Chinese
是拂尘等，以各种乐器装饰。虽然说所说的这些装饰在其他地方也会酌情安放，但大部分都安放在这里。还有拉杰等人的说法，在《光鬘》中说：以最后的莲瓣完全覆盖，智慧堆砌之上以狮子头装饰，从无畏口中垂下珍珠项链，具有幡杆美丽的装饰，网和半网环绕颈项闪耀。这里所说的珍珠项链，和最后一段的网和半网，二者意思相同。因为在《线鬘》中说：为了装饰，网环绕颈项闪耀。所以，幡杆上悬挂网和半网，据说在量具的布上悬挂丝绸制成的蓝色和白色夏布。但是，毗玛拉说：为了装饰，网环绕颈项闪耀。他所说的并不是指网和半网，所以不合理。那么是指什么呢？是指从幡杆上为了装饰而悬挂的珍珠网，那作为装饰的，以“巴”的形态存在的，具有幡杆面容的那一个，被认为是环绕颈项的形态。这就是《光鬘》所说的：智慧堆砌之上以狮子头装饰，从无畏口中垂下珍珠项链，具有幡杆美丽的装饰。这是第三句的意思。网和半网环绕颈项闪耀。这是与“以最后的莲瓣完全覆盖”相呼应的。最后的莲瓣是鸟的莲瓣。在它完全覆盖的下面，从下往上，从墙壁和狮子头垂下的珠串，和幡杆们依次堆叠的上面，网和半网们，是以鸟的莲瓣环绕颈项的形态存在的，这就是它的意思。考虑到这个意思，从杰·卓普的口述传承中也说：上面的鸟莲瓣的下面，十六根柱子的中间，网和半网的缝隙。这样将短柱和网半网放在同一个位置。因此，如理智的论典所说：一般来说，论典是确定的，特殊则被认为是具有力量的。像这样，如果区分一般和特殊，那么凭借特殊的力量，在大多数坛城里，网和半网都悬挂在幡杆或者量具的布上，而不是两者都悬挂。
English
are fly whisks, etc., adorned with various musical instruments. Although it is said that these ornaments mentioned may be placed elsewhere as appropriate, most of them are placed here. Also, according to Lhaje and others, in the "Garland of Light": 'Covered entirely by the final petals, the wisdom tiers are filled with lion heads, from the fearless mouth hangs a pearl necklace, endowed with the beautiful adornment of the banner, nets and half-nets encircle the neck, blazing.' The pearl necklace mentioned here and the nets and half-nets of the last line have the same meaning. Because in the "String Garland" it says: 'For decoration, the net encircles the neck, blazing.' Therefore, nets and half-nets are hung on the banner, and it is said that blue and white shar-bus made of silk are hung on the cloth of the measuring vessel. However, Vimala says: 'For decoration, the net encircles the neck, blazing.' What he said does not refer to nets and half-nets, so it is not reasonable. What does it refer to then? It refers to the pearl net that hangs from the banner for decoration, that which exists as an ornament in the form of "ba," that which has the face of a banner, is considered to be in the form of encircling the neck. This is what the "Garland of Light" says: 'The wisdom tiers are filled with lion heads, from the fearless mouth hangs a pearl necklace, endowed with the beautiful adornment of the banner.' This is the meaning of the third line. 'Nets and half-nets encircle the neck, blazing.' This is in response to 'Covered entirely by the final petals.' The final petals are the bird petals. Underneath it is completely covered, from bottom to top, the strings of pearls hanging from the walls and lion heads, and on top of the banners stacked in order, the nets and half-nets are in the form of encircling the neck with the bird petals, that is its meaning. Considering this meaning, from the oral transmission of Je Drophuk, it is also said: 'Underneath the bird petals above, between the sixteen pillars, in the gaps of the nets and half-nets.' In this way, the short pillars and the nets and half-nets are placed in the same location. Therefore, as the treatise of reason says: 'In general, the treatise is definite, the specific is said to be powerful.' Like this, if we distinguish between general and specific, then by the power of the specific, in most mandalas, nets and half-nets are hung on the banner or the cloth of the measuring vessel, not both.
