English
Causing all the eight classes of gods and demons and the retinue of Yama to be terrified and their hearts to burst. The white face on the right fills all directions with the white light of supreme bliss. The red face on the left, opening and laughing, overturns Mount Meru and creates the three realms. Each face has a red and round... In the case of the consort, the two root hands... From the neck of the Father... The characteristics are complete. In the heart of the main deity is a wisdom being, Yama's Enemy, with three faces and six arms, seated on a lotus and sun disc, identical to himself. In his heart is the samadhi being. In the center of the blue five-pointed vajra residing on the sun, again, the dark blue, blazing Hūṃ (藏文：ཧཱུཾ，梵文天城体：हूं，梵文罗马拟音：hūṃ，汉语字面意思：吽) residing in the center of the sun, its light pervades all directions. Recite Oṃ Dharma Dhātu, etc. From the secret place of the Father, the syllable Hūṃ... Manifested. Light radiates from the seed syllable in one's own heart. Invite the Buddhas' sons and consorts, etc., and recite accordingly. The order is slightly changed from the case of the Thirteen Red Deities. From Ya arises the black Yama's Enemy of hatred. Like the clouds at the end of time... The supreme characteristics are complete. To the east of the heart mantra... The Yama's Enemy of ignorance is white in color, with three faces (white, black, and red) and six arms. The first two hands hold a curved knife and a skull cup, embracing the self-arisen consort. The remaining two right hands hold a wheel and a sword, and the two left hands hold a jewel and a lotus. The Yama's Enemy of miserliness is yellow. Three faces (yellow, black, and white). The first two hands are the same. The right hands hold a jewel and a sword, and the left hands hold a wheel and a lotus. The Yama's Enemy of desire is red. Red, black, and white... The right hands hold a lotus and a sword, and the left hands hold a wheel and a jewel. The Yama's Enemy of jealousy is green. Green, black, and white... The right hands hold a sword and a wheel, and the left hands hold a jewel and a lotus. The Yama's Enemy of striking is dark blue. Black, white, and red... The right hands hold a twenty-pointed vajra club and a sword, and the left hands hold a jewel and a lotus. The Yama's Enemy of the staff is white. White, black, and red... The right hands hold a staff and a sword, and the left hands hold a wheel and a lotus. The Yama's Enemy of the lotus is red, etc. Similar to the Yama's Enemy of desire. The Yama's Enemy of the sword.
Chinese
或者蓝绿色或者墨绿色等，嫉妒的阎罗死神一般。对此仪轨，经文中说：“稍微蓝色是特点。”因此，需要蓝绿色或者墨绿色。否则，身色的特点会稍微有所不同。或者，对于那四个门卫，手持弯刀和颅骨，在心口交叉。观想为单身父尊也可以。吉祥持的红色仪轨中，五部的时候说：“本来的智慧，无二拥抱。”以及，四门卫的时候说：“自显智慧，结合支分。”如此说。黑色修法中，五部有佛母，与红色相同。四门卫显现为单身父尊。从红色和黑色两者的获得资格的角度来说，四门卫有没有佛母没有差别。此时，经文词句上也没有差别，因此红色和黑色两者都可以观想四门神为有佛母和单身父尊。这也是依吉祥持仪轨的观点。一般来说，黑阎罗的所有本尊，都观想为自显的方便智慧互相拥抱的交合身。和上面所说的两种选择，以及所有眷属都观想为单身父尊或单身佛母，出现了四种不同。还有，用完整的人头代替四个边际的颅骨等等，虽然出现了各种各样的情况，但如果符合续部的意义，就是上师的口诀，因此没有相违。有些人认为与密宗续部的规矩相联系，十三尊轮的主尊也仅仅是与智慧母分离的，以及眷属都从心口生起，这些在印度出现是不合理的，如同续部的注释中所禁止的那样。即使有人说那样的想法是口诀，但因为与续部的直接教导相违背，所以应该舍弃。虽然没有见到那样的想法的论典翻译成藏文，但那种想法是瑜伽行唯识宗的观点吗？现在进入正文，白色嚓孜嘎，干瘦而愤怒，白色、黑色、红色等，愚痴的阎罗死神一般。母猪蓝色，蓝白红色等，右边两手持金刚杵和宝剑，左边两手持法轮和莲花。大忿怒母是根本的猪面。
English
