English
Thinking of the fierce and wrathful actions of the earth, Homage! I prostrate to the Three Jewels! By the truth of the Three Jewels' command, by the truth of the pure nature of Dharma, by the truth of the infallible cause and effect of phenomena, by the truth of the assembly of deities in the mandala of the Bhagavan Great Glorious Blood-Drinker, by the truth of the emanations, further emanations, command attendants, and hand implements, and by the blessing of the great truth, may all that has become a field for liberating inauspicious beings come to abide in the support of symbolic substances! Nri (Tibetan) ཡཾ (Sanskrit Devanagari) yam (Sanskrit Roman transliteration, seed syllable, wind element) ཛཿ (Tibetan) जाः (Sanskrit Devanagari) jah (Sanskrit Roman transliteration, summoning)! Nri (Tibetan) བཛྲ (Sanskrit Devanagari) vajra (Sanskrit Roman transliteration, vajra) ཨངྐུ་ཤ་ (Tibetan) अङ्कुश (Sanskrit Devanagari) ankusha (Sanskrit Roman transliteration, hook) ཛཿ (Tibetan) जाः (Sanskrit Devanagari) jah (Sanskrit Roman transliteration, summoning)! Tri (Tibetan) ཡཾ (Sanskrit Devanagari) yam (Sanskrit Roman transliteration, seed syllable, wind element) ཛཿ (Tibetan) जाः (Sanskrit Devanagari) jah (Sanskrit Roman transliteration, summoning)! Tri (Tibetan) བཛྲ (Sanskrit Devanagari) vajra (Sanskrit Roman transliteration, vajra) ཨངྐུ་ཤ་ (Tibetan) अङ्कुश (Sanskrit Devanagari) ankusha (Sanskrit Roman transliteration, hook) ཛཿ (Tibetan) जाः (Sanskrit Devanagari) jah (Sanskrit Roman transliteration, summoning)! ཛཿཧཱུཾ་བཾ་ཧོཿ (Tibetan) जाः हूँ वं होः (Sanskrit Devanagari) jah hum vam hoh (Sanskrit Roman transliteration, summoning, merging, birth, joy)! After sealing with the four mudras, incense is burned from the outside, and urged on by the sound of music and majesty. The Cham master appears with pride, from outside the door towards the direction of travel, showing the left side of the body slightly, slowly, with the sound of "Sir Sram," striking twice, swaying twice with pride, alternately waving the left and right hands, with a rhythm of four strikes, starting the lotus step from the third lift of the left foot. At "one, two," perform the reverse lotus step. At "three, four," pull the right hand back and bend it. At "one, two," sway there. At "three, four," rotate the vajra flag. Again at "one, two," point the tip of the main vajra. At "three, four," rotate the right hand inward to the left, and at the same time as throwing the vajra flag upwards, alternately lift and lower the left and right feet, and as they enter the four-step rhythm, the others also keep in line with the queue and appear in sequence. During the four-step rhythm of the left foot, the right hand waves. The left hand waves. Both hands are stretched out. With both hands supporting the waist, they proceed without circling, only with the rhythm of four strikes. This is called the Vajra Path. From there, at the third drumbeat of the hand and waist, rotate with a "phat" sound, and start the lotus step again. The reverse lotus step, stretching, pointing, etc., are as before, and the playing method of the four strikes at the end of the various vajras of the root Cham is the same. Then, in the instrumental fight of one big strike three times, with one small strike, the left and right feet alternately land on the corners of the front, back, direction of travel, and direction of return of the torma. Following that, the hands also gradually stretch upwards, the right hand retracts, and the outward rotation of the front