Chinese
虽然说有这样的实践，但特别是因为之前引用的光芒次第之经文，以及导师胜者善吉祥护之幻化光之事业中也说：从狮子头口中出珍珠串，以及花环网和半网等。因为在此经中，大多数不共口诀中，都清楚地说明了珠串和网、半网是不同的，所以有很多非常清晰的依据。而且，用丝绸制成的“夏布”也是不合适的，因为在根本续中说：智慧珍宝之串，以及垂饰和夏布之装饰等，说明了夏布的材料是珍宝。第五，鸟翼：在走廊的檐口上，有一个小小的立柱，或者叫做“比孜”，在它上面安装鸟翼，鸟翼比走廊还要向外伸出大约一半的距离，就像说的那样，要像流水一样，或者稍微长一点也可以，因为流水从流水檐口流出，这样的布置是最好的。关于鸟翼，它的形状和金瓦、玉瓦等相似，只是因为瓦片的开口朝下和朝上的区别，所以叫做阳瓦和阴瓦。古代的人认为，阳瓦的边缘做成琼鸟的头，叫做鸟，阴瓦的边缘做成下垂的半莲花瓣的样子，所以叫做翼。后来的译师们看到印度学者的传统，认为在檐口和比孜的外表面用珍宝装饰，就叫做上下鸟翼。第六，夏布：从鸟翼的内侧开始，用像总管头朝下的白色夏布串环绕四周，顶端要到达檐口最下端的位置。有些经典中认为，也有像把三眼宝珠头朝下排列的样子。第七，布秀：一切智者说：为了压住栋梁的末端，用珍宝布秀堆砌成佛塔。就像他说的那样，从墙壁的垂直方向，从屋顶底部开始，用白色珍宝板垂直向上，大小相同，左右各有高低错落的四层虎牙状图案。从远处看，像佛塔一样，被称为布秀佛塔堆砌，并说有半莲花。
English
Although it is true that such practices exist, especially because of the previously cited scriptures of the Light Gradation, and also in the illusory light activities of the teacher Victorious Good Glorious Protector, it is said: 'A string of pearls from the mouth of a lion's head, and garlands, nets, and half-nets.' Because in this very text, in most of the uncommon instructions, it is clearly stated that pearl strings and nets and half-nets are different, there are many very clear sources. Moreover, the 'Shar-bu' made of silk is also inappropriate, because in the root tantra it says: 'A string of wisdom jewels, and pendants, and ornaments of Shar-bu,' which explains that the material of Shar-bu is jewels. Fifth, bird wings: On the eaves of the corridor, there is a small pillar, or what is called 'bi-tse,' and on top of it, the bird wings are installed, extending outward about one and a half parts more than the corridor, as it is said, like flowing water, or it can be slightly longer, because it is best to arrange the flowing water from the water-desiring eaves. As for the bird wings, their shape is similar to gold tiles, jade tiles, etc., but because of the difference between the opening of the tile facing down and up, they are called male tiles and female tiles. The ancients believed that the edge of the male tile was made into the head of a garuda bird, called a bird, and the edge of the female tile was made into the shape of a drooping half-lotus petal, so it was called a wing. Later translators, seeing the tradition of Indian scholars, considered that the outer surface of the eaves and bi-tse was decorated with jewels, and called it upper and lower bird wings. Sixth, Shar-bu: Starting from the inside of the bird wings, the white Shar-bu strings, like the head of a general manager pointing downwards, surround the entire area, and the tip should reach just to the lowest end of the eaves. In some texts, it is believed that there are also those that look like three-eyed jewels arranged with their heads pointing downwards. Seventh, Pu-shu: The Omniscient Great One said: 'To press down on the end of the beam, a stupa is built with precious Pu-shu.' As he said, from the vertical direction of the wall, starting from the bottom of the roof, white precious slabs are vertically upward, the same size, with four layers of tiger-tooth patterns of varying heights on the left and right. From a distance, it looks like a stupa and is called a Pu-shu stupa pile, and it is said to have a half-lotus.
