English
The iron hook, rope, iron ring, bell mothers, etc., reside there. The third mandala, in the center of the sky-emptiness deity mandala, is a four-petaled lotus, with directional colors and a yellow center. In the center, on a lotus-moon seat, is the sky-emptiness deity, the teacher, the Bhagavan Shakyamuni, with a body color like pure gold, the right hand touching the earth, the left hand in meditative equipoise, holding a begging bowl filled with alms food, appearing overflowing. Adorned with the three Dharma robes and the marks and signs, he sits in the vajra posture. The retinue of the three auspicious time mandalas consists of the four families, such as Akshobhya, or the four seductresses, etc., whichever is convenient, but the latter is better. On the eastern petal is the white seductress holding a mirror. On the southern petal is the blue garland-bearer holding a garland. On the western petal is the red songstress playing a lute. On the northern petal is the green dancer twirling a lotus. At the four gates are the four gatekeepers. The fourth mandala, in the center of the fifteen deities' mandala, is a four-petaled lotus, with directional colors and a red center. In the center, on a lotus-moon seat, is the fish deity, the Bhagavan Protector Amitayus, the Buddha Amitabha, with a body color red like a mountain of ruby, the two hands in meditative equipoise holding a vase of immortal life. Adorned with the three Dharma robes and the marks and signs, he sits in the vajra posture. In the east is the seductress mother, in the south the garland mother, in the west the songstress, in the north the dancer, and at the four gates are the four gatekeepers. The fifth mandala, in the center of the eighth-day deities' mandala, is a four-petaled lotus, with directional colors and a blue center. In the center, on a lotus-moon seat, is the eighth-day deity, the Buddha Medicine Guru, the King of Lapis Lazuli Light, with a dark blue body, the right hand in the supreme generosity mudra with an arura in the palm, the left hand in meditative equipoise holding a nectar-filled begging bowl. Adorned with the three Dharma robes and the marks and signs, he sits in the vajra posture. In the four directions are the four seductresses, garland-bearers, songstresses, and dancers. At the four gates are the four gatekeepers. The sixth mandala, in the center of the past Buddhas' mandala, is an eight-petaled lotus, beautifully colored, with a yellow center. In the center, on a lotus-moon seat, is the past Buddha Dipamkara, golden in color, making the gesture of dependent origination by teaching the profound Dharma. Wearing the three Dharma robes
Chinese
以身印和妙相庄严，安住于金刚跏趺坐。四方花瓣上有妩媚的歌舞女。四隅东南方有熏香女，手持焚香炉。西南方有白色的布施玛，手持鲜花。西北方有红白色的玛尔玛，手持灯盏。东北方有绿色的德玛，手持香水海螺。四门有四位门神。第七坛城是现在佛的坛城，中央是八瓣莲花，色彩鲜艳，中心是黄色，在莲花月轮座上，现在佛释迦牟尼佛是金色，做触地印和禅定印。身着三法衣，以身印和妙相庄严，安住于金刚跏趺坐。八瓣莲花上，四方有妩媚等四位歌舞女。四隅有手持熏香、鲜花、灯盏、香水浴水的四位天女。四门有四位门神。第八坛城是未来佛的坛城，中央是八瓣莲花，色彩鲜艳，中心是黄色，在莲花月轮座上，未来佛慈氏怙主是金色，以调伏所化众生而作胜施和施无畏印。身着法衣，以身印和妙相庄严，安住于金刚跏趺坐。八瓣莲花上，四方有妩媚等四位。四隅有熏香女等四位。四门有四位门神。第九坛城是佛的坛城，中央是八瓣莲花，色彩鲜艳，中心是黄色，在莲花月轮座上，佛毗卢遮那佛是白色，持菩提殊胜印。东方是不动佛，蓝色，禅定印。南方是宝生佛，黄色，胜施印。西方是无量光佛，红色，禅定印。北方是不空成就佛，绿色，施无畏印。四隅有白色的眼母，持轮。玛玛కీ，蓝色，持金刚杵。白衣母，红色，持莲花。度母，绿色，持乌巴拉花。四门有四位门神。第十坛城是正法的坛城，中央是八瓣莲花，色彩鲜艳，中心是黄色，在莲花月轮座上，正法宝的自性是大佛母般若波罗蜜多，金色，一面四臂，前两臂禅
English
