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dadhata k<5tam ad fee” ( Sayana, rathyam rathasya netaram ), where he would take < rathyam’ in the sense of s wheel/ So also at ii, 4, 6, He notes that the commentator on Latyayanasutra 2,8, 2, 20 gives rathafiga’ as the sense of ‘rathya’ there, t or 4 rathya’ in the sense he would ascribe to it here he cites also x, 102, II, “ eshaishva chid rathya jayema.” Say ana “eshaishya eshitavyo gosamgha eshah tam ichchhatityeshaisln idrisya taya rathya sarafchibhutaya jayema satrubhir apahritam gosarngham.” Muller ( \ r edie Hyrr.ns, i, 60 ) translates 44 as on a chariot,” Ludwig, “ as under the direction of a charioteer,” Verse 2 Padafatha: / W I 2?%?^ ' I i 1 1 1 1 1 I I 1 I l ^ U|t 1 11 * Sayan A: ^ snrrstr t ^ i ^fr.-rrgfr *r: spcs*# ^pfrsr n ^S’rr ^wfr mmi crsrr *rfr Jntfarerer scr ^ ^ >r4ir ’frf i awwfc* sifswM ^rwr ’twt #r:^r g^jTOffr ^rgsresjpr'r&r ^ v^sf^stfr jrcwft s r# jrrefap(in #$ 1 <rarr jsfwtct 3 Nf**f§ wr^r 3T*rm?<fi sr^s^Tr ^rrgqrr^r *it W rav ^^nwtwnlr: tf^rsr ||t f TV ?^f II Verso 3. Pa DA path a: *j: I f|% l *r4': I #t°rrf l T*r I rlr^* I fw ! I ~w I frM*r 1 I ?irr% \ r% I rrr®f lV*Kl s*#? II ^ Say aka : *r ^if^r ?rt 'pcfcg , rars*r !r?*rr i ir%?f n \ ^ [If pr'T *jf *nis m imt *#***% ffir i wwr w NOTES. 259 km# i jtstt f >■# ft# frr Sr'fTOW: firsr???: pfsr# p# ff$?nr ifrgc *r ’rrtiw argrarg: *rr°rrg #rsp?rPT? cjrwf^rfg n 1 # p# t 5 rt \ *r ?trpr; *mwH ?rrnP #p#, f# ?vjn% ?srr<T frtrr gr#r wpmf er*# #rr 3T=r'rV fPrcsfrrr rWtrft I wmrf #**#•- i ^srcifsr g-Tm= *3f#?rar# ^Tw?^r ; #°rsn?r N*Tmf#er wrsfrfa# erm% f#swr-y?# f%#%# 1 Verse 4- PaDAPATHA : jcr I ??rr I ?: 1 g-^rfr I i^rr^r l tt i wet i Ws*Flf I I I f?rTf5fT: 1 •TO#. I fVRf | trf! 4?3fr I f%?r 1 terser I *rr^T: t! v Say AN A: ?5TTr^&CTS?fSr T3# SfWT g fW HraTfT: | wfsfft -T I grffwr *T: *# i;str%# ir^r*Tf%Dr 1 q#t 3Tinrra<=#?r g fTarpprar 1 er%er =r l sar ?^r g: hcct# pr°rr Tnp?s#*r # #*n 3*3 frar ii sfrrrT pr°rr #jmr°rr gwr #>pmr ?*rr err ttttt# ^errTir^s-ng- ###!Tr: ?3#psf#g1 sjfrpft m I f#r§- ft; ftsfftf I: 3 fr?r irTfSffrrcr Ns>s?^rf g*ir Tr®tr w f Tffff srgfr? jreg^r 1 fp^^str^r: *3#- ^•q- 5 tr<#f#^? 5 rJ(': li Verse 5 - PaDAPATHA: ffff 1 fipm I f*TT I nr I ^i : sp| I irk I *tr*K I HT?fr% i I fr i h3r s I frq-sck | ?D4Rr*. i tt i %hr I : imK l h i fHT II <? SayanA: *rrgmf ?f#T fsr rgr sfar ^rr^^rr I wf^ ^ i ^r i ftt w^r =T#pTir'T5Rrs°f'r 5mfrrmi% it? ?rc?f i% T?r fNr^wfrar- r? ?