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MLP0050006.The History of Khenchen Dharma Shri's Calculation Teachings..g2.0f

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Chinese

需要面向干净的方向,进行星命历算的腹部占卜和八卦的好四相等。一般来说,发动战争等需要避免年月的地主神和军队的拘留等。最主要的是星命历算的方位等时神历算最为重要。像降妖除魔之类的,除了星命历算本身,以及短暂的“比什提”(藏文:བིཥྟི་,梵文天城体:भिष्टी,梵文罗马拟音:bhiṣṭī,汉语字面意思:比什提)瑜伽等时间征兆外,没有其他的计算方法。还有,在战争和降妖除魔等事情中,如果面向星命历算的方位不利的方向开始行动,那么最初仅仅面向那个方向开始工作就可以了,这是《阎魔法王军队镇压》中说的。时轮历算的占卜模型《三界善说星算图》以前没有见过或听过,所以不知道是谁写的。因为普派的实践传承中没有这样的东西,所以怀疑是脱离了经典传承的孤本。无论如何,因为没有见过那本书,所以无法评论其中的含义。在时轮历本身中,在解释时间的取舍时,外在的时间组合是现在正在出现的宫位,然后从那里顺时针数起的第七个宫位是正在消失的宫位。在这两个宫位的任何一个上面,如果有时间之火、太阳、火星和土星,那么如果依次参与吉祥的活动,就会依次死亡、生病、受伤和损失财产。如果有水星、月亮、木星和金星,那么就会依次敌人衰弱、自己兴旺、战争胜利、获得快乐和财产。信使所说的这个占卜,在时轮历本身中说是要观察内在鼻子的气息瑜伽,但是因为无法做到那样,所以说了用十来乘、混合宫位等图画的方法。这里没有明确说明需要画两次。一般来说,大多数绘制星算图的时候,都要事先完成过去宫位、过去日期、当时日夜的长度,以及所有星曜位于哪个宫位的星曜分布等。绘制时,如果是为了自己,可以不用看问题,如果是为了他人,就要在提问的时候观察塔卡尔,然后进行占卜。无论如何,只要抓住计算的时间就可以了。不是年轮和月轮的轮子,而是被称为死神九轮的轮子,是年轮的一部分。占卜模型中,有黑紫色的神灵作祟,没有供品等等。

English

It is necessary to face clean directions and perform astrological calculations such as the abdomen divination and the four good omens of the Eight Trigrams. Generally, when initiating warfare, it is necessary to avoid the earth lords of the year and month, as well as military detentions. Primarily, the astrological calculations of the directions, such as those of the sound-based astrology, and the calculations of the time deities are most important. For activities like casting spells, only the sound-based astrology itself and the momentary "Bishti" (Tibetan: བིཥྟི་, Sanskrit Devanagari: भिष्टी, Sanskrit Romanization: bhiṣṭī, Literal Chinese meaning: Bishti) yoga and other temporal omens are considered; no other methods are used. Furthermore, in matters of warfare and spell-casting, if one faces an unfavorable direction according to the sound-based astrology, it is sufficient to initially face that direction when starting the work, as stated in the "Subjugation of Yama's Army." The astrological model of the Kalachakra, called "Well-Explained Astrological Chart of the Three Realms," has not been seen or heard of before, so its author is unknown. Since there is no such thing in the practical lineage of the Phuk tradition, it is suspected to be an isolated copy that has strayed from the classical tradition. In any case, without having seen the text itself, I cannot comment on its meaning. In the Kalachakra itself, when explaining what to adopt and abandon in terms of time, the external time combination is the house that is currently appearing, and the seventh house counted clockwise from there is the house that is disappearing. If the fire of time, the sun, Mars, and Saturn are on either of these two houses, then engaging in virtuous activities will sequentially lead to death, illness, injury, and loss of wealth. If Mercury, the moon, Jupiter, and Venus are present, then sequentially the enemy will weaken, oneself will prosper, victory in war will be achieved, and one will gain joy and wealth. This divination spoken by the messenger is said in the Kalachakra itself to be for examining the inner yoga of the nasal breath, but since that is not possible, methods of drawing diagrams using multiplication by ten and mixing houses are taught. It is not explicitly stated here that it needs to be drawn twice. Generally, when drawing most Yangchar charts, one must first complete the past house, the past date, the length of the day and night at that time, and the distribution of the planets in the houses where they are located. When drawing for oneself, one does not need to look at the question, but when drawing for others, one must examine Tarkal at the time of the question and then draw the chart. In any case, it is sufficient to grasp only the time of calculation. The wheel that is neither an annual nor a monthly cycle, known as the Nine Rotations of the Executioner Gods, is part of the annual cycle. In the divination model, there are dark purple gods causing harm, and there are no offerings, etc.