Chinese
在两次拍击中，向右回旋摇摆后，左右手拿起镲，进入四步，像母狼一样摇摆着小跑，这叫做舞。然后用“ཕཊ་”转变，在两组“སྦིར་སྦྲམ་”前方向前阻挡并向右拉伸。在“སྦྲམ་སྦྲམ་”时，左脚向右转，对两组“སྦིར་སྦྲམ་”进行阻挡、莲花式拉伸。同样，向前用右脚转变进行阻挡、莲花式拉伸，左脚向右转后，进行阻挡、莲花式抛掷。然后，一下一下，两下两下地只进行拍击，拉伸收缩用大力拍击，其他用小力拍击。一下一下时，两个忿怒指在内向林伽（藏文：ལིངྒ，梵文天城体：लिङ्ग，梵文罗马拟音：liṅga，汉语字面意思：男根）指。两下两下时，右脚拉伸，左脚转到铁轮上，两个忿怒指朝外伸出，一下一下时回到原位。两下两下时，左脚抬起放下，右脚铁轮两次。一下一下，两下两下时，忿怒指内指。再次，忿怒指向外伸出，一下一下时回到原位。两下两下时，膝盖摇动插入，一起蹲下，左右摇摆两次后，猛地站起，左手扶腰，右手举起。敲击九次鼓，到第六次时，脚后跟向左旋转，第七第八次时，右手向外旋转，第九次时，用林伽忿怒指向上指。四次拍击，小而急促地拍击两次后回到原位。第三第四次时，右脚向左转，进行阻挡、莲花式拉伸。左脚向内转，进行阻挡、莲花式拉伸。右脚向左转，进行阻挡、莲花式抛掷后，一下一下，两下两下地敲击鼓，忿怒指向内向林伽指，左脚拉伸，右脚转到铁轮上等等，除了左右颠倒外，和之前一样。举起右手，第九次时，用林伽忿怒指向上指，四次拍击，小而急促地拍击两次后回到原位。后半部分，向右扭动身体摇摆，然后左右手拿起镲，像熊一样奔跑旋转并指责，这叫做指责。然后，“ཨེ་”的众会坛城殊胜，炽燃的暴怒大威猛者，忿怒之意
English
After swaying to the right with two beats, the left and right hands take the cymbals and enter the four steps, swaying and trotting like a she-wolf, which is called the dance. Then, transform with "PHAT", block forward and stretch to the right for two sets of "SBIR SBRAM". At "SBRAM SBRAM", turn the left foot to the right, and perform blocking and lotus stretching for two sets of "SBIR SBRAM". Similarly, block and lotus stretch by turning the right foot forward, and after turning the left foot to the right, perform blocking and lotus throwing. Then, one by one, two by two, only strike, the stretching and contracting are done with a big strike, and the others with a small strike. One by one, the two threatening fingers point inward to the linga (Tibetan: ལིངྒ，Sanskrit Devanagari: लिङ्ग，Sanskrit Romanization: liṅga, literal Chinese meaning: male organ). Two by two, stretch the right foot, turn the left foot to the iron wheel, and extend the two threatening fingers outward, returning to the original position one by one. Two by two, lift and lower the left foot, and the right foot makes two iron wheels. One by one, two by two, the threatening fingers point inward. Again, extend the threatening fingers outward, returning to the original position one by one. Two by two, squat down together by wiggling the knees, and after swaying left and right twice each, stand up abruptly, with the left hand on the waist and the right hand raised. Strike the drum nine times, turning the heel to the left until the sixth time, and turning the right hand outward on the seventh and eighth times, and on the ninth time, point upward with the linga threatening finger. After four small and hurried strikes, return to the original position. On the third and fourth times, turn the right foot to the left, and perform blocking and lotus stretching. Turn the left foot inward, and perform blocking and lotus stretching. After turning the right foot to the left and performing blocking and lotus throwing, strike the drum one by one, two by two, pointing the threatening finger inward to the linga, stretching the left foot, turning the right foot to the iron wheel, etc., except for reversing left and right, it is the same as before. Raise the right hand, and on the ninth time, point upward with the linga threatening finger, and after four small and hurried strikes, return to the original position. In the latter half, twist the body to the right and sway, then take the cymbals with the left and right hands, running and spinning like a bear and scolding, which is called scolding. Then, the supreme mandala of the assembly of "E", the blazing, fierce, and mighty one, the mind of wrath.