## if prr*2># if# ft 3 #f%f CTfft ^ts^Rl^^r^rJTr^r i *0 NOTES. i srnrfWt *<?*rrftni w i seffa’ vre<Tsr®f *#sr srfaif^N srfa*Ta*r *4 =N fat 3V ?7fr§ srfct. si#*r g# *srrcr ftritamr. v frNP^ tsrf'Tsif'T^rN ?rrg r rr%i ( T! u Note : In line 3 of the commentary I have given * tripadvadvishayailC with my Bhao Dhaji and Kohlapore MSS. This is the reading e f M, M. y a MSS. A. C. Bl, he gives * tvadvishayail/ from his MS. B. 4# So also my Elph. Coll. MS. Verse 6- Padafatha* \ & zm ! % I *rre?ft I ?f^: ! fdf \ I fjsvfrr I it i qrff^hr. I | iF?rf% i frr% i f** \ m iyir?crft: l 1 T* U % Sayana: ^rras^' ?af mrw WIW ifn't S5ITN; RrfTffrr I 3- ffir $C5fT; i t m *4 rtw J screrr *hM' ajSf^farsFi wrsrnranft o^r vfr'f It Note? In 1. 1 of the commentary M, M. prints *ty8m yantuh ? r & conjectural emendation of 4 tvaro yanfca, 5 the reading of his MSS* A> Ba. I have omitted ‘yantuh’ with my three MSS, But there is something wrong with the text. No. 24. Mandala VIII. Sukta 29. Sayana? fnt fffv I Ntfr^r: *ns*r<rf l^^rar *rg?rr swnhssR*^ > wfftf sR - ^?q<¥r ?r *trfWr tv?mRr 1 smsn rtv^r misr^y 261 NOTES. f%crsr: i §fr t*rer < $$$. arsqrfa W^WTnr^tf V$* HfR- sra^fm i ^Ir rl i s$|tr rlc^r^wrpr HlfHfa I Verse. 1 PabafM’HA: ?* Idr- I f%^®rt' l |?rf: I fsrr i srr% i | rtmiH n x SAYANA: 3TW fsrrwm i usprrar sr^fostsfr #• *fr$fSr>tfte?r i $§? \ ^w^^rerrf^trfl W! i jr4^r% *Wd*Hre*r e*re£ Rfr- i '5r?^r% 5# ^|f^T5r*i% 4^ i <vr??;fr ffg^fr I’Tt: t£tnfr°rr ^fre i ^ i ffmftTOHrf^^frTT^ n-^r gw nr**^ r?TO%'i ^ h - E?Tsai^ sm^riTC^f^ sTrwrqr bsrf^mrgrpig ^"^g^ir?#*' mrftafi£! ii HoTKS: 1. In 1. 1 of the commentary “kimchitpadalingiit prithagdevatali’' is from the Bhao Daji MS, It appears to be the reading ofM. M.’s MSS. also. He gives “ kimchitpadam liflgat prithagdevntam,” apparently from conjecture. The commentary in E throughout this hymn is very defective. This clause is one of many that are omitted. In 1. 2, “ saumyam” is from M. M. My MS., like his, has “somyam.” In the same line “samlatadishu paripakvam” is from my Bhao Daji MS. M. M. “ sabalatadishn paripkavah”, the first word in which is his correction for “sabalatadishu” as his MSS. have. In 1,3 the clause “sarvasya, &c." is given from my Bhao Daji MS,, except that the MS. writes “tavudite” for, as I conjecture, “ tavadudite.” M. M.’s MSS. have “ ldranaih tiivapudate (tavupadate Ca) chandramasi sarvasvaduhkliaprasamanena.” It looks as if his MSS. have really the reading given as above. But M* M., taking “sarvasva” (“sam sva—■”?) to be “only an erroneous repetition of “sarvasya,” mitSTQy § NOTES* omits it by conjecture, and reads also apparently by conjecture * tavadudgate ’'and 4 ‘duhkhopasamanani.'’ The next word in his text is u pushtaiu* H It is not stated that this is a conjecture also. ‘‘Sarvasya’' in this sentence seems to me to be dependent on <4 dharaii" am, ” or “ poshanam ” to be supplied from the foregoing gramma¬ tical explanation of the word 4 babhru.’ Verse 2* Padapatha: I l srr I f1 ! spn i t* I SI R Sayaka : are ^rPrPtffr i qsrrrts i %%s- °rr f€rg°rr iPTrfra?#* i ir^r-if^TcW *^sjwr?pfr- anftfcw ?rerr? ?f%:wr*fr?r'<f it Verse 3. Padapatha: wntfK I I fW*jfgr! 1 ! 3p?n I I frT5^T%‘> II ^ Satanas hwt 3jr?WRt ?*n% ^rrpt: I *rcr f%?rrr *rjr- 5TH**rr*#fri prar%: ?r*rfr q ^s raj arw >ewHg srfnr <$- %rnu w ^r*r€r*r^wwrT Wp; i *r*l i rr# sr*: t fi r%- nfi *arn:*jf?r 11 Verse 4. Pad ai> at ha: T3=H l I f|*f| I l I I f~ qfff4 I II V NOTES* 263 Satana; war i <p| 3?rf|?r wm'mm wwfrr- vrmtfiHTvw ! q f%?5[*tq fqrWr q^pr rw- ftr qprtfl qr f^s% fir tf*a n Verse 5. PADAPATHAt fcfPT I q-^FT: 1 I f# f?r: i 3r#r<$Vr5n II <? Sayana: STr^T^ I 3jf^J I ®r* amPT>trar F?>sj^Nt i 1 rer firfr i *r%: *rijf. *rarr #amRs i mi sjq- *tf?% i *r$rr qfHflrerr f:?rf*rar aw ffhr g-- wwrq^q'irr *Wqrro%q gqrqrc^qsqqn t mi i srrrg°if s^rrftfaqwq: i qw Mf fq<srfT?qrffsjrtrH^ fw- 3R?t i crrfq Tjfr ssnwq tfiVrqrwrgvs i afrgwnlf tfq?*Rr if* faqrarqt ^ n Verse 6. Pabapatha : ?*P I T^J I #TR I rT^T 1 I WIL I I ^ | Rsvffapr il \ Sayana: "WT ?rar fi^jjvT jqr f^rr^m i sr ^wvrqflsT’c f ^rft^ £q?wr?r I *rq? qqqrq^r ^|; wr qrq'rq. qr'rrq | eqrqra#^q>qilrq rsrprph I ^iMwrf? *#?r%qr ^^nfar*? % §e sq# g£fcr%qr ziraqrerTf ^ i 3-qqqr qnffaqqVr w q qqrtr qqr <ffi*qrff?q*r: I qr^ 'rqr fq^Hr sfasqr Rrirrrrq q?rn"% m %f% i *rr?qr sr| o rr frnq | qq fHT?q: i reqr*r qqr i °qR: qf*r q^sTrrr q^qpir qqwrri? *rr*f wicr m faflfTFR srr?qr ?r?r%*-qf qqr ffrm cHpst it WHtSfjf NOTES* NpTKS *. In L 6 of the commentary the sentence following "taskaro yathfi” is given from E with *1* ViiTiitliiii for <s vihitani” as E writes it. The Bhao Daji MS. writes ** chorah pathi gachcebatam puruahanara dhamharanartham margarn rakshati tatlia cha sa chorah