Chinese
第四个是五种姓的自性之象征。 也是为了象征四无量和四谛，所以用四个角来庄严。 其上，为了象征智慧的宫殿功德圆满，四方形是四解脱的象征，中央具有四门，象征五身，轮有四辐，以角装饰而显得庄严。 其所象征的是八解脱的马座和象征二谛之义的智慧燃烧的内外两层走廊的美丽，以及高耸的文殊墙。 第二个是使之美丽的装饰。 大部分与前面相同。 特别是干湿头盖骨的墙壁上缠绕着黑蛇的束，头盖骨是蛇的网，有太阳和月亮的孔，梵天的柱子，大自在天的柱子，乌龟的柱基，田地的篱笆，小自在天的门槛，地基上的屋檐，肠子的网，心形的半网，四个门的乌龟门槛，摩羯的门楣，黑蛇的男子，大田的门扇等各种各样的装饰。 以太阳、月亮和星宿的装饰和庄严，从燃烧的火焰顶端，火焰的火星向十方放射的许多串和光芒交织而显得美丽。 第三个是座位的差别，是压倒众生的牛王，光彩夺目的水牛，凶猛的豹子，英勇的老虎，以及自性凶猛的熊的爪子所抬起的。 不懂的人说用爪子抓住了大神，这不是的。 这些的座上是傲慢的男女交合而坐的。 其上是傲慢的自在天大神等夫妇交合。 抓住是不正确的文字。 这些生物也是作为身语意智慧五者的象征而自显的。 第二个是所依的本尊坛城，分为二：主尊的坐姿和眷属的排列。 第一分三：身色和面容手势。 身色方面，由于愚痴清净为处，所以主尊是深蓝色。 嗔恚清净为金刚黑汝嘎。
English
The fourth is the symbol of the nature of the five families. It is also adorned with four corners to symbolize the four immeasurables and the four truths. Above it, to symbolize the palace of wisdom and the perfection of qualities, the square is a symbol of the four liberations, and the center has four doors, symbolizing the five bodies, and the wheel has four spokes, adorned with corners, making it magnificent. What it symbolizes is the horse seat of the eight liberations and the beauty of the inner and outer corridors of burning wisdom, symbolizing the meaning of the two truths, and the towering Manjushri wall. The second is the ornament that makes it beautiful. Most of it is the same as before. In particular, the walls of dry and wet skulls are wrapped with bundles of black snakes, the skulls are nets of snakes, there are holes for the sun and moon, the pillars of Brahma, the pillars of the Great Lord, the turtle pillar bases, the fences of the fields, the thresholds of the small lords, the eaves on the foundation, the nets of intestines, the half-nets of the heart shape, the turtle thresholds of the four doors, the lintels of Makara, the men of black snakes, the door leaves of the great fields, and so on, with various decorations. Adorned and dignified with the ornaments of the sun, moon, and stars, from the top of the burning flames, the sparks of the flames radiate in ten directions, with many strings and intertwined rays of light, making it beautiful. The third is the difference in the seats, which are raised by the hooves of the bull king who subdues beings, the magnificent buffalo, the fierce leopard, the heroic tiger, and the claws of the naturally fierce bear. Those who do not understand say that the great god is held by the claws, but this is not so. On these seats, arrogant men and women sit in union. Above it are arrogant lords, great gods, and other couples in union. Grasping is an incorrect word. These creatures also appear as symbols of the five aspects of body, speech, mind, wisdom. The second is the mandala of the deity on which to rely, divided into two: the posture of the main deity and the arrangement of the retinue. The first has three parts: the color of the body and the appearance of the face and hands. Regarding the color of the body, because ignorance is purified as the place, the main deity is dark blue. Because hatred is purified, Vajra Heruka.