Chinese
进行土地供养。佛陀的福德之身也毁灭。对于五甘露或五种食物，赋予名称和标识。召唤后用金刚橛钉住。将其化为灰尘供养给会众。在这些话中，加入钉橛时的根本旋律，按照步伐，每一句诗有四步，两遍，左右四步的第三、四步的差异之处在于向右拉伸并跳舞。此外，在三界度脱金刚舞中，担任供养的金刚舞者手持钉橛，从“诶伊”开始，采取从右侧开始的步伐。直到第七步结束。第八步的“化为灰尘”之前都保持柔和的步伐，在“供养给会众”时抬起脚，用力移动，旋律急促，金刚舞者逐渐进入内部，最后一步到达林伽前，旋律结束时，在“的、的、的”处抬起左脚，开始莲花舞。在向内以小步舞移动的地方，像母狼一样左右奔跑，之后两个小鼓各自停留在原地。在第三、四步时，手做莲花手印，抬起放下右脚，向左旋转。抬起左脚，在一、二步时保持姿势。在第三、四步时，做莲花手印，左脚向外翻转，抬起右脚，在第四步的第一拍时保持姿势。在“斯比尔、斯布朗”时，用左脚后跟跳跃，放下右脚，向右侧摇摆。同样，向内向外摇摆，然后“匝姆”。配合着降临，向内以右脚先行的两步挪动，然后蹲下。在林伽的三个位置钉入橛子。此时，上师安住于大威德金刚的傲慢之中，以禅定的度脱方法进行，将行为置于灌顶的意境中。之后，拿起度脱刀，演奏两次乐器后，猛然站起，将右脚置于铁栅栏中，除了不抬脚之外，其他都像之前一样，像舌头狼一样的小步舞旋转，最后左右“匝姆”。“吽。以嗔恨金刚及其眷属，将世间界一切都像灰尘一样摧毁，成就猛烈的事業。”这样，两种旋律都像之前一样保持不变。
English
Perform the offering of the earth. Even the blessed body of the Buddha is destroyed. For the five nectars or five foods, give names and designations. Having summoned, fix with the vajra phurba. Having made it into dust, offer it to the assembly. In these words, insert the root melody of the fixing, according to the steps, each line of the verse has four steps, twice each, the difference between the third and fourth steps of the left four steps is that they are pulled to the right and danced. Furthermore, in the dance of liberating the three realms, the Vajra dance master who serves the offering holds the fixing phurba, and starting from "E Yi," takes the steps starting from the right. Until the seventh step is completed. Until "into dust" of the eighth step, maintain a gentle pace, and when "offer to the assembly," lift the foot and move forcefully, the melody is rapid, and the Vajra dance master gradually enters inward, and the last step arrives in front of the lingam, and when the melody ends, at "of, of, of," lift the left foot and begin the lotus dance. In the place where moving inward with small steps, run left and right like a she-wolf, after which the two small drums each remain in place. At the third and fourth steps, make the lotus hand gesture, lift and lower the right foot, and rotate to the left. Lift the left foot and maintain the posture at the first and second steps. At the third and fourth steps, make the lotus hand gesture, turn the left foot outward, lift the right foot, and maintain the posture at the first beat of the fourth step. At "Bir, Bram," jump with the heel of the left foot, lower the right foot, and sway to the right. Similarly, sway inward and outward, then "Tsam." In coordination with the descent, move inward with two steps leading with the right foot, and then squat down. Fix the phurba in the three places of the lingam. At this time, the master abides in the pride of the Great Glorious One, and performs with the method of liberation through samadhi, placing the action in the intention of the abhiseka. After that, pick up the liberating knife, play the instrument twice, then stand up abruptly, place the right foot in the iron fence, except for not lifting the foot, otherwise, like before, rotate with the small steps of the tongue-wolf, and finally left and right "Tsam." "Hum. With the wrathful Vajra and its retinue, destroy all the realms of the world like dust, accomplish the fierce activity." Thus, both melodies remain the same as before.