Chinese
眼药与捷足，宝剑与遁地，药丸与飞行，隐身与取精。因此彼使金刚持，得悦意故速获得。如是说。 秘密精义中说： 以舞蹈集会的印，能入道于虚空飞行。 以歌词声音的印，能获得佛法的成就。 以装饰和穿着的印，能成就不可能战胜的炽燃之王。 以饮食的印，能成就如意身和甘露。 以阿黎嘎黎的印，一切一切都能成就。 如是说。 为了成就殊胜的成就佛果，在《二观察》中说： 三身在身体之内，以轮的形象来表达。 完全了解三身，被称为大乐之轮。 如是说。 这些及其相关内容已经讲述完毕。 详细讲述了解脱道的生起次第和圆满次第，其中生起次第有五种。 现在是观修守护轮。 现在开始进入观修三摩地坛城的次第。 在寂静且合意的地方，于舒适的座垫上结跏趺坐。 皈依并生起菩提心。 诸法皆空且无我，从自性离戏论之状态中。 从吽（藏文：ཧཱུྃ，梵文天城体：हुं，梵文罗马拟音：hūṃ，汉语字面意思：吽）字中，上下四方一切处，广大无垠的守护轮，以十辐和十忿怒尊为特征，内外火焰燃烧的中央有吉祥。 如是说。 首先，先行的准备是，在舒适的座垫上结跏趺坐，观想上师和本尊坛城诸尊在虚空中，进行三次皈依。 如《寂静珍宝网》中所说： 我与无边众生，本来即是佛，以知是佛之自性，生起殊胜菩提心。 如是念诵三次。 以自性空（藏文：སྭ་བྷཱ་ཝ，梵文天城体：स्वभाव，梵文罗马拟音：svabhāva，汉语字面意思：自性）使一切法安住于大空性之中，这是如实之三摩地。 如《生圆次第大论》中所说： 吽（藏文：ཧཱུྃ，梵文天城体：हुं，梵文罗马拟音：hūṃ，汉语字面意思：吽）是清净菩提心的自性，本来不生，原始开阔，无底无边，不住不执，离
English
Eye medicine and swift feet, sword and underground travel, pills and flying, invisibility and taking essence. Therefore, by pleasing the Vajra Holder, one quickly obtains it. Thus it is said. In the Secret Essence it says: By the mudra of dance and gathering, one can enter the path and go into the sky. By the mudra of song lyrics and sound, one obtains the accomplishment of Dharma. By the mudra of ornaments and clothing, one accomplishes the invincible King of Blazing. By the mudra of food and drink, one accomplishes the wish-fulfilling body and nectar. By the mudra of Āli and Kāli, everything, everything will be accomplished. Thus it is said. To accomplish the supreme accomplishment of Buddhahood, in the Two Examinations it says: The three bodies within the body are expressed by the form of a wheel. Fully knowing the three bodies is called the wheel of great bliss. Thus it is said. These and their related contents have been explained. Explaining in detail the generation and completion stages of the path to liberation, among the five generation stages, the meditation on the protection wheel is as follows: Now we shall enter the stage of meditating on the mandala of samadhi. In a secluded and agreeable place, sitting in full lotus posture on a comfortable seat, taking refuge and generating bodhicitta, all phenomena are empty and selfless, from the state of being free from elaboration by nature. From Hūṃ (Tibetan: ཧཱུྃ, Sanskrit Devanagari: हुं, Sanskrit Romanization: hūṃ, Chinese literal meaning: Hum), in all directions above and below, a vast and extensive protection wheel, characterized by ten spokes and ten wrathful deities, with glory in the center of the burning flames inside and out. Thus it is said. First, the preliminary is to sit in full lotus posture on a comfortable seat, visualizing the assembly of gurus and yidam mandala deities in the sky, and taking refuge three times. As explained in the Peaceful Jewel Net: I and limitless sentient beings, are inherently Buddhas, by the nature of knowing that we are Buddhas, we generate the supreme bodhicitta. Thus reciting three times. By Svabhāva (Tibetan: སྭ་བྷཱ་ཝ, Sanskrit Devanagari: स्वभाव, Sanskrit Romanization: svabhāva, Chinese literal meaning: Self-nature), placing all phenomena in the state of great emptiness is the samadhi of Suchness. As it says in the Great Generation and Completion Stage: Hūṃ (Tibetan: ཧཱུྃ, Sanskrit Devanagari: हुं, Sanskrit Romanization: hūṃ, Chinese literal meaning: Hum) is the nature of pure bodhicitta, primordially unborn, originally vast, without bottom or end, non-abiding, non-objective, free from
