Chinese
因此，瑜伽士以不散乱的觉性，应次第安立线绳。第二，真实展示线绳仪轨是：木橛线绳……具慧者应谨慎行事。那里有说到。对此，如果进行内部细分，有六个要点：线绳的材料、纺织的助手、线绳的数量、加持、安立方法和过失。第一，展示线绳的材料是：木橛线绳。一般来说，线绳是不变的。其材料“木橛”是指：应准备好竖立的木橛和圆形的木橛。线绳是指线绳本身。誓言线绳的材料是柔软的棉毛。智慧线绳的材料是用莲茎染色制成，即用莲茎染色。如云：用莲茎染色。以及：棉毛制成身语意。第二，纺织的助手是：穿着华丽衣饰的悦意助手。意思是说，用丝绸衣物五种和珍宝饰品八种，共十三种装饰打扮的十六岁少女，具足相好，作为悦意的助手，根据线绳的长短、坛城的大小，结合二倍的尺寸和门宽二十分之一的粗细进行纺织。也就是：十六手印善安立。第三，线绳的数量是：颜料粉末。意思是说，智慧线绳用蓝、白、黄、红、绿五种颜色的颜料粉末分开，搓成五股或二十五股。誓言线绳用白、红、蓝三种颜色分开，搓成三股或九股。如云：一股线绳也具足五五之数。应知是智慧自性。三种颜色具足的线绳有九股。第四，加持是：仪轨圆满。意思是说，智慧线绳加持为五种智慧，誓言线绳加持为身语意，这些仪轨都应圆满。也就是：善置于洁净的容器中。在日月之座上。从心中生出如是数量的字。十方四时面前陈设。祈请供品。结合的智慧
English
Therefore, the yogi, with undistracted awareness, should establish the thread in sequence. Second, the actual demonstration of the thread ritual is: Peg, thread... The wise should act diligently. It is mentioned there. Furthermore, if we subdivide this internally, there are six points: the material of the thread, the assistant for spinning, the number of threads, the consecration, the method of placement, and the faults. First, the material of the thread is shown as: Peg, thread. Generally, the thread is something that does not change. Its material, "peg," refers to: preparing both upright pegs and circular pegs. The thread is the thread itself. The material for the samaya thread is soft cotton wool. The material for the wisdom thread is made by dyeing lotus stems, i.e., dyeing with lotus stems. As it says: Dyeing with lotus stems. And: Body, speech, and mind are made from cotton wool. Second, the assistant for spinning is: A delightful assistant adorned with beautiful clothes and ornaments. This means that a sixteen-year-old maiden, adorned with five kinds of silk garments and eight kinds of precious ornaments, totaling thirteen, possessing auspicious signs, serves as a delightful assistant. According to the length of the thread, the size of the mandala, combined with twice the measurement and a thickness of one-twentieth of the door width, she is made to spin. That is: Sixteen mudras are well established. Third, the number of threads is: Colored powder. This means that the wisdom thread is separated by the colors of blue, white, yellow, red, and green, and twisted into five strands or twenty-five strands. The samaya thread is separated by the three colors of white, red, and blue, and twisted into three or nine strands. As it says: Even one strand has five fives. Know it to be the nature of wisdom. The thread with three colors has nine strands. Fourth, the consecration is: The ritual is complete. This means that the wisdom thread is consecrated into the five wisdoms, and the samaya thread is consecrated into body, speech, and mind. All these rituals should be complete. That is: Well placed in a clean container. On the seats of the sun and moon. From the heart, the number of letters is the same. Displayed in front of the ten directions and four times. Prayers are offered to the offerings. The wisdom of union.