Chinese
黑蓝色。因我慢清净故，为宝生佛的黄黑色；因贪欲清净故，为莲花部的红黑色；因嫉妒清净故，为羯磨部的父母双尊的绿黑色，即与根本面容相同。中央与东西北四方的黑鲁嘎的右侧为白色，南方右侧为蓝色。中央与南方和北方的左侧为红色，东方和西方的左侧为黄色。这也是为了象征降伏事业圆满究竟，所以在一切前都加上“黑色”二字。于所化恶劣有情的显现中，是极度恐怖之身相，面容与手印的体性是，因三毒清净且具足三身之故，一切皆为三面。为了能自在驾驭六种智慧，并以六度救度六道众生之故，而为六臂。为了象征调伏四魔与四种神通，故以四足伸屈之姿站立。第二，关于装饰和语调。装饰是八种庄严，为了象征已证得大乘之义，故以象皮为上衣。为了降伏傲慢，故以田地的地基为上衣。为了从能取所取的边解脱，故以虎皮为下裙，即以生皮之衣，具有各种形相。蛇是国王种姓白色的头饰，王族种姓黄色的耳环和项链，婆罗门种姓红色的项链和臂钏，吠舍种姓绿色的腰带，首陀罗种姓黑色的手镯和脚镯。颅骨鬘是人头干枯的头饰，陈旧的黄色发绺，以及五十一颗湿人头的项链。日月饰是从左右肩放射光芒，是方便与智慧照亮的象征。以这些来象征，血的盛器，油的图案，大灰烬的堆积等等，共八种。也就是生皮、蛇、颅骨鬘、日月二者、血、油、灰烬等，是八种尸陀林装饰。语调是威猛的巨大声音，如千龙轰鸣一般。第三，关于法器和明妃的交抱方式。法器是，佛陀密意，左右手的前两个手中，持有金刚杵和法轮，中间的手中持有宝剑和海螺，最后两个手中持有钺刀和犁头等的声音棒。三叉戟，白棍等等，如是宣说。 荣巴是
English
Dark blue-black. Because of the purification of pride, it is the yellow-black of Ratnasambhava; because of the purification of desire, it is the red-black of the Padma family; because of the purification of jealousy, it is the green-black of Karma's yab-yum, which is the same as the root face. The right side of the Herukas of the center and the four directions of east, west, north is white, and the right side of the south is blue. The left side of the center, south, and north is red, and the left side of the east and west is yellow. This is also to symbolize the complete accomplishment of wrathful activity, so the word "black" is added to everything. In the appearance of those who are difficult to tame, it is an extremely terrifying body. The nature of the face and hand gestures is that because the three poisons are purified and the three bodies are possessed, all have three faces. In order to have power over the six wisdoms and to liberate the six realms with the six perfections, there are six arms. To symbolize the subduing of the four maras and the four siddhis, the four feet are extended and contracted. Second, regarding ornaments and vocal sounds. The ornaments are the eight glorious ornaments, symbolizing the mastery of the meaning of the Great Vehicle, with an elephant skin as an upper garment. To subdue arrogance, the foundation of the field is used as an upper garment. To be liberated from the extremes of grasping and clinging, a tiger skin is used as a lower garment, that is, a raw hide garment with various forms. The snake is the white headdress of the royal caste, the yellow earrings and necklaces of the noble caste, the red necklaces and armlets of the Brahmin caste, the green belt of the merchant caste, and the black bracelets and anklets of the outcaste. The skull garland is a headdress of dry human heads, old yellow hair, and a necklace of fifty-one wet human heads. The sun and moon ornaments radiate light from the right and left shoulders, symbolizing the illumination of skillful means and wisdom. Symbolizing these, there are eight in total: a vessel of blood, a pattern of fat, a pile of great ashes, and so on. That is, raw hide, snakes, skull garlands, the two suns and moons, blood, fat, and ashes are the eight charnel ground ornaments. The vocal sound is a fierce, great sound, terrifying like the roar of a thousand dragons. Third, regarding the hand implements and the union with the consort. The hand implements are the secret of the Buddhas. In the first two hands, right and left, are the vajra and the wheel. In the middle hands are the sword and the conch shell. In the last two hands are the cleaver and the sound stick of the plow, etc. The trident, the white stick, and so on, are spoken of. Rongpa is
