English
jTprmTnf fsePTrims^r i fts5*t- ttw *r. 3rf?tgrgfarard Hwr. ii Note ? Mayobhiiva. 4 Friends.’ ‘Mayas’ ia given in Nighantu 3, 6 as one of the synonyms of ‘ sukha/ Vers© 10 PADAPATHAt ffrr 15r^rr% 1 1fF* I tfsckr I w \ Kta$fa i Hi\ s & l atfWw I I w. 11 \o Sayana : aw sgif i r*rr f nrr% NsrrrN <rft?3Tit wptpn-- p3-3ii ^vf^r ^ncft ssrewr i Nf ntft nsstn mrfNR CTiPn Nfritaw nrr% *r*f * nn prg sp^t Ngjrvwrf N# NN^r?ira , T#r s Nr , T 11 No. 18. Mandalay. Sukta 80. Sayana : ^?rrrTmftra Nf'NTanr ntkbt i n^rg^r 3 ^ i gsrorpn* i sr- ssr^spr suj^; i ->rg^?5Ti;jNf5. i f^^Nr^rjNr t^rar i srrfrcgNrNi' *# 5Krtr %?h ers^ri^rer^rf I ^rj|r ^mmnrs'ft NrSPTRt II Verse 1* Paoapatha: ^rTfC^rWr^T 1 ffrffJT I 3pH 1 SgcT^K 1 *f* sarsc^w; I r%5^}JT I |=fH I dj&ft I #* 1 ?*$*“ i afcr I flaw 1 Jrf^nn I *jp% H f Sayana i iprorcpi fffff’ t?# sKffr qpfr aifr-r ?rr sctrnrfr sjfspir# jf^ofc^ ar^or^Tf fiWfRff sg*#sjff %*ff fffRrrr3Rf • ?wnr?*tf I rr W3*rnngrtf ft^rerf %wrr%r ^‘fsfj > if^PT; ?gf%Tr** srfa5u*% fg^sni Note : Anin&psurn, See note 3, on No. 20, verse 3, Verse 2* Padafatha : q-qr i spfrr I ?#rr I fm-cfr i I r wl fo?m i frf| l 3# I f€^. 5 'fP! ff# I r? T f Si prr I fqrrt i s%Pr: i ^§rr% I a# I ar^nr H r < Sayana ; fsjfsr f&rfarr T^rr 5wr i it ^rwj wsrpr^f: i <rtr: u*trl ff’wt H^5^?rr3Trr% ^sr^r i *#£?srr: i sr^fr- nrr f??fr *r?ffr fWfW Rra^wr Ppw?°rr m i f??wrr sr§rm 5-^rfftW^f Wmfa II Verse 3. PadApatha : q-^rr I *W*fe1 i fsjnrr i sr&Prfr I ?f*pr! I v# I m : : I ^{fr I fTltrPT I M I p s - r^crr I fl^^rnr I r% I wr% II % Sayana : F<rr ^qT 3^SfP?^°r : ?^r^TrpT€?5l'f'l ttf jRRr fc^'Kr ?rr I f% tflr Yrwsnf 3*sr*F*| arre^r^r •*)% ~irf%1 r% i *rtfr JT^rsR-ffr i Rr^nfa, i ^rhr ug ■nnnm ^rt sfifRRT ffnr: ?g?rr Pj^fTCr ^%°rRr PrHrfar rrgmr afrfrfir u 36 NOTES. Notes: 1, A pray u. Notice that Say ana’s explanation is not in accordance with the way in whch the word is dissolved in the Pada text. The word seems to be formed in the same way, and to have the same meaning*, as ‘dprayutam’ ( Pada, apra yutam ) in vii, 100, 2, ‘Hvanvvishno sumatlm visv&janyam jiprayutam evayavo matirn dab.” Sayana, u doshairviyuktam/’(Read fit aprayutatn doshair viyuktam.’’ M. M. omits * aprayutam/ It stands in two of my MSS. but is absent from a third. Both takes both words to mean ‘continuous, in unbroken series.’ Verse 4. Padapatha t rqr I I i?r? I I ^rTf jsfofRt I i |r^rht i 1 i 1i Hi i ! *r I ft# I ftrirfi I! v Sayana t Trsrr <artr #/r fMErr°r %ir rtn? ir#; Jmwwrroh <rfc~ ffrqr: *#sir W^rrft^^mr wftf&fcfr i i stRrrg <r|~ *?ir f?ftr i srR*%flr i traRfffa nr-^ JT^rT^scfr I stsiwj i *r Rsft Pnrrra =t fiRmr i jrsgfr Rssr: irsFfrepitffr t aiw qsrR<#*r3^ep^HT% VfWnrear^ #W?re*r <T*qR*Rft |i Verse 5. Padapatha: <rqrr I mt I *r 1 ?tr: I ftr<£RT HrWNNr I wefr I l^rq- \ ?[: | ^^Ffirr I 3 t4 i t#1 srRaRr I ?Rl1% I iqv- i ftf 1 s %fwm I s#f#r I 3rr I urn; II \ <SL 237 Sayana: <r=rr swr: p *r sr*r°fr Prw ?Hfr?rr%f¥tf f*r*Rr Jfirmssft m?ft ?hft sg , #rr ajvSfa Hfaiisr ^Rrsf^^fasTtsw^V- *rwN *r pr% *m’r f^fratfwr? ?rwr ffcjfftrarfa t f% yWt i Hr H*rrf°r Hres'rciwrr fiir jfHrcrr *mmr Hrerr *r?mrrr il Verse 6. Padapatha: <jqrr 1I |rtrrr I f^n I |j| I #rHf | ^ 1 ft I ft?ft 1 zj'Wi I i <rr|rqr I srnte I 3ph 13#rf& | ^fr%! I !=rs*rf I II ^ Sayana i rrsrr srr rrfHarrsrg’srr *r?fr ftfr §fHr v^r. sr^H Jn^r*r: nr<r nzr rtH ^? 2 tr°mr aTrrarHp?fr r fHlfo trofft i ?rg^ <?rt- *?t T3r>rrfrr*r frarP’r sv’ffarft ^=rrf% iro^cr! 3Rr ?rH Pftsp# *T3?iWft <jHr 'StPre Hrr?r 11 No. 19. MarbaiiA VII. Sdkta 61. SAYANA • vw t ^frf^ ?rsr^ rt Rrfc ^i%!r?tpf lwrer* D r 1 sfr qfosg;- wiTpr^rr 1 RrfNWfr 'w^tf: || This hymn is translated In the Siebenzig Lieder. Verse L Padapatha: &£ i m . 1 *r# 1 i?°it 1 1 #♦. 1j NOTES. I ?r?r^ I sjw I v*. I rW I wwmFt I \ w I w?fiT | ?r% ! wr i faff II ^ Sayana: I ^°rr ffrsrr^^r ?f%??RgR£Nf awsrf: sr^rm^ ?Ws %3ff nreemftrlT ^grfii I aT*fift?ff # |#r rtMr ?Rri% gsRnft wrnrraf!^^ 'Hitoto sr Wr h?% sTf # *F*f ?!Nr 3R Nf N%?t arraRricr H N ote ; Many dm. ‘What is in the heart of/ ‘Anger’ is a later meaning of the word. Compare the use of * vimanyavah J in No. I, verse 4. Vers© 2. PadAPATHA i xr 1 ffrr | *r: I | ^crWr I r%xf: I *FqrFr I Crf $Wl I i?ft I I ^rf&r I ||f f^l ^crfa: i 3tt I ^1 Wr I *r I inr^l 10 ffcT II ^ Sayana : I wr Rmrf'T 0 uracgr R?r ^rV sjtRrwr 7f?RR fhfip: r^Rfrw ^rar JRir-frr^Wr ^rr srr(r 1 stct ^Nwgrrrr TfrfsrR stfftrrr 5 ? ? ^R^NfaRfror tot: i SRS fR *TC?f gs^*Rr*TCRr<pR w grrt^rfit I! Notes: 1. Dirgliasrdt. An adverb, i so as to be heard far and wide/ Both. Ludwig prefers to say that it stands for ‘ dirghasrunti/ and compares cases like “ rnaho dhanani,i, 130, r, mahb ratna, vii, 37, 7. , 2. A yat krdtva nd sarddah prinafthe *(' you so love his song ) that you Ibr years have not been satiated