English
The hand gesture of holding an arrow is placed at the heart. Pūjā and Megha etc. are as before. By this hand gesture, blessings are bestowed, with the opening of the vajra lotus, in all parts of the mandala of the sky, one goes playing with beautiful ornaments. This blessing also has the same hand gesture as the previous arrow gesture placed at the heart. With the vajra palms placed at the heart. This hand gesture is called Makara (water monster), it is said to possess a victory banner. It is an emanation of Vajrasattva, accomplished as being free from desire. oṃ suratā vajra smre hā hrīḥ (藏文：ༀ་སུ་ར་ཏ་བཛྲ་སྨྲེ་ཧཱ་ཧྲཱིཿ，梵文天城体：，梵文罗马拟音：oṃ suratā vajra smre hā hrīḥ，汉语字面意思：Om, Surata, Vajra, Smre, Ha, Hrih) For this mantra, the vajra palms are bound, held upwards, the two little fingers are raised, and the two thumbs are extended. Without breaking the gesture. This is for all desires, to obtain the pleasure of desire equally. By this, in the three realms, one quickly obtains accomplishment. Thus, for all those without melodies, each goddess has two verses. First, for the root verses of the hand gestures, the cause of the hand gestures is the vajra palms, and for the mantras, each transforms into its own great hand gesture, and the endings of pūjā etc. are not added. Later, for the verses of blessing, one also remains without breaking one's own great hand gesture, and all below should be known. Holding the vajra palms together, one revolves with a majestic dance, and with the two fists leaning on the left waist with majesty. This hand gesture is for kings etc., offered with supreme bliss, and by dancing with a majestic posture, one accomplishes all attainments. oṃ suratā vajra garbhe hūṃ (藏文：ༀ་སུ་ར་ཏ་བཛྲ་གརྦྷེ་ཧཱུྃ，梵文天城体：，梵文罗马拟音：oṃ suratā vajra garbhe hūṃ，汉语字面意思：Om, Surata, Vajra, Garbhe, Hum). By blessing with this hand gesture, sins disappear in an instant. This three realms is a great accomplishment, one obtains the increase of glory. This blessing also has the same melody as before, combined with the trembling of peace. Then, combined with the haughty song of a charming woman. Here, Jamnas, the right foot goes forward and is level with the front, the left hand rests on the waist, and the right palm faces upwards and is raised to the eyebrow. Sangye, the left foot steps back, the right foot is placed behind the left foot, and both palms face upwards and touch the breasts. Of all, the feet are firmly planted, and the two hands point upwards and cross to the end.
Chinese
通过成就誓言获得吉祥。带来吉祥的胜利。嗡 索惹达 瓦吉ra 舍 舍ri 吼 吽 (藏文：ༀ་སུ་ར་ཏ་བཛྲ་ཤེ་ཤྲི་ཧོ་ཧཿ，梵文天城体：，梵文罗马拟音：oṃ suratā vajra śe śrī ho huṃ，汉语字面意思：嗡，极乐，金刚，喜，吉祥，吼，吽)。这是所有佛陀的。走向各种盛大的前方。通过这各种盛大的，获得各种智慧的成就。对于这个印章，也要结合拉西的颤抖之歌的节奏。然后结合娇媚的傲慢之歌。对于这个，从赞那开始。是佛陀的脚步奠定基础，左手靠在腰上，右手掌心向上，向前向外旋转。一切的娇媚。抬起右脚，在中间的法轮中旋转，右手掌心向内，拿到左眼正对的右侧，最后向右倾斜。极其娇媚地，双脚奠定基础，双手交叉向上。是成就者。伸出右脚，双手握拳向外，举到与肩膀齐平。莲花足并拢，右手触碰肩膀，左手靠在腰上。以姿态的娇媚。在左右两侧的尽头，双手向上倾斜，伸出右脚。金刚足向前并拢，左手靠在腰上，右手施予胜义，抬到眉间。伟大的那个是成就。右脚向后退，伸出左脚，双手合掌于心间。结合第五首歌。嗡 黑玛 玛哈 半莲花拥抱。索惹达 维拉西尼 扎扎。双脚脚趾向外，膝盖弯曲成圆形姿势，双手金刚拳以娇媚的姿态支撑。普扎 美嘎。以下如前。这是所有佛陀的。娇媚的行为是化身。通过与此结合。娇媚者生起智慧。以金刚愤怒的姿态四处旋转，然后将两个拳头放在嘴边。这是所有佛陀的。完全宣告欢笑。对于瑜伽士秘密的主宰。使伟大的秘密欢喜。嗡 黑玛 玛哈 索惹达 瓦吉ra 哈萨 哈哈 (藏文：ༀ་ཧེ་མ་ཧཱ་སུ་ར་ཏ་བཛྲ་ཧ་སྱ་ཧ་ཧཿ，梵文天城体：，梵文罗马拟音：oṃ hemā hā suratā vajra hasya haha，汉语字面意思：嗡，嘿玛，哈，极乐，金刚，欢笑，哈，哈)。通过这个字母印章。如果印在自己的心上。念珠以装饰品装饰。立刻变得光辉灿烂。左手握拳向内，举起，在手肘下，右手握拳，伸出手指，向内，像弹奏琵琶的琴弦一样。有多少
