English
There are two: measurement. First, the arising of the basis is: it must be explained in terms of writing, meditation, and explanation. As it says: Writing is from earth to earth, meditation is measured from earth to sky, explanation is explained by combining meaning and signs. Therefore, first is writing: pouring five colors in order into the traces with a curved pen and filling them, this is in terms of writing the elements in successive layers. Meditation is: from the letter A, emanate E YAṂ BAṂ LAṂ SUṂ RAṂ, etc. From the letter E, emanates a Dharma-source triangle, dark blue, its area equal to the sky. Above that, as the text says, from the letter YAṂ emanates wind. If explained by combining meaning and signs, then outwardly it is the five elements, inwardly it is the five mothers, secretly it should be combined with the five wisdoms. Or, outwardly it is the five elements, inwardly it is the five wisdoms, secretly it is the five space-realms of the five mothers, I think it is reasonable to understand it this way. Having completed the meditation on the five elements in successive layers, including Mount Meru, closing the Vajra Tent is: from the letter A, emanate a dark blue HŪṂ, which melts into light, from which arises a Vajra cross, the eastern horn is white, the southern is yellow, the western is red, the northern is green, the center is dark blue, marked with the letter HŪṂ. It melts into light and becomes a Vajra Tent, the ground below is covered with Vajra rock patterns, meditate that everything inside and out is burning with a mountain of fire. This is also a sign that the Vajra horns destroy the armies of demons, and the mountain of fire burns away afflictions. From the letter A, emanate BHRŪṂ (Tibetan: བྷྲཱུྃ, Devanagari: भ्रूम्, Romanized Sanskrit: bhrūṃ, Literal Meaning: BHRŪṂ), as the text says: BHRŪṂ (Tibetan: བྷྲཱུྃ, Devanagari: भ्रूम्, Romanized Sanskrit: bhrūṃ, Literal Meaning: BHRŪṂ) VIŚVA VIŚUDDHE (Tibetan: བི་ཤྭ་བི་ཤུདྡྷེ, Devanagari: विश्व विशुद्धे, Romanized Sanskrit: viśva viśuddhe, Literal Meaning: All Pure), is the nature of the Dharmadhatu. BHRŪṂ (Tibetan: བྷྲཱུྃ, Devanagari: भ्रूम्, Romanized Sanskrit: bhrūṃ, Literal Meaning: BHRŪṂ) is the seed syllable that can become anything, here it becomes the seed syllable for generating the palace. VIŚVA (Tibetan: བི་ཤྭ, Devanagari: विश्व, Romanized Sanskrit: viśva, Literal Meaning: All) is various, VIŚUDDHE (Tibetan: བི་ཤུདྡྷེ, Devanagari: विशुद्धे, Romanized Sanskrit: viśuddhe, Literal Meaning: Pure) is completely pure, purified from the conceptual thoughts of clinging to the five elements, it is the mantra for generating a palace made of various jewels. The above-mentioned VIŚUDDHE (Tibetan: བི་ཤུདྡྷེ, Devanagari: विशुद्धे, Romanized Sanskrit: viśuddhe, Literal Meaning: Pure) completely pure, does not refer to the order of stacking five layers, but refers to the nature of the five wisdoms. As a symbol of fulfilling the needs and desires of those to be tamed, the palace is made of various jewels. As a symbol of the non-existence of the nature of the Dharmadhatu, the area is immeasurable. As a symbol of not abandoning samsara, the fruit is naturally accomplished, and qualities increase, the shape is square. As a symbol of the completion of the five wisdoms, the layers are stacked in order from the inside out as blue, white, yellow