with -them* 9 Trans* lation in the Sicbenzig Lieder. This seems to omit ‘kratva/ as Sayana/s note also does. Ludwig, ( you will so favour his sot*’*) that yon will fill his autumns with strength/' My MSS. B and C have Max Muller's reading of the commentary here, A has the reading *‘ sobhanakarmanan kratvii samarthena karmana of M. MS. B. It is obviously an unskilful correction. Verse 3. Padapatha : sr j pr:| fu^rrf^r! I v I rf^-l I. f^flrT 9#£l ^‘1 i ftej 1 infar l I '#r 5 |ii i rsfarwr ll \ Sayana ; t fr%^r v i ftftsr m N^T%$rr^rfft°i' renter i *rrr fmw wr fWf i r%^ ^rwrs srstrg *ti% ti m ymw I r% 5WSH tyre***? wmx sret nn^t wrtlr ^r%r xmm qrm-rft it NO TKS : Bidhag yatah. ‘ The evil-doers/ Roth. Ludwig, who takes * rakshamana 5 to be an accusative plural / referring to 4 spas ah/ takes ‘ridhag yatah/ to refer to the spies also, and understands it to mean ‘who go everywhere/ Ludwig thinks that 4 rakshamana’ cannot refer to Mitra and Vanina because that would make them both send the spies and watch themselves, I see no difficulty in that. The text of Sayana is corrupt here* See M. M.V, L. Muller has not noticed that 4 vivekat * here is the explanation of an immediately preceding ‘nayatah’ wrongly supposed to be in. the text* He prints “ ridhak satyena yato vivekat” instead of fi< ridhak satye nayato vivekat”. “Ridhak satye” is the common grammatical explanation of the word ‘ridhak, ’ Compare Siddhanta Kaumudi, p. 169. It looks as if Sayana’s note was u ridhagyatah ridhak satye satyena gachchhatah,” and as if some specially careless and audacious person interpolated “nayato vivekat ” after “satye/’ under the mistaken impression that the word in the text was not c jyataiy but ‘nayatahk I have printed from my MS, except that it seems to read *satyo' instead of 'satye’. But the final stroke may be meant for a full stop. Vers© 4. Padapatha : 5T¥ l I I wrn i i fnbfr ?f^- 1 l l i l nwb ! srssrr;! 3jfnn is l i fs^Kl fltff li * SAYANA: I ^ fasr?*! *r$°r??r ^ wr'T *rar *3f? i si*! fimr miiinizw m sra$ ^rsrrf^ rn% ?*r sfSii’M rrr?irf i ^rr^Tift#)' wsr* i w- gfq^rrfr ; Tifff| <3 ft' *?fbt: ^rrwr^^r s?frtr atjr n^s-g. I erff'rtftfr ^n-nr *t5rra ’Tfwr^^r m trr^ra JT*r*f*3 i ff- Notes s p r & yajnamanma vrij&nam tirate. This is variously explained. May the pious man take the lead of ( and further the prosperity of ) the community.’ Roth. Ludwig follows Sayaua. 