English
By accomplishing the vows, goodness is achieved. It brings auspicious victory. Oṃ suratā vajra śe śrī ho huṃ (藏文：ༀ་སུ་ར་ཏ་བཛྲ་ཤེ་ཤྲི་ཧོ་ཧཿ，梵文天城体：，梵文罗马拟音：oṃ suratā vajra śe śrī ho huṃ，汉语字面意思：Om, Blissful One, Vajra, Joy, Auspicious, Ho, Hum). This is of all the Buddhas. Going forward to the great variety. Through this great variety, the accomplishment of various wisdoms is attained. For this seal, the rhythm should also be combined with the song of the trembling of Rabzhi. Then, combined with the song of the coquettish arrogance. For this, starting from Jamna. Is the Buddha's feet laying the foundation, the left hand resting on the waist, the right palm facing upwards, rotating outwards to the front. The coquetry of all. Lifting the right foot, rotating in the Dharma wheel in the middle, the right palm facing inwards, taking it to the right side directly in front of the left eye, finally leaning upwards to the right. Extremely coquettishly, the feet laying the foundation and the two hands crossed upwards. Is the accomplisher. Extending the right foot and the two hands clenched into fists facing outwards, raising them to just the level of the shoulders. Lotus feet together, the right hand touching the shoulder and the left hand resting on the waist. With the coquetry of the posture. At the end of the left and right sides, the two hands leaning upwards and extending the right foot. Vajra feet together in front, the left hand resting on the waist and the right hand bestowing the supreme, raising it to the space between the eyebrows. That great one is the accomplishment. The right foot receding outwards and extending the left foot, and the palms joined at the heart. Combined with the fifth song. Oṃ hema hā mahā half lotus embrace. Suratā vilāsinī tra tra. The toes of both feet pointing outwards, the knees bent into a rounded posture, and the two hands in vajra fists supporting with a coquettish posture. Pūja megha. The rest as before. This is of all the Buddhas. The coquettish action is an emanation. By combining with this. The coquettish one generates wisdom. Circling around in the manner of vajra wrath, and then placing the two fists at the corners of the mouth. This is of all the Buddhas. Completely proclaiming laughter. For the yogi, the master of secrets. Making the great secret rejoice. Oṃ hema hā suratā vajra hasya haha (藏文：ༀ་ཧེ་མ་ཧཱ་སུ་ར་ཏ་བཛྲ་ཧ་སྱ་ཧ་ཧཿ，梵文天城体：，梵文罗马拟音：oṃ hemā hā suratā vajra hasya haha，汉语字面意思：Om, Hema, Ha, Blissful One, Vajra, Laughter, Ha, Ha). Through this letter seal. If sealed on one's own heart. The rosary is adorned with ornaments. Immediately becomes glorious. The left hand clenched into a fist facing inwards, raised, under the elbow, the right hand clenched into a fist, the finger extended, facing inwards, doing as if striking the strings of a lute. As many as
