English
English version: If these beings can all achieve the merits possessed by a Bodhisattva in their last life, accumulating such merits to an immeasurable, boundless, billion-fold extent, it would amount to the merit contained within a single pore of a Tathagata's (如来，another name for Buddha) body. Manjushri (文殊师利, a Bodhisattva)! You should know that the number of pores on a Tathagata's (如来，another name for Buddha) body is exactly nine billion nine hundred million, and each pore possesses immeasurable merits as described above. Manjushri (文殊师利, a Bodhisattva)! The merits possessed by each pore of all Buddhas and Tathagatas (如来，another name for Buddha), even if accumulated to an immeasurable, boundless, billion-fold extent, are required to form one minor mark of excellence on a Tathagata's (如来，another name for Buddha) body. Manjushri (文殊师利, a Bodhisattva)! The minor marks of excellence possessed by such a Buddha's body, briefly stated, are eighty in number: First, the protuberance of flesh on the crown of the head is high and prominent, and no one can see its top; second, the nose is high and straight, and the nostrils are not visible; third, the eyebrows are like a crescent moon and are dark blue in color; fourth, the earlobes are fully formed; fifth, the body is as firm as Narayana (那罗延, a Hindu deity); sixth, the joints are connected like interlocking hooks; seventh, when walking, the feet are four inches above the ground, and the imprint is perfectly formed; eighth, the body turns like an elephant king; ninth, the nails are like red copper, thin and lustrous; tenth, the kneecaps are round and beautiful; eleventh, the body is always fresh and clean; twelfth, the skin is soft; thirteenth, the body is upright and straight; fourteenth, the fingers are slender and long; fifteenth, the finger lines are solemn and beautiful; sixteenth, the veins are hidden and concealed; seventeenth, the body color is moist and beautiful; eighteenth, the ankles are not exposed; nineteenth, the body is not drooping or inclined; twentieth, the body form is complete; twenty-first, the consciousness is pure; twenty-second, the deportment is complete and sufficient; twenty-third, the dwelling place is secure and cannot be shaken; twenty-fourth, the majesty shakes everything; twenty-fifth, beings are happy to see; twenty-sixth, the face is not narrow and long; twenty-seventh, the appearance and color do not change; twenty-eighth, the facial features are beautiful and broad; twenty-ninth, the lip color is like the bimba fruit; thirtieth, the voice is deep and far-reaching; thirty-first, the navel is deep, round, and beautiful; thirty-second, the navel swirls to the right; thirty-third, the hands and feet are complete; thirty-fourth, the hands and feet can act according to the mind's intentions; thirty-fifth, the lines on the hands and feet are bright and clear; thirty-sixth, the lines on the hands and feet are not broken; thirty-seventh, the light of the hands and feet has five colors; thirty-eighth, all beings who see it are filled with joy. --------------------------------------------------------------------------------
