Chinese
说为了稳固，需要有四角支撑的柱子，但建造这种结构时，这样做会更加稳固和美观。在《秘密圆满大瑜伽次第》中说：“内柱四根，做成四个‘怛[达]’字。”正如所说的那样，也看到嘉[甲]赛曼隆巴大师亲自实践，在四根饰有众多眼睛图案的柱子中央的交汇处，各竖立一根柱子。建造非常宏大的宫殿时，那样做是绝对必要的。又在《秘密圆满大瑜伽次第》中说：“法身周遍，八方自净的象征，是带有八个凹槽的宝瓶和量具。”正如所说的那样，按照木材堆叠的种类，将八根柱子分别置于四方四角，并覆盖其上。做一个八角八面的宝瓶，用来覆盖佛塔的鸟檐，以及使用圆形柱子等，在实践中会非常方便。此外，像马厩三门那样，墙壁的高度为四大段，门房的墙壁为三大段和半小段。马厩单门的高度为两大段和三小段，门以上的部分比那低一小段。中等尺寸如前所述。这样，墙壁高度高的方向，墙壁本身的内部宽度为高度的一半；中等高度的，从金柱以下；低矮的，从屋顶的厚度以下，宽度为高度的一半。因此，需要根据情况计算，不能只固定在一个方向，那样没有依据，而且有很多危害。总之，外形是佛塔、城堡、王国和帐篷的形状。《法义》中说：“外形佛塔城堡，王国山岳帐篷想。”以及《秘密圆满》中也说：“形状佛塔纹城堡，帐篷和王国相似。”正如所说的那样。其中，首先，关于建造佛塔形状的方法，也有两种不同的观点。大多数古代上师认为，将宫殿实际建筑的基座以下部分做成佛塔的地基，然后在上面建造大菩提塔等任何方便的佛塔形状。正如《秘密圆满》中所说的那样，娘敦
English
It is said that for stability, pillars supporting the four corners are necessary, but when constructing such a structure, doing it this way will make it more stable and beautiful. In the "Secret Perfection Mahayoga Gradual Path," it says, "The four inner pillars are made into four 'Tram' [Taṃ] syllables." As it is said, it has also been seen that Gyalsay Menlungpa the Great personally practiced it, with each pillar erected at the intersection in the center of the four pillars adorned with numerous eye patterns. When constructing a very large palace, doing so is absolutely necessary. Again, in the "Secret Perfection Mahayoga Gradual Path," it says, "The symbol of the Dharmakaya pervading all, the eight directions self-purified, is a vase with eight grooves and a measuring container." As it is said, according to the type of wood stacking, the eight pillars are placed in the four directions and four corners and covered. Make an octagonal vase with eight sides to cover the eaves of the stupa, and using round pillars, etc., will be very convenient in practice. Furthermore, like a stable with three doors, the height of the wall is four large sections, and the wall of the gatehouse is three large sections and half a small section. A stable with a single door has a wall height of two large sections and three small sections, and the part above the door is one small section lower than that. The medium size is as previously mentioned. Thus, in the direction where the wall height is high, the internal width of the wall itself is half the height; for medium height, it is from below the golden pillar; for low height, it is from below the thickness of the roof, and the width is half the height. Therefore, it is necessary to calculate according to the situation, and it is not possible to fix it in only one direction, as there is no basis for doing so, and there are many harms. In short, the outer shape is the shape of a stupa, a castle, a kingdom, and a tent. In "Religious Meaning," it says, "The outer shape is thought of as a stupa, a castle, a kingdom, a mountain, and a tent." And in "Secret Perfection," it also says, "The shape is like a stupa, a patterned castle, a tent, and a kingdom." As it is said. Among these, first, regarding the method of constructing the shape of a stupa, there are also two different views. Most ancient lamas believe that the part below the base of the actual palace building should be made like the foundation of a stupa, and then any convenient shape of a stupa, such as a great Bodhi stupa, should be built on top of it. As stated in "Secret Perfection," Nyangton
Chinese
关于建造那波坛城的方法是：在从外到内依次由一大到四部分升高的四层台阶之上，放置宝瓶座、宝瓶、量器等，如同没有地基的大殿一样，朝向四方。四个马厩也由第三大部分的柱子支撑起来，从门上向上做成佛塔的形状，外形被认为是五峰佛塔的形状。第二种是城堡的建造方法：有些人认为是指四方形的楼房，但这是不合理的。贤者们说，这是摧毁魔军的清净城堡的形状。他们这样说。虽然没有详细说明建造方法，但根据合理的推断，可以这样理解：在《文殊手印镇伏》中说：“埃（藏文：ཨེ་，梵文天城体：ए，梵文罗马拟音：e，汉语字面意思：埃）之宫殿三弯月，颅骨之城四轮八，铁城十二夹道四，门四马厩具八个，大坑十六金刚帐，不造任运自然成，不毁本性即是空。”因此，坛城周围有十六个坑，为了守护这些坑，还有十六个大守护者等等。城堡的梵语词汇“ दुर्ग (durga)”意味着难以进入，所以只需做到这些。如果还要寻找其他建造城堡的方法，那就太过分了。第三种是王宫的形状：是印度国王宫殿的房屋形状，是按照印度世界的风格建造的楼房。第四种是帐篷的形状：是中央高耸的圆形帐篷，中央竖立圆柱，搭建方式与圆形宝瓶相同。无论外形如何，都必须在顶部放置金刚宝顶。因为无法一一详述，所以暂时说到这里。另外，上下续部中会出现许多不确定的坛城布局，需要根据各自的续部注释、修法以及金刚上师的口诀等来确定。令人愉悦的胜者之宫殿，如胜者亲自所说，由诸佛子所阐释之义，出自至尊大伏藏师法王的教言之中。
