Chinese
供养舞蹈的笔记，名为供云遍布的嬉戏之乐。达玛室利。 供养舞蹈的笔记，名为供云遍布的嬉戏之乐。达玛室利。 供养舞蹈的笔记，名为供云遍布的嬉戏之乐，在此。名为供云遍布的嬉戏之乐的舞蹈论著。顶礼吉祥大乐舞蹈自在。诸根的行境清净故，一切法，恒常显现为普贤的嬉戏之乐。顶礼幻化金刚舞者胜者，之后撰写金刚舞论著。此处，吉祥一切佛平等和合续，以及月密明点瑜伽内续部等无上续部中所说的金刚天女们的四交和，以十六苏拉托之门如何成办供养歌舞之仪轨，荣 सोम 大师所著舞蹈文字的意旨原封不动地保留下来。由于漫长时期的劫数，身体和语言的姿态和变化上的差别稍微减弱。如果与外变的实践传承相结合，则认为没有矛盾。因此，共同的变化如何合理，也从帐篷舞等中补充说明。其中，暂时说明身体姿态的总体姿势的表达方式。如是说：莲花面带微笑，以宽广的眼睛舞蹈，手和脚的变换，极其喜悦地移动眉毛。以稍微微笑的眼角观看，丰满的大腿向乳房弯曲，腰部的形状像草原，鼻子的表面也大而美丽。情欲稍微压住牙齿，牙齿的串珠像昆达月亮，发出抵挡邪恶的气息，以极大的喜悦赞美。双手与舞蹈相结合，在前方合掌。在所有手指的顶端，观想度母的集合。如是说。一般来说，以珍爱的姿态进行舞蹈的次第。首先，在寂静的地方，以皈依和发心为先导，坚定地保持本尊的慢心。将所有服饰视为心性无碍的智慧的嬉戏，仅是自显。进入如天尊服饰般的装束后，在何处进行事业的基础
English
Notes on the Offering Dance, called the Play of Joy Spreading Clouds of Offerings. Dharmashri. Notes on the Offering Dance, called the Play of Joy Spreading Clouds of Offerings. Dharmashri. The notes on the offering dance, called the Play of Joy Spreading Clouds of Offerings, are here. The treatise on dance called the Play of Joy Spreading Clouds of Offerings. Homage to the glorious great bliss, master of dance. Because the realm of the senses is pure, all dharmas constantly appear as the play of joy of Samantabhadra. Having bowed to that supreme illusory vajra dancer, I will compose the vajra dance treatise. Here, the four intersections of the vajra goddesses spoken of in the glorious tantra of the union of all Buddhas equally, and in many unsurpassed tantras such as the lunar secret bindu yoga inner tantra, and how to accomplish the ritual of offering song and dance through the sixteen Suratas, Rongzom Chenpo's intention of the dance text is preserved as it is. Due to the kalpas of a long time, the differences in the postures and changes of body and speech have slightly diminished. If combined with the practice lineage of external changes, it is seen as not contradictory. Therefore, how the common changes are reasonable, it will also be supplemented and explained from tent dances and the like. Among them, for the time being, the way of expressing the overall posture of body movements is explained. As it is said: The lotus face is smiling, dancing with wide eyes, with the transformation of hands and feet, moving the eyebrows with extreme joy. Looking with slightly smiling corners of the eyes, the full thighs bend to the breasts, the shape of the waist is like a meadow, and the surface of the nose is also large and beautiful. Desire slightly presses the teeth, the string of teeth is like the Kunda moon, exhaling breath that repels evil, praising with