English
This is the radius line. It has eight endpoints. The intersection of the four lines and the fish, from eight places to find bird tracks, set four lines and eight endpoints, this is called the boundary line. This contour has no corners, so the saying of angle lines is not used here. The sixteen endpoints of the line are the endpoints of the eight gates and eight boundaries. Called sixteen gate boundaries. The total length is eight cubits. One large division is divided into six small divisions, etc., must understand the terminology of the Kalachakra. The square base line, one large division is one fathom high, at that time one small division is two fingers. Half of the small division is regarded as one finger. Other sizes can also be inferred. On the east-west radius line, measure with a fathom of wood, and make eight white marks. On it, starting from the center, draw eight circles. The fourth circle is the base line, and the sixth circle is the arrow feather line. The first, second, third, and fourth circles, etc., are equally divided into eight halves of the large division. Each of the eight is divided into three parts. The three parts that are divided are all equally divided. Thus, each side of the base line has forty-eight halves of the small division. The sum of both sides is ninety-six. In fact, there are seven times three, twenty-one circles. The circles inside the arrow line are smeared with a wet brush. The eight boundary lines and the four, five, and six large divisions are painted in fire color to avoid confusion. The radius line inside the drawn line, measure one small division on the left and right, make a white mark, and straighten the dry line. Within two-thirds of the radius angle between it and the boundary line outside the three points, measure the amount of three points from the inside to the outside, and draw the chest surface of the wheel at the point where it touches the dry line. Then, on the radius line between the circle lines, make the end of the touching spoke sharp. Different from small Dharani etc. This is the weapon wheel for destroying demonic obstacles. The sixteen lines of the central lotus petal position, each line is also distinguished by other colors. If it is small, it is enough, if it is large, the lotus petal and the lotus seedpod are in harmony as a whole. If there are four cubits inside the wall, the central lotus flower is one fathom high. At the intersection of the base line and the radius line, draw straight in the middle of the fifth large division on the left and right.
Chinese
哦！在两个门限上做标记，然后向上五个门限，上方侧面两个门限，寻找鸟迹并画线。半径线的顶端也拉长到八个，半径线左右相加有四个大段。侧面分成六份，得到二十四份。从中心到外侧有五个大段，第一个的外内两部分都画四分之一。第三个的内部画三分之一，也分成两份，第四个的外内两部分各画四分之一，这两个也各自分成一半。第五个分成三份，中间的内侧画自己的四分之一。此处的行线第一个与基线相同，然后向外有十六条线。这样门和马落就完成了。从半径线向侧面引出第三条线，在基线外侧和第四条线之间拉直。然后向侧面到第九条线，第九条线也向上到第五条线之间。四五之间向上到第三条线，接触线的内端接触到第二条线。外侧从顶端向侧面到第十二条线，面上是方位和猛厉的太阳等，向上接触到第五条线。第五条线左右到第十二条线之间，第五条线外侧是所有马落的线。在半径线的左右两侧，十二、八、九，再次九和六，带一半的第七、双和子位之间，味和作、犀牛的中间。四根柱子、醉护三者和宝瓶的尖端，从各自线的尖端向下截断。二三之间从半径线到第二条线，以及火、山、龙的上方都要设置。五六之间是形眼之间和眼，箭和味的中间截断四分之一小段。同样从面的第六条线上拉直，八九之间是一和形眼之间，三四之间和第四条线上画湿线。第十一线连接第五线上方的第十线。八个门房的相互间隔之间，第四大段的外内各四分之一，第五个对半分开，它的外侧也分开。半径线末端是醉护上方线的线，在那上面环绕第一个圆的内线。然后是门限一半和一个形月一半，依次环绕有兔子的圆，火的一半在外，风的一半在内。
English