English
The method of constructing the Napo mandala is as follows: On top of the four-tiered platform that rises from the outer to the inner, sequentially from one large part to four, place vase supports, vases, measuring vessels, etc., like a great hall without a foundation, facing the four directions. The four stables are also supported by pillars of the third largest part, and from above the door, they are made into the shape of a stupa, with the outer shape considered to be that of a five-peaked stupa. The second is the method of constructing a castle: Some think it refers to a square upper room, but this is said to be unreasonable. The wise say that it is the form of a pure fortress that destroys the armies of demons. They say this. Although the method of construction is not described in detail, it can be understood in this way by reasonable inference: In the "Manjushri Handprint Subjugation," it says, "The palace of E (Tibetan: ཨེ་, Sanskrit Devanagari: ए, Sanskrit Romanization: e, Literal meaning: E) is three crescent moons, the skull city is four wheels of eight, the iron city is twelve with four corridors, four doors with eight stables, sixteen great pits with a vajra tent, spontaneously accomplished without making, un destroyed, its nature is emptiness." Therefore, there are sixteen pits around the mandala, and to protect these pits, there are sixteen great protectors, and so on. The Sanskrit word for fortress, " दुर्ग (durga)," means difficult to enter, so just do that much. If you need to look for other ways to build a fortress, it's too much. The third is the form of the royal palace: it is the form of the houses of the Indian king's palace, which are multi-storied buildings built in accordance with the style of the Indian world. The fourth is the shape of the tent: it is the shape of a round tent with a high center, with a round pillar erected in the center, and the method of erecting it is the same as that of a round vase. Whatever the outer shape, a vajra jewel top must be placed on top. Since it is impossible to explain everything in detail, I will stop here for now. In addition, many uncertain mandala layouts appear in the upper and lower tantras, which need to be determined according to their respective tantra commentaries, sadhanas, and the oral instructions of the vajra master, and so on. In the delightful palace of the Victorious One, as the Victorious One himself said, the meaning explained by the Sons of the Victorious One, comes from the teachings of the supreme treasure great Dharma Lord.
Chinese
我已穷尽。 名为疯行持法吉祥。 由达里扎瓦所作。 所有过失祈请智者宽恕。 所有善说之善。 愿至尊上师之足永固。 愿虚空遍布一切众生一体。 愿皆成金刚萨埵。 于此忿怒年黑色月之下半月之初十，在邬金敏珠林之佛学院手书而成。吉祥！ 前文：幻化网无量宫之安立，光明灯论释。法吉祥。 后文：
English
I have exhausted all. Called Mad Mendicant Dharma Shri. Composed by Dari Dawa. I beseech the wise to forgive all faults. By the virtue of whatever excellent explanation there is, May the feet of the venerable Lama be firm, May all beings pervading space in their entirety Become Vajrasattva. This was handwritten in the Dharma school of Orgyen Mindroling on the tenth day of the dark half of the black month of the wrathful year. May it be auspicious! Previous: Commentary on the Lamp of Clarity, which establishes the immeasurable palace of the Magical Net. Dharma Shri. Next: