Chinese
嘱咐说：以狮子卧式睡姿，念诵甘露旋转的咒语入睡，早上告诉我你做了什么梦。 还有，在《秘密意趣》中说：对于深奥秘密咒语的殊胜灌顶之果，无论是否具备业缘和福分，都要沐浴身体，穿上干净的衣服睡觉。如果梦见金刚上师给予法器，这是获得意之成就的征兆。如果梦见手持班杂（藏文，梵文天城体，梵文罗马拟音，汉语字面意思），担任所有人的军队统帅，或者梦见身上佩戴装饰品，这是获得身之成就的征兆，或者梦见身上佩戴金银，以及其他铜铁珍宝，自己持有这些作为象征，这是获得功德成就的征兆。如果梦见手持莲花，看到阳光温暖、月亮明亮、火光，或者梦见渡过大海，或者梦见自己的身体被宰杀，血肉被人们吃掉，这是获得语之成就的征兆。如果梦见手持弓箭和盔甲武器，砍伐许多树木，或者梦见在天空中飞行，这是获得事业成就的征兆。 如此说。 因此，夜晚分为四个时段。前三个时段是习气所致的错觉，黎明时分以真实的智慧进行观察。如是观察。 第二，正行分为二：坛城之事和灌顶。 首先是坛城之事。在《事业续》中说：坛城要平整，涂抹香泥，绘制线条，用五根丝线，很好地绘制线条。因此，在先前准备好的本尊地基上，用红花水和五甘露等涂抹，使其没有瑕疵，平整干净，然后进行绘制线条的工作。在《秘密意趣续》中说：为了摄伏三界和三有，以红花水的力量绘制断断续续的线条。为了使三有本来就是五种大智慧，为了摧毁愚痴等五毒的处所，用誓言物五甘露绘制断断续续的线条。用五种珍宝的颜色，用五谷加持后进行绘制。从方便和智慧无二之中，绘制菩提心的线条。 如此说。 绘制线条时，可以使用用勇士的价值购买的棉线五股五束，或者如续中所说：用纯净的羊毛和菩提树皮，或者用年轻女子纺织的彩色丝线。
English
Instruct, saying: Lie down in the lion's sleeping posture, reciting the mantra of swirling nectar, and tell me what you dream in the morning. Also, in the 'Secret Intentions,' it says: For the supreme empowerment fruit of profound secret mantra, whether or not one possesses karmic connections and fortune, one should bathe the body, put on clean clothes, and sleep. If one dreams of the Vajra Master bestowing implements, it is a sign of attaining the accomplishment of mind. If one dreams of holding a bhanda (Tibetan, Devanagari Sanskrit, Romanized Sanskrit, literal Chinese meaning), acting as the commander of all armies, or dreams of wearing ornaments on the body, it is a sign of attaining the accomplishment of body, or dreams of wearing gold and turquoise on the body, as well as other copper, iron, and precious jewels, holding these as symbols, it is a sign of attaining the accomplishment of qualities. If one dreams of holding a lotus flower, seeing the sun warm, the moon bright, and firelight, or dreams of crossing the great ocean, or dreams of one's own body being butchered, and the flesh and blood being eaten by people, it is a sign of attaining the accomplishment of speech. If one dreams of holding bows, arrows, armor, and weapons, cutting down many trees, or dreams of flying in the sky, it is a sign of attaining the accomplishment of activity. Thus it is said. Therefore, the night is divided into four periods. The first three periods are illusions arising from habits; at dawn, examine with true wisdom. Examine in this way. Secondly, the main part is divided into two: the activities of the mandala and the empowerment. First is the activity of the mandala. In the 'Activity Tantra,' it says: The mandala should be leveled, smeared with fragrant earth, and lines drawn; with five threads, the lines should be drawn very well. Therefore, on the base previously prepared for the deity, smear rakta and the five amritas, etc., making it without flaws and well-leveled, and then perform the work of drawing lines. In the 'Secret Intentions Tantra,' it says: In order to subdue the three realms and the three existences, draw intermittent lines with the power of rakta. In order to make the three existences inherently the five great wisdoms, in order to destroy the abodes of the five poisons such as ignorance, draw intermittent lines with the five amritas of vows. The colors of the five precious jewels, bless and paint with the five grains. From the non-duality of method and wisdom, draw the lines of bodhicitta. Thus it is said. For drawing the lines, one can use five bundles of five strands of cotton thread bought with the value of a hero, or as the tantra says: Use pure wool and ashvattha bark, or colored silk threads spun by a young woman.