Chinese
双手向外伸展，于“嗡”字，右脚略微抬起；于“班匝”字，左脚略微抬起；于“萨”字，右脚向右拉伸，左脚伸展挺立；右手食指指向左边绕圈，然后向右边挥舞，左手食指放在心间；于“达”字，左脚略微抬起，然后右脚向前挪动一步；于“卓达”字，右脚伸展挺立；左手食指挥舞，右手食指放在心间；于“亚”字，左右脚交换用力，然后并拢；“吽 啪”。摇动金刚杵，并摇动铃铛，右脚先迈出小步，以右旋的方式行走。左右两种步法交替进行，逐渐进入法衣室。穿上常住的法衣，然后按照当时的仪轨次第进行。༈ 如果是与具足的会供轮相关的情况，当之前的十六位天女舞毕之后，这些天女会以歌声等方式，劝请进行伟大的结合等特殊的秘密行为之舞。这里只是简略地汇集了供养之舞，如果想要表演那些舞蹈，可以参考荣 सोम 大师的会供文等文献。在此说道：金刚身之行奇妙无比，本初以来即是成就事业与悉地的方便。唯有远离偏颇执着之迷雾，具有明辨之眼的智者才能看见。因此，为了使所有供云，以欢快的乐舞，令无边坛城皆欢喜，我，大宝上师足莲之尘，与顶髻莲花花蕊相伴的，疯狂的小僧人达玛师利，撰写了这部前所未有的乐舞论著。自认为如法修习，没有错谬。然而，若因孩童之心而犯错，则向智者忏悔。愿以此努力之善，令一切众生获得本初之身，愿金刚月之力量，涤除众生身之垢染，证得不死之身的金刚果位。吉祥圆满！ 供养舞的笔记：供云遍布的乐舞。达玛师利。
English
With both hands extended outwards, for "Om," the right leg is slightly raised; for "Vajra," the left leg is slightly raised; for "Sat," the right leg is pulled to the right, and the left leg is extended and upright; the right index finger circles to the left and then waves to the right, with the left index finger at the heart; for "Ta," the left leg is slightly raised, and then the right leg moves forward one step; for "Trodha," the right leg is extended and upright; the left index finger waves, and the right index finger is at the heart; for "Ya," the left and right legs exchange force, and then come together; "Hum Phat." Shake the vajra and ring the bell, taking small steps with the right foot first, walking in a clockwise direction. Alternating between the left and right steps, gradually enter the robe room. Put on the permanent robes, and then proceed according to the order of the ritual at that time. ༈ If it is related to a complete tsok wheel, as soon as the previous sixteen goddesses have finished dancing, these goddesses will, with songs and other means, urge the performance of dances related to special secret practices such as the great union. Here, only the offering dance is briefly compiled. If you want to perform those dances, you can refer to the tsok writings of Rongzom Chenpo and other documents. Here it is said: The conduct of the vajra body is wonderfully unique, and from the beginning, it is the means to accomplish activities and siddhis. Only wise people with eyes of discernment, free from the fog of bias and attachment, can see this. Therefore, in order to make all the offering clouds, with joyful music and dance, please all the boundless mandalas, I, the dust of the lotus feet of the great treasure master, accompanied by the stamen of the lotus on the crown of my head, the mad little monk Dharmashri, have written this unprecedented treatise on music and dance. I consider myself to have practiced correctly, without error. However, if I make mistakes due to a childish mind, I confess to the wise. May the merit of this effort enable all beings to obtain their primordial body, may the power of the vajra moon purify the defilements of the bodies of beings, and may they attain the vajra state of the immortal body. May it be auspicious and perfect! Notes on the Offering Dance: The music and dance of spreading clouds of offerings. Dharmashri.