great joy. With both hands combined with the dance, placing the palms together in front. At the tips of all the fingers, contemplate the assemblies of the perfections. As it is said. In general, the order of dancing with a cherished posture. First, in a secluded place, with refuge and bodhicitta as the preamble, firmly holding the pride of the deity. Consider all the ornaments as merely the self-appearance of the play of wisdom, where the nature of mind is unobstructed. Having entered into attire like the ornaments of a deity, on what basis to perform the activity
Chinese
此外，要以愤怒的威严之歌，混合着罗刹的吼声的松巴之歌的节奏来摧毁障碍。嗡（藏文：ༀ，梵文天城体：ओ，梵文罗马拟音：oṃ，汉语字面意思：嗡），在松巴铃铛下，手结金刚站立印，抬起右脚，向行进方向挪动一步，左脚弯曲。尼松巴，在那个位置再次放下右脚。吽（藏文：ཧཱུྃ，梵文天城体：हुं，梵文罗马拟音：hūṃ，汉语字面意思：吽） 啪（藏文：ཕཊ，梵文天城体：फट，梵文罗马拟音：phaṭ，汉语字面意思：啪）。在那里挺直身体，摇动铃铛。格里赫纳（藏文：གྷྲྀཧྞ，梵文天城体：गृण्ह，梵文罗马拟音：gṛhṇa，汉语字面意思：拿），左脚向行进方向挪动一步，右脚弯曲。格里赫纳（藏文：གྷྲྀ་ཧྞ，梵文天城体：गृण्ह，梵文罗马拟音：gṛhṇa，汉语字面意思：拿），在那个位置放下左脚。吽（藏文：ཧཱུྃ，梵文天城体：हुं，梵文罗马拟音：hūṃ，汉语字面意思：吽） 啪（藏文：ཕཊ，梵文天城体：फट，梵文罗马拟音：phaṭ，汉语字面意思：啪）。在那里挺直身体，摇动铃铛。格里赫纳 帕亚（藏文：གྷྲྀཧྞ་པ་ཡ་，梵文天城体：गृण्ह पाय，梵文罗马拟音：gṛhṇa pāya，汉语字面意思：拿 喝），右脚向行进方向后退一步，左脚向后弯曲。同样地，身体也稍微扭动。格里赫纳 帕亚（藏文：གྷྲྀཧྞ་པ་ཡ་，梵文天城体：गृण्ह पाय，梵文罗马拟音：gṛhṇa pāya，汉语字面意思：拿 喝），在那个位置再次向后挪动右脚。吽（藏文：ཧཱུྃ，梵文天城体：हुं，梵文罗马拟音：hūṃ，汉语字面意思：吽） 啪（藏文：ཕཊ，梵文天城体：फट，梵文罗马拟音：phaṭ，汉语字面意思：啪）。在那里挺直身体，摇动铃铛。阿纳亚 霍（藏文：ཨཱ་ན་ཡ་ཧོཿ，梵文天城体：आनय हो，梵文罗马拟音：ānaya hoḥ，汉语字面意思：带来 呼）。停留在那个位置，抬起左脚，脚尖稍微向左转动并挺直身体。对薄伽梵（藏文：བྷ་ག་ཝཱན་，梵文天城体：भगवन्，梵文罗马拟音：bhagavan，汉语字面意思：世尊）做同样的脚步动作。对比迪亚（藏文：བིདྱཱ་，梵文天城体：विद्या，梵文罗马拟音：vidyā，汉语字面意思：明）稍微加快速度。对拉加亚（藏文：རཱ་ཛ་ཡ་，梵文天城体：राज，梵文罗马拟音：rāja，汉语字面意思：王）在前方抬起并放下左脚来迎接。吽（藏文：ཧཱུྃ，梵文天城体：हुं，梵文罗马拟音：hūṃ，汉语字面意思：吽） 啪（藏文：ཕཊ，梵文天城体：फट，梵文罗马拟音：phaṭ，汉语字面意思：啪）。举起金刚杵并摇动铃铛，同时右脚向行进方向迈出一小步。用这种方式，从准备进入的房间依次出来，并绕圈。一次松巴之歌，其他与之前相同，只是脚步有所不同。嗡（藏文：ༀ，梵文天城体：ओ，梵文罗马拟音：oṃ，汉语字面意思：嗡）松巴，尼松巴，抬起右脚，缓慢地绕着法轮旋转。吽（藏文：ཧཱུྃ，梵文天城体：हुं，梵文罗马拟音：hūṃ，汉语字面意思：吽） 啪（藏文：ཕཊ，梵文天城体：फट，梵文罗马拟音：phaṭ，汉语字面意思：啪）。在那里，向行进方向放下右脚，像一道铁栅栏。格里赫纳 格里赫纳 吽（藏文：ཧཱུྃ，梵文天城体：हुं，梵文罗马拟音：hūṃ，汉语字面意思：吽） 啪（藏文：ཕཊ，梵文天城体：फट，梵文罗马拟音：phaṭ，汉语字面意思：啪）。左脚向前挪动一步，身体向右扭动。行进方向稍微偏向后方，使双脚交叉。从那以后，就和之前一样了。༈ 从那以后，以优雅的姿态，将所有感官的对象都观想为神和女神的嬉戏，以此作为供养的基础。与名为“乐神的琵琶”的歌曲结合。嗡（藏文：ༀ，梵文天城体：ओ，梵文罗马拟音：oṃ，汉语字面意思：嗡），双手向外伸展到与肩膀齐平，抬起右脚并在同一位置假装放下。伴随着金刚舞，双手旋转莲花，左脚放下。拉西亚。在前方放下右脚，双手从手心向下合拢，形成半莲花金刚拳，身体稍微弯曲，靠在腰上。玛列。左脚向行进方向走一步，右脚伸直，双手握拳，右手在左手内侧旋转。
English