Or blue-green or dark green, like the jealous Yama, the Lord of Death. Regarding this practice, the scripture says, "Slightly blue is a characteristic." Therefore, blue-green or dark green is necessary. Otherwise, there will be a slight difference in the color of the body. Alternatively, for those four gatekeepers, holding curved knives and skulls, crossed at the heart. It is also permissible to meditate on them as single male deities. In the red ritual of Shri-dhara, it says in the context of the five families: "The innate wisdom, embracing without duality." And, in the context of the four gatekeepers: "Self-manifest wisdom, joining the limbs." So it is said. In the black sadhana, the five families have consorts, which is similar to the red one. The four gatekeepers appear as single male deities. From the perspective of the entitlement of the red and black practices, there is no difference between the four gatekeepers having consorts or not. At this time, there is also no difference in the words of the tantra, so for both red and black, one should contemplate the four gatekeepers as having consorts or as single male deities. This is according to the view of the Shri-dhara ritual. In general, all the deities of Black Yama are visualized as the union body of self-manifest skillful means and wisdom embracing each other. And the two choices mentioned above, and all the retinue are visualized as single male or single female deities, thus there are four differences. Also, replacing the four skulls at the borders with whole human heads, etc., although various situations have arisen, if it conforms to the meaning of the tantra, it is the oral instruction of the guru, so there is no contradiction. Some people think that it is related to the rules of the secret mantra tantra, and that the main deity of the thirteen-deity mandala is only separated from the wisdom mother, and that the retinue arises from the heart, which is unreasonable in India, as forbidden in the commentary on the tantra. Even if someone says that such a thought is an oral instruction, it should be abandoned because it contradicts the direct teachings of the tantra. Although I have not seen a treatise with such a view translated into Tibetan, I wonder if that kind of view is the view of the Yogachara school of thought. Now entering the main text, white Tsa-tsi-ka, emaciated and wrathful, white, black, red, etc., like the ignorant Yama, the Lord of Death. Sow blue, bluish-white, reddish, etc., the two right hands hold a vajra and a sword, the two left hands hold a wheel and a lotus. The great wrathful mother is the face of the fundamental pig.
Chinese
由ཀ་ར་ཛྙཱ་ན所著。由ཀོར་ནི་རུ་པ翻译。总的来说，似乎是属于续部的词句。虽然旧的施虐仪轨在其他流派中没有，但如布顿（Bu-ston）以下的所有后来的智者们都在做。对于红黑怖畏金刚十三尊和其他流派，在赞颂时补充完整会更好。现在即使是自生本尊的供赞甘露品尝也不需要，但对于前生本尊的赞颂，可以适当地添加。在甘露加持的时候，在其上稍微不接触，念诵“吽（藏文：ཧཱུྃ，梵文天城体：हुं，梵文罗马拟音：hūṃ，汉语字面意思：吽）字所生的白色金刚”，以及“白色金刚使物品”。从经文中移动这些念诵，虽然经文中也只有这些，但一般来说，对于黑色本尊，白色手杖也不矛盾，因为这不是以本尊的法器来决定的，而是为了甘露的缘故，用白色卡杖嘎。朵玛仪轨的时候，朵玛加持与内供的时候相同。朵玛食子和护法神们，一旦用金刚橛击打完毕，在转化为智慧尊的时候，红色仪轨中所有本尊都是一面二臂，由于需要持有阎魔敌的法器，所以没有持有各个护法神的法器。对此，也可以让各个护法神与自己的颜色相符，最终可以生起五部灭尽金刚，但因为一切都从主尊的化身中产生，所以容易进入。因此，观想嗔怒阎魔敌红色形象安住在各自的坐骑上。这里也因为喜欢简略，所以用那个来类推也可以。然而，如果可以的话，最好像坛城仪轨中说的那样，分别生起。用金刚橛击打后，转化为菩提心的明点。从明点完全转变后，东方从ཧྲཱིཿ（藏文：ཧྲཱིཿ，梵文天城体：ह्रीः，梵文罗马拟音：hrīḥ，汉语字面意思：啥）和金刚中生起的自在天，红黄色，烟色、蓝色、白色的三面六臂，前两只手拿着弯刀和颅碗，剩余的右手拿着金刚杵和宝剑，左手拿着法轮和莲花。南方从ཥྚཱིཿ（藏文：ཥྚཱིཿ，梵文天城体：，梵文罗马拟音：，汉语字面意思：）和手杖中生起的阎魔，蓝色、蓝白色、红色，右手拿着手杖和宝剑，左手与此相同。西方从བི་（藏文：བི་，梵文天城体：，梵文罗马拟音：，汉语字面意思：）和蛇索中生起的水神，白色、白黑色、红色，右手
English
