Chinese
思维火焰燃烧。在这些之上，如实践般稳固安住，吞噬恶毒者之口，展示先前的誓言，以及压制，也应当去做。其功德是，如是说，这些上下颠倒，在六道世界的所有十方，充满坛城众的身躯上，火焰山燃烧，思维被燃烧殆尽。རྒྱུད་དོན་རྣམ་ངེས་（区分续部意义）中第十六章的解释。༈。第十七章的现观已经提前获取，所依是宫殿，能依是明观本尊。稍微需要解释的词语如下，关于坐垫的章节中，ཁྱུ་མཆོག་（khyu mchog）指的是：在པིན་ཏར་（Pin+tar）中说，殊胜坐垫，难以调伏，无畏ཁྱུ་མཆོག་（khyu mchog）等。其他的续部中也说，具备四种无畏是ཁྱུ་མཆོག་（khyu mchog）。因此解释为狮子。在二十万颂般若经中说，ཁྱུ་མཆོག་（khyu mchog）安放在大象的位置上，因此解释为大象。上师的口述中说，这二者是从嬉戏中产生的。因此，这些坐垫从现观中，如所说，夺走了大天神们的坐骑，因此在胜利勇士的坐垫上安坐。能依本尊的主尊有四种，第一种和第二种观察经典。第三种是“湿皮衣服是”，在རྟོག་པ་ལྷ་རྒྱུད་（rtog pa lha rgyud，分别本尊续）中说，大象调伏力量是乘具的庄严，老虎是勇猛吞噬者的庄严，地基是戒律衣服的庄严。因此穿戴三种衣服。多样指的是收集三种涂油的庄严，在那里面说，红色的，慈悲贪恋的庄严，灰烬是调伏的，事业的庄严，大的光荣是究竟精华的庄严。从威猛的口中发出吽（藏文：ཧཱུྃ，梵文天城体：हुं，梵文罗马拟音：hūṃ，汉语字面意思：吽）哈（藏文：ཧཱཿ，梵文天城体：हाः，梵文罗马拟音：hāḥ，汉语字面意思：哈）嘿（藏文：ཧེ，梵文天城体：हे，梵文罗马拟音：he，汉语字面意思：嘿）啪（藏文：ཕཊ，梵文天城体：फट，梵文罗马拟音：phaṭ，汉语字面意思：啪）等，呵斥并且迅速发出大笑的声音，使魔和外道等所有邪见者感到恐惧，这是语的作为。幻化，在那里面说，幻化是光荣威严，柔软的庄严。因此，用它来缠绕头部，以及耳环，和头发，臂环，手脚的指环，项链和腰带等。以及，这是收集其他的词语，也用ཀྲོ་ཏ་ཨན་ཛ་ནས་（kro ta an dzas nas）来装饰。头颅鬘指的是为了象征三世的佛
English
Think of the flames blazing. Upon those, steadily abide as in practice, devouring the mouths of the malicious, demonstrating the prior vows, and also subduing, should be done. Its merit is, saying thus, these are reversed above and below, in all ten directions of the six realms, on the body filled with assemblies of mandalas, a mountain of fire blazes. Think of being burned by the blazing. The explanation of the sixteenth chapter from the 'Distinguishing the Meaning of Tantras.' ༈. The realization of the seventeenth chapter has already been taken above, the support is the palace, and the supported is the clear deity. The words that need a little explanation are as follows, in the chapter on the seat, 'khyu mchog' refers to: In Pindar it says, 'Supreme seat, difficult to tame, fearless khyu mchog,' etc. And in other tantras it also says, 'Having four fearlessnesses is khyu mchog.' Therefore, it is explained as a lion. In the Twenty Thousand Verse Prajnaparamita it says, 'khyu mchog is placed in the position of an elephant,' therefore it is explained as an elephant. The Lama's speech says that these two arise from play. Therefore, these seats, from realization, as it is said, 'Having stolen the mounts of the great gods,' therefore, it is offered on the seat of the victorious hero. Among the four main deities of the supported, the first and second examine the text. The third is 'rawhide clothes are,' as it says in the 'Tantra of the Deities of Thought,' 'The power to tame elephants is the ornament of the vehicle. The tiger is the ornament of the brave devourer. The foundation is the ornament of the clothes of morality.' Therefore, wearing three clothes. 'Various' refers to collecting the three ornaments of anointing, in which it says, 'Red is the ornament of compassion and attachment. Ashes are the ornament of taming activity. Great glory is the ornament of the essence of ultimate meaning.' From the fierce mouth, uttering Hūṃ (Tibetan: ཧཱུྃ, Devanagari: हुं, Romanized Sanskrit: hūṃ, literal meaning: Hūṃ), Hāḥ (Tibetan: ཧཱཿ, Devanagari: हाः, Romanized Sanskrit: hāḥ, literal meaning: Hāḥ), He (Tibetan: ཧེ, Devanagari: हे, Romanized Sanskrit: he, literal meaning: He), Phaṭ (Tibetan: ཕཊ, Devanagari: फट, Romanized Sanskrit: phaṭ, literal meaning: Phaṭ), etc., scolding and quickly proclaiming a great laughing sound, causing fear to all those with wrong views, such as demons and heretics, this is the action of speech. Emanation, in which it says, 'Emanation is the ornament of glory and splendor, supple and soft.' Therefore, with it, winding around the head, and earrings, and hair, armlets, finger rings of hands and feet, necklaces, and belts, etc., are made. And, this is a word that collects others, also adorned with Krota Anjana. The garland of skulls refers to the skulls representing the Buddhas of the three times.