Furthermore, obstacles should be destroyed with the rhythm of the Sum-bha song, mixed with the roar of Rakshasas, a majestic song of wrath. Om (Tibetan: ༀ, Devanagari: ओ, Romanized Sanskrit: oṃ, Literal meaning: Om), under the Sum-bha bell, holding the vajra standing posture, lift the right foot and move one step towards the direction of travel, bending the left foot. Ni Sum-bha, in that same position, place the right foot down again. Hum (Tibetan: ཧཱུྃ, Devanagari: हुं, Romanized Sanskrit: hūṃ, Literal meaning: Hum) Phat (Tibetan: ཕཊ, Devanagari: फट, Romanized Sanskrit: phaṭ, Literal meaning: Phat). There, straighten up and ring the bell. Grihna (Tibetan: གྷྲྀཧྞ, Devanagari: गृण्ह, Romanized Sanskrit: gṛhṇa, Literal meaning: Take), move the left foot one step towards the direction of travel, bending the right foot. Grihna (Tibetan: གྷྲྀ་ཧྞ, Devanagari: गृण्ह, Romanized Sanskrit: gṛhṇa, Literal meaning: Take), in that same position, place the left foot down. Hum (Tibetan: ཧཱུྃ, Devanagari: हुं, Romanized Sanskrit: hūṃ, Literal meaning: Hum) Phat (Tibetan: ཕཊ, Devanagari: फट, Romanized Sanskrit: phaṭ, Literal meaning: Phat). There, straighten up and ring the bell. Grihna Paya (Tibetan: གྷྲྀཧྞ་པ་ཡ་, Devanagari: गृण्ह पाय, Romanized Sanskrit: gṛhṇa pāya, Literal meaning: Take Drink), move the right foot one step backwards towards the direction of travel, bending the left foot backwards. Similarly, twist the body slightly. Grihna Paya (Tibetan: གྷྲྀཧྞ་པ་ཡ་, Devanagari: गृण्ह पाय, Romanized Sanskrit: gṛhṇa pāya, Literal meaning: Take Drink), in that same position, move the right foot backwards again. Hum (Tibetan: ཧཱུྃ, Devanagari: हुं, Romanized Sanskrit: hūṃ, Literal meaning: Hum) Phat (Tibetan: ཕཊ, Devanagari: फट, Romanized Sanskrit: phaṭ, Literal meaning: Phat). There, straighten up and ring the bell. Anaya Ho (Tibetan: ཨཱ་ན་ཡ་ཧོཿ, Devanagari: आनय हो, Romanized Sanskrit: ānaya hoḥ, Literal meaning: Bring Ho). Staying in that position, lift the left foot, turn the toe slightly to the left, and straighten up. Do the same footwork for Bhagavan (Tibetan: བྷ་ག་ཝཱན་, Devanagari: भगवन्, Romanized Sanskrit: bhagavan, Literal meaning: Blessed One). Speed up slightly for Vidya (Tibetan: བིདྱཱ་, Devanagari: विद्या, Romanized Sanskrit: vidyā, Literal meaning: Knowledge). For Rajaya (Tibetan: རཱ་ཛ་ཡ་, Devanagari: राज, Romanized Sanskrit: rāja, Literal meaning: King), lift and lower the left foot in front to greet. Hum (Tibetan: ཧཱུྃ, Devanagari: हुं, Romanized Sanskrit: hūṃ, Literal meaning: Hum) Phat (Tibetan: ཕཊ, Devanagari: फट, Romanized Sanskrit: phaṭ, Literal meaning: Phat). Raise the vajra and ring the bell, while taking a small step with the right foot towards the direction of travel. In this way, come out