现金刚轮 加持于下体 说名瑜伽座 微字素月光 匪于雾聚中 加持于齐上 是名大悲海 啰字初日晖 形赤在三角 加持于心位 称为智火威 吽字劫火焰 涂玄若风轮 加持白毫际 名为自在力 欠字由大空 含容一切色 加持于顶上 故号无等 现代汉语译本 仡哩嚩大明王（Kilikila Mahavidyaraja）：身体如火焰的颜色，呈现忿怒的形象，鼻子像猿猴。用蛇作为装饰的璎珞，臂钏和膊钏，头上系着莲花鬘，作出瞻睹势（一种手势）。 其次是无能胜忿怒王（Aparajita Krodharaja）：身体是白色，四只手臂，紧锁眉头，面带嗔怒。以虎皮为裙，蟒蛇为耳珰，得叉迦龙王（Takshaka-nagaraja）作为腰带，婆苏枳龙王（Vasuki-nagaraja）作为神线，角络被耽肚。身形稍短，用毒蛇庄严发髻和头冠，口中咬着下唇，遍身火焰炽盛，有圆形的光环。右边的上手拿着金刚杵（vajra），右边的下手作出期克势（一种手势）。左边的上手拿着三古戟叉（triku），左边的下手拿着钺斧。正面的脸作出阿吒吒贺娑𥬒势（一种笑声）。从口中喷出火焰，呈现种种颜色。右边的脸作出观瞻势，左边的脸向下看。头上面的脸作出观看大众的姿势。站立在宝莲花上。 以上两位圣者画在曼荼罗（mandala）门外的两边。 其次观想本尊的五支：阿（a）尾（vi）啰（ra）吽（hum）欠（kham）（也可以说阙宝量不空毗卢遮那佛（Amoghavajra-vairocana）在顶后，其余的从额头开始配置）。阿字（因为是金刚宝地大悲地界所执持），微字（因为是功德乳海所资养），啰字（因为是三昧惠炬所温育），吽字（因为是除障智风所开发），欠字（因为是无边性空不障碍）。 五支先布置好，其次说瑜伽（yoga）的形象。 阿字是真金色，普遍显现金刚轮，加持于**，说名为瑜伽座。 微字是素月光，并非在雾聚中，加持于齐上，是名大悲海。 啰字是初日晖，形状是红色，在三角形中，加持于心位，称为智火威。 吽字是劫火焰，涂成玄色，像风轮，加持在白毫之间，名为自在力。 欠字犹如大空，含容一切色，加持于顶上，所以号称无等。
English
English version Kilikila Mahavidyaraja: The body is the color of fire, with an angry appearance, and a nose like a monkey. Adorned with a snake as a necklace, armlets, and bracelets, and a lotus garland on the head, making the 'viewing' gesture (a type of hand gesture). Next is Aparajita Krodharaja: The body is white, with four arms, furrowed brows, and an angry face. A tiger skin serves as a skirt, and pythons as earrings. Takshaka-nagaraja serves as a belt, and Vasuki-nagaraja as the sacred thread, with a corner of the robe covering the belly. The body is slightly short, and the hair and crown are adorned with poisonous snakes. The mouth bites the lower lip, and the whole body is ablaze with flames, surrounded by a circular halo. The upper right hand holds a vajra (thunderbolt), and the lower right hand makes the tarjani mudra (a threatening gesture). The upper left hand holds a triku (three-pronged spear), and the lower left hand holds a battle-axe. The face in the center makes the 'Atatahasana' gesture (a type of laughter). Flames of various colors emanate from the mouth. The face on the right makes a 'viewing' gesture, and the face on the left looks downwards. The face on the top of the head makes a gesture of watching the assembly. Standing on a precious lotus flower. The above two holy figures are painted on either side of the mandala gate. Next, contemplate the five limbs of the principal deity: A vi ra hum kham (It can also be said that Amoghavajra-vairocana is at the back of the head, and the rest are arranged starting from the forehead). The syllable 'A' (because it is held by the Vajra-ground, the Great Compassion ground), the syllable 'Vi' (because it is nourished by the ocean of merit), the syllable 'Ra' (because it is warmed by the Samadhi-wisdom torch), the syllable 'Hum' (because it is developed by the wind of wisdom that removes obstacles), the syllable 'Kham' (because it is boundless and empty, without obstruction). After arranging the five limbs, then describe the appearance of yoga. The syllable 'A' is true gold, universally manifesting the Vajra wheel, blessing the **, it is called the Yoga seat. The