Adorned with body marks and signs, seated in the vajra posture. On the four petals of the directions are graceful singing and dancing goddesses. In the four corners, southeast has the incense goddess holding a smoking incense burner. Southwest has the white Puspema holding a flower. Northwest has the reddish-white Marmema holding a lamp. Northeast has the green Drima holding a conch shell of fragrance. The four doors are with four doorkeepers. The seventh mandala is the mandala of the present Buddha, in the center is an eight-petaled lotus, beautifully colored, with a yellow center, on a lotus and moon seat, the present Buddha, the teacher, the incomparable Shakya King, golden in color, making the earth-touching and meditative mudras. Adorned with the three Dharma robes and body marks, seated in the vajra posture. On the eight petals, in the four directions are four graceful singing and dancing goddesses. In the four corners are four goddesses holding incense, flowers, lamps, and fragrant water. The four doors are with four doorkeepers. The eighth mandala is the mandala of the future Buddha, in the center is an eight-petaled lotus, beautifully colored, with a yellow center, on a lotus and moon seat, the future Buddha, Maitreya, the protector, golden in color, holding the supreme giving and all-encompassing mudras, following after those to be tamed. Adorned with Dharma robes and body marks, seated in the vajra posture. On the eight petals, in the four directions are four graceful ones, etc. In the four corners are four incense goddesses, etc. The four doors are with four doorkeepers. The ninth mandala is the mandala of the Buddhas, in the center is an eight-petaled lotus, beautifully colored, with a yellow center, on a lotus and moon seat, the Buddha Vairochana, white, holding the mudra of supreme enlightenment. In the east is Akshobhya, blue, in meditative mudra. In the south is Ratnasambhava, yellow, in supreme giving mudra. In the west is Amitabha, red, in meditative mudra. In the north is Amoghasiddhi, green, in the mudra of fearlessness. In the four corners are the white Lochana, holding a wheel. Mamaki (藏文，梵文天城体，梵文罗马拟音，汉语字面意思), blue, holding a vajra. White-robed Mother, red, holding a lotus. Tara, green, holding an utpala flower. The four doors are with four doorkeepers. The tenth mandala is the mandala of the sacred Dharma, in the center is an eight-petaled lotus, beautifully colored, with a yellow center, on a lotus and moon seat, the essence of the sacred Dharma Jewel is the Great Mother Prajnaparamita, golden in color, with one face and four arms, the first two arms in meditative
Chinese
放置。右下方说法印，左下方持经书。以丝绸和珍宝装饰，安住于金刚跏趺坐。八瓣莲花上，东方释迦牟尼佛黄色，触地印，具足等持。南方妙音佛黄色，施胜印，具足等持。西方无忧最胜佛红白色，具足等持。北方名称吉祥佛黄色，施无畏印和施予印，具足等持。东北方药师佛蓝色，施胜印，持阿如拉果，上方有钵盂。东南方金贤佛黄色，说法印。西南方法幢佛白红色，说法印。西北方现证佛红色，施胜印，具足等持。八尊皆具足三法衣，以相好庄严，具足金刚跏趺坐。四门有四门母。十一尊坛城是僧众坛城，中央八瓣莲花，以美妙色彩装饰，中心变成黄色，中央释迦能仁佛黄色，具降魔印。具足三法衣，以相好庄严，以金刚跏趺坐安住。八瓣莲花的四方是菩萨僧众。东方观世音菩萨白色，持莲花。南方慈氏菩萨黄色，持龙树之花，带有树干，以圆形涂饰。西方金刚手菩萨绿色，右手持金刚杵，左手持珍宝念珠。北方文殊菩萨红黄色，持经书和宝剑，是菩萨的装束。四隅是声闻僧众，东南方舍利子。西南方目犍连子。西北方具寿善现。东北方阿难陀，都是声闻的装束，持钵盂和锡杖。四门有四门母。如果广说，这十一尊坛城就是这样，如果中间有五尊坛城和七尊坛城两种。如果中间是五尊坛城，那么与根本坛城不冲突，将三个吉祥时分开，都是如前显现。三世诸佛和三宝都已具足，所以没有。如果中间是七尊坛城，那么与根本坛城不冲突的两个坛城是三个吉祥时的坛城。
English
Place. The lower right hand holds the Dharma teaching mudra, and the lower left hand holds a scripture. Adorned with silk and precious jewels, residing in the vajra posture. On the eight-petaled lotus, to the east is Shakyamuni Buddha, yellow, with the earth-touching mudra, possessing samadhi. To the south is Melodious Voice Buddha, yellow, with the bestowing grace mudra, possessing samadhi. To the west is Sorrowless Supreme Buddha, reddish-white, possessing samadhi. To the north is Good Name Buddha, yellow, with the fearlessness and bestowing mudra, possessing samadhi. To the northeast is Medicine Buddha, blue, with the bestowing grace mudra, holding an arura fruit, with a begging bowl above. To the southeast is Golden Good Buddha, yellow, with the Dharma teaching mudra. To the southwest is Dharma Proclamation Buddha, white-red, with the Dharma teaching mudra. To the northwest is Manifest Knowledge Buddha, red, with the bestowing grace mudra, possessing samadhi. All eight are adorned with the three Dharma robes and the marks and signs, possessing the vajra posture. The four doors are with the four door goddesses. The eleven-deity mandala is the sangha mandala, in the center of the eight-petaled lotus, adorned with beautiful colors, the center becoming yellow, in the center is Shakyamuni Buddha, yellow, with the demon-subduing mudra. Possessing the three Dharma robes, adorned with the marks and signs, residing in the vajra posture. The four directions of the eight petals are the bodhisattva sangha. To the east is Avalokiteshvara, white, holding a lotus. To the south is Maitreya, yellow, holding a naga tree flower, with a trunk, marked with roundness. To the west is Vajrapani, green, the right hand holding a vajra and the left hand holding a precious rosary. To the north is Manjushri, reddish-yellow, holding a scripture and a sword, in the attire of a bodhisattva. The four corners are the shravaka sangha, to the southeast is Shariputra. To the southwest is Maudgalyayana. To the northwest is Subhuti. To the northeast is Ananda, all in the attire of shravakas, holding a begging bowl and a staff. The four doors are with the four door goddesses. If explained extensively, this eleven-deity mandala is like this, but if there are two intermediate mandalas, the five-deity mandala and the seven-deity mandala. If the intermediate is the five-deity mandala, then it does not conflict with the root mandala, separating the three auspicious times, all appearing as before. The Buddhas of the three times and the Three Jewels are all complete, so there is none missing. If the intermediate is the seven-deity mandala, then the two mandalas that do not conflict with the root mandala are the mandalas of the three auspicious times.
Chinese
各自拆分，如五坛城的广Manifestation。第六，将过去、现在、未来三世诸佛的坛城合一，中心是能仁王，右边是燃灯佛，左边是弥勒佛，八瓣上有妩媚等八天女，四门有四门母等，如上所述。第七，三宝的坛城也合一，中心是能仁王，前面是示现大母为主尊，周围是大小乘的僧众，禅修方式如上所述。然而，中等的两种方式只是略作说明。否则，在广的时候，只有十一坛城是合理的。而且，佐尔派的根本典籍中，关于这些坛城数量确定的说法，就像前面讲解坛城绘制方法时，从根本典籍中引用的那样。关于眷属的确定，佐尔派的根本典籍中只说了“十方三世的佛菩萨众围绕”，虽然没有详细说明，但这是从佐尔派的古籍中收集，并清晰地绘制了Manifestation，因此与自宗不矛盾，非常合理。如果不能做到那么多，那么在确定坛城数量为十二时，可以做一个总集坛城，或者在做六个坛城时，做第六个。如果非常简略，那么佐尔派和噶陀派都认为，只有一个坛城就足够了，其禅修方式与前面所说的禅修所依之宫殿的方式相同。然而，对于“变成十一坛城”的说法，有“变成坛城”的说法。对于“第一个坛城，在人天坛城的中央”的说法，有“在这样的坛城的中央，须弥山”到生起主尊之间，与之前的根本坛城相同。在四瓣的东方，有薄伽梵金刚不动佛蓝色等等，南方有薄伽梵药师琉璃光王等等，西方有薄伽梵怙主无量寿佛无量光等等，北方有导师薄伽梵释迦牟尼佛等等，取不动佛和三时贤劫之主尊的Manifestation。从东方洲中央的白色帝释天开始，与根本的第一个坛城相同。这样一来，