Oh! Mark at two gate limits, then upwards five gate limits, two gate limits on the upper side, look for bird tracks and draw lines. The tip of the radius line is also extended to eight, the sum of the left and right radius lines has four large segments. Divide the side into six parts, resulting in twenty-four parts. From the center to the outer side, there are five large segments, the outer and inner parts of the first one both draw a quarter. Draw one-third inside the third one, also divide it into two parts, the outer and inner parts of the fourth one each draw a quarter, these two are also each divided in half. Divide the fifth one into three parts, and draw one-quarter of its own on the inner side of the middle one. The first line of this row is the same as the base line, then there are sixteen lines outwards. Thus the gate and horse landing are completed. From the radius line, draw the third line to the side, straighten it between the outer side of the base line and the fourth line. Then to the side to the ninth line, the ninth line also upwards between the fifth line. Between four and five, upwards to the third line, the inner end of the tangent line touches the second line. The outer one from the top to the side to the twelfth line, the face is the direction and fierce sun, etc., upwards touching the fifth line. Between the fifth line left and right to the twelfth line, the outer side of the fifth line is the line of all horse landings. On the left and right sides of the radius line, twelve, eight, nine, again nine and six, the seventh with half, between the double and child positions, the middle of taste and action, rhinoceros. Four pillars, the three drunken protectors and the tip of the vase, cut off downwards from the tip of their respective lines. Between two and three, from the radius line to the second line, and above the fire, mountain, and dragon must be set. Between five and six is between the shape eye and the eye, cut off a quarter of a small segment between the arrow and taste. Similarly, straighten from above the sixth line of the face, between eight and nine is between one and the shape eye, draw wet lines between three and four and on the fourth line. The eleventh line connects the tenth line above the fifth line. Between the mutual intervals of the eight gate rooms, a quarter each of the outer and inner parts of the fourth large segment, the fifth one is divided in half, and its outer side is also divided. The end of the radius line is the line of the upper line of the drunken protector, on top of that, surround the inner line of the first circle. Then there is half a gate limit and half a shape moon, successively surround the circle with rabbits, half of the fire is outside, half of the wind is inside.
Chinese
礼敬！ 墓地环境的度量是坛城线，从各条边线的中点用颜色划分。 认为这是十六处墓地的位置。天空环境的中央三分之一，是金刚鬘的位置，即智慧的，环境，是增进方便与智慧之处。现在是颜色的顺序：莲花的中心是黑色，在其上画出类似分割的红色和白色，上面画蓝色的金刚杵，花瓣都是绿色的，方位角上是卡杖嘎，颜色各异，间隔处是颅骨。那之外是蓝色的轮，轮辐之间是绿色，那之外是土轮，黄色，轮辐之间是黑色，水轮白色，轮辐之间是红色，那之外是火轮，红色，轮辐之间是白色，那之外是风轮，黑色，轮辐之间是黄色，那之外是天空轮，绿色，轮辐之间是蓝色。六个轮的一切中心都有两层，外层是灰色的轮辐线，在那里画上法器的串列。智慧是弯刀（藏文：གྲི་གུག），黄色是轮，白色是莲花（藏文：པདྨ），红色是珍宝，黑色是横剑，绿色是横金刚杵。着色处包括门在内的颜色是：东门和东北门的中间，从边线到东南门和南门的边线相接之间是黑色，从那里到西和无实（可能是指空性）的边线相接之间是红色，从那里到风和北之间的边线相接之间是白色，从那里到东和有力的（可能是指自在）的边线相接之间是红色。四个方向的门的马蹬上是八龙的座垫，门环的内八和台阶八的上面，十六个门边的尸体座垫上各有一个弯刀（藏文：གྲི་གུག）。坛城线和边线之间的中央，在有墓地界限的地方，切断细微的水纹。这里不需要画动物轮等，墓地轮和环境的标志。其余大部分与时轮相同，而且也比这本身的现观更清楚。如此，时轮大灌顶的线图阐明，是嘉钦巴·达热纳塔所说。吉祥！吉祥！已校对完毕。时轮的修法和注释。