Chinese
哦。红色。由绿色制成。这也是镜智无碍地显现，以及在众生相续中转法轮的象征。东面装饰着白色法轮。平等性智功德圆满，以及满足所化众生愿望的象征。南方是黄色宝。妙观察智通达一切法总相和自相，以及不被边际的过失所染污的象征。西方是红色莲花。成所作智以种种事业自然成就自他二利的象征。北方是绿色宝剑。法界体性智摧毁一切外境，以及自身不可摧毁的本性不变的象征。上方深蓝色是男相金刚和女相金刚，象征法性不变，功德依存于其他。在堆砌的上方，用黄金制成的两个屋脊互相覆盖。这是二谛无别的象征。屋脊上有垂下来的珍宝串联成的网。垂下来的串珠被认为是位于华丽栋梁上的。这是不杂染且完全圆满的象征。屋脊内堆砌的隔板上方，二十八根短柱之间用臂钏连接，其上华丽的栋梁装饰着珍宝的饰物。或者也有人认为饰物位于外檐的末端。在箭杆和水晶佛塔之间，悬挂着各种伞盖、胜幢和幡旗。也有人说箭杆被认为是珍宝的杆子。这是慈悲和化身不断涌现的象征。华丽栋梁的上方有二十八根椽子，椽子末端有狮子头，狮子口中垂下珍珠网和半网，上面悬挂着铃铛和拂尘，角落的大铃铛上飘动着大拂尘的凉风。作为圆满八斋戒的象征是柱基，作为圆满八圣道的象征是柱子，作为圆满八解脱的象征是柱饰和柱头，它们由闪耀的珍宝制成，颜色各异。作为具备四无畏的象征是柱子上画有四根栋梁和多眼图案。作为圆满十八空性和十度波罗蜜多的象征是二十八根珍宝小栋梁，四方各四根，角落各三根。
English
Oṃ. Red. Made of green. This is also a symbol of the mirror-like wisdom arising unceasingly, and of turning the wheel of Dharma in the continuum of beings. The east side is adorned with a white wheel. A symbol of the equality wisdom being complete in qualities, and of fulfilling the hopes of those to be tamed. In the south is a yellow jewel. The wisdom of discernment knows the general and specific characteristics of all dharmas, and is a symbol of not being tainted by the faults of extremes. In the west is a red lotus. The wisdom of accomplishing activities spontaneously accomplishes the two benefits of self and others through various activities. In the north is a green sword. The wisdom of the dharmadhatu destroys all external objects, and is a symbol of the unchanging nature of being indestructible. Above, dark blue is the male vajra and female vajra, a symbol of the unchanging nature of reality, with qualities dependent on others. On top of the stacked structure, two golden gables cover each other. This is a symbol of the inseparability of the two truths. On the gables, there is a net of hanging jewel garlands. The hanging garlands are considered to be on the beautiful beams. This is a symbol of being unmixed and completely perfect. Inside the gables, the tops of the stacked partitions are connected by armlets between twenty-eight short pillars, on top of which the beautiful beams are adorned with jewel ornaments. Or it is also thought that the ornaments are at the ends of the outer eaves. Between the arrow shafts and the crystal stupa, various umbrellas, victory banners, and flags are hung. It is also said that the arrow shafts are considered to be jewel poles. This is a symbol of the continuous emanation of compassion and manifestations. On top of the beautiful beams, there are twenty-eight rafters, with lion heads at the ends, from whose mouths hang pearl nets and half-nets, with bells and whisks hanging on them, and a cool breeze from the large whisks blowing on the large corner bells. As a symbol of completing the eight precepts is the pillar base, as a symbol of completing the eight noble paths is the pillar, and as a symbol of completing the eight liberations are the pillar ornaments and pillar arches, which are made of shining jewels of various colors. As a symbol of possessing the four fearlessnesses, four beams and multi-eyed patterns are painted on the pillars. As a symbol of completing the eighteen emptinesses and ten perfections, there are twenty-eight small jewel beams, four each on the four sides, and three on each corner.