Chinese
确定融入，如是供养，以“穆”（藏文：མུཿ，梵文天城体：मु，梵文罗马拟音：muḥ，汉语字面意思：穆）字手印送走。此后，不会有任何过失。如果破坏了具有加持的线条，就等同于诽谤了善逝。为了远离佛法，应以“赫利”（藏文：ཧྲཱིཿ，梵文天城体：ह्रीः，梵文罗马拟音：hrīḥ，汉语字面意思：赫利）字手印进入。如是说。第四，颜色的仪轨分为二：加持颜色和显示颜色的必要。首先，加持颜色是：观想五部坛城。那里有记载。第二，显示颜色的必要是：为了向未见愚昧者显示等。那里有记载。如果将此分为内部章节，则有六个意义：颜色的必要、材料、数量、加持、绘制方法和过失。首先，显示颜色的必要是：为了向未见愚昧者显示而用颜色。因此，为了向那些未见且心智愚昧的众生显示他们自身本就存在的八识聚、五智或二十五种智慧，必须用五种或二十五种颜色来显示。正如《广大续》中所说：一切众生中，五智皆遍布，然因自之分别念所蔽，不见五智之义。如是为令一切愚昧者，显示智慧之体性，故示以白、红、黄、绿等黑色。又如《事业次第》中所说：为向未见愚昧者，显示智慧等，故应分五色。为下劣者，因五之故，应知为五部之智慧。如是说。第二，颜色的材料是：最好是用五种珍宝的颜色来制作。用五宝制成的颜色，安达尼拉月光和，红莲花宝红珊瑚铜，以及用绿宝石制成令人喜悦。如是说。中等是用五种药物改变颜色，下等是用五种土色。正如《金刚镜》中所说：稻米和萨鲁等，改变颜色也是如此。对于贫困和财富少的人，应以五种来源来绘制。如是说。又如《事业次第》中所说：同样，以财富来聚集其他。如是说。第三，数量是：二十五种颜色，或者用五种颜色。那么，颜色的数量如何确定呢？
English
It is certain to be absorbed, and offer like that. Depart with the "Muḥ" (Tibetan: མུཿ, Sanskrit Devanagari: मु, Sanskrit Romanization: muḥ, Chinese literal meaning: Mu) mudra. After that, there will be no fault. If the blessed line is transgressed, it is the same as slandering the Sugata. In order to be far from the Buddha's teachings, one should enter with the "Hrīḥ" (Tibetan: ཧྲཱིཿ, Sanskrit Devanagari: ह्रीः, Sanskrit Romanization: hrīḥ, Chinese literal meaning: Hrī) syllable mudra. Thus it is said. Fourth, the ritual of colors is twofold: blessing the colors and showing the need for colors. First, blessing the colors is: contemplate the five families of mandalas. It is there. Second, showing the need for colors is: to show to the unseen and ignorant, etc., divide accordingly. It is there. If this is divided into internal sections, there are six meanings: the need for colors, materials, quantity, blessing, drawing method, and faults. First, showing the need for colors is: colors are for showing to the unseen and ignorant. Therefore, in order to show the eight consciousness aggregates, five wisdoms, or twenty-five wisdoms that are inherently present in sentient beings but are unseen and whose minds are ignorant, it is necessary to show them with five or twenty-five colors. As it is said in the Extensive Tantra: In all sentient beings, the five wisdoms pervade, but because of their own conceptual thoughts obscuring them, they do not see the meaning of the five wisdoms. Thus, in order to show the nature of wisdom to all ignorant ones, white, red, yellow, green, and black are shown. And as it is said in the Karma Sequence: In order to show wisdom, etc., to the unseen and ignorant, the five colors should be divided. For the inferior ones, because of the five, it should be known as the wisdom of the five families. Thus it is said. Second, the material of colors is: it is said that the best is to make colors from five kinds of precious jewels. Colors made from five jewels, Andra Nila moonlight and, Padma Raga coral copper, and made from emerald are pleasing. Thus it is said. The medium is to change the color with five medicines, and the lowest is to use five earth colors. As it is said in the Vajra Mirror: Rice and Salu, etc., changing the color is also like that. For the poor and those with little wealth, it should be drawn with five sources. Thus it is said. And as it is said in the Karma Sequence: Similarly, gather others with wealth. Thus it is said. Third, the quantity is: twenty-five colors, or with five colors. So, how is the quantity of colors determined?
Chinese
