Chinese
据说，这是所有地方精华之根本的手印之集合。现在展示各部族之母的手印。其中，关于展示佛陀菩提之母的手印，从“如经论所载”到“名为吉祥金刚箭”之间，此手印位于东方的雷乌卡，手持刺穿梵天四面的四支箭。此舞姿模仿投掷箭的经论，以及发射四支箭的姿势。从“抬起并放下双脚”到“吉祥大力”之间，是法轮之手印。此手印位于南方的雷乌卡，手持法轮。此舞姿是左右脚向上抬起并踩踏地面，并排跳跃，用手举起并握住法轮。从“行动与反击”到“吉祥金刚舞自在”之间，是三界胜者之手印。此手印位于西方的雷乌卡，手持金刚杵。此舞姿模仿以向前和向后等力量战斗。从“抓住任何嫩枝”到“吉祥金刚欲天”之间，是欲自在母之手印。此手印位于北方的雷乌卡，手持如意树之嫩枝。此舞姿是抓住任何女子，拥抱并努力。现在讲解四门之手印。其中，从“如品尝吸吮般”到“吉祥金刚马面”之间，是马面之手印。此手印位于东方的门，右手持金刚钩，左手持充满血的莲花颅器，从中伸出绿色马头，高举并发出马的嘶鸣。此舞姿是，将甘露食物等视为恶毒之众，模仿品尝吸吮其精华，使恶毒者枯竭。从“以鼻品尝吸吮”到“金刚猪面”之间，是猪面之手印。此手印位于南门，右手持索，左手持猪
English
It is said that this is the collection of mudras that are the essence of all places. Now, the mudras of the mothers of the families are shown. Among them, regarding the display of the mudra of the Buddha Bodhi Mother, from "As stated in the scriptures" to "named auspicious Vajra Arrow," this mudra is located in the eastern Reuka, holding four arrows that pierce the four faces of Brahma. This dance imitates the scriptures of throwing arrows, and the posture of shooting four arrows. From "lifting and lowering the feet" to "Auspicious Great Power," is the mudra of the Dharma Wheel. This mudra is located in the southern Reuka, holding the Dharma wheel. This dance is to lift the left and right feet upwards and step on the ground, jump side by side, and lift and hold the Dharma wheel with the hands. From "action and counteraction" to "Auspicious Vajra Dance Lord," is the mudra of the Victorious One of the Three Realms. This mudra is located in the western Reuka, holding a vajra. This dance imitates fighting with the power of moving forward and backward. From "grabbing any twig" to "Auspicious Vajra Desire Goddess," is the mudra of the Desire自在母. This mudra is located in the northern Reuka, holding a twig of the wish-fulfilling tree. This dance is to grab any woman, embrace and strive. Now explain the mudras of the four gates. Among them, from "as if tasting and sucking" to "Auspicious Vajra Horse Face," is the mudra of the Horse Face. This mudra is located in the eastern gate, holding a vajra hook in the right hand, and in the left hand holding a lotus skull cup filled with blood, from which a green horse head emerges, raised high and emitting a horse's neigh. This dance is to regard nectar food, etc., as a gathering of poisonous beings, imitating tasting and sucking its essence, causing the poisonous ones to wither. From "tasting and sucking with the nose" to "Vajra Pig Face," is the mudra of the Pig Face. This mudra is located in the southern gate, holding a lasso in the right hand, and a pig
Chinese
拿着鹫的爪子。这的舞姿是：如先前一样，像品尝和吸入气味一样，能将三界摄为己用。从“以专注的眼神注视”到“吉祥金刚持日月母”之间，是日月之眼的印。位于西门，手中拿着铁钩，铁钩的眼是日月光芒闪耀。这的舞姿是：左右眼日月光芒闪耀，以专注的眼神注视恶毒者，焚烧并吞噬。从“品尝一切自性”到“三界复苏”之间，是不动明妃的印。这位于北方的门，右手拿着铃，左手拿着盛满血的颅碗，颅碗上盖着金刚交杵。其上拿着无量寿佛的塑像。这的舞姿是：像品尝六根的对境一样，将一切焚为灰烬，然后复苏，使之具有菩提心。现在宣说吉祥笛子自在等四位供养天女的印。其中，从“展示吹笛子的方式”等开始，是笛子自在母的印。这位于东南隅的方位上，手中拿着笛子。从其他续部中可知，这是金刚嬉女的位置。这的舞姿是：像吹笛子一样，做出降下安乐的舞姿，从而自在地驾驭众生。从“展示弹琵琶的方式”等开始，是琵琶迷惑母的印。这位于西南隅的方位上，拿着琵琶。与其他经典中的念珠母的位置相对应。这的舞姿是：像弹琵琶一样，以快乐使人迷惑。从“瑜伽士展示铙钹的方式”等开始，是铙钹消除痛苦的印。位于西北隅的方位上，拿着铙钹。与金刚歌女的位置相对应。这的舞姿是：像敲击铙钹一样，消除痛苦。从“瑜伽士展示腰鼓的方式”等开始，是腰鼓致醉母的印。这位于东北隅的方位上，拿着腰鼓。
English
Holding the claws of a vulture. The dance here is: As before, like tasting and inhaling scents, it subdues the three realms. From "Looking intently with focused eyes" to "Glorious Vajra Holder Sun and Moon Mother," is the mudra of the sun and moon eyes. Located at the west gate, holding an iron hook in the hand, the eye of the iron hook is blazing with sun and moon light. The dance here is: The right and left eyes blaze with the light of the sun and moon, gazing intently at the malicious with focused eyes, burning and devouring. From "Tasting all self-nature" to "The three realms revive," is the mudra of the Ro Lang Ma. This is located at the northern gate, holding a bell in the right hand, and a skull cup filled with blood in the left hand, covered with a vajra crossed vajra. On top of it, holding a statue of Buddha Amitayus. The dance here is: Like tasting the