Chinese
悦；三十九者面如满月；四十者先意与语；四十一者毛孔出无上香；四十二者足下平满；四十三者威容如师子王；四十四者进止如象王；四十五者行步如鹅王；四十六者首如摩陀那；四十七者身极端正；四十八者一切声相具足；四十九者牙利鲜白；五十者舌色如赤铜；五十一者舌薄而长；五十二者诸根清净；五十三者身色光洁；五十四者手足润泽；五十五者手足有德相；五十六者面门相具；五十七者手足掌如红莲；五十八者腹不现；五十九者脐不出；六十者腰细称形；六十一者身毛上靡；六十二者身持重；六十三者臆前有室利婆瑳像；六十四者身相洪大；六十五者手足柔软；六十六者圆光一寻；六十七者常光照身；六十八者等视众生；六十九者不轻众生；七十者应众生音声不增不减；七十一者说法不着；七十二者一音普遍同众生语；七十三者说法有因缘；七十四者一切众生无能尽观；七十五者行顺于右；七十六者无瞋状；七十七者发长好；七十八者发不乱；七十九者发右旋；八十者发青绀。 “文殊师利！如上所说，名为如来随好。福德积数满足无量无边亿百千倍，成如来身随相一文福德之量。如是随相复有八十：一者梵王像；二者帝释像；三者提头赖吒像；四者毗楼勒叉像；五者毗楼博叉像；六者毗沙门像； 现代汉语译本： ‘悦；第三十九种是面容像满月一样；第四十种是能先了解对方的心意并与之交谈；第四十一种是毛孔散发出无上的香气；第四十二种是足底平满；第四十三种是威仪容貌像狮子王一样；第四十四种是前进和停止像象王一样；第四十五种是行走的姿态像鹅王一样；第四十六种是头部的形状像摩陀那一样；第四十七种是身体极其端正；第四十八种是具备一切美好的声音；第四十九种是牙齿锋利洁白；第五十种是舌头的颜色像赤铜一样；第五十一种是舌头薄而长；第五十二种是诸根清净；第五十三种是身体的颜色光亮洁净；第五十四种是手和脚润泽；第五十五种是手和脚具有功德之相；第五十六种是面部的各种特征都具备；第五十七种是手掌和脚掌像红莲花一样；第五十八种是腹部不显露；第五十九种是肚脐不突出；第六十种是腰部纤细匀称；第六十一种是身上的毛向上生长；第六十二种是身体稳重；第六十三种是胸前有室利婆瑳（Srivatsa，吉祥结）的像；第六十四种是身相高大；第六十五种是手和脚柔软；第六十六种是周围的光环有一寻（古代长度单位）长；第六十七种是常有光芒照耀身体；第六十八种是平等看待众生；第六十九种是不轻视众生；第七十种是回应众生的声音不增不减；第七十一种是说法时不执着；第七十二种是用一种声音普遍地以众生的语言说法；第七十三种是说法有因缘；第七十四种是一切众生无法完全看清；第七十五种是行为顺着右方；第七十六种是没有嗔恨的样子；第七十七种是头发长而美好；第七十八种是头发不散乱；第七十九种是头发向右旋转；第八十种是头发呈青黑色。 ‘文殊师利（Manjusri，智慧的象征）！如上面所说的，称为如来的随好。积累的福德数量满足无量无边亿百千倍，才能成就如来身上随相的一个文福德的量。这样的随相又有八十种：第一种是梵王（Brahma，创造之神）的形象；第二种是帝释（Indra，众神之王）的形象；第三种是提头赖吒（Dhritarashtra，持国天）的形象；第四种是毗楼勒叉（Virudhaka，增长天）的形象；第五种是毗楼博叉（Virupaksha，广目天）的形象；第六种是毗沙门（Vaishravana，多闻天）的形象；’
English
English version: ‘Pleasing; the thirty-ninth is a face like the full moon; the fortieth is to understand the other person's mind and speak to them accordingly; the forty-first is that the pores emit unsurpassed fragrance; the forty-second is that the soles of the feet are flat; the forty-third is that the majestic appearance is like a lion king; the forty-fourth is that the advance and retreat are like an elephant king; the forty-fifth is that the gait is like a goose king; the forty-sixth is that the shape of the head is like a Madana; the forty-seventh is that the body is extremely upright; the forty-eighth is that all beautiful sounds are complete; the forty-ninth is that the teeth are sharp and white; the fiftieth is that the color of the tongue is like red copper; the fifty-first is that the tongue is thin and long; the fifty-second is that the faculties are pure; the fifty-third is that the color of the body is bright and clean; the fifty-fourth is that the hands and feet are moist; the fifty-fifth is that the hands and feet have virtuous marks; the fifty-sixth is that the features of the face are complete; the fifty-seventh is that the palms of the hands and feet are like red lotuses; the fifty-eighth is that the abdomen is not visible; the fifty-ninth is that the navel does not protrude; the sixtieth is that the waist is slender and well-proportioned; the sixty-first is that the body hair grows upwards; the sixty-second is that the body is dignified; the sixty-third is that there is an image of Srivatsa (auspicious knot) on the chest; the sixty-fourth is that the body is large and tall; the sixty-fifth is that the hands and