Chinese
现在是干骷髅的头饰，以及颅骨林或山上的臂钏，还有湿颅骨的项链。所谓日月之饰，是两件光明的装饰品，即在耳廓上有日月轮，能开启空性。第四是，一般从方便套索到手印的种类有十一种，那是什么呢？即：象征自身标志的，方便与智慧的，法界与智慧的，胜利勇士标志的，降伏细微的，如意满愿的，领悟法性的，调伏分别念的，无畏守护的，事业催动的，以及心智慧自显的手印。本论中所述的，有些是这个，有些是那个，主要取最后一种。也就是，具有包括千个世界的环境。这是金刚黑鲁嘎（藏文：བཛྲ་ཧེ་རུ་ཀ）左边的最后一个。金刚，在其右边的第一个有九个尖端，五部佛全部的右边中间有五个尖端。大号海螺，是五父佛的左边中间和五母佛的左边。宝剑，是羯磨部的左边最后一个。敌斧是宝生部的左边最后一个，犁是莲花部的左边最后一个。等等，等等之中包括很多，佛部的左边最后一个是三叉戟。另外，五部佛全部的右边第一个是法轮等等自身标志，右边最后一个是箭，左边第一个是铃。母佛们用右手拥抱父佛，所以包括了持卡杖嘎者。如此，这些手印与此根本续，以及解释续广本、金刚镜和上师等稍有不同。但总的来说，要知道诸佛的身体颜色、手印、装饰服饰等并非只有一种，因为诸佛的慈悲和事业没有偏颇，且所化众生的意乐各不相同。那么，有人会认为这样一来，修行者就无法修持了，因为不是唯一确定的。并非如此，因为每一部续典都说是确定的，所以修行者就是那样修持的。如此，为了象征智慧自显，手持各种器械，与五位恐怖的明妃众俱生母拥抱。
English
Now are the dry skull headdress, and the skull forest or mountain armlets, and the necklace of wet skulls. The so-called sun and moon ornaments are two luminous ornaments, namely the sun and moon discs on the earlobes, which can open emptiness. Fourthly, in general, from the noose of skillful means to the types of hand implements, there are eleven, what are they? Namely: symbolizing one's own mark, of skillful means and wisdom, of the realm of reality and wisdom, of the victorious hero's mark, of subduing the subtle, of wish-fulfilling, of understanding the nature of reality, of taming conceptual thoughts, of fearless protection, of activity-motivating, and of the mind-wisdom self-manifesting hand implements. What is taught in this text, some are this and some are that, mainly taking the last one. That is, possessing an environment including a thousand worlds. This is the last one on the left side of Vajra Heruka. The vajra, the first one on its right has nine points, and the middle one on the right of all five families has five points. The large conch shell is the middle one on the left of the five father Buddhas and on the left of the five mother Buddhas. The sword is the last one on the left of Karma. The enemy axe is the last one on the left of Ratna, and the plow is the last one on the left of Padma. And so on, including many in the "etc.", the last one on the left of the Buddha family is the trident. Also, the first one on the right of all five families is the wheel and so on, their own marks, the last ones on the right are arrows, the first ones on the left are bells. The mothers embrace the fathers with their right hands, so it includes those holding khatvangas. Thus, these hand implements are slightly different from this root tantra, as well as the explanatory tantra, the extensive version, the Vajra Mirror, and the lama, etc. But in general, it should be known that the body color, hand implements, ornaments, and clothing of the Sugatas are not only one kind, because the compassion and activities of the Buddhas are without partiality, and the inclinations of the beings to be tamed are different. Then, someone might think that in this way, practitioners will not be able to practice, because it is not uniquely determined. It is not so, because each tantra text says it is determined, so practitioners practice in that way. Thus, in order to symbolize the self-manifestation of wisdom, holding various instruments, embracing the five terrifying consorts, the co-emergent mothers.