syllable 'Vi' is the light of the pure moon, not in a gathering of mist, blessing above the navel, it is called the Great Compassion Sea. The syllable 'Ra' is the radiance of the rising sun, shaped like a red triangle, blessing the heart, it is called the power of Wisdom Fire. The syllable 'Hum' is the flame of the kalpa, painted dark, like a wind wheel, blessing between the white hairs, it is called the power of Freedom. The syllable 'Kham' is like the great void, containing all colors, blessing the top of the head, therefore it is called Unequaled. -------------------------------------------------------------------------------- 人 次五支从地水火风空配成及坛。
Chinese
阿字想座下。金刚座已成。色相如黄金。即戒义也。其坛相方。曼荼啰亦耳。微字想于脐。色白慈悲水。即定义也。其坛相圆外坛如满月。啰字想于心。其相色赤红。为惠义也。其坛三角形。外坛亦三角。吽字想眉间。色黑为无碍风。即解脱义也。其坛想青形如半月。外坛相亦同。欠字安顶上。以成大空点。即解脱知见义也。 其坛如字义。空点无色相。能成诸事业。即是陀罗尼义也。 唵(引)速乞洒(二合)摩嚩日啰(二合此云细细如金刚。此陀罗尼能令所观成就) 唵(引)底(丁以反)瑟姹(二合)嚩日啰(二合此云不动如金刚。此陀罗尼能令所观无失) 唵(引)萨颇(二合)啰拏嚩日啰(二合此云周遍如金刚。此陀罗尼能令所观渐广量周法界) 唵(引)僧贺啰(二合)嚩日啰(二合此云了达如金刚。此陀罗尼能令所观渐略。犹如毫端。住白毫际。或住鼻端。随心所乐) 次说画。苏婆呼童子。身形眷属尊身如童子形。金色如名号。悚栗画尊仪。七曜围绕。密莫云漠。𠼬嗢没斯。那缬鸡[桅-厄+(口/ㄆ)]。各如本形画。住贺野仡哩嚩明侧立花上。次画顶行童子。身形眷属。尊身金色。髻发下垂。左手持金刚 现代汉语译本 其次，将五支（五种元素）从地、水、火、风、空配合而成，并安置于坛城之中。 观想‘阿’字于座下。金刚座由此成就，其色相如黄金，代表戒律之义。此坛城形状为方形，即曼荼罗（Mandala）之意。观想‘微’字于脐部，其色为白色，代表慈悲之水，即禅定之义。此坛城形状为圆形，外坛如满月。观想‘啰’字于心间，其色相为赤红色，代表智慧之义。此坛城形状为三角形，外坛亦为三角形。观想‘吽’字于眉间，其色为黑色，代表无碍之风，即解脱之义。此坛城观想为青色，形状如半月，外坛形状亦相同。将‘欠’字安于顶上，以成就大空点，即解脱知见之义。 此坛城如字义所示，空点无色相，能成就一切事业，即是陀罗尼（Dharani）之义。 唵（Om）！速乞洒（Sukshma）摩嚩日啰（Vajra）（意为细微如金刚。此陀罗尼能令所观想之事物成就）。 唵（Om）！底瑟姹（Tishtha）嚩日啰（Vajra）（意为不动如金刚。此陀罗尼能令所观想之事物不失）。 唵（Om）！萨颇（Sphara）啰拏嚩日啰（Vajra）（意为周遍如金刚。此陀罗尼能令所观想之事物逐渐扩展，其量周遍法界）。 唵（Om）！僧贺啰（Samhara）嚩日啰（Vajra）（意为了达如金刚。此陀罗尼能令所观想之事物逐渐收缩，犹如毫端，住于白毫之间，或住于鼻端，随心所乐）。 其次讲述绘画。苏婆呼（Subahu）童子，其身形眷属尊身如童子之形，金色如其名号。恭敬地描绘其尊仪，七曜（七个星体）围绕。密莫云漠（Mimoyunmo），𠼬嗢没斯（Hongwumo），那缬鸡[桅-厄+(口/ㄆ)]（Naqiejigai），各自按照其本来的形状描绘。安住于贺野仡哩嚩（Hayagriva）明王的侧面，立于花上。其次描绘顶行童子，其身形眷属，尊身金色，发髻下垂，左手持金刚杵（Vajra）。
English
English version Next, the five elements (five branches) of earth, water, fire, wind, and space are combined and arranged within the mandala. Visualize the syllable 'Ah' below the seat. The Vajra seat is thus accomplished, its color resembling gold, representing the meaning of precepts. This mandala is square in shape, which is the meaning of Mandala. Visualize the syllable 'Vi' at the navel, its color white, representing the water of compassion, which is the meaning of Samadhi (meditation). This mandala is circular in shape, with the outer circle like a full moon. Visualize the syllable 'Ra' in the heart, its color red, representing the meaning of wisdom. This mandala is triangular in shape, and the outer circle is also triangular. Visualize the syllable 'Hum' between the eyebrows, its color black, representing the unobstructed wind, which is the meaning of liberation. This mandala is visualized as blue, shaped like a crescent moon, and the outer circle is the same shape. Place the syllable 'Kham' on the crown of the head to accomplish the great void point, which is the meaning of the knowledge and vision of liberation. This mandala, as