feet are soft; the sixty-sixth is that the surrounding halo is one fathom (ancient unit of length); the sixty-seventh is that constant light shines on the body; the sixty-eighth is that all beings are regarded equally; the sixty-ninth is that beings are not despised; the seventieth is that the response to the voices of beings is neither increased nor decreased; the seventy-first is that there is no attachment when teaching the Dharma; the seventy-second is to teach the Dharma with one voice universally in the languages of beings; the seventy-third is that teaching the Dharma has causes and conditions; the seventy-fourth is that all beings cannot fully see; the seventy-fifth is that the conduct is to the right; the seventy-sixth is that there is no appearance of anger; the seventy-seventh is that the hair is long and beautiful; the seventy-eighth is that the hair is not disheveled; the seventy-ninth is that the hair rotates to the right; the eightieth is that the hair is bluish-black.' ‘Manjusri (symbol of wisdom)! As mentioned above, these are called the minor marks of the Tathagata. The accumulated merit and virtue must be fulfilled countless billions of times to achieve the amount of merit and virtue of one minor mark on the body of the Tathagata. There are eighty such minor marks: the first is the image of Brahma (the creator god); the second is the image of Indra (the king of the gods); the third is the image of Dhritarashtra (Guardian of the East); the fourth is the image of Virudhaka (Guardian of the South); the fifth is the image of Virupaksha (Guardian of the West); the sixth is the image of Vaishravana (Guardian of the North);’ --------------------------------------------------------------------------------
Chinese
七者水天像；八者日天像；九者月天像；十者火天像；十一者风天像；十二者龙王像；十三者仙人像；十四者童男像；十五者童女像；十六者贤圣座像；十七者宝幢像；十八者牛王像；十九者功德天女像；二十者山王像；二十一者摩竭大鱼像；二十二者金翅鸟王像；二十三者彪王像；二十四者马王像；二十五者孔雀王像；二十六者共命鸟像；二十七者迦陵频伽像；二十八者翡翠像；二十九者鹦鹉像；三十者跖俱罗鸟像；三十一者鹅王像；三十二者鸠鸽像；三十三者象王像；三十四者宫殿像；三十五者摩尼珠像；三十六者璎珞像；三十七者大海像；三十八者莲华像；三十九者难陀跋多像；四十者浴池像；四十一者灵茅像；四十二者萨底迦像；四十三者华鬘像；四十四者宝冠像；四十五者尸利婆瑳像；四十六者伞盖像；四十七者江河像；四十八者云天像；四十九者宝剑像；五十者长钩像；五十一者频婆果树像；五十二者指环像；五十三者耳珰像；五十四者金刚杵像；五十五者戈戟像；五十六者矛槊像；五十七者长刀像；五十八者斗轮像；五十九者弓矢像；六十者钺斧像；六十一者罥索像；六十二者耒耜像；六十三者药草像；六十四者乳牛像；六十五者野牛像；六十六者羖羊像；六十七者白拂像；六十八者天鼓像；六十九者 现代汉语译本 七是水天像（水神）；八是日天像（太阳神）；九是月天像（月亮神）；十是火天像（火神）；十一是风天像（风神）；十二是龙王像（龙族之王）；十三是仙人像（得道之人）；十四是童男像（年轻男子）；十五是童女像（年轻女子）；十六是贤圣座像（贤者圣人的座位）；十七是宝幢像（珍贵的旗帜）；十八是牛王像（牛中之王）；十九是功德天女像（带来功德的天女）；二十是山王像（山中之王）；二十一是摩竭大鱼像（巨大的摩竭鱼）；二十二是金翅鸟王像（金翅鸟之王）；二十三是彪王像（老虎之王）；二十四是马王像（马中之王）；二十五是孔雀王像（孔雀之王）；二十六是共命鸟像（拥有共同命运的鸟）；二十七是迦陵频伽像（美妙歌声的鸟）；二十八是翡翠像（翡翠鸟）；二十九是鹦鹉像（鹦鹉）；三十是跖俱罗鸟像（一种鸟类）；三十一是鹅王像（鹅中之王）；三十二是鸠鸽像（鸠和鸽子）；三十三是象王像（象中之王）；三十四是宫殿像（宫殿）；三十五是摩尼珠像（如意宝珠）；三十六是璎珞像（珠玉装饰品）；三十七是大海像（大海）；三十八是莲华像（莲花）；三十九是难陀跋多像（一种莲花）；四十是浴池像（沐浴的池塘）；四十一是灵茅像（神圣的茅草）；四十二是萨底迦像（一种植物）；四十三是华鬘像（花环）；四十四是宝冠像（珍贵的头冠）；四十五是尸利婆瑳像（吉祥的光辉）；四十六是伞盖像（伞）；四十七是江河像（江河）；四十八是云天像（云彩）；四十九是宝剑像（珍贵的剑）；五十是长钩像（长长的钩子）；五十一是频婆果树像（频婆果树）；五十二是指环像（戒指）；五十三是耳珰像（耳环）；五十四是金刚杵像（金刚杵）；五十五是戈戟像（戈和戟）；五十六是矛槊像（矛和槊）；五十七是长刀像（长刀）；五十八是斗轮像（战斗用的轮）；五十九是弓矢像（弓和箭）；六十是钺斧像（钺和斧）；六十一是罥索像（绳索）；六十二是耒耜像（犁和锄）；六十三是药草像（药草）；六十四是乳牛像（产奶的牛）；六十五是野牛像（野牛）；六十六是羖羊像（公羊）；六十七是白拂像（白色的拂尘）；六十八是天鼓像（天上的鼓）；六十九是