Chinese
说是六臂。中等的是：五部怙主或主尊不动佛具有三面六臂。简略的是：一切都一面二臂。对此，我的上师依中等仪轨行持。因此，关于五部的法器是：金刚部：金刚、轮、剑、火焰。铃、莲花、珍宝。是金刚持的次第。其他任何处所都知道金刚。最初是心间，左手拥抱。这样就完整地显示了不动佛的法器。其他四部的第一只右手，在自身的标志法器消失后，仅仅是移动金刚有所不同。也就是，自身的标志法器在心间，第一只左手，铃依靠在腰间，拥抱明妃，其余的手都伸展。五明妃是一面二臂，右手用铃从父佛的腰间拥抱，左手在心间持有自身的标志法器。那些法器的清净相是：空性的智慧没有生老病死和变异的分别，如镜子般地统治一切，以平等性如意满足希望，以分别智清晰而不执着自身和共相的特征，以成所作智事业究竟，因此，金刚等被显示为部族的标志。眷属的法器是：地藏菩萨珍宝的嫩芽，虚空藏菩萨宝剑，观世音菩萨白莲花，金刚手菩萨金刚杵，弥勒菩萨龙树，除盖障菩萨法轮，普贤菩萨珍宝的稻穗，文殊菩萨乌巴拉花。八位供养天女是：拉西耶持镜子，玛列耶持花环，吉谛玛持琵琶，尼谛玛持舞蹈的印，杜贝玛持香炉，布贝玛持鲜花，阿洛给玛持灯，根德玛持香螺，她们的持法与父佛五部的根本手印相同，母佛们也与五部明妃相同。对此，《怖畏金刚电光论》中说：右手以方便拥抱主尊，左手持有自印。如此等等。普贤菩萨是右手朝上的禅定印，明妃是与此相反的禅定印或金刚合掌印。六能仁是，金刚经中说：大能仁必定是两只手。倾斜的琵琶和兵器，箱子书本是说法的方式，火焰成块。
English
It is said to be six-armed. The medium one is: the five family lords or the main deity Akshobhya has three faces and six arms. The condensed one is: all have one face and two arms. Regarding this, my lord guru practices according to the medium ritual. Therefore, regarding the hand implements of the five families: From the Vajra section: Vajra, wheel, sword, flame. Bell, lotus, jewel. This is the order of Vajradhara. Elsewhere, wherever Vajra is known. The first is at the heart, and the left embraces. Thus, the hand implements of Akshobhya are completely shown. The first right hand of the other four families, after the disappearance of their own characteristic hand implement, the only difference is moving the vajra. That is, their own characteristic hand implement is at the heart, and the first left hand, the bell rests on the hip, embracing the consort, and the remaining hands are extended. The five consorts are one-faced and two-armed, the right hand embraces from the father's hip with a bell, and the left hand holds their own characteristic hand implement at the heart. The pure aspects of those hand implements are: the wisdom of emptiness does not have the concept of birth, old age, death, and change, like a mirror, it dominates everything, with equality, it fulfills wishes as desired, with discriminating wisdom, it is clear and unattached to its own and common characteristics, with accomplishing wisdom, activities are accomplished, therefore, vajra etc. are shown as the signs of the families. The hand implements of the retinue are: Ksitigarbha Bodhisattva's sprout of a jewel, Akasagarbha Bodhisattva's sword, Avalokiteshvara's white lotus, Vajrapani's vajra, Maitreya's naga tree, Sarvanivaranaviskambhin's dharma wheel, Samantabhadra's ear of a jewel, Manjushri's utpala flower. The eight offering goddesses are: Lasye holding a mirror, Male holding a garland, Giti holding a lute, Nirti holding a dance mudra, Dhupe holding an incense burner, Puspe holding a flower, Aloke holding a lamp, Gandhe holding a conch shell of fragrance, their holding methods are the same as the root hand mudras of the five father Buddhas, and the mother Buddhas are also the same as the five family consorts. Regarding this, in the "Fearsome Vajra Lightning Discourse" it says: The right hand embraces the main deity with skillful means, the left hand holds its own sign. And so on. Samantabhadra is the meditation mudra with the right hand facing upwards, and the consort is the meditation mudra or vajra clasping mudra that is the opposite of this. The six Thubpas are, as stated in the Vajra: The great Thubpa must be known to have two hands. Slanted lute and weapons, box books are the way of teaching the Dharma, fire in pieces.