Chinese
身像安住是法界与智慧的象征。二是眷属，处所，是指八大尸林。其中有外、内、密三种。外的是，八大尸林是寒林、身圆满、黑森林、任运成就、大密嬉戏、莲花堆积、大宝处、世间堆积。内的是，降伏天神首领玛当嘎茹扎的四肢：头，连同心和内脏的胸腔，内脏，以及八个方位和八个角落的标志。秘密的是，众生各自的八识聚。处所，是指上述八大尸林，即摩揭陀、僧伽罗、喀切、萨拉、邬金、扎霍尔、尼泊尔、于阗，这些是外在的。内在的与尸林相同。秘密的是有为法、无为法等八种。如《八大法行》第四品所说：彼之身心摩揭陀，大尸林寒林，大母鸠日哈。等等可知。手印，是指依存于上述处所的本尊，大手印是鸠日、僧伽罗等女神。关于她们的名号、法器和身色，如《越世间经》所说：鸠日班曼持杖蓝。等等可知。或者，手印是指持法器的方式，如金刚经所说：持杖弓箭与胜幢，持心金刚与食子。以及上师所说：最初处母的手印是，右持短杖，左持班杂拉达（藏文，梵文天城体，梵文罗马拟音，汉语字面意思），右持方便箭，左持智慧弓，右持摩羯鱼胜幢，左持班杂拉达（藏文，梵文天城体，梵文罗马拟音，汉语字面意思），五股金刚橛指指向下，大提拉，牙齿牵引，三尖相交于右，班杂拉达（藏文，梵文天城体，梵文罗马拟音，汉语字面意思）于左，取出心于右，小提拉于左，班杂（藏文，梵文天城体，梵文罗马拟音，汉语字面意思）断于右，胜提拉身于左。等等。又，处所的明妃手印是，双手交叉极其傲慢，抖动并供养大提拉，双手作抛掷姿势
English
The embodiment residing is the symbol of the sphere and wisdom. Secondly, the retinue: "Place" refers to the eight great charnel grounds. Among them, there are three: outer, inner, and secret. The outer ones are the eight charnel grounds: Cool Grove, Body Completion, Great Black Expanse, Spontaneous Accomplishment, Great Secret Play, Lotus Stack, Great Treasure Place, and World Stack. The inner ones are the four limbs of subduing the leader of the gods, Matang Rudra: the head, the heart including the chest cavity, the inner organs, and the marks placed in the eight directions and eight intermediate directions. The secret ones are the eight aggregates of consciousness of beings. "Place" refers to the existence of the above eight charnel grounds, such as Magadha, Simhala, Kashmir, Sala, Oddiyana, Zahor, Nepal, and Khotan, which are the outer ones. The inner ones are the same as the charnel grounds. The secret ones are the eight kinds of conditioned and unconditioned dharmas. As it is said in the fourth chapter of the Eight Transmitted Precepts: "His body and heart are Magadha, the great charnel ground is Cool Grove, the great mother is Kauriha." And so on. Mudra refers to the deities residing in those places, the great mudras are the goddesses such as Kauri and Simhala. Regarding their names, attributes, and body colors, as it is said in the Sutra Beyond the World: "Kauri, Banman, holds