Chinese
三、作为具有十八种不共十力的标志，用二十八根短柱连接伞盖顶端。作为不舍五欲，圆满清净庄严的标志，无数欲天女遍布十方。观想时，将注意力集中于口诀上。以前的一些说法认为，上面的伞盖上应该有像竖立红色供布墙壁一样的装饰。然而，这种方式与书写、观修、讲解三种方式都不相符。从书写的角度来看，与度量不符，因为供布之外必须有伞盖；从观修的角度来看，不相符是因为红色部分朝上会导致死亡；从讲解的角度来看，不相符是因为业风压制智慧风，永远无法转化为道。因为它与任何一种方式都不相符，所以应该舍弃。法主祖尔巴认为，供布之外应该有伞盖。在五妙欲之外，红色欲望之上，黄色伞盖之内，上方鸟翼之下，十六根短柱的肩上，在网状和半网状的缝隙中，观想供养天女们献供。也就是，白色形天女手持镜子，蓝色声天女手持琵琶，绿色香天女手持香炉，红色味天女手持盛满美食的容器，触天女手持丝绸衣物。作为五乘圆满的标志，具有五个伞盖。作为象征法性不变的标志，在伞盖中央主尊的上方，用深蓝色丝绸做顶饰。作为象征方便与智慧的标志，伞盖的四瓣莲花顶端，日月交融的星窗闪耀。作为象征无数细微智慧的标志，顶层各层之间的缝隙中，星辰闪耀。佛塔外形方面，诸佛密意认为外形是佛塔城堡，王国是山岳帐篷。这样，佛塔有五种外形。如果按照八种佛塔中的大菩提佛塔来讲解，则是四念住，四正断，四神足，五根。
English
3. As a sign of possessing the eighteen unmixed powers of the ten strengths, the umbrella top is connected by twenty-eight short pillars. As a sign of not abandoning the five desires and perfecting pure adornment, countless goddesses of desire are arranged in the ten directions. When meditating, focus on the key points. Some previous explanations suggest that there should be a red offering cloth like a wall erected on top of the upper parasol. However, this method is inconsistent with writing, meditation, and explanation. From the perspective of writing, it does not conform to the measurements because the parasol must be outside the offering cloth. From the perspective of meditation, it is inconsistent because the red part facing upwards leads to death. From the perspective of explanation, it is inconsistent because karmic winds suppress the wisdom winds, making it impossible to transform into the path. Since it is inconsistent with any of these methods, it should be abandoned. The Dharma Lord Zurpa believes that the parasol should be outside the offering cloth: outside the five sensual objects, above the red desire, inside the yellow parasol, below the upper bird wings, on the shoulders of the sixteen short pillars, and in the gaps of the net and half-net, visualize the offering goddesses making offerings. That is, the white goddess of form holds a mirror, the blue goddess of sound holds a lute, the green goddess of smell holds a censer, the red goddess of taste holds a container filled with delicious food, and the goddess of touch holds silk garments. As a sign of the perfection of the five vehicles, it has five parasols. As a sign of symbolizing the unchanging nature of reality, a dark blue silk crest is placed on top of the main deity in the center of the parasol. As a sign of symbolizing skillful means and wisdom, a star window with intertwined sun and moon shines from the top of the four-petaled lotus wheel of the parasol. As a sign of symbolizing countless subtle wisdoms, stars shine in the gaps between the layers of the top. Regarding the external shape of the stupa, the secret intentions of the Buddhas consider the external shape to be a stupa castle, and the kingdom to be a mountain tent. Thus, there are five shapes of stupas. If explained according to the Great Bodhi Stupa among the eight stupas, then it is the four mindfulnesses, the four correct abandonments, the four miraculous legs, the five faculties.
Chinese
为了象征五种智慧，有四层鸟的翅膀，宝瓶底座象征五力，宝瓶象征菩提道的七个分支，瓮象征八正道，生命之树象征身语意，法轮象征十力、三种解脱和十三种功德。伞象征大悲心，从烦恼的痛苦中拯救众生。幡象征供养天女。悬挂在幡上的铃铛象征空性的声音。伞顶上的日月象征方便和智慧。内部主要供奉的本尊以其手印为标志。金刚顶是永不衰败的教法胜利幢。德定༴ 根定༴ 作为从四门进入手印一体的解脱之象征，量度宫殿的四个方向的四个门不是普通的门，而是带有门廊的门。为了象征通过智慧之光照亮无明的黑暗，门廊和门卫的房屋被十一金刚网的光芒所照亮，驱散了黑暗的阴影。为了象征从轮回中升起八种解脱的乘，门槛有内外各四个台阶。为了象征获得八种自地的果实，八种装饰性的台阶是：台阶柱、莲花、珍宝箱。未生之法以扎拉网装饰。悬挂的饰品、成串的饰品、夏布和各种各样的鹏首依次排列。这是为了象征四念住、四正断和四神足。从门廊的四个外角到台阶的柱基，以及从宝瓶中生出的柱子和柱帽，都是由珍宝制成的，并具有不同的颜色。为了象征苦、集、灭、道四圣谛的禅定，台阶的两根长柱上装饰着两根短柱，短柱的末端有两个摩羯鱼的嘴巴。塔拉是台阶，纳是摩羯鱼，抓住的意义也是如此。此外，门的装饰还有十种权力的象征，门内有九种装饰，八吉祥物和七珍宝。虽然有六种象征意义的解释，但其他内容可以单独理解。这里解释六种象征意义和九种装饰：台阶上的法轮是主要本尊的象征。鹿是眷属的象征。下面的中央大本尊从后面看时，以门内显现的方式是究竟的象征。法轮的顶部