Chinese
而且，鸟嘴也不是随意的翅膀，而是像在八瓣莲花上画线分割后，将切口对接排列一样，据说这与建造佛塔的要点相同。有些论典中，也认为是用各种颜色的宝石网眼装饰。第四，关于建造多层建筑，有建造三层的合理性和如何建造两种。第一种是，在《正法》中说：“内部八根柱，从四大梁顶端支撑，四大梁的网眼，由二十八根横木覆盖，同样按照次第排列。”所说的意思是，中间的一些学者说，金柱的四根大梁做成多眼图案，外面的八个网眼做成覆盖的网眼，中间的网眼做成突出的形状，确定只有两层，这并不是那个论典的本意。如果那样的话，那个论典中也说了要做成佛塔的外部形状。因此，要么在顶层建造雄伟的佛塔，要么在其他地方，除了像在底层放置小佛塔之外，很难做到。像噶举派那样，将四根大梁做成多眼图案覆盖，在各自的内部做成九宫殿，那样一来，就没有地方建造自在母的走廊了。特别是幻化师们必须接受光芒次第的论述，如果那样的话，在那里面说：“又层有高低次第。”所说的又层的意思是，下层、上层、又层，就像世间通用的说法一样。如果上层需要有高低的次第，那样也是不允许的。还有，对于光芒次第的论述意义，有些人说：“为了心识的名称，一个宝瓶，像孔雀羽毛一样显现各种颜色，有无限高低的鸟嘴，因为慈悲平等普及。”又层有高低次第，最后的翅膀全部覆盖。说的是中间圆形宝瓶的鸟嘴，以及最后上面和下面层的鸟嘴，考虑到那两个，所以说了又层有高低等等，所以说是两层。如果那样的话，所有单层房屋也会变成有上层的，所以是不合理的。那么是什么呢？中间圆形宝瓶显现各种颜色
English
Moreover, the bird's beak is not just any random wing; rather, it is like cutting and arranging eight-petaled lotuses with lines drawn on them, aligning the cut edges. It is said that this is the same as the key point in building a stupa. In some texts, it is also thought to be decorated with gem-studded nets of various colors. Fourth, regarding the construction of multi-storied buildings, there are two aspects: the rationale for constructing three stories and how to construct them. The first is that in the Dharma text, it says, "Inside, eight pillars support from the top of the four great beams; the meshes of the four great beams are covered by twenty-eight crossbeams; likewise, arrange them in order." The meaning of this is that some scholars in the middle period say that the four great beams of the golden pillar are made into multi-eyed patterns, the outer eight meshes are made into covered meshes, and the central meshes are made into protruding shapes, determining that there are only two stories. This is not the intention of that text. If that were the case, that text also says to make the outer shape into a stupa. Therefore, it would be difficult to do anything other than build a magnificent stupa on the top floor, or elsewhere, like placing a small stupa on the bottom floor. Like the Kagyu tradition, if the four great beams are covered with multi-eyed patterns, and nine palace mandalas are made in each of their interiors, then there would be no place to build the courtyard of the自在母. In particular, illusionists must accept the discourse of the order of light rays, and if so, it says in that text, "Also, the stories have high and low order." The meaning of 'also story' is lower story, upper story, and also story, just like the common saying in the world. If the upper story needs to have a high and low order, then that is also not allowed. Also, regarding the meaning of the discourse on the order of light rays, some say, "For the sake of the name of consciousness, a vase, appearing in various colors like peacock feathers, has bird's beaks of unlimited height and depth, because compassion is equal and pervasive." The 'also story' has a high and low order, and the final wings completely cover it. It refers to the bird's beak of the round vase in the middle, and the bird's beaks of the top and bottom stories at the end. Considering those two, it is said that the 'also story' has high and low, etc., so it is said to be two stories. If that were the case, all single-story houses would also become upper-storied, so it is unreasonable. So what is it? The round vase in the middle appears in various colors.
Chinese
高低的程度无法衡量。那也是以鸟羽作为慈悲平等普及一切的象征。在那之上，在象征容量的量器之上的四方形上，也安放鸟羽的话，也是高低次第井然。如是说。在《广大解说》中，所说的外形是佛塔的经文意义也成立了。因此，鸟羽下层比下层，上层比上层逐渐变小。从外面看，上层上层以下层下层环绕的方式存在，因此下层的鸟羽被称为末端羽毛。还有，中间的一些边角样式，将中央圆形宝瓶回旋的意义理解为帐篷的形状，也觉得会被光芒次第的经文妨碍。第二，如何建造的方式有三个阶段，第一，下层，这里经典中没有明确说明支撑的柱子，因此从墙内放出从角上长，从面上短的木结构，按照怎样合理的方式抬起圆柱，然后覆盖屋顶，就容易理解了。第二，中间层，这里的柱子必须从法轮的轮辐之上金刚鬘的上面建立，所以首先进行内部的解说。门框的中间上方四方形叫做门内，旁边外门的两个侧面之间叫做门楣。这两个的总称是门房。这里因为必须建造内外楼梯的关键，所以门楣比门内小部分一，而且比那还要高出走廊小部分一，因此，内部的走廊和外部的欲衣高度相同，因此墙的高度也就像从一个四方形台阶之上升高十一个小部分一样。走廊宽度做三个小部分等容易理解。然而，诸神喜欢华丽的一面，走廊三个小部分中向外舍弃一个小部分，做成两个小部分的佛像。对此也稍作高低区分则更好。这里门比走廊，走廊比角落短，角落比轮辐外侧的环绕金刚鬘，金刚鬘比轮辐，轮辐比中心，都增加一个小部分，是为了说明这里比其他乘增加的意义。如《增加论》中说，比其他道路