English
Homage! The measurement of the charnel ground environment is the mandala line, divided with colors from the center of each boundary line. It is considered to be the location of the sixteen charnel grounds. The central third of the sky environment is the place of the Vajra Garland, which is the wisdom environment, the place for increasing skillful means and wisdom. Now, the order of the colors is: the center of the lotus is black, on which are drawn red and white lines resembling divisions, and above it is drawn a blue vajra. The petals are all green, the cardinal directions have khatvangas of various colors, and skulls in between. Outside of that is a blue wheel, with green spokes in between. Outside of that is an earth wheel, yellow, with black spokes in between. A water wheel, white, with red spokes in between. Outside of that is a fire wheel, red, with white spokes in between. Outside of that is a wind wheel, black, with yellow spokes in between. Outside of that is a sky wheel, green, with blue spokes in between. All six wheels have two layers at the center, and on the outer gray spoke line, draw the series of hand implements. For wisdom, a curved knife (Tibetan: གྲི་གུག), for yellow, a wheel, for white, a lotus (Tibetan: པདྨ), for red, a jewel, for black, a horizontal sword, for green, a horizontal vajra. The colors of the marked areas, including the doors, are: the space between the east door and the northeast door, from the boundary line to where it meets the boundary line of the southeast door and the south door is black, from there to where it meets the boundary line of the west and the truthless (possibly referring to emptiness) is red, from there to where it meets the boundary line between wind and north is white, from there to where it meets the boundary line between east and the powerful (possibly referring to the sovereign) is red. On the horse-shoe steps of the four directional doors are the seats of the eight nagas. Inside the eight door frames and on top of the eight platforms, on the sixteen corpse seats at the door boundaries, there is a curved knife (Tibetan: གྲི་གུག) each. In the center between the mandala line and the boundary line, where there is a charnel ground boundary, cut off a subtle water pattern. Here, there is no need to draw animal wheels, etc., and the signs of the charnel ground wheel and environment. The rest is mostly the same as the Kalachakra, and it is also clearer than this very visualization itself. Thus, this elucidation of the line drawings of the Kalachakra Great Empowerment was spoken by Jamyang Khyentse Wangpo Taranatha. Auspicious! Auspicious! Proofread and completed. The sadhana and commentary of the Wheel of Time.
Chinese
两手合掌，做成圆形，在左右脚边移动，这是脚镯的手印。两手握拳，拇指和食指各自相合伸出，相对而握持，这是宝冠或宝珠的手印。同样，像“以彼与彼的结合，变成彼与彼的手印”所说的那样，以涂抹大量灰尘的姿态、半月形绸带悬挂缠绕的姿态、为供养而持物捆绑的姿态、穿虎皮的姿态、戴人头项链的姿态、束骷髅头项链的姿态，也都会变成那些的手印。然后，为了安放武器，金刚杵的手印就是之前所说的。右手以右手安放右边器物的姿态，无名指和小指握拳，拇指束缚在拳内，食指和中指相合伸出，这是宝剑的手印。小指压住拇指，三根中间的手指分开伸出，这是三尖戟的手印。握拳，小指弯曲成半月形，这是弯刀的手印。在耳朵上方握拳，中指上放拇指，下放食指并伸出，这是箭的手印。在拳头上，食指弯曲成铁钩状，这是铁钩的手印。中指和无名指握拳，食指呈铁钩状，拇指的指头上半弯小指，这是手鼓的手印。握拳，这是锤子的手印。右手的所有手指都像轮辐一样伸出，这是轮子的手印。或者两手掌心相合，手指都做成轮辐状。小指、无名指和食指都弯向根部，拇指压住，在中指上伸出，这是矛的手印。握拳，伸出臂膀，这是棍子的手印。手指并拢伸出，拇指向上翘起，这是钺斧的手印。同样，左手以左手安放左边器物的姿态，左拳稍微张开，在俯卧的上面。