Chinese
右边第一只手拿着各自的法器。左边第一只手拿着装满血的班扎拉。虽然其他人认为应该按照顺序组合，但在这里，如果按照幻化金刚的方式组合，那么右边第一只手都拿着各自的法器。也就是金刚黑汝嘎的右边第一只手拿着九股金刚杵。五部如来的右边中间的手拿着五股金刚杵，左边中间的手拿着大法螺，也就是没有发髻、装满血的颅碗。羯磨黑汝嘎的右边第一只手拿着宝剑。同样，如来的左边第一只手和宝生的左边最后一只手都拿着钺刀。事业金刚的左边第一只手拿着犁。金刚的左边最后一只手和事业金刚的左边最后一只手都拿着小鼓，象征着包含空性世界和环境。等等。总而言之，佛部的右边第一只手拿着法轮，宝部的拿着珍宝，莲花部的拿着莲花，佛部的左边最后一只手拿着卡杖嘎。宝部的左边第一只手拿着套索，金刚部和莲花部的左边第一只手拿着铃，莲花部的左边最后一只手拿着小鼓。所有本尊的右边最后一只手拿着提拉，也就是举着田杖，拿着各自的各种法器。其中金刚部说：金刚金刚和铃，举起包含世界的环境。同样，法轮和钺刀，卡杖嘎尽情挥舞。珍宝和套索，金刚钺刀紧密相连。至上之欲莲花，铃和鼓发出声音。事业的宝剑和犁，将世界远远抛开。中间的金刚，红色海螺喧闹。提拉紧密相连。如此等等。明妃的拥抱方式是，各自部族的五位明妃，一面二臂，无畏的眷属，右边拥抱着父亲，左边将颅碗中的血喂入主尊的口中并拥抱。第二，眷属的排列分为两种。第一，二十忿怒母的排列是：处所的八位母神。也就是八识聚集是产生轮回的处所，为了将这些处所净化为清净，所以称为处所的印契。其中，白色的嘎日拿着田杖和红色班，黄色的匝日拉弓射箭，红色的布拉摩哈双手举着摩羯鱼的旗帜，黑色的贝达里挥舞金刚杵，心中拿着红色班，红黄色的布嘎斯拿着孩子的
English
The first right hand holds its own attribute. The first left hand is filled with bandha rakta. Although others think that they should be combined in order, here, if combined in accordance with the magical vajra, then the first right hands all hold their own attributes. That is, the first right hand of Vajra Heruka holds a nine-pronged vajra. The middle right hand of all five families holds a five-pronged vajra, and the middle left hand holds a large conch shell, that is, a skull cup without a topknot, filled with blood. The first right hand of Karma Heruka holds a sword. Similarly, the first left hand of the Tathagata and the last left hand of the Jewel both hold a kartrika. The first left hand of Action holds a plow. The last left hand of the Vajra and the last left hand of the Action both hold a small drum, symbolizing the empty world and its environment. And so on. In short, the first right hand of the Buddha holds a wheel, the Ratna holds a jewel, the Padma holds a lotus, and the last left hand of the Buddha holds a khatvanga. The first left hand of the Jewel holds a lasso, the first left hand of the Vajra and Padma hold a bell, and the last left hand of the Padma holds a small drum. The last right hand of all holds a tira, that is, a raised field staff, holding their own various attributes. Among them, the Vajra says: Vajra, vajra, and bell, raise the world with its environment. Likewise, the wheel and kartrika, the khatvanga are fully wielded. Jewel and lasso, vajra and kartrika are closely connected. Supreme desire, great lotus, bell and drum sound. Action's sword and plow, throw the world far away. The middle vajra, the red conch shell is noisy. The great tira is closely connected. So it is said. The way the consorts embrace is that the five consorts of their respective families, with one face and two arms, fearless retinues, embrace the father on the right, and feed the blood from the skull cup into the mouth of the main deity and embrace. Second, the arrangement of the retinue is divided into two. First, the arrangement of the twenty wrathful mothers is: the eight mothers of the places. That is, the eight aggregates of consciousness are the places where samsara arises, and in order to purify these places into purity, they are called the mudras of the places. Among them, the white Gari holds a field staff and a red bhanda, the yellow Cari draws a bow and arrow, the red Bromoho holds up the banner of the makara with both hands, the black Baitali waves a vajra and holds a red bhanda at her heart, the reddish-yellow Pukkasi holds a child's