sequentially from the room of preparation and circle around. One cycle of the Sum-bha song, the others are the same as before, except for the footwork. Om (Tibetan: ༀ, Devanagari: ओ, Romanized Sanskrit: oṃ, Literal meaning: Om) Sum-bha, Ni Sum-bha, lift the right foot and slowly circle around the Dharma wheel. Hum (Tibetan: ཧཱུྃ, Devanagari: हुं, Romanized Sanskrit: hūṃ, Literal meaning: Hum) Phat (Tibetan: ཕཊ, Devanagari: फट, Romanized Sanskrit: phaṭ, Literal meaning: Phat). There, place the right foot down towards the direction of travel, like an iron fence. Grihna Grihna Hum (Tibetan: ཧཱུྃ, Devanagari: हुं, Romanized Sanskrit: hūṃ, Literal meaning: Hum) Phat (Tibetan: ཕཊ, Devanagari: फट, Romanized Sanskrit: phaṭ, Literal meaning: Phat). Move the left foot one step forward and twist the body to the right. The direction of travel is slightly towards the back, so the feet should cross. From then on, it's the same as before. ༈ Then, with graceful movements, visualize all the objects of the senses as the play of gods and goddesses, thereby establishing the basis for offerings. Combine it with the song called "The Harp of the Gandharvas." Om (Tibetan: ༀ, Devanagari: ओ, Romanized Sanskrit: oṃ, Literal meaning: Om), extend both hands outwards to shoulder level, lift the right foot and pretend to lower it in the same position. Accompanied by the Vajra dance, rotate the lotus with both hands and lower the left foot. Lasye. Place the right foot down in front, and with both hands facing downwards, form half-lotus vajra fists, leaning on the waist with a slight bend in the body. Male. Move the left foot one step towards the direction of travel and stretch the right foot, with both hands in fists, the right hand rotating inside the left.
Chinese
落势。抬起左脚并左落，右手从左上方抽出，右脚向后退，发出“杂”声。在“达玛”时，左脚向内伸直。为了完成，双手做莲花旋转，右脚向内落于后方，左脚在右脚后退后也后退。完成。左脚向左侧移动，伴随摇摆落势，双手也面朝下向左侧一同摇摆。啊啊，哇，右脚向右，双手也反向向右摇摆。啊啊，左脚向左落，双手向上伸展，拇指和食指相接，发出“瑟果”声。誓言，左脚落下，双手向上伸展，向右侧扬起。神圣，右脚抬起落下，双手向上伸展，向左侧扬起。完成，右手在胸前以金刚杵的姿势竖立，带着摇曳的姿态向右旋转，左手拿着铃铛倾斜。右脚向内落于后方，左脚在后，左脚后右脚也后退。在左侧抬起落下的同时，双脚并拢。请完成。左脚向后抽回，右脚伸直。右手放在额前，左手倾斜。供养，双手向外伸展，右脚小步落下。伟大，左脚小步落下，右脚和手向后抽出，发出“杂”声。一切，脚向内，左脚伸直。请净化。双手做莲花旋转，右脚向内落于后方，左脚在后，右脚也后退之后，左侧虚晃落下，双脚并拢。啊啊，哇，抬起右脚，双手说法印。啊啊，双脚并拢。右手触碰肩膀，左手倾斜。对于伟大的供养，像之前一样，左右小步落下并发出“杂”声。一切，双手做莲花旋转。右脚向内落于后方，左脚在后，右脚也后退。为了完成，左脚和双手面朝下向左摇摆，右脚向右侧落下，双手向右倾斜，向上伸展，拇指和食指相接，发出“瑟果”声。完成。就在那里，右手放在额前，左手倾斜。༈。第二，结合五种装饰的五首歌，是散布供养云的歌曲的曲调。与“旺萨”的变调歌曲，如水鸟的步调相结合。双手做莲花旋转，脚步。嗡（藏文：ༀ，梵文天城体：ॐ，梵文罗马拟音：oṃ，汉语字面意思：嗡），帕纳，贝姆拉，右脚向内落下。贝努，苏拉托。左脚在右脚后退后也后退。提普，帕拉姆，右脚左右。