2. Roth would transpose this and the following verses. Verse 5, he thinks, continues the subject of verse 3. Verse 5. Padapatha s sjiLfl-1 rW l f?tr! fJTTt I ire, 1I ^rre I r%rs; I 1% i isrel |fi w^L I sp^rr I sr^rkpr I *r | VRI I 3jf%^ i 3T$if II ^ NOTES. 241 Sat aha •. 1srflrlf firar fsr^ gfsfaw sf j^iMnflwriTrffi: ?r<*Tn% fWrr I *tre ?gftg fawrtrsrf ff s?sf *t ff*it *r*w =T Ysrr i ^fp-qr rri^raisfir HSTTrs inr^Wsr f5RHWir o mPr T?iM *r Crsft^la HFrprwfetr rg?z(m*trf i r mrarf 5 ! gCrsHvrrc: tt 5 ^ i %^s% I h if.fryfr- |,ffwr ftKsrsrrrft Pt^ifT srF?n%TrPr T?**nrs*rfc T3l*r®*r- f^jt^pW^WT-t W?ft l| Noth : In 1. 5 of the commentary ‘ yuvabhyam ’ is from my MS. Muller’s MSS, liaYe ‘ yuvam, ’ which lie has corrected to ‘ yuvabhyam. ’ He reads ‘ vam ’ before our word from one MS. It is not in mine. In 1. 6. my MS. writes “ bhuvan bhavanti. ” So also M. M.'s MSS. A. B. 0. Ca. D. His MS. B has “ abhuvan bhavanti. ” This seems to me to be the right reading. It is not necessary to correct with M. M. to “ nabhuvan na bhavanti. ” The note stands by itself to inform the student that a past tense here must be taken in the sense of a present. Verse 6. Fadavatha : m^\ '4 # i wO 1 ^s^ti I srp^i i fssrn*: I * i ?rej *r#r I \ WfR I fcnf^r I srfr I 1 ffiTR- 11 S Say ana: t f%srr^°tr ?rr yrg wdf S<tw* jr^ i frw I Pmsr*rr Pftwft *rr trj# at i ^rg^rw sfrerrftsrcra i srr %Prg ’nrrft gjiHrifT ?^rR *rr ^rPr wr^rpr fremfr *rar ?pfr f^sFrrrrR Ttw 'iFTfsrf'T ^rsrrfhr ?prr 5rgqsr4HP ! 3; it Verse 7. Padapatha : i §*r I I Wf&vh I l f^LFFF- 31 ;42 NOTES. fdfr 1l (%JtFnr i ftsrrr \ ftf?? i Hi' j ?: I <gpr | qrr? 1 I I ?; || v* SATANA : amr wr%jjTO?T!% i ^ t*rr *pHtr .jqrwtf ^rfrfer^ 5 Ttf?fct: grstr ugTtswircrrft frarpjjt i err %fq*qr nr^rr^r ’TqiP'r 5*rf j:#t ttrejhk sTr^^frcrltr^^fin. L i <w fr?qr titemfSTOf m*rtR I farr *ra: u No. 20. Manama VII. Sukta 71. Sayana! < i^ J r.sg?n& I *r^rnr %g- wftHn I 3T35fr*'4?r ■* spreraRf^it I ^f%R*fFnr= I! Note; In 1. 1 of the commentary my MS. has < ekavihsati , as all] Muller’s MSS. also hare. Verse 1. Padafatha : srq- i fnrj 1 i r%Cft I I *p*ih! s[Wq I q^TR. 1wsw | jfrsqTr I m* I Jr? I §§| I q#?, i Ir!? I i ftfR 1! X Sayana: ^rg: fTOPTR'fanrr srer: *R!mgf sr* ^rst wPrwfwfftr TrMHRraTT^r3T^rm j iqir%^: t R?rr *w sarrarc^ #Tsri$- fJrcarpq. i frs^i^^q^krf^^w^^qqr^Rrt^wqTqs'urqstrrst *rr*f farfar *q®rr?r i wrrf?