Composed by Kara Jñana. Translated by Korni Rupa. In general, it seems to be a kind of Tantric text. Although the old executioner ritual is not found in other traditions, all the later scholars from Buton onwards have been performing it. For the red and black Yamāntaka thirteen deities and other traditions, it would be better to supplement the praises. Even now, the self-generation offering and praise of nectar tasting is not necessary, but for the front generation praise, it can be appropriately added. During the nectar blessing, without touching it slightly, recite "White Vajra born from Hūṃ (ཧཱུྃ，हुं，hūṃ，seed syllable)", and "White Vajra makes the substances." Move these recitations from the text, although only these are in the text, but in general, a white staff is not contradictory for the black deity, because it is not determined by the deity's attributes, but for the sake of nectar, use the white Khaṭvāṅga itself. During the Torma ritual, the Torma blessing is the same as during the inner offering. As soon as the Torma guests and directional protectors are struck with the phurba, when transforming into wisdom deities, in the red tradition, all the deities are one-faced and two-armed, and because it is necessary to hold the attributes of Yamāntaka, they do not hold the attributes of the individual directional protectors. In this regard, it is also possible to have each directional protector correspond to their own color, and ultimately it is possible to generate the five destroying Vajras, but because everything arises from the emanations of the main deity, it is easy to enter. Therefore, contemplate the wrathful Yamāntaka in red form residing on their respective mounts. Here, too, because of the preference for brevity, it is acceptable to infer by that. However, if possible, it is better to generate them separately as explained in the mandala ritual. After striking with the phurba, it transforms into a bindu of bodhicitta. From the complete transformation of the bindus, in the east, the Lord of Power arising from Hrīḥ (ཧྲཱིཿ，ह्रीः，hrīḥ，seed syllable) and Vajra, red-yellow, three-faced and six-armed of smoky blue and white, the first two hands holding a curved knife and skull cup, the remaining two right hands holding a vajra and sword, the two left hands holding a wheel and lotus. In the south, Yama arising from Ṣṭīḥ (ཥྚཱིཿ，，，seed syllable) and a staff, blue, blue-white, and red, the two right hands holding a staff and sword, the left hand the same. In the west, the water god arising from Bi (བི་，，，seed syllable) and a snake lasso, white, white-black, and red, the right hand
Chinese
双蛇索和宝剑。左边与前面相同。北方是ཀྲི་（藏文，梵文天城体，梵文罗马拟音，汉语字面意思）和毗扎布日（བི་ཛ་པུ་ར་，梵文天城体，梵文罗马拟音，汉语字面意思）所出，夜叉黄色，黄黑白色。右边两个是毗扎布日（བི་ཛ་པུ་ར་，梵文天城体，梵文罗马拟音，汉语字面意思）和宝剑。左边相同。东北方是ཏ་（藏文，梵文天城体，梵文罗马拟音，汉语字面意思）和三尖戟所出，自在天白色，白黑红色。右边两个是三尖戟和宝剑。左边两个是法轮和珍宝。拥抱自光之高里女神。东南方是ཨ་（藏文，梵文天城体，梵文罗马拟音，汉语字面意思）和火炉所出，火神白色，红黑白色。右边两个是火炉和宝剑。左边两个是珍宝和莲花。西南方是ན་（藏文，梵文天城体，梵文罗马拟音，汉语字面意思）和弯刀所出，罗刹黑色，嗔怒阎罗死神一般。右边两个是宝剑和金刚杵。西北方是ན་（藏文，梵文天城体，梵文罗马拟音，汉语字面意思）和风幡所出，风神绿色，绿黑白色。右边两个是旗帜和宝剑。左边两个是莲花和珍宝。上方左边是吽（ཧཱུྃ，梵文天城体，hūṃ，种子字）和睡莲花所出，月亮白色，白黑红色。右边两个是睡莲花和宝剑。左边两个是法轮和珍宝。上方右边是吽（ཧཱུྃ，梵文天城体，hūṃ，种子字）和莲花所出，太阳红色，红黑白色。右边两个是莲花和宝剑。左边两个是法轮和珍宝。有些人以莲花代替法轮。上方中央是帕特（ཕཊ，梵文天城体，phaṭ，断除）和念珠所出，梵天黄色，黄黑白色。右边两个是念珠和宝剑。左边两个是莲花和珍宝。下方是帕特（ཕཊ，梵文天城体，phaṭ，断除）和宝瓶所出，地母黄色，黄黑白色。右边两个是宝瓶和宝剑。左边两个是莲花和珍宝。有些人以法轮代替宝瓶。它的右边是斯瓦（སྭཱ，梵文天城体，svāhā，圆满）和宝剑所出，善巧工蓝色，蓝白红色。右边两个是宝剑和金刚杵。左边两个是莲花和法轮。东方左边是哈（ཧཱ，梵文天城体，hā，种子字）和嘎达的杖所出，遍入天蓝色，蓝白红色。右边两个是杖和宝剑。左边两个是莲花和法轮。夜叉的左边是哈（ཧཱ，梵文天城体，hā，种子字）和战斧所出，象头神白色，面色在铜色变化中有白黄红色，但文字似乎不正确，因为这与密集金刚智慧足法的本尊三面像有固定的颜色相矛盾。因此，如其他译本所说，应为白黑红色。右边两个是战斧和宝剑。左边两个是莲花和法轮。阎罗和罗刹极度愤怒，具备忿怒相，其他都是嬉戏的