a blue staff." And so on. Alternatively, mudra refers to the manner of holding the attributes, as it is said in the Vajra: "Holding a staff, bow and arrow, and victory banner, holding a heart, vajra, and offering cake." And as the Lama said: "The first mudra of the place goddess is: a short staff in the right hand, bhandha rakta (藏文，梵文天城体，梵文罗马拟音，汉语字面意思) in the left hand, an arrow of skillful means in the right hand, a bow of wisdom held in the left hand, a makara victory banner in the right hand, bhandha rakta (藏文，梵文天城体，梵文罗马拟音，汉语字面意思) in the left hand, a five-pronged vajra with a threatening gesture pointing downwards, a large tira, drawing teeth, three points intersecting on the right, bhandha rakta (藏文，梵文天城体，梵文罗马拟音，汉语字面意思) on the left, extracting the mind on the right, a small tira on the left, bhandha (藏文，梵文天城体，梵文罗马拟音，汉语字面意思) severed on the right, the supreme tira body on the left." And so on. Also, the mudra of the place's consort is: "Crossing both hands, extremely arrogant, shaking and offering the great tira, both hands in a throwing gesture."
Chinese
以。将“提拉”转化为谷物堆。双手拿着“提拉”的内脏谷物。双手以盛大的姿态，将“提拉”切成两半食用。右边拿着红色的铜刀，拉着肠索放在左边。小的“提拉”上下左右，以威猛的姿态扛在肩上。右边拿着红色的铜刀，左边拿着班杂惹嘎达（藏文，梵文天城体：भण्डा रक्त，梵文罗马拟音：bhaṇḍā rakta，汉语字面意思：血供品）。右边拿着金刚铁钩，左边拿着被彻底摧毁的小“提拉”。就这样。那么，处所母神和地域母神的区别是什么呢？有些人认为，像清凉园林等，如前所述，由大神的分支构成的地方，被称为坟地的处所。在那里，佛塔、树木、火焰、水、云彩和农夫等，每一个功德都具备八组八个，安住的地方被称为处所的母神，比如嘎日等。像摩揭陀等，在八个地域安住的母神被称为地域的食肉母神，比如僧诃等。对此，上师说，因为八个地域有八个坟地，所以母神和食肉母神没有成为一个处所的过失，所以是不合理的，也做了比喻。那么，怎样才是呢？像阿赖耶识等，各自的八识聚转变的母神被称为处所的母神，比如嘎日等。那些地域的法，有为法和无为法等，八个地域转变成处所的，被称为地域的食肉母神，比如僧诃等。如果与外境结合，像前者一样容易理解，可以通过八部经的教证来了解。如果与内在意义结合，像上师的口述一样容易理解。因为在这部经中，有“宝藏大母”等，解释了识等转变处所，我是这样想的。“四门”指的是内院的门。“手印”指的是在那里安住的女神，比如马头明王，蓝色的，拿着铁钩等。或者是拿着手印的方式，就像那部经里说的。右边拿着金刚铁钩，左边拿着班杂惹嘎达（藏文，梵文天城体：भण्डा रक्त，梵文罗马拟音：bhaṇḍā rakta，汉语字面意思：血供品）。右边拿着铁铃索，左边拿着班杂润巴（藏文，梵文天城体：भण्डा र्लोनपा，梵文罗马拟音：bhaṇḍā rlona pā，汉语字面意思：湿供品）。右边拿着铁钉火，左边拿着班杂润巴（藏文，梵文天城体：भण्डा र्लोनपा，梵文罗马拟音：bhaṇḍā rlona pā，汉语字面意思：湿供品）。右边拿着铃铛灰烬，左边拿着班杂润巴（藏文，梵文天城体：भण्डा र्लोनपा，梵文罗马拟音：bhaṇḍā rlona pā，汉语字面意思：湿供品）。就这样。那些神众作为主尊的装饰，非常美丽地安住着，