objects of the six senses, it reduces everything to ashes, then revives them, making them possess bodhicitta. Now, the mudras of the four offering goddesses, such as the glorious flute mistress, are shown. Among them, starting from "Showing the manner of taking a flute," is the mudra of the flute mistress. This is located in the southeast corner, holding a flute in the hand. From other tantras, it is known that this is the position of Vajra Lasya. The dance here is: Like taking a flute, making a dance that brings down bliss, thereby freely controlling beings. Starting from "Showing the manner of taking a lute," is the mudra of the lute bewilderment mistress. This is located in the southwest corner, holding a lute. It corresponds to the position of the rosary mistress in other scriptures. The dance here is: Like playing a lute, it bewilders people with pleasure. Starting from "The yogi shows the manner of cymbals," is the mudra of the cymbals that eliminates suffering. Located in the northwest corner, holding cymbals. It corresponds to the position of Vajra Songstress. The dance here is: Like striking cymbals, it eliminates suffering. Starting from "The yogi shows the manner of the damaru," is the mudra of the damaru that intoxicates. This is located in the northeast corner, holding a damaru.
Chinese
先前拿着，用名为金刚的磨石。像打陶土鼓一样，由此降临并如痴如醉。手印舞蹈的供养等，是显示功德。此处本应出现鲜花等四位供养天女的舞蹈，但此处未提及的用意是，因为这些与笛子等相关联。如前，在确定象征性手印时，就像这样：笛子和琵琶等，青莲花和曼扎，鲜花、熏香、灯和各种香，也是如此。像这样清楚地说明了这些舞蹈手印，在一般的舞蹈供养时，向上抛撒，向下倾注，旋转，同样地涂抹。鲜花、熏香、灯是最好的，香的供养由此产生。像这样，前面已经清楚地说明了，因此可以明白其用意。那是舞蹈手印的歌曲，因此，从那以后，这个智慧手印，是吉祥金刚之王的歌。所有事业都圆满成就，极其成办世间之事。像这样说了，因此，智慧本身被加持为手印，所以是智慧手印，那也是金刚之歌。由此一切成就，并且恒常不超越痛苦，只要世间存在，就显示世间苗芽的神变，成办意义。这样结合。金刚萨埵大乐，具善吉祥，祈请您成办并证悟我。像这样的歌曲，是为了在会供轮坛时，为了能够显现见到前方虚空中的智慧天女，而迎请诸神的歌曲。如前所示结合。在舞蹈的智慧手印时，这些天女在舞蹈之后，也应该唱这些歌。这首歌的意义是，无论瑜伽士和瑜伽母谁唱都可以，从与吉祥金刚萨埵无二无别的角度，祈请成就，并劝请利益众生。也就是，大乐金刚萨埵，是四位秘密天女的自性，因此通过它
English
Previously holding, using the grindstone called Vajra. Like beating a clay drum, thereby descending and becoming intoxicated. The mudra dance offerings, etc., are to show merit. Here, the dances of the four offering goddesses, such as flowers, should appear, but the intention of not mentioning them here is because these are shown to be related to flutes, etc. As before, when determining the symbolic mudras, it is like this: flutes and lutes, lotuses and mandalas, flowers, incense, lamps, and various fragrances are also the same. Like this, it is clearly stated that these dance mudras, during the general dance offering, scatter upwards and pour downwards, rotate, and similarly smear. Flowers, incense, and lamps are the best, and the offering of fragrance arises from this. Like this, it has been clearly stated before, so it can be understood its intention. That is the song of the dance mudra, therefore, from then on, this wisdom mudra is the song of the glorious Vajra King. All activities are perfectly accomplished, and worldly affairs are extremely accomplished. Like this it is said, therefore, wisdom itself is blessed as a mudra, so it is the wisdom mudra, and that is also the Vajra song. From this, everything is accomplished, and constantly not transcending suffering, as long as the world exists, it shows the transformation of the sprout of the world, accomplishing meaning. Combine it like that. Vajrasattva Great Bliss, possessing goodness and auspiciousness, please accomplish and realize me. Songs like these are songs to invite the deities in order to be able to manifest and see the wisdom goddesses in the sky in front during the Tsog Offering. Combine as shown above. During the wisdom mudra of dance, these goddesses should also sing these songs after dancing. The meaning of this song is that it doesn't matter whether a yogi or yogini sings it, from the perspective of being non-dual with the glorious Vajrasattva, one prays for accomplishment and urges to benefit beings. That is, the Great Bliss Vajrasattva is the nature of the four secret goddesses, therefore through it.