Chinese
是莲花部，即红色和黑色的八瓣莲花。北方和东北方的是事业部，即绿色和黑色的十字或持剑者。详细来说，有三头六臂，与明妃佛母相伴。有六足，以十方护法为座。每一个都具有五种姓的法器，各自的标志和交替等，应在其他地方了解。正行根本的等持是，无论是否生起宫殿，都要将自己观想为本尊的简略形式，直到观想为空性。此时，是将生起本尊的种子字用于观想。观想坛城是，在这样的守护轮的中心上下，每个忿怒尊位于每个轮辐之间的大虚空中，在四辐轮的中心。从བྷྲཱུཾ་（藏文，梵文：भ्रूं，梵文罗马转写：bhrūṃ，汉语字面意思：种子字）完全变化而来的是，普贤王如来的大坛城是：四门四方，饰有马头墙。五层墙壁和如意宝，丝绸。飞檐半网，箭楼伞盖美。宝瓶颅骨，珍宝金刚顶。八大尸林环绕的坛城中央。狮子大象骏马与孔雀，人鸟莲花日月作庄严之上。这是生起所依宫殿，也是光明的心性中，具有净土和宫殿的庄严，那就是普贤王如来的本来居处。这里生起它，所以是普贤王如来的坛城。它的广大应观想为无边无际的虚空。四个门，每个门的左右都有两个门，即每个解脱门都具有三个。具有四个角隅。五层墙壁从内到外依次是：蓝色、绿色、红色、黄色，最外层是白色。这五层也像彩虹般清澈透明。像镜子一样等，具有四种智慧的四面墙。作为法界体性智的象征，中央的圆形宝瓶遍布虚空界。五层墙壁之上是黄色的珍宝飞檐。其上是珍宝箭楼，以小屋檐的形式向外悬挂的椽头上，悬挂着宝珠和珍珠的网，半网日月随风飘动，压着椽头
English
Is the lotus family, namely the red and black eight-petaled lotus. The northern and northeastern ones are the karma family, namely the green and black cross or the sword holder. In detail, there are three heads and six arms, accompanied by the consort Yum Trament. There are six feet, with the ten directional protectors as seats. Each one has the emblems of the five families, their own symbols, and exchanges, etc., which should be understood elsewhere. The actual root samadhi is, whether or not the palace is generated, one should meditate on oneself as the main deity in a condensed form, until one contemplates emptiness. At this time, it is to apply the seed syllable of generating the main deity to meditation. Meditating on the mandala is, in the center above and below such a protective wheel, each wrathful deity resides on each spoke in the great space in between, in the center of the four-spoked wheel. From the complete transformation of BHRŪṂ (藏文，梵文：भ्रूं，IAST: bhrūṃ，meaning: seed syllable), the great mandala of Samantabhadra is: Four doors, four squares, adorned with horse-head projections. Five walls and wish-fulfilling cloth, Cornices, half-nets, arrow parapets, beautiful ornaments. Protruding skulls, precious vajra crests. In the center of the mandala surrounded by eight charnel grounds. Lions, elephants, horses, and peacocks, Shangshang, lotuses, sun, and moon adorn the top. This is to generate the supporting palace, which is also in the clear light of the mind itself, whatever arrangement of pure lands and palaces there is, that itself is the original abode of Samantabhadra. Here, generating that, it is the mandala of Samantabhadra. Its greatness should be contemplated as limitless as the end of the sky. The four doors, on the left and right of each door, there are two doors, that is, each liberation door has three. Having four corners. The five Pañca Rekhā walls, from the inside in order, are: blue, green, red, yellow, the outermost is white. These five are also clear and transparent like a rainbow. Like a mirror, etc., having four walls of the four wisdoms. As a symbol of the Dharmadhatu wisdom, the central round vase pervades the space of the sky. Above the five walls are yellow precious cornices. Above that is a precious arrow parapet, with a net of jewels and pearls hanging outward in the form of a small eave on the rafters, with half-nets, sun, and moon moving in the wind, pressing down on the rafters.
