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Nitartha 数字图书馆 藏文 目录 分发 搜索选项 上一页 比玛心髓有境坛城绘制法 下一页 比玛心髓有境坛城绘制法 ༈ 比玛心髓有境坛城绘制法，如马降等同空行心髓。墙壁和马降布料的颜色等也无差别。神殿中央有八瓣莲花，中心是蓝色，花蕊是黄色。中央是遍照佛父母，蓝色，父亲持法轮。莲花瓣东方是金刚萨埵佛父母，其他三方也是佛父母，坐在莲花月亮座垫上。各部之父全部右手持自身标志的法器于心间，左手持铃于腰间，全部是报身。佛母们的身体颜色如父，持钺刀颅碗。双足金刚跏趺坐。四隅的花瓣上，东南方是白色拉西雅持镜，西南方是蓝色玛拉持珍宝串，西北方是红色吉尔蒂持琵琶，东北方是绿色尼尔蒂持舞蹈手印，坐在莲花日座垫上，以禅定坐姿安坐。莲花的画法是，四方内侧分别是东西白、南北黄、西红、北绿，外层是蓝色。四隅内侧是红白色，外侧是绿色。供品布如通常的供养天女。门神没有父母。外面是石墙，再外面需要用五堆火焰山来装饰。没有尸林和莲花串。如全知大士的惯例，详细观察大宝上师的坛城后如实绘制。全知大士说，惯例没有错谬。从不变贤劫叔父的手稿中抄录。吉祥！ 上一页 比玛心髓有境坛城绘制法 下一页
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Nitartha Digital Library Tibetan Table of Contents Distribution Search Options previous Vima Nyingthig with Elaborations Mandala Drawing Method next Vima Nyingthig with Elaborations Mandala Drawing Method ༈ The method of drawing the Vima Nyingthig mandala with elaborations is similar to the Dakini Nyingthig, including the horse landing. There is no difference in the color of the walls and the horse landing cloth. In the deity palace, there is an eight-petaled lotus in the center, with a blue center and yellow stamens. In the center are Vairochana Buddha parents, blue in color, the father holding a wheel. In the eastern lotus petal are Vajrasattva Buddha parents, and the other three directions also have Buddha parents, seated on lotus and moon cushions. All the fathers of the families hold their own symbolic implements in their right hands at their hearts, and bells in their left hands at their waists, all in the Sambhogakaya form. The mothers' body colors are like the fathers', holding curved knives and skull cups. Legs in vajra posture. On the corner petals, in the southeast is white Lasye holding a mirror, in the southwest is blue Mala holding a jewel rosary, in the northwest is red Girti holding a lute, and in the northeast is green Nirti holding a dance mudra, seated in a meditative posture on lotus and sun cushions. The method of drawing the lotus is that the inner parts of the four directions are white in the east, yellow in the south, red in the west, and green in the north, with a blue outer layer. The inner parts of the four corners are reddish-white, and the outer layer is green. The offering cloth is like the usual offering goddesses. There are no gatekeeper parents. Outside, there is a stone fence, and beyond that, it needs to be adorned with five piles of fire mountains. There are no charnel grounds or lotus garlands. As per the practice of the Great Omniscient One, it was drawn as it is after carefully observing the mandala of the Great Treasure Guru. The Great Omniscient One said that the practice is without error. Copied from the handwriting of Gyurme Kalzang Khupo. May it be virtuous! previous Vima Nyingthig with Elaborations Mandala Drawing Method next