Chinese
应当知晓。如是说。本尊父母是：阎魔法王人头张口，明妃持铁钩。同样，大威力本尊父母持五股金刚杵和绢索。马头明王本尊父母持颅杖，以蛇缠绕，和铁镣。饮血本尊父母持十字杵和铃。眷属的法器，如果想要详细说明，应当从那拉卡东珠（地狱震动）等处引用并解说。第四是：蓝色白色黄色红色。如是等等所开示的，其中有种姓的颜色和自性的颜色两种。第一种又分为决定和不决定两种。决定的是：象征法性不变的身体颜色是蓝色，共有七位，即不动佛、普贤、金刚手等与明妃，以及非天之能仁。象征没有罪过的白色共有五位，即毗卢遮那佛和地藏王菩萨两位与明妃，以及天之能仁。象征伟大功德增长的黄色共有五位，即宝生佛和虚空藏菩萨两位与明妃，以及人之能仁。象征对所化众生有贪恋的红色共有四位，即无量光佛和观世音菩萨本尊父母。象征事业多种多样的绿色共有两位，即不空成就佛本尊父母。不决定的是：混合多种颜色的身体颜色共有十九位，即慈氏本尊父母白色黄色，除盖障本尊父母红色黄色，普贤本尊父母红色绿色，文殊本尊父母白色绿色，阎魔本尊父母紫黑色，大威力本尊父母和饿鬼之能仁黄色黑色，马头明王本尊父母和旁生之能仁红色黑色，饮血本尊父母绿色黑色，地狱之能仁烟色。如果想要信奉五部佛的颜面和手印，那么其颜色的总则是：毗卢遮那佛右边蓝色其他四面白色，无量光佛左边蓝色其他四面红色，五部的根本颜面是各自的颜色。这是注释《现观庄严论》的观点。第二是：所有这些身体的颜色，每一个都具有四种自性，即像海螺一样没有罪过而清净，像睡莲一样油润而圆润，像月亮一样明亮，像太阳一样闪耀。如《意集经》所说：像海螺一样，像睡莲一样，像月亮一样，像太阳一样。第五是：柔软等等，以此开示所有本尊都具有九种寂静的姿态，对此有竹尔派的观点。
English
It should be known. Thus it is said. The Father-Mother deities are: Yama, with a human head and gaping mouth, and the Mother holding an iron hook. Similarly, the powerful Father-Mother deities hold a five-pronged vajra and a lasso. Hayagriva Father-Mother deities hold a skull staff entwined with snakes, and iron shackles. Heruka Father-Mother deities hold a crossed vajra and a bell. As for the hand implements of the retinue, if you wish to elaborate, you should take them from sources such as Naraka Dongtruk (Hell Shaking) and explain them. Fourth: Blue, white, yellow, and red. As indicated by these and other colors, there are two types of colors: those of the lineage and those of the nature. The first is divided into definite and indefinite. The definite ones are: the seven blue body colors that represent the unchanging nature of reality, namely, Akshobhya, Samantabhadra, and Vajrapani, all with consorts, and the Tirthika teacher of the Asuras. The five white colors that represent being unstained by faults are: Vairochana and Kshitigarbha, both with consorts, and the Tirthika teacher of the Devas. The five yellow colors that represent the expansion of great qualities are: Ratnasambhava and Akashagarbha, both with consorts, and the Tirthika teacher of humans. The four red colors that represent attachment to those to be tamed are: Amitabha and Avalokiteshvara, Father and Mother. The two green colors that represent various activities are: Amoghasiddhi, Father and Mother. The indefinite ones are: the nineteen body colors that are a mixture of various colors, namely, Maitreya, Father and Mother, white and yellow; Nivarana-Vishkambhin, Father and Mother, red and yellow; Samantabhadra, Father and Mother, red and green; Manjushri, Father and Mother, white and green; Yama, Father and Mother, purplish-black; the powerful Father and Mother and the Tirthika teacher of the pretas, yellow and black; Hayagriva, Father and Mother and the Tirthika teacher of animals, red and black; Heruka, Father and Mother, green and black; the Tirthika teacher of hell, smoky. Furthermore, if you wish to rely on the faces and hands of the five families, then the summary of their face colors is: Vairochana's right side is blue, the other four sides are white; Amitabha's left side is blue, the other four sides are red; the root faces of all five families are their own colors. This is the view of the commentary on the Abhisamayalankara. Second: All of these body colors, each one possesses four natures: being as pure as a conch shell, unstained by faults; being as oily and round as a water lily; being as clear as the moon; and being as radiant as the sun. As it says in the Gongdu: "Like a conch shell, like a water lily, like the moon, like the sun." Fifth: "Supple" and so forth, indicating that all the deities possess nine peaceful postures. On this, there is the Zur tradition.