另外，广则用二十五种颜色，略则用五种颜色的颜料也可以。为了避免边际忿怒心等，说是二十五种颜色。第四是加持，如“观想五部坛城”等。将颜料倒入干净的容器中，写上字，不要搞错方向地排列好。观想五部坛城，即父母双运的五部，或者广而言之，观想包括小部的父母双运等，也就是观想五十尊神也可以。此外，“容器次第不混杂，清洗干净。吽等一个字也有五个。颜色随顺，观想圆满二十五尊神。观想具备方便和智慧。十方四时身语意。导师的事业和五种智慧。融入后圆满五种事物。身语功德事业意。由智慧因所成。随后观察坛城。”等，以及“嗡 萨瓦 班杂 惹那 萨玛雅 吽 吽（藏文，梵文天城体：ॐ सर्वपञ्चरत्नसमय हुं हुं，梵文罗马拟音：oṃ sarva pañcaratna samaya hūṃ hūṃ，汉语字面意思：嗡，所有五宝誓言，吽，吽）”。十个成双的字，用五根手指。堆积成谷壳状。这是净化颜料的咒语和手印。第五是颜料的倾倒方式。“要绘制。如调伏仪轨般倾倒。”那里有这样的话。“要绘制。”因此，首先为了检查颜料的质量，用左手的金刚拳，金刚指向东，从具力处开始，到五线处，手指伸展到五线之间。然后盖上一个有标志的颅器，检查颜料的质量。如“调伏仪轨般倾倒”。因此，然后按照调伏弟子们的坛城，广、中、略三种中的哪一种仪轨，来倾倒粉末颜料，这将在讲解坛城绘制时说明。此外，“绘制这些的仪轨是。具备器具，具力，提起线。首先从具力方开始环绕。然后是获得开许的那些人。书写文字，金刚灰拳。具备手印和禅定来绘制。”第六是过失。“不谨慎造成的过失也。在讲解之后再讲解。”因此，如果因为不谨慎而没有如法绘制，那么过失通常与画线时的情况相同，但特别的是，如果颜料稀薄，就会变得贫穷。如果喝了，就会生麻风。颜料
English
Also, in detail, use twenty-five colors, or briefly, use five colors of paint. To avoid border wrathful minds, etc., it is said to be twenty-five colors. Fourth is the consecration, such as "Meditate on the five families of mandalas," etc. Pour the paints into clean containers, write letters, and arrange them without confusing the directions. Meditate on the five families of mandalas, that is, the five families of father-mother union, or broadly speaking, meditate on the father-mother union of the small families, etc., that is, it is also acceptable to meditate on fifty deities. Furthermore, "The order of containers should not be mixed up, clean them. Even one letter like Hūṃ has five. Make the colors consistent, meditate on the complete twenty-five deities. Meditate on having skillful means and wisdom. The body, speech, and mind of the ten directions and four times. The teacher's activities and the five wisdoms. By dissolving them, the five complete objects. Body, speech, qualities, activities, and mind. Made from the cause of wisdom. Afterwards, examine the mandala." etc., and "Oṃ Sarva Pañcaratna Samaya Hūṃ Hūṃ (藏文，梵文天城体：ॐ सर्वपञ्चरत्नसमय हुं हुं，梵文罗马拟音：oṃ sarva pañcaratna samaya hūṃ hūṃ，汉语字面意思：嗡，所有五宝誓言，吽，吽)". With ten paired letters, with five fingers. Piling up like husks. This is the mantra and mudra for purifying pigments. Fifth is the method of pouring the paint. "To be drawn. Pour like the Vinaya ritual." There are such words there. "To be drawn." Therefore, first, in order to examine the quality of the paint, with the left hand's vajra fist, the vajra pointing east, starting from the powerful place, to the five lines, the fingers extended between the five lines. Then cover it with a marked skull cup and examine the quality of the paint. Like "Pour like the Vinaya ritual." Therefore, then, according to which of the three rituals, extensive, medium, or brief, for taming the disciples' mandala, the powder paint should be poured, which will be explained when explaining the drawing of the mandala. Furthermore, "The ritual for drawing these is. Possessing instruments, powerful, raising the thread. First, start circling from the powerful direction. Then those who have received permission. Writing letters, vajra ash fist. Draw with mudra and samadhi." Sixth is the fault. "The fault caused by carelessness also. Explain after explaining." Therefore, if it is not drawn properly due to carelessness, then the fault is usually the same as in the case of drawing lines, but especially, if the paint is thin, one will become poor. If one drinks it, leprosy will occur. Paint
Chinese
据说，如果颜料脱落，会有疾病逐渐发生的危险。特别是，如果彩绘出现瑕疵，如果不按照消除瑕疵的仪式进行消除，就会出现障碍。第五，关于绘制坛城的方法是：要有中心和轮辐等。那里写着：具有中心和轮辐的。意思是说，对于幻化增广的八十二尊神的坛城，要绘制一个圆形的中心，以及具有四个轮辐的轮，在每个大轮辐上绘制一个具有四个小轮辐的轮，以及中心的圆形中心。这些是每个五种智慧都具有五种智慧，即具有二十五种智慧的象征。轮辐的轮表示：对于中等坛城的四十二尊神和简略坛城的十八尊神，为了象征具有五种智慧，要绘制具有四个轮辐和中心圆点的轮。具有外环表示：为了象征法性远离戏论，要绘制一个圆形的外环。四个角表示：为了象征四圣谛，要有四个角。正方形表示：为了象征广大功德的增长，要有正方形的宫殿形状。中庭表示：如果按照简略坛城，则没有中庭，但如果按照广大和中等坛城，主要为了表示二谛无别，要有中庭。具有门环表示：为了象征四种解脱三摩地，要绘制四个具有门环的门。也就是说：要绘制具有中心和轮辐的。四个轮辐的轮，具有外环。要分别布置颜色。要有四个角和正方形。要有中庭和门环。一个轮就圆满了。这是两种坛城的名称。金刚鬘的两种次第。对于一切都要确定结合。智慧宝的次第堆积方式。一切为了有情心而没有间断。金刚宝庄严的。柱子的手印结合在栋梁的基础上。色等五种供品。在虚空界中充满。足和莲花宝器。从鼻梁垂下的扎拉网。水滴垂下的夏尔布和琼鸟头。依次使颜色美丽。