Chinese

如同交付恶灵,供奉埃嘎匝德(Eka-jati)。“斯班巴(Spen pa)与芝麻油渣混合”这句话在各地的典籍中未见到,不知何意。在太阳出现时,星算中说“片刻”的说法,在噶尔嘎的经文中说:“星宿依次为,传承、数量、形状、常时、食物、种姓神和六种的解说中,常时中说‘片刻三十’等等,星算中认为常时有各自的量。”时轮金刚中除了布施和吝啬外,都说是六十个时辰,即三十个片刻。这里是地方,因此认为也取了那个名字。关于名字星宿的确定:在《声律论》中说:“在百足轮中,应知名字的星宿。名字的首字母,通过简略可知喜乐母。何时有叠字,那时应取上面的字。”因此,印度名字中有如Śrī,则取Śa,藏语中如扎西(བཀྲ་ཤིས་)则取巴(བ)。然而,名字的根本是重要的,因此认为取扎(ཀྲ)的嘎(ཀ)是自己的想法。无论如何,百足轮的字母都是有生命的,因此应观察带元音的辅音星宿落在何处,然后进行命名和计算等。所谓“四部医典”,指的是《净金经》、《天地显现八部》、《吉祥堆积》、《十方除暗》。不知所谓“猛咒四部”指的是什么。拉章(བླ་བྲང་)的走廊里所画的天地仪等白琉璃派的画作是寺院的唐卡,而自己的画派都是临时在那里绘制的,没有模仿其他范本,请知悉。

English

Like entrusting to evil spirits, offer to Eka-jati. The saying "Spen pa mixed with sesame oil residue" is not found in the classics of various regions, and its meaning is unknown. In astrology, when the sun appears, the saying "a moment" is mentioned. In the Gargya Sutra, it says: "The stars are in order, lineage, number, shape, constant time, food, caste deity, and in the explanation of the six, in constant time it says 'thirty moments' etc., in astrology it is believed that constant time has its own measure." In the Kalachakra, except for giving and stinginess, all are said to be sixty hours, that is, thirty moments. This is a place, so it is believed that the name was also taken from that. Regarding the determination of the name star: In the Tantra of Phonetics, it says: "In the hundred-footed wheel, the name star should be known. The first letter of the name, through abbreviation, can be known as Joyful Mother. Whenever there is a stacked letter, then the upper letter should be taken." Therefore, if there is Śrī in Indian names, then Śa is taken, and in Tibetan names like Tashi (བཀྲ་ཤིས་), Ba (བ) is taken. However, the root of the name is important, so it is believed that taking Ka (ཀ) from Tra (ཀྲ) is one's own idea. In any case, the letters of the hundred-footed wheel are all living, so one should observe where the consonant star with vowels falls, and then name and calculate etc. The so-called "Four Medical Tantras" refers to the Pure Gold Sutra, the Eight Manifestations of Heaven and Earth, Auspicious Accumulation, and the Ten Directions Removing Darkness. It is not known what the so-called "Four Wrathful Tantras" refers to. The celestial and terrestrial instruments etc. painted in the corridor of Labrang (བླ་བྲང་) in the Bai-kar style are the Thangkas of the monastery, and one's own paintings are all painted there temporarily, without imitating other templates, please be aware.

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