Chinese
首先在中心线上设置中心点。一个标志和中心的汇合处。从腰部切割，从角上设置正方形。基线或者在墙内。基线和标志之间。将一半切割的内部再次分割。门宽或者是两个大份。在大份的内侧设置两个边缘。墙壁是所需的布料和花纹。内侧的一半设置，外侧也设置。半网是东边的女儿和箭杆。为了门和门楣等。在中心线的左右两侧是大份。各自设置两个的内侧是。设置一半，外侧也要设置。然后将外侧分成四个小份。依次是门楣、门边、侧面。墙角、柱子、柱头装饰。四个台阶是小份。第一个的宽度和柱头装饰相同。第二、三、四个各缩小一份。莲花的宽度是门宽。高度上只有一份。轮子的宽度和高度是两份。伞是一份，带有伞顶。为了看到黑暗和牛背的形状。第二个台阶的外线和。中心线交叉的地方。以两份的半径画圆，不是中心。第一个台阶的外线和。门份左右相交的地方。各自以两份的半径画圆。擦去内线（如果这条线向外突出就不行）。连接黑暗。然后从柱头装饰的顶端向上画圆。这是金刚墙的内线。然后两个相交处向上延伸一份。然后画墙的外边缘。外层是半个大份的莲花。有三十二个吉祥的标志。神布和尸林是一个大份。石墙是半份，一座火焰山。这样指示。那时，也要转变不越过线的意念。如《金刚炽燃续》所说：不要越过智慧线，要从禅定之下进入。然后是内部和神殿的情况。中心是四个大份（总共四个）的圆形。在中心画蓝黑色的法源。外面的十个轮辐各占一份。法源的中心是主尊的标志。前面是度母和红色的月牙。这三者的左右是四个明妃，后面做一个本尊标志。十个轮辐的上方是东方的东。下方是西方的西。十尊忿怒尊各自的标志和。轮辐的旁边左右布置小指。四个角落是七个自在母和。门上是门神母人拉。血
English
First, set the center point on the center line. A mark and the meeting point of the center. Cut from the waist, set a square from the corner. Baseline or inside the wall. Between the baseline and the mark. Divide the inside of the half cut again. The door width is either two large portions. Set two edges on the inside of the large portion. The wall is the desired cloth and pattern. Half of the inside is set, and the outside is also set. The half net is the eastern daughter and arrow shaft. For doors and lintels, etc. On the left and right sides of the center line are large portions. The inside of each set of two is. Set half, and the outside should also be set. Then divide the outside into four small portions. In order are the lintel, the side of the door, and the side. Wall corner, pillar, pillar head decoration. The four steps are small portions. The width of the first is the same as the pillar head decoration. The second, third, and fourth are each reduced by one portion. The width of the lotus is the door width. There is only one portion in height. The width and height of the wheel are two portions. The umbrella is one portion, with an umbrella top. In order to see the shape of darkness and the back of a cow. The outer line of the second step and. The place where the center line intersects. Draw a circle with a radius of two portions, not the center. The outer line of the first step and. The place where the door portions intersect on the left and right. Draw circles with a radius of two portions each. Erase the inner line (it won't work if this line protrudes outward). Connect the darkness. Then draw a circle upward from the top of the pillar head decoration. This is the inner line of the vajra wall. Then extend one portion upward from the two intersections. Then draw the outer edge of the wall. The outer layer is a lotus with half a large portion. There are thirty-two auspicious signs. The god cloth and the charnel ground are one large portion. The stone wall is half a portion, a mountain of fire. This is how it is instructed. At that time, one must also transform the intention of not crossing the line. As it says in the Vajra Burning Tantra: Do not cross the wisdom line, enter from under meditation. Then there is the situation of the inside and the god's abode. The center is a circle of four large portions (four in total). Draw a blue-black Dharma source in the center. The ten spokes on the outside each occupy one portion. The center of the Dharma source is the mark of the main deity. In front is Tara and a red crescent moon. To the left and right of these three are four consorts, and behind them make a mark of a single deity. The top of the ten spokes is the east of the east. The bottom is the west of the west. The marks of each of the ten wrathful deities and. Arrange small fingers on the left and right sides of the spokes. The four corners are seven free mothers and. On the door is the door god Murenla. Blood