the meaning of the syllables indicates, the void point has no color and can accomplish all endeavors, which is the meaning of Dharani. Om! Sukshma Vajra (meaning subtle like a diamond. This Dharani can cause the visualized object to be accomplished). Om! Tishtha Vajra (meaning immovable like a diamond. This Dharani can prevent the visualized object from being lost). Om! Sphara Vajra (meaning pervasive like a diamond. This Dharani can cause the visualized object to gradually expand, its measure pervading the Dharma realm). Om! Samhara Vajra (meaning comprehending like a diamond. This Dharani can cause the visualized object to gradually contract, like the tip of a hair, residing between the white hair, or residing on the tip of the nose, as desired). Next, describe the painting. Subahu Kumara (Subahu Child), his form and retinue, the honored body is like the form of a child, the color of gold like his name. Respectfully depict his honored appearance, surrounded by the seven luminaries (seven celestial bodies). Mimoyunmo, Hongwumo, Naqiejigai, each depicted according to their original forms. Residing on the side of Hayagriva Vidyaraja (Hayagriva the Knowledge King), standing on a flower. Next, depict the crown-walking child, his form and retinue, the honored body golden, the hair hanging down, the left hand holding a Vajra (thunderbolt). --------------------------------------------------------------------------------
Chinese
杵。右手叉腰。八频那夜迦围绕所为。金刚庄严。金刚尘。金刚索。金刚钺斧。金刚极笑。金刚成庄严。金刚顶。金刚频那夜釰。器仗如文配。 已上并是顶轮坛法具足写了。 (书本云)天喜元年五月一日书了 一交了 僧赖昭 以天台实严僧正持本交合之 东寺沙门道快 (朱笔)此轨者辩弘和尚集欤。辨辩两字通用之间。青龙和尚门人制作。尤以可为规模者也。 现代汉语译本： （手持）杵（vajra，金刚杵）。右手叉腰。（有）八频那夜迦（Vighnahara，障碍神）围绕，所持（器物）为：金刚庄严（Vajra ornament），金刚尘（Vajra dust），金刚索（Vajra rope），金刚钺斧（Vajra axe），金刚极笑（Vajra extreme laughter），金刚成庄严（Vajra accomplished ornament），金刚顶（Vajra top），金刚频那夜釰（Vajra Vighnahara sword）。器物兵仗按照（前文）描述配备。 以上这些都是顶轮坛（crown chakra mandala）的法，已经完整抄写。 （书本上说）天喜元年五月一日抄写完毕 已经交付 一次 僧人赖昭 由天台实严僧正（Tendai Jitsugon Sojo）持有原本进行校对 东寺沙门道快 （朱笔批注）这仪轨是辩弘和尚（Benko Oshō）所集吗？‘辨’和‘辩’两字通用。是青龙和尚（Seiryū Oshō）的门人制作，尤其可以作为典范。
English
English version: (Holding a) vajra (vajra, diamond scepter). Right hand on hip. Eight Vighnahara (Vighnahara, remover of obstacles) surround, holding: Vajra ornament, Vajra dust, Vajra rope, Vajra axe, Vajra extreme laughter, Vajra accomplished ornament, Vajra top, Vajra Vighnahara sword. The implements and weapons are equipped as described in the text. The above are all the practices of the crown chakra mandala, completely copied. (The book says) Copied on May 1st, the first year of Tenki (Tenki era). Delivered once to the monk Raishō. Checked against the original held by Tendai Jitsugon Sojo (Tendai Jitsugon Sojo). Tō-ji (Tō-ji temple) monk Dōkai. (Written in red ink) Is this ritual compiled by Benkō Oshō (Benkō Oshō)? The characters '辨' (ben) and '辯' (ben) are used interchangeably. It was created by a disciple of Seiryū Oshō (Seiryū Oshō), and can especially be used as a model. --------------------------------------------------------------------------------