Chinese
大概是，为了象征性地表明五种烦恼，即１傲慢、２贪恋、３嗔恨、４嫉妒、５愚痴，已经完全清净，依次有：１肢体像熔化的黄金一样柔软；２方便智慧像碧玉一样交融；３手指像蛇一样柔软；４腰身像檀香树一样笔直而有弹性；５身体像孩子一样充满青春活力。以及心中没有无明，像月亮一样明亮６；作为功德增长的象征，像太阳一样闪耀７；作为相好圆满的象征，像山王一样雄伟壮丽８；作为压倒一切的象征，像宝珠一样具有光彩９，这样说。 荣 सोम认为，前五个是母亲的形态，后四个是父亲的形态。 根钦·曲杰说，那些天神也因为 生１、 老２、 死３、 病４ 都已清净，所以依次是：１身体柔软且充满活力；２腰身纤细，依次相合而柔软；３身体不松弛，所以具有交融的姿态，并且笔直而有弹性；４身体柔滑，具有青春活力的状态，这五个是本体的功德。相好的功德也以妙相庄严，身体洁净，颜色鲜明６；圆满无尽的身体，具有光彩照耀的光芒７；威严而令人喜悦，所以身体雄伟壮丽８；具有压倒一切众生的光彩９。如果将九种方式应用于一切寂静本尊，那么后者显得更好，因为中间的是分别解释父尊和母尊，而且最初的六能仁，也缺少方便智慧相互交融，我是这样认为的。 门神具有九种姿态，这将在下面忿怒尊的部分中解释。 第六，放射光芒的大众是寂静本尊，每个毛孔都发出清晰而锐利的光芒。白色、红色、黄色、蓝色、绿松石色、银色等六种颜色。每一种颜色又发出六百万种光芒。 以燃烧的火焰环绕的是门守护者。 第七，五部佛的父母本尊，以十三种饰品庄严。 其总和是： 丝绸的上衣和下裙， 五种头饰：宝冠、发髻、发带、耳环、项链， 珍宝头饰、耳环， 项链、颈圈、瑟摩朵， 手镯、脚镯、腰带共八种。 总共是十三种饰品。 这样说。 六能仁是梵天。
English
Approximately, as a symbolic indication that the five afflictions, namely 1. pride, 2. attachment, 3. hatred, 4. jealousy, 5. ignorance, have been completely purified, there are, in order: 1. limbs as soft as molten gold; 2. skillful means and wisdom intertwined like green jade; 3. fingers as supple as snakes; 4. waist as straight and flexible as a sandalwood tree; 5. a body as youthful and vibrant as a child. And the mind is without ignorance, as clear as the moon 6; as a symbol of increasing qualities, shining like the sun 7; as a symbol of perfect marks and signs, majestic and magnificent like the king of mountains 8; as a symbol of overwhelming all, possessing splendor like a jewel 9, so it is said. Rongzom considers the first five as the form of the mother, and the latter four as the form of the father. Kunkhyen Chöje said that those deities also, because birth 1, aging 2, death 3, and sickness 4 are purified in their respective places, therefore, in order: 1. a soft and vibrant body; 2. a slender waist, gradually fitting together and supple; 3. a body that is not lax, so it has an intertwined posture, and is straight and flexible; 4. a body that is smooth and has a youthful appearance, these five are the qualities of the essence. The qualities of the form are also adorned with marks and signs, a clean body with clear color 6; a body with radiance and shining light that is complete and inexhaustible 7; majestic and pleasing, so the body is magnificent 8; possessing the splendor to overwhelm all beings 9. If the nine ways are applied to all peaceful deities, then the latter seems better, because the middle one explains the father and mother separately, and the first six Thupas also lack the mutual intertwining of skillful means and wisdom, I think. The gatekeepers possess nine dances, which will be explained below in the section on wrathful deities. Sixth, the great assembly of radiating light is the peaceful deities, from each pore of the hair emanates clear and sharp light. Six colors: white, red, yellow, blue, turquoise, and silver. Each color emanates six million rays. The gatekeepers are surrounded by burning flames. Seventh, the father and mother deities of the five families, the acting and active bodhisattvas, are adorned with thirteen ornaments. The summary of that is: Silk upper garment and lower skirt, Five types of headdresses: crown, topknot, headband, earrings, necklace, Jewel headdress, earrings, Necklace, neckband, semoto, Bracelets, anklets, belt, eight in total. In total, there are thirteen ornaments. So it is said. The six Thupas are Brahma.