Chinese
十二部律经各自的，立即显示自己的体系。大小的尺度是，从四指开始，直到一由旬、一俱卢舍。由于众生的想法，没有明确说明尺寸。虽然这样说，但暂时就处所和财富而言，在《智慧之巅》中说：二百一十八指，智者以此作为坛城的尺寸。如此说。从尸林中产生的颜色，也用五种勇士谷物加持，按照事业律经中升起的姿势：蓝色等颜色，用五种勇士谷物加持。与经文一致地涂抹颜色，如此说。另外，像雪花飘落的粉末颜色，从右边旋转，不要中断。如此说。形式是，在《金刚炽燃》中说：四方形有四个门，轮有八个辐条和外圈，中间走廊（要知道下面需要金色走廊和血色走廊），有门环，用马厩装饰，哈拉哈拉半日月，铃铛丝绸悬挂幡等，用颅骨蛇日月装饰。如此说。颜色的获得是，在《羯磨俱梨经》中也说：中心是黑色，轮是黄色，其上层是黑色。金色走廊（表示二十八自在天的处所，是《智慧之巅》中所说的以完全摧毁者形象出现的忿怒尊的处所），黄色和血色走廊是红色。角是绿色，铁围墙是黑色。这也与此相符。另外，在《秘密意趣经》中说：八轮安放在线上，中央是猛烈的三角形，红色月牙是控制的方式，圆形（上层）是四方形的扩展。四个角装饰，四方形有四个门环。如此说。四种事业各自的坛城形式，也由其第三品显示，其他应与修法相符。那时，行为谨慎的方式是，线断了，上师会死，线头掉了，弟子会死，方向错了，两者都会衰败，中断会损害道路。因此，智者应谨慎行事。如此说。而且，首先是上师，然后是所有师徒都向右旋转，写得不厚不薄且均匀，连接墙壁时，
English
The twelve tantras each, immediately show their own system. The size of the dimensions is, starting from four fingers, up to a yojana, a krosha. Due to the thoughts of sentient beings, the dimensions are not specified. Although it is said, temporarily in terms of place and wealth, in the "Pinnacle of Wisdom" it says: Two hundred and eighteen fingers, the wise use this as the dimension of the mandala. So it says. The colors that arise from the charnel ground are also blessed with the five hero grains, in the manner of raising up from the Tantra of Activity: Colors such as blue, are blessed by the five hero grains. Applying the colors in accordance with the text, so it says. Furthermore, like powder colors falling like snowflakes, rotate from the right, do not interrupt. So it says. The form is, in the "Blazing Vajra" it says: The square one has four doors, the wheel has eight spokes and an outer ring, the intermediate corridor (know that the golden corridor and blood corridor are needed below), has door rings, adorned with horse stables, hara hara half sun and moon, bells silk hangings banners etc., adorned with skull snakes sun and moon. So it says. The obtaining of colors is, in the "Karma Kuru Tantra" it also says: The center is black, the wheel is yellow, its upper layer is made black. Golden corridor (representing the abode of the twenty-eight powers, representing the abode of the wrathful ones in the form of complete destroyers as described in the "Pinnacle of Wisdom"), the yellow and blood corridor is red. The corner is green, the iron fence is black. This also corresponds to that. Furthermore, in the "Secret Intent Tantra" it says: The eight wheels are placed on the lines, in the center is a fierce triangle, the red crescent is the manner of control, the round (upper layer) is the expansion of the square. The four corners are adorned, the square has four door rings. So it says. The arrangement of the mandalas of the four activities respectively is also shown by its third chapter, the others should be in accordance with the sadhana. At that time, the manner of being careful in conduct is also: If the thread breaks, the teacher will die, if the end of the line is lost, the student will die, if the direction is mistaken, both will decline, interruption will harm the path. Therefore, the wise should act carefully. So it says. Moreover, first the teacher and then all the teacher and students rotate to the right, writing without thick or thin and evenly, when connecting the walls,