grihe nihitani jnfitva tadahritya taaya Sahayebhyo yatha tani (MS. jam) dadati tad vat”. For the reading of M. M.’s MSS. see his V. L. He inserts “yathtf! before “chat*# 9 by conjecture; and writes ‘‘svasahayebhyab,” also by conjecture. The inserted “yatha is superfluous, and spoils the sense. The act of the thief which furnishes the simile is his handing over to his friends stolen treasures already in his house before starting off on a fresh raid. He does this in case of suspicion falling on him, which would lead to a search of his house. Verse 7- Padapatha* i I if ! fi i I m I 1 rri(% !! \s Sayana: ar$r *F?rr srssffmYr l yfrfr m 1 tr£iwr*fr Pr3ftPr 7 ^ 1 % *rrf <nt*r i %: c tr?%c 5 r *r% i -m w!%5 ?7T Hff-fT II Verse 8. PADAPATHA. : I sr I 5jft Kivr I l * I Hiwr 5 ibrl H € Sayana: f^rsrr %r?r 1 r & fafSM fr *T?atrrts ! ^ 1 st 5 ?^ i f%-7 cnf 'NOTES. 265 arfafrrt&an aw m Trt^rr ffcrar srfsrws: £T*mf sr#* *Tfpf ^f<t- i u^rrt |H|: i I *m *rrtf*R> fr^T*f*TOT rearer Wf !l Verse 9. PA 0A PATH At I fr I wr? I OTswr 1 ffft I I # fr^t^?rg?fr (I ^ SAYANAs 0 *rr*nr?r?r rerjpr r^re^rerreto? 3 t i w *rnfr tot? €^r*reTqr- Ererejjft s ^fmNct srnrer srt^ i <??rr%? ^rerrerr ^r^rnsfV ?r- arerCrreErefr ^fr^re^reugrerr fr% ^frrrgKt I ^frer®^ fr it ftfa star srer; v? j wii s-rerwret arerrrsis< Verse 10. Padapatha; 3 t^tt: ! q^fr I *rrf I ^rr*r I \ ! $$f*g awNra -5 ^ II \° SAYANA: ffft sr^rERrfr^f^rf^JT-fff arer^rer i #*T?Nt: ^apre j?TTfw 3 T?rere^if%ar *rrr *raf#*reH: ^7*13 w<?fpr t*rerrii No. 25. Mandala X. Sttkta 72. Sayana : rT^r %?rr?mf%ftr 7^’f^rpran%smr ^gf ^<5: i > BRTfcr: $wt trf^w *rr fr f^prfiwsn I pwt f^ 3 * MiNtsr^. ffnfcfsr: | ?wr ^ m ■Iwmga^Pifir i *Rr: it Verse 1. Fabapatha: tsrurKl f S ?hft I srrci It ! fm? I S 1 ?n I 73-q'H I li X Sayanaj m -veftoffiti i ?*r ^ownffl^tifi wr*rr 5f7Hrr% sr*ff^m qqtw*r I nrr^arr fip^e^r rrrr I ^Nrrt:f% •gT>ppr $srpf gffwr l sT^jrffTf I aft qqrqi ipn %f ^5rr$*|- ?St5 ^rn^^gsmwirrt *v qirfamwq^T ^rar*tqw5r q^m I 3#%scrfq Bfitf ir?t>5 3i% *tJ?TJTFTr ftjk li Notes : 1. Jana. Translate * tlie birth. ’ not <the births.’ The plural seems to be used with reference to the gods about to be referred to. 2. Vipanyaya, An instrumental used as an adverb. Compare ** atba deveshv adhvar^m vipany&ya dhah” iii, 28, &* Sayana, lt vipanyaya stutilakshanaya vacha.” Also, “agnrr vritrani jimghanad dravmasyur vipanyaya,” vi, *16, 34.