Chinese
在山顶上堆叠着珍贵的子母佛塔。中央圆形宝瓶状的伞盖是净室坚固的屋檐，如同撑起伞柄之上的天空，屋檐呈现双层结构，其顶部中央和四角装饰着五股金刚杵形状的尖顶，尖顶上装饰着金刚杵和珍宝。四个方向的门两侧各有两根柱子支撑，柱子上端有四层马蹬，装饰着各种饰品。上方是鹿转法轮的中心，竖立着珍宝伞的伞柄，四角有胜利幢。长长的旗杆上悬挂着幡，从旗杆的颈部到中央金刚杵顶端，再到四角的马蹬之间，串联着一串串珍宝铃铛，发出悦耳的声音。还有珍宝拂尘、丝绸飘带、珍宝饰品、日月图案，以及各种各样的天神和天神饰品，供养的云朵从四面八方自然涌现。外墙之外，红色的绸缎上，许多供养天女供奉着五妙欲的供品。下方基座的莲花花丝、花边和莲花图案，在日月座上清晰可见，走廊或绿色净土的边缘，在星光点缀的八大尸陀林中，有八座自然形成的佛塔，包括安乐塔等。还有喜金刚、文殊友、莲花生、无垢友等八位本师，以及八火神、八水神、八云神、八树神、八农神、八天神、八龙神等装饰。在宫殿的中央，有狮子；东方有大象；南方有马；西方有孔雀；北方有大鹏鸟等装饰的宝座上，有莲花、日月和珍宝座垫。在其他的神灵处，莲花和日月的座垫与神灵的数量相等，应当观想为自然形成。如《秘密藏续》所说：观察智慧四方与中央，自成无量宫殿坛城，大圆满觉悟瑜伽士，一切显现。
English
On the mountaintop, precious son-mother stupas are stacked. The central round vase-shaped umbrella is the firm eave of the pure chamber, like supporting the sky above the umbrella handle. The eave presents a two-layered structure, with the top center and four corners adorned with five-pronged vajra-shaped finials, which are decorated with vajras and precious jewels. On each side of the four directions' doors, there are two pillars supporting the upper part, which has four tiers of horse steps, adorned with various ornaments. Above, there is the center of the Dharma wheel turned by deer, with the handle of a jewel umbrella erected. At the four corners are victory banners. From the neck of the long flagpole with hanging streamers, strings of precious bells are strung, connecting from the central vajra finial to the horse steps at the corners, producing pleasant sounds. There are also jewel whisks, silk ribbons, jewel ornaments, sun and moon patterns, various gods and divine ornaments, and naturally arising offering clouds gathering from all directions. Outside the outer wall, on red silk, many offering goddesses present offerings of the five desirable objects. The lotus filaments, fringes, and lotus patterns of the lower base are clearly visible on the sun and moon seats. The edge of the corridor or green pure land, in the eight great charnel grounds adorned with stars, has eight naturally formed stupas, including the Blissful Stupa, etc. There are also eight masters such as Garab Dorje, Manjushrimitra, Padmasambhava, and Vimalamitra, as well as eight fire gods, eight water gods, eight cloud gods, eight tree gods, eight field protectors, eight gods, and eight nagas. In the center of the palace, there are lions; in the east, elephants; in the south, horses; in the west, peacocks; and in the north, garudas, adorning the throne, which has lotus, sun and moon, and jewel cushions. In other divine abodes, lotus and sun-moon cushions equal to the number of deities should be visualized as naturally formed. As stated in the Guhyagarbha Tantra: 'Observe the four directions and center of wisdom, the spontaneously perfect immeasurable palace mandala, the Great Perfection realized yogi, all arising.'
Chinese
行于大坛城中。轮有四辐并具轮辋，以四截角装饰有庭院，四方四隅皆有门拱。各种乐器如云团般，以四十二坛城装饰。狮子、大象、马和鹏鸟，在虚空飞翔的大宝座上，有日月莲花珍宝。如是。又，鹏鸟和孔雀二者，因其消除毒素的作用相同，故在消除贪欲之毒的清净修法时，没有差别。又，马阶也分为四大层，每层又分为一半一半，故成八层。这些方式是出自《幻化忿怒电光》中：于空行母意之虚空中，由大种堆积而成。其上由四种珍宝，自然成就不可衡量。依于彼之土地，铺设各种珍宝。压、软、抬、升，为美丽之基。其上有宫殿，庄严四方显现美观，由四种珍宝之材料构成。四面凸出如堡垒，亦由四种珍宝构成。宝瓶顶端为法之顶饰，如孔雀羽毛般鲜艳。四门以门拱装饰，与八马阶完全具备。中央有四辐轮，具有轮毂和辐条支撑。截角庭院美丽燃烧，珍宝光芒环绕。众生莲花日月和，珍宝燃烧之殊胜座垫具足。珍宝椅脚稳固庄严。彼宫殿之殊胜装饰，亦有日月宝珠珍宝燃烧。幡旗胜幢法衣伞，丝绸璎珞珍珠串，铃铛和拂尘等，各种乐器装饰。世间天众之美观，以及彼等之装饰等，不可思议无边殊胜。彼宫殿之四门，以大象装饰美观。马阶之栏杆上，有金色铃铛闪耀。亦宣说三宝之名。每一门旁，皆有成排的塔拉树，具有香气、形色和光芒。彼等塔拉树上，有布谷鸟等吉祥之鸟，发出悦耳之声。每一门旁，皆有沐浴之池。