Chinese
祈请。于此，金刚萨埵大乐贤劫吉祥者，此乃祈请。我等，以自性不二而祈请成为法器。祈请于修持中证悟。此乃，虽是如此，然我等未证悟亦未成就，故祈请证悟及成就之义。嗟！一切如来之乐，空行幻化种种安乐之胜妙。此乃祈请。调伏有情相续种种之最胜成就。此乃其义。成就。愿此于我等成就。此乃其义。阿啦啦啦呵。此乃，获得成就之音声，如云：唉玛！大乐稀有者，阿啦啦啦呵！如是说。如是宣说。祈请示现如来之种种结合之舞姿。如是说者，乃是劝请成办有情之义。 ཛཿཧཱུཾ་བཾ་ཧོཿ （藏文，梵文天城体，梵文罗马拟音，汉语字面意思）此乃，吉祥金刚萨埵自身乃秘密四母之自性，故由彼之门而真实劝请，如是云：引入而系缚，入已成自在，ཛཿཧཱུཾ་བཾ་ཧོཿ （藏文，梵文天城体，梵文罗马拟音，汉语字面意思）是说。如是结合。嗟！大乐。此乃，由增益母之门而劝请。以乐而执持种种幻化。此乃，迷惑母。ཧཱུཾ་ （藏文，梵文天城体，梵文罗马拟音，汉语字面意思）祈请显现。此乃，食母。如是结合。祈请摄受弟子。此乃，由增寿母之门而劝请。总而言之，乃是由称赞四天女功德之门而劝请吉祥金刚萨埵自身。此乃其义。吉祥金刚萨埵坛城之成办一切之智慧手印圆满。今为开示吉祥毗卢遮那之成办一切之智慧手印故，瑜伽士彼即薄伽梵。如是宣说等。此亦如前所说，身之仪态之义，与头饰之义，与跏趺坐之相，与眷属诸天女之手印之舞姿，与自身部族之歌等示现，于其他坛城亦如是结合。
English
Inviting. Here, Vajrasattva Great Bliss Auspicious Glorious One, this is an invitation. We, with non-duality of self-nature, invite to become a vessel. Please grant realization in practice. This is, although it is so, we have not realized nor accomplished, so it means to request realization and accomplishment. O! The bliss of all Tathagatas, the supreme of various blissful illusions of Dakinis. This is an invitation. The most excellent accomplishment of taming the various continuums of sentient beings. This is its meaning. Accomplishment. May this be accomplished for us. This is its meaning. Ala la la ho. This is the sound of obtaining accomplishment, as it is said: Emaho! Wonderful Great Bliss, Ala la la ho! Thus it is said. Thus it is spoken. Please show the various combined dances of the Tathagatas. To say this is to urge the accomplishment of the meaning of sentient beings. ཛཿཧཱུཾ་བཾ་ཧོཿ (Tibetan, Devanagari, Romanized Sanskrit, Literal Chinese meaning) This is, the glorious Vajrasattva himself is the nature of the four secret mothers, so through that door, the actual invitation, as it is said: Having drawn in and bound, having entered and become free, ཛཿཧཱུཾ་བཾ་ཧོཿ (Tibetan, Devanagari, Romanized Sanskrit, Literal Chinese meaning) is said. Combine it thus. O! Great Bliss. This is, inviting through the door of the increasing mother. Holding with bliss, various transformations. This is, the deluding mother. ཧཱུཾ་ (Tibetan, Devanagari, Romanized Sanskrit, Literal Chinese meaning) Please manifest. This is, the eating mother. Combine it thus. Please accept the disciple. This is, inviting through the door of the life-increasing mother. In short, it is inviting the glorious Vajrasattva himself through the door of praising the qualities of the four goddesses. This is its meaning. The all-accomplishing wisdom mudra of the mandala of the glorious Vajrasattva is complete. Now, in order to show the all-accomplishing wisdom mudra of the glorious Vairochana, the yogi himself, the Bhagavan. Thus it is spoken, etc. This also, as previously shown, the meaning of the bodily posture, and the meaning of the headdress, and the characteristics of the lotus posture, and the dance of the mudras of the goddesses of the retinue, and the songs of one's own lineage, etc., are shown, and it is combined in the same way in other mandalas as well.